The Moment of Caravaggio:
A major reevaluation of Caravaggio from one of today's leading art historiansThis is a groundbreaking examination of one of the most important artists in the Western tradition by one of the leading art historians and critics of the past half-century. In his first extended consideration of the I...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton, NJ
Princeton University Press
[2023]
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| Schriftenreihe: | The A. W. Mellon Lectures in the Fine Arts
35 |
| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | A major reevaluation of Caravaggio from one of today's leading art historiansThis is a groundbreaking examination of one of the most important artists in the Western tradition by one of the leading art historians and critics of the past half-century. In his first extended consideration of the Italian Baroque painter Michelangelo Merisi da Caravaggio (1573-1610), Michael Fried offers a transformative account of the artist's revolutionary achievement. Based on the A. W. Mellon Lectures in the Fine Arts delivered at the National Gallery of Art, The Moment of Caravaggio displays Fried's unique combination of interpretive brilliance, historical seriousness, and theoretical sophistication, providing sustained and unexpected readings of a wide range of major works, from the early Boy Bitten by a Lizard to the late Martyrdom of Saint Ursula. The result is an electrifying new perspective on a crucial episode in the history of European painting.Focusing on the emergence of the full-blown "gallery picture" in Rome during the last decade of the sixteenth century and the first decades of the seventeenth, Fried draws forth an expansive argument, one that leads to a radically revisionist account of Caravaggio's relation to the self-portrait; of the role of extreme violence in his art, as epitomized by scenes of decapitation; and of the deep structure of his epoch-defining realism. Fried also gives considerable attention to the art of Caravaggio's great rival, Annibale Carracci, as well as to the work of Caravaggio's followers, including Orazio and Artemisia Gentileschi, Bartolomeo Manfredi, and Valentin de Boulogne.Please note: All images in this ebook are presented in black and white and have been reduced in size |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) |
| Beschreibung: | 1 Online-Ressource (314 pages) 203 b/w illus |
| ISBN: | 9780691252988 |
| DOI: | 10.1515/9780691252988 |
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Datensatz im Suchindex
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| index_date | 2024-07-03T23:16:16Z |
| indexdate | 2024-07-10T10:08:06Z |
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| isbn | 9780691252988 |
| language | English |
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| spelling | Fried, Michael Verfasser aut The Moment of Caravaggio Michael Fried Princeton, NJ Princeton University Press [2023] © 2010 1 Online-Ressource (314 pages) 203 b/w illus txt rdacontent c rdamedia cr rdacarrier The A. W. Mellon Lectures in the Fine Arts 35 Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) A major reevaluation of Caravaggio from one of today's leading art historiansThis is a groundbreaking examination of one of the most important artists in the Western tradition by one of the leading art historians and critics of the past half-century. In his first extended consideration of the Italian Baroque painter Michelangelo Merisi da Caravaggio (1573-1610), Michael Fried offers a transformative account of the artist's revolutionary achievement. Based on the A. W. Mellon Lectures in the Fine Arts delivered at the National Gallery of Art, The Moment of Caravaggio displays Fried's unique combination of interpretive brilliance, historical seriousness, and theoretical sophistication, providing sustained and unexpected readings of a wide range of major works, from the early Boy Bitten by a Lizard to the late Martyrdom of Saint Ursula. The result is an electrifying new perspective on a crucial episode in the history of European painting.Focusing on the emergence of the full-blown "gallery picture" in Rome during the last decade of the sixteenth century and the first decades of the seventeenth, Fried draws forth an expansive argument, one that leads to a radically revisionist account of Caravaggio's relation to the self-portrait; of the role of extreme violence in his art, as epitomized by scenes of decapitation; and of the deep structure of his epoch-defining realism. Fried also gives considerable attention to the art of Caravaggio's great rival, Annibale Carracci, as well as to the work of Caravaggio's followers, including Orazio and Artemisia Gentileschi, Bartolomeo Manfredi, and Valentin de Boulogne.Please note: All images in this ebook are presented in black and white and have been reduced in size In English ART / History / Baroque & Rococo bisacsh Composition (Art) Painting, Italian Italy Rome 16th century Painting, Italian Italy Rome 17th century https://doi.org/10.1515/9780691252988 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Fried, Michael The Moment of Caravaggio ART / History / Baroque & Rococo bisacsh Composition (Art) Painting, Italian Italy Rome 16th century Painting, Italian Italy Rome 17th century |
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