On the Laws of the Poetic Art:
A magisterial exploration of poetry's place in the fine arts by one of the twentieth century's leading poetsIn this book, eminent poet Anthony Hecht explores the art of poetry and its relationship to the other fine arts. While the problems he treats entail both philosophic and theoretical...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton, NJ
Princeton University Press
[2023]
|
| Schriftenreihe: | The A. W. Mellon Lectures in the Fine Arts
35 |
| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | A magisterial exploration of poetry's place in the fine arts by one of the twentieth century's leading poetsIn this book, eminent poet Anthony Hecht explores the art of poetry and its relationship to the other fine arts. While the problems he treats entail both philosophic and theoretical discussion, he never allows abstract speculation to overshadow his delight in the written texts that he introduces, or in the specific examples of painting and music to which he refers. After discussing literature's links with painting and music, Hecht investigates the theme of paradise and wilderness, especially in Shakespeare's The Tempest. He then turns to the question of public and private art, exploring the ways in which all the arts participate in balances between private and public modes of discourse, and between an exclusive or elitist role and the openly political. Beginning with a discussion of architecture as an illustration of a more general theme of discord and balance, the penultimate lecture probes the inner contradictions of works of art and our reactions to them, while the final piece concerns art and morality |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) |
| Beschreibung: | 1 Online-Ressource (216 pages) 47 b/w illus |
| ISBN: | 9780691252827 |
| DOI: | 10.1515/9780691252827 |
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| 520 | |a A magisterial exploration of poetry's place in the fine arts by one of the twentieth century's leading poetsIn this book, eminent poet Anthony Hecht explores the art of poetry and its relationship to the other fine arts. While the problems he treats entail both philosophic and theoretical discussion, he never allows abstract speculation to overshadow his delight in the written texts that he introduces, or in the specific examples of painting and music to which he refers. After discussing literature's links with painting and music, Hecht investigates the theme of paradise and wilderness, especially in Shakespeare's The Tempest. He then turns to the question of public and private art, exploring the ways in which all the arts participate in balances between private and public modes of discourse, and between an exclusive or elitist role and the openly political. Beginning with a discussion of architecture as an illustration of a more general theme of discord and balance, the penultimate lecture probes the inner contradictions of works of art and our reactions to them, while the final piece concerns art and morality | ||
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Datensatz im Suchindex
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| spelling | Hecht, Anthony Verfasser aut On the Laws of the Poetic Art Anthony Hecht Princeton, NJ Princeton University Press [2023] © 1995 1 Online-Ressource (216 pages) 47 b/w illus txt rdacontent c rdamedia cr rdacarrier The A. W. Mellon Lectures in the Fine Arts 35 Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) A magisterial exploration of poetry's place in the fine arts by one of the twentieth century's leading poetsIn this book, eminent poet Anthony Hecht explores the art of poetry and its relationship to the other fine arts. While the problems he treats entail both philosophic and theoretical discussion, he never allows abstract speculation to overshadow his delight in the written texts that he introduces, or in the specific examples of painting and music to which he refers. After discussing literature's links with painting and music, Hecht investigates the theme of paradise and wilderness, especially in Shakespeare's The Tempest. He then turns to the question of public and private art, exploring the ways in which all the arts participate in balances between private and public modes of discourse, and between an exclusive or elitist role and the openly political. Beginning with a discussion of architecture as an illustration of a more general theme of discord and balance, the penultimate lecture probes the inner contradictions of works of art and our reactions to them, while the final piece concerns art and morality In English PHILOSOPHY / Aesthetics bisacsh Arts Ut pictura poesis (Aesthetics) https://doi.org/10.1515/9780691252827 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Hecht, Anthony On the Laws of the Poetic Art PHILOSOPHY / Aesthetics bisacsh Arts Ut pictura poesis (Aesthetics) |
| title | On the Laws of the Poetic Art |
| title_auth | On the Laws of the Poetic Art |
| title_exact_search | On the Laws of the Poetic Art |
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| title_full | On the Laws of the Poetic Art Anthony Hecht |
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| title_full_unstemmed | On the Laws of the Poetic Art Anthony Hecht |
| title_short | On the Laws of the Poetic Art |
| title_sort | on the laws of the poetic art |
| topic | PHILOSOPHY / Aesthetics bisacsh Arts Ut pictura poesis (Aesthetics) |
| topic_facet | PHILOSOPHY / Aesthetics Arts Ut pictura poesis (Aesthetics) |
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