Monody in Euripides: character and the liberation of form in late Greek tragedy
The solo singer takes center stage in Euripides' late tragedies. Solo song - what the Ancient Greeks called monody - is a true dramatic innovation, combining and transcending the traditional poetic forms of Greek tragedy. At the same time, Euripides uses solo song to explore the realm of the in...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2023
|
| Schlagworte: | |
| Online-Zugang: | DE-12 DE-473 Volltext |
| Zusammenfassung: | The solo singer takes center stage in Euripides' late tragedies. Solo song - what the Ancient Greeks called monody - is a true dramatic innovation, combining and transcending the traditional poetic forms of Greek tragedy. At the same time, Euripides uses solo song to explore the realm of the interior and the personal in an expanded expressive range. Contributing to the current scholarly debate on music, emotion, and characterization in Greek drama, this book presents a new vision for the role of monody in the musical design of Ion, Iphigenia among the Taurians, Phoenician Women, and Orestes. Drawing on her practical experience in the theater, Catenaccio establishes the central importance of monody in Euripides' art |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 31 Jul 2023) |
| Beschreibung: | 1 Online-Ressource (x, 217 Seiten) |
| ISBN: | 9781009300179 |
| DOI: | 10.1017/9781009300179 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV049445492 | ||
| 003 | DE-604 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 231204s2023 |||| o||u| ||||||eng d | ||
| 020 | |a 9781009300179 |c Online |9 978-1-00-930017-9 | ||
| 024 | 7 | |a 10.1017/9781009300179 |2 doi | |
| 035 | |a (ZDB-20-CBO)CR9781009300179 | ||
| 035 | |a (OCoLC)1414564656 | ||
| 035 | |a (DE-599)BVBBV049445492 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-473 | ||
| 082 | 0 | |a 882.01 | |
| 100 | 1 | |a Catenaccio, Claire |4 aut | |
| 245 | 1 | 0 | |a Monody in Euripides |b character and the liberation of form in late Greek tragedy |c Claire Catenaccio |
| 264 | 1 | |a Cambridge |b Cambridge University Press |c 2023 | |
| 300 | |a 1 Online-Ressource (x, 217 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Title from publisher's bibliographic system (viewed on 31 Jul 2023) | ||
| 520 | |a The solo singer takes center stage in Euripides' late tragedies. Solo song - what the Ancient Greeks called monody - is a true dramatic innovation, combining and transcending the traditional poetic forms of Greek tragedy. At the same time, Euripides uses solo song to explore the realm of the interior and the personal in an expanded expressive range. Contributing to the current scholarly debate on music, emotion, and characterization in Greek drama, this book presents a new vision for the role of monody in the musical design of Ion, Iphigenia among the Taurians, Phoenician Women, and Orestes. Drawing on her practical experience in the theater, Catenaccio establishes the central importance of monody in Euripides' art | ||
| 600 | 1 | 4 | |a Euripides / Criticism and interpretation |
| 600 | 0 | 7 | |a Euripides |d ca. 485/480 v. Chr.-406 v.Chr. |0 (DE-588)118531395 |2 gnd |9 rswk-swf |
| 650 | 4 | |a Music in the theater / Greece / History / To 1500 | |
| 650 | 0 | 7 | |a Psychologie |0 (DE-588)4047704-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Monodie |0 (DE-588)4170461-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Gefühl |0 (DE-588)4019702-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musik |0 (DE-588)4040802-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Theater |0 (DE-588)4059702-7 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Euripides |d ca. 485/480 v. Chr.-406 v.Chr. |0 (DE-588)118531395 |D p |
| 689 | 0 | 1 | |a Monodie |0 (DE-588)4170461-7 |D s |
| 689 | 0 | 2 | |a Musik |0 (DE-588)4040802-4 |D s |
| 689 | 0 | 3 | |a Theater |0 (DE-588)4059702-7 |D s |
| 689 | 0 | 4 | |a Gefühl |0 (DE-588)4019702-5 |D s |
| 689 | 0 | 5 | |a Psychologie |0 (DE-588)4047704-6 |D s |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-1-009-30012-4 |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-1-009-30013-1 |
| 856 | 4 | 0 | |u https://doi.org/10.1017/9781009300179 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-20-CBO | ||
| 940 | 1 | |q gbd_1 | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-034791392 | |
| 966 | e | |u https://doi.org/10.1017/9781009300179 |l DE-12 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1017/9781009300179 |l DE-473 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1813698924455657472 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Catenaccio, Claire |
| author_facet | Catenaccio, Claire |
| author_role | aut |
| author_sort | Catenaccio, Claire |
| author_variant | c c cc |
| building | Verbundindex |
| bvnumber | BV049445492 |
| collection | ZDB-20-CBO |
| ctrlnum | (ZDB-20-CBO)CR9781009300179 (OCoLC)1414564656 (DE-599)BVBBV049445492 |
| dewey-full | 882.01 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 882 - Classical Greek dramatic poetry & drama |
| dewey-raw | 882.01 |
| dewey-search | 882.01 |
| dewey-sort | 3882.01 |
| dewey-tens | 880 - Classical Greek & Hellenic literatures |
| discipline | Philologie / Byzantinistik / Neulatein |
| discipline_str_mv | Philologie / Byzantinistik / Neulatein |
| doi_str_mv | 10.1017/9781009300179 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nmm a2200000zc 4500</leader><controlfield tag="001">BV049445492</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">231204s2023 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781009300179</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-00-930017-9</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/9781009300179</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9781009300179</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1414564656</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049445492</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">882.01</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Catenaccio, Claire</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Monody in Euripides</subfield><subfield code="b">character and the liberation of form in late Greek tragedy</subfield><subfield code="c">Claire Catenaccio</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (x, 217 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Title from publisher's bibliographic system (viewed on 31 Jul 2023)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The solo singer takes center stage in Euripides' late tragedies. Solo song - what the Ancient Greeks called monody - is a true dramatic innovation, combining and transcending the traditional poetic forms of Greek tragedy. At the same time, Euripides uses solo song to explore the realm of the interior and the personal in an expanded expressive range. Contributing to the current scholarly debate on music, emotion, and characterization in Greek drama, this book presents a new vision for the role of monody in the musical design of Ion, Iphigenia among the Taurians, Phoenician Women, and Orestes. Drawing on her practical experience in the theater, Catenaccio establishes the central importance of monody in Euripides' art</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Euripides / Criticism and interpretation</subfield></datafield><datafield tag="600" ind1="0" ind2="7"><subfield code="a">Euripides</subfield><subfield code="d">ca. 485/480 v. Chr.-406 v.Chr.</subfield><subfield code="0">(DE-588)118531395</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music in the theater / Greece / History / To 1500</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Psychologie</subfield><subfield code="0">(DE-588)4047704-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Monodie</subfield><subfield code="0">(DE-588)4170461-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Gefühl</subfield><subfield code="0">(DE-588)4019702-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Theater</subfield><subfield code="0">(DE-588)4059702-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Euripides</subfield><subfield code="d">ca. 485/480 v. Chr.-406 v.Chr.</subfield><subfield code="0">(DE-588)118531395</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Monodie</subfield><subfield code="0">(DE-588)4170461-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Theater</subfield><subfield code="0">(DE-588)4059702-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Gefühl</subfield><subfield code="0">(DE-588)4019702-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Psychologie</subfield><subfield code="0">(DE-588)4047704-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-1-009-30012-4</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-1-009-30013-1</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/9781009300179</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">gbd_1</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034791392</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781009300179</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781009300179</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV049445492 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T23:12:46Z |
| indexdate | 2024-10-23T10:08:01Z |
| institution | BVB |
| isbn | 9781009300179 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034791392 |
| oclc_num | 1414564656 |
| open_access_boolean | |
| owner | DE-12 DE-473 DE-BY-UBG |
| owner_facet | DE-12 DE-473 DE-BY-UBG |
| physical | 1 Online-Ressource (x, 217 Seiten) |
| psigel | ZDB-20-CBO gbd_1 ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Cambridge University Press |
| record_format | marc |
| spelling | Catenaccio, Claire aut Monody in Euripides character and the liberation of form in late Greek tragedy Claire Catenaccio Cambridge Cambridge University Press 2023 1 Online-Ressource (x, 217 Seiten) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 31 Jul 2023) The solo singer takes center stage in Euripides' late tragedies. Solo song - what the Ancient Greeks called monody - is a true dramatic innovation, combining and transcending the traditional poetic forms of Greek tragedy. At the same time, Euripides uses solo song to explore the realm of the interior and the personal in an expanded expressive range. Contributing to the current scholarly debate on music, emotion, and characterization in Greek drama, this book presents a new vision for the role of monody in the musical design of Ion, Iphigenia among the Taurians, Phoenician Women, and Orestes. Drawing on her practical experience in the theater, Catenaccio establishes the central importance of monody in Euripides' art Euripides / Criticism and interpretation Euripides ca. 485/480 v. Chr.-406 v.Chr. (DE-588)118531395 gnd rswk-swf Music in the theater / Greece / History / To 1500 Psychologie (DE-588)4047704-6 gnd rswk-swf Monodie (DE-588)4170461-7 gnd rswk-swf Gefühl (DE-588)4019702-5 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Euripides ca. 485/480 v. Chr.-406 v.Chr. (DE-588)118531395 p Monodie (DE-588)4170461-7 s Musik (DE-588)4040802-4 s Theater (DE-588)4059702-7 s Gefühl (DE-588)4019702-5 s Psychologie (DE-588)4047704-6 s DE-604 Erscheint auch als Druck-Ausgabe 978-1-009-30012-4 Erscheint auch als Druck-Ausgabe 978-1-009-30013-1 https://doi.org/10.1017/9781009300179 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Catenaccio, Claire Monody in Euripides character and the liberation of form in late Greek tragedy Euripides / Criticism and interpretation Euripides ca. 485/480 v. Chr.-406 v.Chr. (DE-588)118531395 gnd Music in the theater / Greece / History / To 1500 Psychologie (DE-588)4047704-6 gnd Monodie (DE-588)4170461-7 gnd Gefühl (DE-588)4019702-5 gnd Musik (DE-588)4040802-4 gnd Theater (DE-588)4059702-7 gnd |
| subject_GND | (DE-588)118531395 (DE-588)4047704-6 (DE-588)4170461-7 (DE-588)4019702-5 (DE-588)4040802-4 (DE-588)4059702-7 |
| title | Monody in Euripides character and the liberation of form in late Greek tragedy |
| title_auth | Monody in Euripides character and the liberation of form in late Greek tragedy |
| title_exact_search | Monody in Euripides character and the liberation of form in late Greek tragedy |
| title_exact_search_txtP | Monody in Euripides character and the liberation of form in late Greek tragedy |
| title_full | Monody in Euripides character and the liberation of form in late Greek tragedy Claire Catenaccio |
| title_fullStr | Monody in Euripides character and the liberation of form in late Greek tragedy Claire Catenaccio |
| title_full_unstemmed | Monody in Euripides character and the liberation of form in late Greek tragedy Claire Catenaccio |
| title_short | Monody in Euripides |
| title_sort | monody in euripides character and the liberation of form in late greek tragedy |
| title_sub | character and the liberation of form in late Greek tragedy |
| topic | Euripides / Criticism and interpretation Euripides ca. 485/480 v. Chr.-406 v.Chr. (DE-588)118531395 gnd Music in the theater / Greece / History / To 1500 Psychologie (DE-588)4047704-6 gnd Monodie (DE-588)4170461-7 gnd Gefühl (DE-588)4019702-5 gnd Musik (DE-588)4040802-4 gnd Theater (DE-588)4059702-7 gnd |
| topic_facet | Euripides / Criticism and interpretation Euripides ca. 485/480 v. Chr.-406 v.Chr. Music in the theater / Greece / History / To 1500 Psychologie Monodie Gefühl Musik Theater |
| url | https://doi.org/10.1017/9781009300179 |
| work_keys_str_mv | AT catenaccioclaire monodyineuripidescharacterandtheliberationofforminlategreektragedy |