The Sack of Rome, 1527:
From a leading art historian of Renaissance Italy, a compelling account of the artistic and cultural impact of the sack of sixteenth-century RomeIn this illustrated account of the sack of Rome as a cultural and artistic phenomenon, André Chastel reveals the historical ambiguities of preceding events...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton, NJ
Princeton University Press
[2023]
|
| Schriftenreihe: | The A. W. Mellon Lectures in the Fine Arts
35 |
| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | From a leading art historian of Renaissance Italy, a compelling account of the artistic and cultural impact of the sack of sixteenth-century RomeIn this illustrated account of the sack of Rome as a cultural and artistic phenomenon, André Chastel reveals the historical ambiguities of preceding events and the traumatic contrast between the flourishing world of art under Pope Clement VII and the city after it was looted by the troops of Emperor Charles V in 1527. Chastel illuminates the cultural repercussions of the humiliation of Rome, emphasizing the spread or "Europeanization" of the Mannerist style by artists who fled the city-including Parmigianino, Rosso, Polidoro, Peruzzi, and Perino del Vaga. At the same time, Clement's critics used the new media of printing and engraving to win over the people with caricatures and satirical writings, while Rome responded with monumental works affirming the legitimacy of the pope's temporal power. Chastel explores both the world that was lost by the sack and the great works of art created during Rome's recovery |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) |
| Beschreibung: | 1 Online-Ressource (340 pages) 132 b/w illus |
| ISBN: | 9780691252247 |
| DOI: | 10.1515/9780691252247 |
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| 520 | |a From a leading art historian of Renaissance Italy, a compelling account of the artistic and cultural impact of the sack of sixteenth-century RomeIn this illustrated account of the sack of Rome as a cultural and artistic phenomenon, André Chastel reveals the historical ambiguities of preceding events and the traumatic contrast between the flourishing world of art under Pope Clement VII and the city after it was looted by the troops of Emperor Charles V in 1527. Chastel illuminates the cultural repercussions of the humiliation of Rome, emphasizing the spread or "Europeanization" of the Mannerist style by artists who fled the city-including Parmigianino, Rosso, Polidoro, Peruzzi, and Perino del Vaga. At the same time, Clement's critics used the new media of printing and engraving to win over the people with caricatures and satirical writings, while Rome responded with monumental works affirming the legitimacy of the pope's temporal power. Chastel explores both the world that was lost by the sack and the great works of art created during Rome's recovery | ||
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| spelling | Chastel, André Verfasser aut The Sack of Rome, 1527 André Chastel Princeton, NJ Princeton University Press [2023] © 1983 1 Online-Ressource (340 pages) 132 b/w illus txt rdacontent c rdamedia cr rdacarrier The A. W. Mellon Lectures in the Fine Arts 35 Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) From a leading art historian of Renaissance Italy, a compelling account of the artistic and cultural impact of the sack of sixteenth-century RomeIn this illustrated account of the sack of Rome as a cultural and artistic phenomenon, André Chastel reveals the historical ambiguities of preceding events and the traumatic contrast between the flourishing world of art under Pope Clement VII and the city after it was looted by the troops of Emperor Charles V in 1527. Chastel illuminates the cultural repercussions of the humiliation of Rome, emphasizing the spread or "Europeanization" of the Mannerist style by artists who fled the city-including Parmigianino, Rosso, Polidoro, Peruzzi, and Perino del Vaga. At the same time, Clement's critics used the new media of printing and engraving to win over the people with caricatures and satirical writings, while Rome responded with monumental works affirming the legitimacy of the pope's temporal power. Chastel explores both the world that was lost by the sack and the great works of art created during Rome's recovery In English ART / History / Renaissance bisacsh Art Mutilation, defacement, etc Italy Rome Art, Renaissance Italy Rome Archer, Beth Sonstige oth https://doi.org/10.1515/9780691252247 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Chastel, André The Sack of Rome, 1527 ART / History / Renaissance bisacsh Art Mutilation, defacement, etc Italy Rome Art, Renaissance Italy Rome |
| title | The Sack of Rome, 1527 |
| title_auth | The Sack of Rome, 1527 |
| title_exact_search | The Sack of Rome, 1527 |
| title_exact_search_txtP | The Sack of Rome, 1527 |
| title_full | The Sack of Rome, 1527 André Chastel |
| title_fullStr | The Sack of Rome, 1527 André Chastel |
| title_full_unstemmed | The Sack of Rome, 1527 André Chastel |
| title_short | The Sack of Rome, 1527 |
| title_sort | the sack of rome 1527 |
| topic | ART / History / Renaissance bisacsh Art Mutilation, defacement, etc Italy Rome Art, Renaissance Italy Rome |
| topic_facet | ART / History / Renaissance Art Mutilation, defacement, etc Italy Rome Art, Renaissance Italy Rome |
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