Narrative, Affect and Victorian Sensation: Wilful Bodies
Positions the sensation novel, and nineteenth-century popular fiction more generally, as vital to the history of feelingArgues for the literary significance of this popular formExamines work by lesser-known female writers, such as Caroline Clive, Annie Edwards and Florence WilfordDemonstrates that s...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2023]
|
| Schriftenreihe: | Nineteenth-Century and Neo-Victorian Cultures
|
| Schlagworte: | |
| Online-Zugang: | FHA01 Volltext |
| Zusammenfassung: | Positions the sensation novel, and nineteenth-century popular fiction more generally, as vital to the history of feelingArgues for the literary significance of this popular formExamines work by lesser-known female writers, such as Caroline Clive, Annie Edwards and Florence WilfordDemonstrates that sensationalism can be traced across a wide range of writers and genres, from spasmodic poetry to the novels of Louisa May AlcottConnects Victorian writing on feeling to contemporary affect theoryNarrative, Affect, and Victorian Sensation: Wilful Bodies argues that Victorian sensation novels - long dismissed as plot-driven, silly, and feminine - develop complex theories of narrative affect, our embodied responses to reading, imagining, and even writing a narrative. The popular sensation novel thus should be understood as a key contribution to the novel's assessment of its own workings, especially the ways in which reading and writing figure as affective acts. Additionally, the book radically expands the field of sensation fiction, taking seriously lesser-known female authors, and reading them alongside a range of writers not typically considered sensational. These novels insist that feelings are not bound to a single body and that bodies generate meaning when they are put in relation to other bodies and systems of knowledge |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) |
| Beschreibung: | 1 Online-Ressource (232 pages) |
| ISBN: | 9781399522212 |
| DOI: | 10.1515/9781399522212 |
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| indexdate | 2024-07-10T10:08:07Z |
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| spelling | MacDonald, Tara Verfasser aut Narrative, Affect and Victorian Sensation Wilful Bodies Tara MacDonald Edinburgh Edinburgh University Press [2023] © 2023 1 Online-Ressource (232 pages) txt rdacontent c rdamedia cr rdacarrier Nineteenth-Century and Neo-Victorian Cultures Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) Positions the sensation novel, and nineteenth-century popular fiction more generally, as vital to the history of feelingArgues for the literary significance of this popular formExamines work by lesser-known female writers, such as Caroline Clive, Annie Edwards and Florence WilfordDemonstrates that sensationalism can be traced across a wide range of writers and genres, from spasmodic poetry to the novels of Louisa May AlcottConnects Victorian writing on feeling to contemporary affect theoryNarrative, Affect, and Victorian Sensation: Wilful Bodies argues that Victorian sensation novels - long dismissed as plot-driven, silly, and feminine - develop complex theories of narrative affect, our embodied responses to reading, imagining, and even writing a narrative. The popular sensation novel thus should be understood as a key contribution to the novel's assessment of its own workings, especially the ways in which reading and writing figure as affective acts. Additionally, the book radically expands the field of sensation fiction, taking seriously lesser-known female authors, and reading them alongside a range of writers not typically considered sensational. These novels insist that feelings are not bound to a single body and that bodies generate meaning when they are put in relation to other bodies and systems of knowledge In English Literary Studies LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh English fiction 19th century History and criticism Senses and sensation in literature https://doi.org/10.1515/9781399522212 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | MacDonald, Tara Narrative, Affect and Victorian Sensation Wilful Bodies Literary Studies LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh English fiction 19th century History and criticism Senses and sensation in literature |
| title | Narrative, Affect and Victorian Sensation Wilful Bodies |
| title_auth | Narrative, Affect and Victorian Sensation Wilful Bodies |
| title_exact_search | Narrative, Affect and Victorian Sensation Wilful Bodies |
| title_exact_search_txtP | Narrative, Affect and Victorian Sensation Wilful Bodies |
| title_full | Narrative, Affect and Victorian Sensation Wilful Bodies Tara MacDonald |
| title_fullStr | Narrative, Affect and Victorian Sensation Wilful Bodies Tara MacDonald |
| title_full_unstemmed | Narrative, Affect and Victorian Sensation Wilful Bodies Tara MacDonald |
| title_short | Narrative, Affect and Victorian Sensation |
| title_sort | narrative affect and victorian sensation wilful bodies |
| title_sub | Wilful Bodies |
| topic | Literary Studies LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh English fiction 19th century History and criticism Senses and sensation in literature |
| topic_facet | Literary Studies LITERARY CRITICISM / European / English, Irish, Scottish, Welsh English fiction 19th century History and criticism Senses and sensation in literature |
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