The Intensive-Image in Deleuze's Film-Philosophy:
Introduces the concept of the intensive-image" to develop a deeper understanding of the part played by intensity in the history of the cinematic imageThe book develops the original concept of the intensive-image in order to open up a new and important understanding of the part played by intensi...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2023]
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Schlagworte: | |
Online-Zugang: | DE-12 Volltext |
Zusammenfassung: | Introduces the concept of the intensive-image" to develop a deeper understanding of the part played by intensity in the history of the cinematic imageThe book develops the original concept of the intensive-image in order to open up a new and important understanding of the part played by intensity in the history of the cinematic imageEscobar explore the significance of the notion of intensity in Deleuze's philosophy and the ways it can be used to think about cinematic intensity as suchThe focus on the intensive-image inspires readers to reconsider Deleuze's classification of cinema into two periods and two main types of imagesThe general argument is that the intensive-image breaks up Deleuze's divide between classical and modern periods as well as linking these two periods to contemporary cinema through its own unique propertiesThis book argues that the intensive-image constitutes an important cinematic category that prompts a rethinking of Deleuze's taxonomy of images in his Cinema 1: The Movement-Image and Cinema 2: The Time-Image. Escobar explores the proposition that the notion of intensity has the potential to change the way in which we think about Deleuze's classification of films as signifying two separate periods, the classical period of the movement-image and the modern period of the time-image, thereby bringing them together and overcoming the separation that the philosopher creates. This book also explores the ways in which the intensive-image varies and differentiates itself from other images and the role it plays in contemporary cinema. |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) |
Beschreibung: | 1 Online-Ressource (256 pages) |
ISBN: | 9781399517553 |
DOI: | 10.1515/9781399517553 |
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520 | |a Introduces the concept of the intensive-image" to develop a deeper understanding of the part played by intensity in the history of the cinematic imageThe book develops the original concept of the intensive-image in order to open up a new and important understanding of the part played by intensity in the history of the cinematic imageEscobar explore the significance of the notion of intensity in Deleuze's philosophy and the ways it can be used to think about cinematic intensity as suchThe focus on the intensive-image inspires readers to reconsider Deleuze's classification of cinema into two periods and two main types of imagesThe general argument is that the intensive-image breaks up Deleuze's divide between classical and modern periods as well as linking these two periods to contemporary cinema through its own unique propertiesThis book argues that the intensive-image constitutes an important cinematic category that prompts a rethinking of Deleuze's taxonomy of images in his Cinema 1: The Movement-Image and Cinema 2: The Time-Image. Escobar explores the proposition that the notion of intensity has the potential to change the way in which we think about Deleuze's classification of films as signifying two separate periods, the classical period of the movement-image and the modern period of the time-image, thereby bringing them together and overcoming the separation that the philosopher creates. This book also explores the ways in which the intensive-image varies and differentiates itself from other images and the role it plays in contemporary cinema. | ||
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Datensatz im Suchindex
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author | Escobar, Cristóbal |
author_facet | Escobar, Cristóbal |
author_role | aut |
author_sort | Escobar, Cristóbal |
author_variant | c e ce |
building | Verbundindex |
bvnumber | BV049468661 |
collection | ZDB-23-DGG |
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dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.4301 |
dewey-search | 791.4301 |
dewey-sort | 3791.4301 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
discipline_str_mv | Allgemeines |
doi_str_mv | 10.1515/9781399517553 |
format | Electronic eBook |
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isbn | 9781399517553 |
language | English |
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spelling | Escobar, Cristóbal Verfasser aut The Intensive-Image in Deleuze's Film-Philosophy Cristóbal Escobar Edinburgh Edinburgh University Press [2023] © 2023 1 Online-Ressource (256 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) Introduces the concept of the intensive-image" to develop a deeper understanding of the part played by intensity in the history of the cinematic imageThe book develops the original concept of the intensive-image in order to open up a new and important understanding of the part played by intensity in the history of the cinematic imageEscobar explore the significance of the notion of intensity in Deleuze's philosophy and the ways it can be used to think about cinematic intensity as suchThe focus on the intensive-image inspires readers to reconsider Deleuze's classification of cinema into two periods and two main types of imagesThe general argument is that the intensive-image breaks up Deleuze's divide between classical and modern periods as well as linking these two periods to contemporary cinema through its own unique propertiesThis book argues that the intensive-image constitutes an important cinematic category that prompts a rethinking of Deleuze's taxonomy of images in his Cinema 1: The Movement-Image and Cinema 2: The Time-Image. Escobar explores the proposition that the notion of intensity has the potential to change the way in which we think about Deleuze's classification of films as signifying two separate periods, the classical period of the movement-image and the modern period of the time-image, thereby bringing them together and overcoming the separation that the philosopher creates. This book also explores the ways in which the intensive-image varies and differentiates itself from other images and the role it plays in contemporary cinema. In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh Image (Philosophy) Motion pictures Philosophy https://doi.org/10.1515/9781399517553 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Escobar, Cristóbal The Intensive-Image in Deleuze's Film-Philosophy Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh Image (Philosophy) Motion pictures Philosophy |
title | The Intensive-Image in Deleuze's Film-Philosophy |
title_auth | The Intensive-Image in Deleuze's Film-Philosophy |
title_exact_search | The Intensive-Image in Deleuze's Film-Philosophy |
title_exact_search_txtP | The Intensive-Image in Deleuze's Film-Philosophy |
title_full | The Intensive-Image in Deleuze's Film-Philosophy Cristóbal Escobar |
title_fullStr | The Intensive-Image in Deleuze's Film-Philosophy Cristóbal Escobar |
title_full_unstemmed | The Intensive-Image in Deleuze's Film-Philosophy Cristóbal Escobar |
title_short | The Intensive-Image in Deleuze's Film-Philosophy |
title_sort | the intensive image in deleuze s film philosophy |
topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh Image (Philosophy) Motion pictures Philosophy |
topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism Image (Philosophy) Motion pictures Philosophy |
url | https://doi.org/10.1515/9781399517553 |
work_keys_str_mv | AT escobarcristobal theintensiveimageindeleuzesfilmphilosophy |