Film and Fashion in Japan, 1923-39: Consuming the 'West'
Examines Western-inspired fashion objects in Japanese cinema between 1923 and 1939Consults varied primary Japanese-language source material, such as visual analysis of extant films; film fragments and stills from the era; advertising ephemera such as film posters and match boxes; and various print-b...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2023]
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| Schriftenreihe: | Film and Fashions : FIFA
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| Schlagworte: | |
| Online-Zugang: | DE-12 DE-Aug4 DE-898 Volltext |
| Zusammenfassung: | Examines Western-inspired fashion objects in Japanese cinema between 1923 and 1939Consults varied primary Japanese-language source material, such as visual analysis of extant films; film fragments and stills from the era; advertising ephemera such as film posters and match boxes; and various print-based materialsProvides film analysis and synopses of many Japanese films which are not yet commercially available and/or subtitled in EnglishConcentrates equally on depictions of menswear and womenswear - there is currently a bias towards depictions of women's styles in both fashion and film studiesDiscusses the history of issues highly relevant to today's media climate in a non-American and non-European contextPresents fashion as a means of coding identities both on- and off-screen - case studies include the Modern Girl (the Japanese variant of the Hollywood flapper), the Modern Boy (a foppish masculine archetype), the modernising Japanese housewife and the healthy sportsperson.Discusses LGBT identities and the usage of fashion to depict them in both Japanese and Hollywood cinemasFilm and Fashion in Japan, 1923-39 examines the interaction between the audience member and Japan's film and fashion industries, focusing on Western-inspired fashion objects as opposed to indigenous Japanese items. Taking an interdisciplinary approach, Barnett examines the semiotics of dress onscreen within Japan's transcultural media climate, consulting not only film- or fashion-related theoretical bases but also historical and gender-based approaches.The work consults surviving films, print media and advertising materials, allowing insights into lost films and the period's thriving commercial context. It focuses on the expressive Modern Girl image (the Japanese equivalent of the Hollywood flapper); sportswear and hybridised dress styles (which combined Japanese and Western-influenced aesthetics) and their relationship with body; and menswear in the early work of the director Ozu Yasujirō. This book discusses the role of fashion consumption in defining emergent modern identities and their relationships with new spaces, questioning their arising in the Japanese context and within the global sphere |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) |
| Beschreibung: | 1 Online-Ressource (288 pages) 35 colour illustrations 35 colour images |
| ISBN: | 9781474497725 |
| DOI: | 10.1515/9781474497725 |
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| 520 | |a Examines Western-inspired fashion objects in Japanese cinema between 1923 and 1939Consults varied primary Japanese-language source material, such as visual analysis of extant films; film fragments and stills from the era; advertising ephemera such as film posters and match boxes; and various print-based materialsProvides film analysis and synopses of many Japanese films which are not yet commercially available and/or subtitled in EnglishConcentrates equally on depictions of menswear and womenswear - there is currently a bias towards depictions of women's styles in both fashion and film studiesDiscusses the history of issues highly relevant to today's media climate in a non-American and non-European contextPresents fashion as a means of coding identities both on- and off-screen - case studies include the Modern Girl (the Japanese variant of the Hollywood flapper), the Modern Boy (a foppish masculine archetype), | ||
| 520 | |a the modernising Japanese housewife and the healthy sportsperson.Discusses LGBT identities and the usage of fashion to depict them in both Japanese and Hollywood cinemasFilm and Fashion in Japan, 1923-39 examines the interaction between the audience member and Japan's film and fashion industries, focusing on Western-inspired fashion objects as opposed to indigenous Japanese items. Taking an interdisciplinary approach, Barnett examines the semiotics of dress onscreen within Japan's transcultural media climate, consulting not only film- or fashion-related theoretical bases but also historical and gender-based approaches.The work consults surviving films, print media and advertising materials, allowing insights into lost films and the period's thriving commercial context. | ||
| 520 | |a It focuses on the expressive Modern Girl image (the Japanese equivalent of the Hollywood flapper); sportswear and hybridised dress styles (which combined Japanese and Western-influenced aesthetics) and their relationship with body; and menswear in the early work of the director Ozu Yasujirō. This book discusses the role of fashion consumption in defining emergent modern identities and their relationships with new spaces, questioning their arising in the Japanese context and within the global sphere | ||
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| dewey-search | 791.4302/6 |
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| discipline | Allgemeines |
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| isbn | 9781474497725 |
| language | English |
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| series2 | Film and Fashions : FIFA |
| spelling | Barnett, Lois Verfasser aut Film and Fashion in Japan, 1923-39 Consuming the 'West' Lois Barnett Edinburgh Edinburgh University Press [2023] © 2023 1 Online-Ressource (288 pages) 35 colour illustrations 35 colour images txt rdacontent c rdamedia cr rdacarrier Film and Fashions : FIFA Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) Examines Western-inspired fashion objects in Japanese cinema between 1923 and 1939Consults varied primary Japanese-language source material, such as visual analysis of extant films; film fragments and stills from the era; advertising ephemera such as film posters and match boxes; and various print-based materialsProvides film analysis and synopses of many Japanese films which are not yet commercially available and/or subtitled in EnglishConcentrates equally on depictions of menswear and womenswear - there is currently a bias towards depictions of women's styles in both fashion and film studiesDiscusses the history of issues highly relevant to today's media climate in a non-American and non-European contextPresents fashion as a means of coding identities both on- and off-screen - case studies include the Modern Girl (the Japanese variant of the Hollywood flapper), the Modern Boy (a foppish masculine archetype), the modernising Japanese housewife and the healthy sportsperson.Discusses LGBT identities and the usage of fashion to depict them in both Japanese and Hollywood cinemasFilm and Fashion in Japan, 1923-39 examines the interaction between the audience member and Japan's film and fashion industries, focusing on Western-inspired fashion objects as opposed to indigenous Japanese items. Taking an interdisciplinary approach, Barnett examines the semiotics of dress onscreen within Japan's transcultural media climate, consulting not only film- or fashion-related theoretical bases but also historical and gender-based approaches.The work consults surviving films, print media and advertising materials, allowing insights into lost films and the period's thriving commercial context. It focuses on the expressive Modern Girl image (the Japanese equivalent of the Hollywood flapper); sportswear and hybridised dress styles (which combined Japanese and Western-influenced aesthetics) and their relationship with body; and menswear in the early work of the director Ozu Yasujirō. This book discusses the role of fashion consumption in defining emergent modern identities and their relationships with new spaces, questioning their arising in the Japanese context and within the global sphere In English Film, Media & Cultural Studies DESIGN / Textile & Costume bisacsh Fashion in motion pictures Fashion Japan History 20th century Motion picture audiences Japan History 20th century Motion picture industry Japan History 20th century https://doi.org/10.1515/9781474497725 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Barnett, Lois Film and Fashion in Japan, 1923-39 Consuming the 'West' Film, Media & Cultural Studies DESIGN / Textile & Costume bisacsh Fashion in motion pictures Fashion Japan History 20th century Motion picture audiences Japan History 20th century Motion picture industry Japan History 20th century |
| title | Film and Fashion in Japan, 1923-39 Consuming the 'West' |
| title_auth | Film and Fashion in Japan, 1923-39 Consuming the 'West' |
| title_exact_search | Film and Fashion in Japan, 1923-39 Consuming the 'West' |
| title_exact_search_txtP | Film and Fashion in Japan, 1923-39 Consuming the 'West' |
| title_full | Film and Fashion in Japan, 1923-39 Consuming the 'West' Lois Barnett |
| title_fullStr | Film and Fashion in Japan, 1923-39 Consuming the 'West' Lois Barnett |
| title_full_unstemmed | Film and Fashion in Japan, 1923-39 Consuming the 'West' Lois Barnett |
| title_short | Film and Fashion in Japan, 1923-39 |
| title_sort | film and fashion in japan 1923 39 consuming the west |
| title_sub | Consuming the 'West' |
| topic | Film, Media & Cultural Studies DESIGN / Textile & Costume bisacsh Fashion in motion pictures Fashion Japan History 20th century Motion picture audiences Japan History 20th century Motion picture industry Japan History 20th century |
| topic_facet | Film, Media & Cultural Studies DESIGN / Textile & Costume Fashion in motion pictures Fashion Japan History 20th century Motion picture audiences Japan History 20th century Motion picture industry Japan History 20th century |
| url | https://doi.org/10.1515/9781474497725 |
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