Jazz and American culture:
"Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspect...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2024
|
| Schriftenreihe: | Cambridge themes in American literature and culture
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks." |
| Beschreibung: | xv, 415 Seiten 24 cm |
| ISBN: | 9781009420198 |
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Datensatz im Suchindex
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Contents List ofContributors Acknowledgments pagevïù xv Introduction: A Brief History of Jazz in American Culture: Five Moments from Jim Crow to George Floyd Michael Borshuk PART t i ELEMENTS OF SOUND AND STYLE Improvisation Ajay Heble 21 2 Scat and Vocalese Chris Tonelli 35 3 Jazz as IntertextualExpression Charles Hersch 49 4 How to Watch Jazz: TheImportance of Performance Michael Borshuk 64 I PART II AESTHETIC MOVEMENTS 5 Jazz Age Harlem Fiona I. B. Ngô 6 "Hard Times Don’t Worry Me”: The Blues in Black Music and Literature in the 1930s Steven C. Tracy 7 A Fool for Beauty: Modernism and the Racial Semiotics of Crooning Michael Coyle 81 96 no
vi 8 Contents Free Jazz, Critical Performativity, and 1968 127 Michael Hrebeniak PART III CULTURAL CONTEXTS 9 Jazz Slang, Jazz Speak Amor Kohli 145 10 Jazz Cool Joel Dinerstein 15g и The Institutionalization of Jazz Dale Chapman 173 12 Jazz Abroad Jürgen E. Grandt 187 PART IV LITERARY GENRES 13 Orchestrating Chaos: Othering and the Politics of Contingency in Jazz Fiction Herman Beavers 203 14 “Wail, Wop’’: Jazz Poetry on the Page and in Performance Jessica E. Teague 219 15 Jazz Criticism and Liner Notes Timothy Gray 234 16 Jazz Autobiography Daniel Stein 248 17 Jazz and the American Songbook Katherine Williams 262 PART V IMAGES AND SCREENS 18 “The Sound I Saw”: Jazz and Visual Culture Amy Abugo Ongiri 277 19 Love, Theft, and Transcendence: Jazz and Narrative Cinema Krin Gabbard 291 20 Reinstating Televisual Histories of Jazz Nicolas Pillai 305
Contents vii 2i Documentary Jazz/Jazz Documentary Will Finch 319 22 Two Dark Rooms: Jazz and Photography Benjamin Cawthra 338 Bibliography Index 352. 393 |
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| spelling | Jazz and American culture edited by Michael Borshuk, Texas Tech University Cambridge Cambridge University Press 2024 xv, 415 Seiten 24 cm txt rdacontent n rdamedia nc rdacarrier Cambridge themes in American literature and culture "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks." Geschichte gnd rswk-swf Kulturleben (DE-588)4126540-3 gnd rswk-swf Jazz (DE-588)4028532-7 gnd rswk-swf Öffentlichkeit (DE-588)4043183-6 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Jazz / History and criticism Influence (Literary, artistic, etc.) / History / 20th century Jazz / Social aspects / United States Jazz / Political aspects / United States Music and literature / History Influence (Literary, artistic, etc.) Jazz Jazz / Political aspects Jazz / Social aspects Music and literature United States 1900-1999 Criticism, interpretation, etc History (DE-588)4143413-4 Aufsatzsammlung gnd-content USA (DE-588)4078704-7 g Jazz (DE-588)4028532-7 s Kulturleben (DE-588)4126540-3 s Öffentlichkeit (DE-588)4043183-6 s Geschichte z DE-604 Borshuk, Michael (DE-588)132019264 edt Erscheint auch als Online-Ausgabe 978-1-00-942016-7 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034809141&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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