Film Style in Indonesian Cinema, 1998-2018: Lighting, Production Design and Camera Movement
Examines the use of cinematography and mise en scène in contemporary Indonesian cinemaThe first scholarly work that considers Indonesian cinema as an artistic field with significant aesthetic values and artistic accomplishmentsUses theories of film style never applied to Indonesian films beforeDiscu...
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| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Edinburgh
Edinburgh University Press
[2023]
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| Subjects: | |
| Online Access: | DE-12 Volltext |
| Summary: | Examines the use of cinematography and mise en scène in contemporary Indonesian cinemaThe first scholarly work that considers Indonesian cinema as an artistic field with significant aesthetic values and artistic accomplishmentsUses theories of film style never applied to Indonesian films beforeDiscusses films from underrepresented groups, including women, LGBTQ and ethnic minority filmmakers Discusses Indonesian films that have been traditionally under-discussed in the field, including commercial genre films, exploitation films and short filmsFilm Style in Indonesian Cinema, 1998-2018 investigates the role of film style during the rebirth of Indonesian cinema following the collapse of General Suharto's New Order regime. Purnama argues that the renewal of Indonesian cinema was influenced by filmmakers who revamped the cinematic images of Indonesian film by foregrounding visual stylisation using cinematography and production design techniques. They transformed the aesthetic of Indonesian film to become stylistically complex with a pronounced degree of visual sophistication, offering local audiences pictorially appealing and engaging cinematic experiences.Through a close analysis of lighting, production design, and camera movement in contemporary films such as Sang Pencerah, Laskar Pelangi, and The Raid: Redemption, Purnama highlights the significance of film style and the art of film-making to the cinematographers and production designers who revitalised Indonesian cinema in the 21st Century |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) |
| Physical Description: | 1 Online-Ressource (224 pages) 49 B/W illustrations 49 b&w images |
| ISBN: | 9781474496636 |
| DOI: | 10.1515/9781474496636 |
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| id | DE-604.BV049468734 |
| illustrated | Illustrated |
| index_date | 2024-07-03T23:16:16Z |
| indexdate | 2025-02-19T17:37:21Z |
| institution | BVB |
| isbn | 9781474496636 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034814363 |
| oclc_num | 1414544427 |
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| physical | 1 Online-Ressource (224 pages) 49 B/W illustrations 49 b&w images |
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| publishDate | 2023 |
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| publisher | Edinburgh University Press |
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| spelling | Purnama, Ari Verfasser aut Film Style in Indonesian Cinema, 1998-2018 Lighting, Production Design and Camera Movement Ari Purnama Edinburgh Edinburgh University Press [2023] © 2023 1 Online-Ressource (224 pages) 49 B/W illustrations 49 b&w images txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) Examines the use of cinematography and mise en scène in contemporary Indonesian cinemaThe first scholarly work that considers Indonesian cinema as an artistic field with significant aesthetic values and artistic accomplishmentsUses theories of film style never applied to Indonesian films beforeDiscusses films from underrepresented groups, including women, LGBTQ and ethnic minority filmmakers Discusses Indonesian films that have been traditionally under-discussed in the field, including commercial genre films, exploitation films and short filmsFilm Style in Indonesian Cinema, 1998-2018 investigates the role of film style during the rebirth of Indonesian cinema following the collapse of General Suharto's New Order regime. Purnama argues that the renewal of Indonesian cinema was influenced by filmmakers who revamped the cinematic images of Indonesian film by foregrounding visual stylisation using cinematography and production design techniques. They transformed the aesthetic of Indonesian film to become stylistically complex with a pronounced degree of visual sophistication, offering local audiences pictorially appealing and engaging cinematic experiences.Through a close analysis of lighting, production design, and camera movement in contemporary films such as Sang Pencerah, Laskar Pelangi, and The Raid: Redemption, Purnama highlights the significance of film style and the art of film-making to the cinematographers and production designers who revitalised Indonesian cinema in the 21st Century In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Cinematography Indonesia History 21st century Motion pictures Production and direction Indonesia History 21st century https://doi.org/10.1515/9781474496636 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Purnama, Ari Film Style in Indonesian Cinema, 1998-2018 Lighting, Production Design and Camera Movement Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Cinematography Indonesia History 21st century Motion pictures Production and direction Indonesia History 21st century |
| title | Film Style in Indonesian Cinema, 1998-2018 Lighting, Production Design and Camera Movement |
| title_auth | Film Style in Indonesian Cinema, 1998-2018 Lighting, Production Design and Camera Movement |
| title_exact_search | Film Style in Indonesian Cinema, 1998-2018 Lighting, Production Design and Camera Movement |
| title_exact_search_txtP | Film Style in Indonesian Cinema, 1998-2018 Lighting, Production Design and Camera Movement |
| title_full | Film Style in Indonesian Cinema, 1998-2018 Lighting, Production Design and Camera Movement Ari Purnama |
| title_fullStr | Film Style in Indonesian Cinema, 1998-2018 Lighting, Production Design and Camera Movement Ari Purnama |
| title_full_unstemmed | Film Style in Indonesian Cinema, 1998-2018 Lighting, Production Design and Camera Movement Ari Purnama |
| title_short | Film Style in Indonesian Cinema, 1998-2018 |
| title_sort | film style in indonesian cinema 1998 2018 lighting production design and camera movement |
| title_sub | Lighting, Production Design and Camera Movement |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Cinematography Indonesia History 21st century Motion pictures Production and direction Indonesia History 21st century |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production Cinematography Indonesia History 21st century Motion pictures Production and direction Indonesia History 21st century |
| url | https://doi.org/10.1515/9781474496636 |
| work_keys_str_mv | AT purnamaari filmstyleinindonesiancinema19982018lightingproductiondesignandcameramovement |