Abject Pleasures in the Cinematic: the beautiful, sexual arousal, and laughter
Examines the cinematic strategies that elicit visceral pleasure in the face of content that is crass, politically problematic, or unethicalDiscusses the ways in which the cinematic elicits pleasurable sensationsEmphasizes the pleasure drawn from abject contentFocuses squarely on the visceral experie...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2023]
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| Schlagworte: | |
| Online-Zugang: | DE-12 DE-12 DE-473 URL des Erstveröffentlichers URL des Erstveröffentlichers |
| Zusammenfassung: | Examines the cinematic strategies that elicit visceral pleasure in the face of content that is crass, politically problematic, or unethicalDiscusses the ways in which the cinematic elicits pleasurable sensationsEmphasizes the pleasure drawn from abject contentFocuses squarely on the visceral experience, as distinct from the emotional appeal of the cinematicAbject Pleasures in the Cinematic examines the cinematic strategies that elicit visceral pleasure-tears, goosebumps, sexual arousal, laughter-even in the face of content that is crass, politically problematic, or unethical.While there might be a progressive predisposition within our discipline, affect pledges no allegiance to any particular political inclination. Progressives, or progressive content, does not hold a monopoly on affect. The beautiful has no inherent bond to the good (i.e., morally good, or having cultural merit), rather it is an affective experience, and it might come to us in the most unlikely and unsavory places. Pornography, even with the most regressive content, wields the possibility to be sexually arousing even despite our own ethical objections. While well-intended academics routinely claim that watching people get hurt is not funny, and we might appreciate the gesture to cultivate our better angels, but such assertions do not necessarily align with our lived-experience |
| Beschreibung: | 1 Online-Ressource (283 Seiten) Illustrationen |
| ISBN: | 9781399501125 |
| DOI: | 10.1515/9781399501125 |
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| 520 | |a Examines the cinematic strategies that elicit visceral pleasure in the face of content that is crass, politically problematic, or unethicalDiscusses the ways in which the cinematic elicits pleasurable sensationsEmphasizes the pleasure drawn from abject contentFocuses squarely on the visceral experience, as distinct from the emotional appeal of the cinematicAbject Pleasures in the Cinematic examines the cinematic strategies that elicit visceral pleasure-tears, goosebumps, sexual arousal, laughter-even in the face of content that is crass, politically problematic, or unethical.While there might be a progressive predisposition within our discipline, affect pledges no allegiance to any particular political inclination. Progressives, or progressive content, does not hold a monopoly on affect. The beautiful has no inherent bond to the good (i.e., morally good, or having cultural merit), rather it is an affective experience, and it might come to us in the most unlikely and unsavory places. Pornography, even with the most regressive content, wields the possibility to be sexually arousing even despite our own ethical objections. While well-intended academics routinely claim that watching people get hurt is not funny, and we might appreciate the gesture to cultivate our better angels, but such assertions do not necessarily align with our lived-experience | ||
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| 650 | 4 | |a Aesthetics in motion pictures | |
| 650 | 4 | |a Laughter |x Psychological aspects | |
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| 650 | 4 | |a Pleasure |x Psychological aspects | |
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| dewey-ones | 791 - Public performances |
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| dewey-tens | 790 - Recreational and performing arts |
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| doi_str_mv | 10.1515/9781399501125 |
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| isbn | 9781399501125 |
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| spelling | Kerner, Aaron 1972- Verfasser (DE-588)1072168987 aut Abject Pleasures in the Cinematic the beautiful, sexual arousal, and laughter Aaron Kerner Edinburgh Edinburgh University Press [2023] © 2023 1 Online-Ressource (283 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Examines the cinematic strategies that elicit visceral pleasure in the face of content that is crass, politically problematic, or unethicalDiscusses the ways in which the cinematic elicits pleasurable sensationsEmphasizes the pleasure drawn from abject contentFocuses squarely on the visceral experience, as distinct from the emotional appeal of the cinematicAbject Pleasures in the Cinematic examines the cinematic strategies that elicit visceral pleasure-tears, goosebumps, sexual arousal, laughter-even in the face of content that is crass, politically problematic, or unethical.While there might be a progressive predisposition within our discipline, affect pledges no allegiance to any particular political inclination. Progressives, or progressive content, does not hold a monopoly on affect. The beautiful has no inherent bond to the good (i.e., morally good, or having cultural merit), rather it is an affective experience, and it might come to us in the most unlikely and unsavory places. Pornography, even with the most regressive content, wields the possibility to be sexually arousing even despite our own ethical objections. While well-intended academics routinely claim that watching people get hurt is not funny, and we might appreciate the gesture to cultivate our better angels, but such assertions do not necessarily align with our lived-experience Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Aesthetics in motion pictures Laughter Psychological aspects Motion picture audiences Psychology Pleasure Psychological aspects Erscheint auch als Druck-Ausgabe 978-1-399-50110-1 https://doi.org/10.1515/9781399501125 Verlag URL des Erstveröffentlichers Volltext https://www.cambridge.org/core/product/identifier/9781399501125/type/BOOK Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Kerner, Aaron 1972- Abject Pleasures in the Cinematic the beautiful, sexual arousal, and laughter Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Aesthetics in motion pictures Laughter Psychological aspects Motion picture audiences Psychology Pleasure Psychological aspects |
| title | Abject Pleasures in the Cinematic the beautiful, sexual arousal, and laughter |
| title_auth | Abject Pleasures in the Cinematic the beautiful, sexual arousal, and laughter |
| title_exact_search | Abject Pleasures in the Cinematic the beautiful, sexual arousal, and laughter |
| title_exact_search_txtP | Abject Pleasures in the Cinematic The Beautiful, Sexual Arousal, and Laughter |
| title_full | Abject Pleasures in the Cinematic the beautiful, sexual arousal, and laughter Aaron Kerner |
| title_fullStr | Abject Pleasures in the Cinematic the beautiful, sexual arousal, and laughter Aaron Kerner |
| title_full_unstemmed | Abject Pleasures in the Cinematic the beautiful, sexual arousal, and laughter Aaron Kerner |
| title_short | Abject Pleasures in the Cinematic |
| title_sort | abject pleasures in the cinematic the beautiful sexual arousal and laughter |
| title_sub | the beautiful, sexual arousal, and laughter |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Aesthetics in motion pictures Laughter Psychological aspects Motion picture audiences Psychology Pleasure Psychological aspects |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production Aesthetics in motion pictures Laughter Psychological aspects Motion picture audiences Psychology Pleasure Psychological aspects |
| url | https://doi.org/10.1515/9781399501125 https://www.cambridge.org/core/product/identifier/9781399501125/type/BOOK |
| work_keys_str_mv | AT kerneraaron abjectpleasuresinthecinematicthebeautifulsexualarousalandlaughter |