Murder ballads old & new: a dark and bloody record
Murder Ballads Old & New: A Dark and Bloody Record is an exploration of an age-old topic— our human need to document the horrors of the world around us. The murder ballad, here expanded to include songs about traumatic loss in modern variants and multiple styles, including punk, post-punk, alt-c...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Port Townsend, WA
Feral House
2023
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | Murder Ballads Old & New: A Dark and Bloody Record is an exploration of an age-old topic— our human need to document the horrors of the world around us. The murder ballad, here expanded to include songs about traumatic loss in modern variants and multiple styles, including punk, post-punk, alt-country, and folk. The book is a graveyard stroll past tombs both well-kept and half-hidden. Murder Ballads Old & New excavates facts about killers, victims, and the folkloric storytellers who disseminated their tales in song. Author Steven L. Jones focuses the tragic ballad as "an act of remembering and a soul-reckoning with the ineffable." Songs examined range from obscure tunes from the founding days of the United States to familiar canonical songs learned in schoolrooms and honkytonks. Jones tackles each song in a manner that’s equal parts musicological, psychosocial, and genealogical as he uncovers stories that reveal larger contexts and maps the lineages of songs and themes, forebears, and ancestors. Murder Ballads Old & New includes a wide range of songs and performers from the relatively unknown (Boiled in Lead, Freakons, Nelstone’s Hawaiians) to the ironically famous (Johnny Cash, Lou Reed, Sonic Youth). Highlights include tales of Muddy Waters guitar sideman Pat Hare, whose incendiary blues boast "I’m Gonna Murder My Baby" proved grimly prophetic. And honky-tonk pioneer Eddie Noack, whose morbid stab at late-career rebirth, "Psycho," couldn’t match the bottomless tragedy of his own life. As well as Depression-era holdup man Pretty Boy Floyd, Schubert’s mythical Erlkönig, and the Manson Family. Murder Ballads Old & New is a compelling delve into the perennial American fascination with True Crime. Includes archival and historical black & white images. -- Provided by publisher |
Beschreibung: | 254 Seiten Illustrationen, Porträts 23 cm |
ISBN: | 9781627311335 |
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505 | 8 | |a Intro -- Title Page -- Copyright -- Dedication -- Table of Contents -- Foreword By Patterson Hood of Drive-By Truckers -- Introduction -- Chapter One: Ancient History: Origins of the Modern Murder Ballad -- Digging for Clues in the Fatal Flower Garden -- You Can't Win a Race with a Cannonball -- The Triplett Tragedy -- Pat Hare Murders His Baby -- Chapter Two: Hardly Getting Over It: Contemporary Reckonings with Tragedy -- Suffer Little Children -- Getting Home Alive -- Like a God with a Thunderbolt -- And Everybody Cried -- Chapter Three: Game Changers, Outlaws, and Folk Heroes | |
505 | 8 | |a A Walkin' Chunk a Mean-Mad -- Postcards of the Hanging -- The Day John Kennedy Died -- Charles Manson Murders the '60s -- Chapter Four: Hard Work and Hard Times: Songs of Labor and Strife -- And Who Killed the Miner? -- Honey, Take a Whiff on Me -- Hard Time Killing Floor -- Worse than the Thing that Possessed Me -- Chapter Five: Fancies of Love, Fantasies of Death -- Whisperer in Darkness -- Full Moon, Dark Heart -- Murder in the Red Barn -- When You Get to the Bottom, We'll Kiss You to Sleep -- Chapter Six: Lost and Found -- Wrecks on the Highway -- In the Cool Room | |
505 | 8 | |a On the Rails, Alive and Dead -- Coda: Hurt -- Outro -- Acknowledgements -- Song Licensing Acknowledgments -- Index: The Victims, Crimes, & Tragedies that Inspired the Songs -- Back Cover | |
520 | 3 | |a Murder Ballads Old & New: A Dark and Bloody Record is an exploration of an age-old topic— our human need to document the horrors of the world around us. The murder ballad, here expanded to include songs about traumatic loss in modern variants and multiple styles, including punk, post-punk, alt-country, and folk. The book is a graveyard stroll past tombs both well-kept and half-hidden. Murder Ballads Old & New excavates facts about killers, victims, and the folkloric storytellers who disseminated their tales in song. Author Steven L. Jones focuses the tragic ballad as "an act of remembering and a soul-reckoning with the ineffable." Songs examined range from obscure tunes from the founding days of the United States to familiar canonical songs learned in schoolrooms and honkytonks. Jones tackles each song in a manner that’s equal parts musicological, psychosocial, and genealogical as he uncovers stories that reveal larger contexts and maps the lineages of songs and themes, forebears, and ancestors. Murder Ballads Old & New includes a wide range of songs and performers from the relatively unknown (Boiled in Lead, Freakons, Nelstone’s Hawaiians) to the ironically famous (Johnny Cash, Lou Reed, Sonic Youth). Highlights include tales of Muddy Waters guitar sideman Pat Hare, whose incendiary blues boast "I’m Gonna Murder My Baby" proved grimly prophetic. And honky-tonk pioneer Eddie Noack, whose morbid stab at late-career rebirth, "Psycho," couldn’t match the bottomless tragedy of his own life. As well as Depression-era holdup man Pretty Boy Floyd, Schubert’s mythical Erlkönig, and the Manson Family. Murder Ballads Old & New is a compelling delve into the perennial American fascination with True Crime. Includes archival and historical black & white images. -- Provided by publisher | |
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Datensatz im Suchindex
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adam_text | TABLE OF CONTENTS Foreword By Patterson Hood of Drive-By Truckers.......................................... 12 Introduction.................................................................................................. 15 Chapter One: Ancient History: Origins of the Modern Murder Ballad Digging for Clues in the Fatal Flower Garden................................................... 27 Featuring the songs: “Fatal Flower Garden” by Nelstone’s Hawaiians “Little Sir Hugh” interpreted by Steeleye Span You Can’t Win a Race with a Cannonball.......................................................... 34 Featuring the songs: “My Son John” interpreted by Boiled in Lead, Tim Hart Maddy Pryor “Mrs. McGrath” interpreted by Burl Ives, Tommy Макет, Bruce Springsteen, and the Weavers The Triplett Tragedy.......................................................................................... 41 Featuring the songs: “The Triplett Tragedy” interpreted by Sophronie Miller Greer “The Butcher’s Boy” interpreted by Buell Kazee “Masters of War” by Bob Dylan Pat Hare Murders His Baby................................................................................ 49 Featuring the songs: “I’m Gonna Murder My Baby” by Pat Hare “Cheating and Lying Blues” by Doctor Clayton “Goin’ Down to Eli” by Robert Nighthawk “Papa’s ’Bout to Get Mad” by Pink Anderson Simmie Dooley “Bring Me My Shotgun” by Lightnin’ Hopkins “Little Sadie” interpreted by Clarence Ashley “Delia’s Gone” by Johnny Cash “Me and the Devil Blues” by Robert Johnson Chapter Two: Hardly Getting Over It: Contemporary Reckonings with Tragedy
Suffer Little Children.......................................................................................... 59 Featuring the songs: “Suffer Little Children” by the Smiths “No One Is Innocent (A Punk Prayer)” by the Sex Pistols with Ronnie Biggs “You Need Hands” by Max Bygraves “Love in a Faithless Country” by Richard Thompson “Nebraska” by Bruce Springsteen
Getting Home Alive........................................................................................... 67 Featuring the songs: “Diane” by Hiisker Dii “Pretty Polly” interpreted by Dock Boggs, B.F. Shelton “Polly” by Nirvana “Μ.I.A.” by 7 Year Bitch Like a God with a Thunderbolt......................................................................... 75 Featuring the songs: “Drone Operator” by Jon Langford Skull Orchard “Funeral” by the Mekons And Everybody Cried.......................................................................................... 86 Featuring the songs: “Two Daughters and a Beautiful Wife” by Drive-By Truckers “Remember Me Well” by House of Freaks Chapter Three: Game Changers, Outlaws, and Folk Heroes A Walkin’ Chunk a Mean-Mad.......................................................................... 95 Featuring the songs: “Pretty Boy Floyd” by Woody Guthrie and interpreted by the Byrds “Biowin’ Down This Road (1 Ain’t Going to Be Treated This Way)” by Woody Guthrie “Bankrobber” by the Clash “The Message” by Grandmaster Flash the Furious Five Postcards of the Hanging................................................................................ 102 Featuring the songs: “Miss Otis Regrets” interpreted by Ella Fitzgerald, Kirsty MacColl the Pogues, Ethel Waters, and Josh White “Supper Time” interpreted by Ethel Waters “Strange Fruit” by Lewis Allan and interpreted by Billie Holiday “Desolation Row” by Bob Dylan The Day John Kennedy Died.............................................................................. 112 Featuring the songs: “Coney
Island Baby” by Lou Reed “The Day John Kennedy Died” by Lou Reed “My House” by Lou Reed “Heavenly Arms” by Lou Reed “Oswald Defense Lawyer” by the Fall “Brain of J” by Pearl Jam “Sleeping In” by the Postal Service “Murder Most Foul” by Bob Dylan “He Was a Friend of Mine” interpreted by the Byrds, Rolf Cahn Eric Von Schmidt, and Bob Dylan “Shorty George” by Smith Casey
Charles Manson Murders the ’60s....................................................................... 121 Featuring the songs: “Death Valley ’69” by Sonic Youth “Eight Miles High” interpreted by Hüsker Dü “Never Learn Not to Love” by the Beach Boys “Revolution Blues” by Neil Young “Cease to Exist” by Charles Manson Chapter Four: Hard Work and Hard Times: Songs of Labor and Strife And Who Killed the Miner?...................................................................................135 Featuring the songs: “The Bells of Rhymney” by Pete Seeger and interpreted by the Byrds “Oranges and Lemons” interpreted by Tim Hart Maddy Prior, the Mekons “Chimes of Freedom” by Bob Dylan “The Trimdon Grange Explosion” by Tommy Armstrong and interpreted by the Battlefield Band, Martin Carthy, Lou Killen, Alan Price, and the Mekons “Please Don’t Let Me Love You” interpreted by the Mekons “Gin Palace” by the Mekons “Vengeance” by the Mekons “Chivalry” by the Mekons “Abernant 1984/5” by the Mekons Honey, Take a Whiff on Me.................................................................................144 Featuring the songs: “Tell it to Me” by the Grant Brothers Their Music and interpreted by the New Lost City Ramblers, Old Crow Medicine Show, and Doc Merle Watson “Little Sadie” by T.J. “Red” Arnall “Cocaine Blues” interpreted by Johnny Cash “Juice Head Baby” by Cootie Williams “Take a Drink on Me” by Charlie Poole “Cocaine Habit Blues” by the Memphis Jug Band “Canned Heat Blues” by Tommy Johnson “Dope Head Blues” by Victoria Spivey “Folding Bed” by Whistler His Jug Band “Honey, Take a
Whiff on Me” by Lead Belly “Minnie the Moocher” by Cab Calloway “Minnie the Moocher’s Wedding Day” by Cab Calloway “Walk on the Wild Side” by Lou Reed “Willie the Weeper” by Frankie “Half-Pint” Jaxon Hard Time Killing Floor....................................................................................... 153 Featuring the songs: “Killing Floor” by Howlin’ Wolf and interpreted by the Electric Flag, Jimi Hendrix, Albert King, and Smokey Wilson
“Dry Spell Blues” by Son House “Hard Time Killing Floor Blues” by Skip James “On the Killing Floor” by Doctor Clayton “Mean Old World” by Little Walter “This Bitter Earth” interpreted by Dinah Washington Worse than the Thing that Possessed Me.......................................................... 161 Featuring the songs: “Dora” by the Mekons “Ellen West” by Throwing Muses “Annalisa” by Public Image Ltd Chapter Five: Fancies of Love, Fantasies of Death Whisperer in Darkness......................................................................................... 175 Featuring the songs: “Der Erlkönig” (Schubert) interpreted by Dietrich Fischer-Dieskau Gerald Moore “The Eri-King” by Steve Gillette “Earl King” by Dorn Flemons Full Moon, Dark Heart......................................................................................... 183 Featuring the songs: “Psycho” interpreted by Elvis Costello, James Kittell, and Eddie Noack “The Cold, Hard Facts of Life” by Porter Wagoner “I’ve Got Someone to Kill” by Johnny Paycheck “Folsom Prison Blues” by Johnny Cash “These Hands” by Eddie Noack and interpreted by Hank Snow “Dolores” by Eddie Noack “The End of the Line” by Eddie Noack Murder in the Red Barn........................................................................................ 193 Featuring the songs: “Murder in the Red Barn” by Tom Waits “The Murder of Maria Marten” interpreted by Shirley Collins The Albion Country Band When You Get to the Bottom, We’ll Kiss You to Sleep..................................... 199 Featuring the songs: “Lie Down” by the Handsome Family
“Grandmother Waits for You” by the Handsome Family “My Beautiful Bride” by the Handsome Family “Drowned” by the Who “The Ocean Doesn’t Want Me” by Tom Waits “Down in the Ground” by the Handsome Family “The Forgotten Lake” by the Handsome Family
Chapter Six: Lost and Found Wrecks on the Highway......................................................................................... 211 Featuring the songs: “Wreck on the Highway” by Dorsey Dixon and interpreted by Roy Acuff, the Louvin Brothers, George Jones Gene Pitney, and the Waco Brothers “Wreck on the Highway” by Bruce Springsteen “Percy’s Song” by Bob Dylan and interpreted by Fairport Convention “The Lonesome Death of Hattie Carroll” by Bob Dylan “My Back Pages” by Bob Dylan “Never Again” by Richard Linda Thompson In the Cool Room.................................................................................................. 220 Featuring the songs: “T.B. Sheets” by Van Morrison and interpreted by John Lee Hooker “Brown Eyed Girl” by Van Morrison “T.B. Blues” by Victoria Spivey and interpreted by Sonny Boy Williamson “T.B. Is Killing Me” by Buddy Moss On the Rails, Alive and Dead................................................................................ 227 Featuring the songs: “On the Evening Train” interpreted by Johnny Cash, Mollie O’Day “Like the 309” by Johnny Cash “In the Baggage Coach Ahead” by Gussie Davis and interpreted by Vernon Dalhart “He Is Coming to Us Dead” by Gussie Davis and interpreted by Grayson Whitter, Steve Ledford, and Ron Thomason “There’s a Little Box of Pine on the 7:29” interpreted by Asa Martin James Roberts, Hank Snow Coda: Hurt............................................................................................................. 235 Featuring the songs: “Hurt” by Nine Inch Nails and interpreted by Johnny Cash “In My
Time of Dying” by Blind Willie Johnson and interpreted by Bob Dylan, Led Zeppelin, and Josh White Outro .......................................................................................................... 242 Featuring the song: “Somebody Got Murdered” by the Clash Acknowledgements................................................................................... 247 Song Licensing Acknowledgments....................................................... 251 Index: The Victims, Crimes, Tragedies that Inspired the Songs..... 253
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adam_txt |
TABLE OF CONTENTS Foreword By Patterson Hood of Drive-By Truckers. 12 Introduction. 15 Chapter One: Ancient History: Origins of the Modern Murder Ballad Digging for Clues in the Fatal Flower Garden. 27 Featuring the songs: “Fatal Flower Garden” by Nelstone’s Hawaiians “Little Sir Hugh” interpreted by Steeleye Span You Can’t Win a Race with a Cannonball. 34 Featuring the songs: “My Son John” interpreted by Boiled in Lead, Tim Hart Maddy Pryor “Mrs. McGrath” interpreted by Burl Ives, Tommy Макет, Bruce Springsteen, and the Weavers The Triplett Tragedy. 41 Featuring the songs: “The Triplett Tragedy” interpreted by Sophronie Miller Greer “The Butcher’s Boy” interpreted by Buell Kazee “Masters of War” by Bob Dylan Pat Hare Murders His Baby. 49 Featuring the songs: “I’m Gonna Murder My Baby” by Pat Hare “Cheating and Lying Blues” by Doctor Clayton “Goin’ Down to Eli” by Robert Nighthawk “Papa’s ’Bout to Get Mad” by Pink Anderson Simmie Dooley “Bring Me My Shotgun” by Lightnin’ Hopkins “Little Sadie” interpreted by Clarence Ashley “Delia’s Gone” by Johnny Cash “Me and the Devil Blues” by Robert Johnson Chapter Two: Hardly Getting Over It: Contemporary Reckonings with Tragedy
Suffer Little Children. 59 Featuring the songs: “Suffer Little Children” by the Smiths “No One Is Innocent (A Punk Prayer)” by the Sex Pistols with Ronnie Biggs “You Need Hands” by Max Bygraves “Love in a Faithless Country” by Richard Thompson “Nebraska” by Bruce Springsteen
Getting Home Alive. 67 Featuring the songs: “Diane” by Hiisker Dii “Pretty Polly” interpreted by Dock Boggs, B.F. Shelton “Polly” by Nirvana “Μ.I.A.” by 7 Year Bitch Like a God with a Thunderbolt. 75 Featuring the songs: “Drone Operator” by Jon Langford Skull Orchard “Funeral” by the Mekons And Everybody Cried. 86 Featuring the songs: “Two Daughters and a Beautiful Wife” by Drive-By Truckers “Remember Me Well” by House of Freaks Chapter Three: Game Changers, Outlaws, and Folk Heroes A Walkin’ Chunk a Mean-Mad. 95 Featuring the songs: “Pretty Boy Floyd” by Woody Guthrie and interpreted by the Byrds “Biowin’ Down This Road (1 Ain’t Going to Be Treated This Way)” by Woody Guthrie “Bankrobber” by the Clash “The Message” by Grandmaster Flash the Furious Five Postcards of the Hanging. 102 Featuring the songs: “Miss Otis Regrets” interpreted by Ella Fitzgerald, Kirsty MacColl the Pogues, Ethel Waters, and Josh White “Supper Time” interpreted by Ethel Waters “Strange Fruit” by Lewis Allan and interpreted by Billie Holiday “Desolation Row” by Bob Dylan The Day John Kennedy Died. 112 Featuring the songs: “Coney
Island Baby” by Lou Reed “The Day John Kennedy Died” by Lou Reed “My House” by Lou Reed “Heavenly Arms” by Lou Reed “Oswald Defense Lawyer” by the Fall “Brain of J” by Pearl Jam “Sleeping In” by the Postal Service “Murder Most Foul” by Bob Dylan “He Was a Friend of Mine” interpreted by the Byrds, Rolf Cahn Eric Von Schmidt, and Bob Dylan “Shorty George” by Smith Casey
Charles Manson Murders the ’60s. 121 Featuring the songs: “Death Valley ’69” by Sonic Youth “Eight Miles High” interpreted by Hüsker Dü “Never Learn Not to Love” by the Beach Boys “Revolution Blues” by Neil Young “Cease to Exist” by Charles Manson Chapter Four: Hard Work and Hard Times: Songs of Labor and Strife And Who Killed the Miner?.135 Featuring the songs: “The Bells of Rhymney” by Pete Seeger and interpreted by the Byrds “Oranges and Lemons” interpreted by Tim Hart Maddy Prior, the Mekons “Chimes of Freedom” by Bob Dylan “The Trimdon Grange Explosion” by Tommy Armstrong and interpreted by the Battlefield Band, Martin Carthy, Lou Killen, Alan Price, and the Mekons “Please Don’t Let Me Love You” interpreted by the Mekons “Gin Palace” by the Mekons “Vengeance” by the Mekons “Chivalry” by the Mekons “Abernant 1984/5” by the Mekons Honey, Take a Whiff on Me.144 Featuring the songs: “Tell it to Me” by the Grant Brothers Their Music and interpreted by the New Lost City Ramblers, Old Crow Medicine Show, and Doc Merle Watson “Little Sadie” by T.J. “Red” Arnall “Cocaine Blues” interpreted by Johnny Cash “Juice Head Baby” by Cootie Williams “Take a Drink on Me” by Charlie Poole “Cocaine Habit Blues” by the Memphis Jug Band “Canned Heat Blues” by Tommy Johnson “Dope Head Blues” by Victoria Spivey “Folding Bed” by Whistler His Jug Band “Honey, Take a
Whiff on Me” by Lead Belly “Minnie the Moocher” by Cab Calloway “Minnie the Moocher’s Wedding Day” by Cab Calloway “Walk on the Wild Side” by Lou Reed “Willie the Weeper” by Frankie “Half-Pint” Jaxon Hard Time Killing Floor. 153 Featuring the songs: “Killing Floor” by Howlin’ Wolf and interpreted by the Electric Flag, Jimi Hendrix, Albert King, and Smokey Wilson
“Dry Spell Blues” by Son House “Hard Time Killing Floor Blues” by Skip James “On the Killing Floor” by Doctor Clayton “Mean Old World” by Little Walter “This Bitter Earth” interpreted by Dinah Washington Worse than the Thing that Possessed Me. 161 Featuring the songs: “Dora” by the Mekons “Ellen West” by Throwing Muses “Annalisa” by Public Image Ltd Chapter Five: Fancies of Love, Fantasies of Death Whisperer in Darkness. 175 Featuring the songs: “Der Erlkönig” (Schubert) interpreted by Dietrich Fischer-Dieskau Gerald Moore “The Eri-King” by Steve Gillette “Earl King” by Dorn Flemons Full Moon, Dark Heart. 183 Featuring the songs: “Psycho” interpreted by Elvis Costello, James Kittell, and Eddie Noack “The Cold, Hard Facts of Life” by Porter Wagoner “I’ve Got Someone to Kill” by Johnny Paycheck “Folsom Prison Blues” by Johnny Cash “These Hands” by Eddie Noack and interpreted by Hank Snow “Dolores” by Eddie Noack “The End of the Line” by Eddie Noack Murder in the Red Barn. 193 Featuring the songs: “Murder in the Red Barn” by Tom Waits “The Murder of Maria Marten” interpreted by Shirley Collins The Albion Country Band When You Get to the Bottom, We’ll Kiss You to Sleep. 199 Featuring the songs: “Lie Down” by the Handsome Family
“Grandmother Waits for You” by the Handsome Family “My Beautiful Bride” by the Handsome Family “Drowned” by the Who “The Ocean Doesn’t Want Me” by Tom Waits “Down in the Ground” by the Handsome Family “The Forgotten Lake” by the Handsome Family
Chapter Six: Lost and Found Wrecks on the Highway. 211 Featuring the songs: “Wreck on the Highway” by Dorsey Dixon and interpreted by Roy Acuff, the Louvin Brothers, George Jones Gene Pitney, and the Waco Brothers “Wreck on the Highway” by Bruce Springsteen “Percy’s Song” by Bob Dylan and interpreted by Fairport Convention “The Lonesome Death of Hattie Carroll” by Bob Dylan “My Back Pages” by Bob Dylan “Never Again” by Richard Linda Thompson In the Cool Room. 220 Featuring the songs: “T.B. Sheets” by Van Morrison and interpreted by John Lee Hooker “Brown Eyed Girl” by Van Morrison “T.B. Blues” by Victoria Spivey and interpreted by Sonny Boy Williamson “T.B. Is Killing Me” by Buddy Moss On the Rails, Alive and Dead. 227 Featuring the songs: “On the Evening Train” interpreted by Johnny Cash, Mollie O’Day “Like the 309” by Johnny Cash “In the Baggage Coach Ahead” by Gussie Davis and interpreted by Vernon Dalhart “He Is Coming to Us Dead” by Gussie Davis and interpreted by Grayson Whitter, Steve Ledford, and Ron Thomason “There’s a Little Box of Pine on the 7:29” interpreted by Asa Martin James Roberts, Hank Snow Coda: Hurt. 235 Featuring the songs: “Hurt” by Nine Inch Nails and interpreted by Johnny Cash “In My
Time of Dying” by Blind Willie Johnson and interpreted by Bob Dylan, Led Zeppelin, and Josh White Outro . 242 Featuring the song: “Somebody Got Murdered” by the Clash Acknowledgements. 247 Song Licensing Acknowledgments. 251 Index: The Victims, Crimes, Tragedies that Inspired the Songs. 253 |
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author | Jones, Steven L. 1956- |
author_GND | (DE-588)170930335 |
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contents | Intro -- Title Page -- Copyright -- Dedication -- Table of Contents -- Foreword By Patterson Hood of Drive-By Truckers -- Introduction -- Chapter One: Ancient History: Origins of the Modern Murder Ballad -- Digging for Clues in the Fatal Flower Garden -- You Can't Win a Race with a Cannonball -- The Triplett Tragedy -- Pat Hare Murders His Baby -- Chapter Two: Hardly Getting Over It: Contemporary Reckonings with Tragedy -- Suffer Little Children -- Getting Home Alive -- Like a God with a Thunderbolt -- And Everybody Cried -- Chapter Three: Game Changers, Outlaws, and Folk Heroes A Walkin' Chunk a Mean-Mad -- Postcards of the Hanging -- The Day John Kennedy Died -- Charles Manson Murders the '60s -- Chapter Four: Hard Work and Hard Times: Songs of Labor and Strife -- And Who Killed the Miner? -- Honey, Take a Whiff on Me -- Hard Time Killing Floor -- Worse than the Thing that Possessed Me -- Chapter Five: Fancies of Love, Fantasies of Death -- Whisperer in Darkness -- Full Moon, Dark Heart -- Murder in the Red Barn -- When You Get to the Bottom, We'll Kiss You to Sleep -- Chapter Six: Lost and Found -- Wrecks on the Highway -- In the Cool Room On the Rails, Alive and Dead -- Coda: Hurt -- Outro -- Acknowledgements -- Song Licensing Acknowledgments -- Index: The Victims, Crimes, & Tragedies that Inspired the Songs -- Back Cover |
ctrlnum | (OCoLC)1418695813 (DE-599)BVBBV049444833 |
era | Geschichte gnd |
era_facet | Geschichte |
format | Book |
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Jones</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Murder ballads old and new</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Port Townsend, WA</subfield><subfield code="b">Feral House</subfield><subfield code="c">2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">254 Seiten</subfield><subfield code="b">Illustrationen, Porträts</subfield><subfield code="c">23 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Intro -- Title Page -- Copyright -- Dedication -- Table of Contents -- Foreword By Patterson Hood of Drive-By Truckers -- Introduction -- Chapter One: Ancient History: Origins of the Modern Murder Ballad -- Digging for Clues in the Fatal Flower Garden -- You Can't Win a Race with a Cannonball -- The Triplett Tragedy -- Pat Hare Murders His Baby -- Chapter Two: Hardly Getting Over It: Contemporary Reckonings with Tragedy -- Suffer Little Children -- Getting Home Alive -- Like a God with a Thunderbolt -- And Everybody Cried -- Chapter Three: Game Changers, Outlaws, and Folk Heroes</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">A Walkin' Chunk a Mean-Mad -- Postcards of the Hanging -- The Day John Kennedy Died -- Charles Manson Murders the '60s -- Chapter Four: Hard Work and Hard Times: Songs of Labor and Strife -- And Who Killed the Miner? -- Honey, Take a Whiff on Me -- Hard Time Killing Floor -- Worse than the Thing that Possessed Me -- Chapter Five: Fancies of Love, Fantasies of Death -- Whisperer in Darkness -- Full Moon, Dark Heart -- Murder in the Red Barn -- When You Get to the Bottom, We'll Kiss You to Sleep -- Chapter Six: Lost and Found -- Wrecks on the Highway -- In the Cool Room</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">On the Rails, Alive and Dead -- Coda: Hurt -- Outro -- Acknowledgements -- Song Licensing Acknowledgments -- Index: The Victims, Crimes, & Tragedies that Inspired the Songs -- Back Cover</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Murder Ballads Old & New: A Dark and Bloody Record is an exploration of an age-old topic— our human need to document the horrors of the world around us. The murder ballad, here expanded to include songs about traumatic loss in modern variants and multiple styles, including punk, post-punk, alt-country, and folk. The book is a graveyard stroll past tombs both well-kept and half-hidden. Murder Ballads Old & New excavates facts about killers, victims, and the folkloric storytellers who disseminated their tales in song. Author Steven L. Jones focuses the tragic ballad as "an act of remembering and a soul-reckoning with the ineffable." Songs examined range from obscure tunes from the founding days of the United States to familiar canonical songs learned in schoolrooms and honkytonks. Jones tackles each song in a manner that’s equal parts musicological, psychosocial, and genealogical as he uncovers stories that reveal larger contexts and maps the lineages of songs and themes, forebears, and ancestors. 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geographic | USA (DE-588)4078704-7 gnd |
geographic_facet | USA |
id | DE-604.BV049444833 |
illustrated | Illustrated |
index_date | 2024-07-03T23:12:38Z |
indexdate | 2024-07-10T10:07:21Z |
institution | BVB |
isbn | 9781627311335 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034790756 |
oclc_num | 1418695813 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | 254 Seiten Illustrationen, Porträts 23 cm |
psigel | BSB_NED_20240119 |
publishDate | 2023 |
publishDateSearch | 2023 |
publishDateSort | 2023 |
publisher | Feral House |
record_format | marc |
spelling | Jones, Steven L. 1956- Verfasser (DE-588)170930335 aut Murder ballads old & new a dark and bloody record by Steven L. Jones Murder ballads old and new Port Townsend, WA Feral House 2023 254 Seiten Illustrationen, Porträts 23 cm txt rdacontent n rdamedia nc rdacarrier Intro -- Title Page -- Copyright -- Dedication -- Table of Contents -- Foreword By Patterson Hood of Drive-By Truckers -- Introduction -- Chapter One: Ancient History: Origins of the Modern Murder Ballad -- Digging for Clues in the Fatal Flower Garden -- You Can't Win a Race with a Cannonball -- The Triplett Tragedy -- Pat Hare Murders His Baby -- Chapter Two: Hardly Getting Over It: Contemporary Reckonings with Tragedy -- Suffer Little Children -- Getting Home Alive -- Like a God with a Thunderbolt -- And Everybody Cried -- Chapter Three: Game Changers, Outlaws, and Folk Heroes A Walkin' Chunk a Mean-Mad -- Postcards of the Hanging -- The Day John Kennedy Died -- Charles Manson Murders the '60s -- Chapter Four: Hard Work and Hard Times: Songs of Labor and Strife -- And Who Killed the Miner? -- Honey, Take a Whiff on Me -- Hard Time Killing Floor -- Worse than the Thing that Possessed Me -- Chapter Five: Fancies of Love, Fantasies of Death -- Whisperer in Darkness -- Full Moon, Dark Heart -- Murder in the Red Barn -- When You Get to the Bottom, We'll Kiss You to Sleep -- Chapter Six: Lost and Found -- Wrecks on the Highway -- In the Cool Room On the Rails, Alive and Dead -- Coda: Hurt -- Outro -- Acknowledgements -- Song Licensing Acknowledgments -- Index: The Victims, Crimes, & Tragedies that Inspired the Songs -- Back Cover Murder Ballads Old & New: A Dark and Bloody Record is an exploration of an age-old topic— our human need to document the horrors of the world around us. The murder ballad, here expanded to include songs about traumatic loss in modern variants and multiple styles, including punk, post-punk, alt-country, and folk. The book is a graveyard stroll past tombs both well-kept and half-hidden. Murder Ballads Old & New excavates facts about killers, victims, and the folkloric storytellers who disseminated their tales in song. Author Steven L. Jones focuses the tragic ballad as "an act of remembering and a soul-reckoning with the ineffable." Songs examined range from obscure tunes from the founding days of the United States to familiar canonical songs learned in schoolrooms and honkytonks. Jones tackles each song in a manner that’s equal parts musicological, psychosocial, and genealogical as he uncovers stories that reveal larger contexts and maps the lineages of songs and themes, forebears, and ancestors. Murder Ballads Old & New includes a wide range of songs and performers from the relatively unknown (Boiled in Lead, Freakons, Nelstone’s Hawaiians) to the ironically famous (Johnny Cash, Lou Reed, Sonic Youth). Highlights include tales of Muddy Waters guitar sideman Pat Hare, whose incendiary blues boast "I’m Gonna Murder My Baby" proved grimly prophetic. And honky-tonk pioneer Eddie Noack, whose morbid stab at late-career rebirth, "Psycho," couldn’t match the bottomless tragedy of his own life. As well as Depression-era holdup man Pretty Boy Floyd, Schubert’s mythical Erlkönig, and the Manson Family. Murder Ballads Old & New is a compelling delve into the perennial American fascination with True Crime. Includes archival and historical black & white images. -- Provided by publisher Geschichte gnd rswk-swf Mord Motiv (DE-588)4224110-8 gnd rswk-swf Ballade Musik (DE-588)4004344-7 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Murder / Songs and music / History and criticism Ballads / History and criticism Meurtre / Chants et musique / Histoire et critique Criticism, interpretation, etc USA (DE-588)4078704-7 g Ballade Musik (DE-588)4004344-7 s Mord Motiv (DE-588)4224110-8 s Geschichte z DE-604 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034790756&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Jones, Steven L. 1956- Murder ballads old & new a dark and bloody record Intro -- Title Page -- Copyright -- Dedication -- Table of Contents -- Foreword By Patterson Hood of Drive-By Truckers -- Introduction -- Chapter One: Ancient History: Origins of the Modern Murder Ballad -- Digging for Clues in the Fatal Flower Garden -- You Can't Win a Race with a Cannonball -- The Triplett Tragedy -- Pat Hare Murders His Baby -- Chapter Two: Hardly Getting Over It: Contemporary Reckonings with Tragedy -- Suffer Little Children -- Getting Home Alive -- Like a God with a Thunderbolt -- And Everybody Cried -- Chapter Three: Game Changers, Outlaws, and Folk Heroes A Walkin' Chunk a Mean-Mad -- Postcards of the Hanging -- The Day John Kennedy Died -- Charles Manson Murders the '60s -- Chapter Four: Hard Work and Hard Times: Songs of Labor and Strife -- And Who Killed the Miner? -- Honey, Take a Whiff on Me -- Hard Time Killing Floor -- Worse than the Thing that Possessed Me -- Chapter Five: Fancies of Love, Fantasies of Death -- Whisperer in Darkness -- Full Moon, Dark Heart -- Murder in the Red Barn -- When You Get to the Bottom, We'll Kiss You to Sleep -- Chapter Six: Lost and Found -- Wrecks on the Highway -- In the Cool Room On the Rails, Alive and Dead -- Coda: Hurt -- Outro -- Acknowledgements -- Song Licensing Acknowledgments -- Index: The Victims, Crimes, & Tragedies that Inspired the Songs -- Back Cover Mord Motiv (DE-588)4224110-8 gnd Ballade Musik (DE-588)4004344-7 gnd |
subject_GND | (DE-588)4224110-8 (DE-588)4004344-7 (DE-588)4078704-7 |
title | Murder ballads old & new a dark and bloody record |
title_alt | Murder ballads old and new |
title_auth | Murder ballads old & new a dark and bloody record |
title_exact_search | Murder ballads old & new a dark and bloody record |
title_exact_search_txtP | Murder ballads old & new a dark and bloody record |
title_full | Murder ballads old & new a dark and bloody record by Steven L. Jones |
title_fullStr | Murder ballads old & new a dark and bloody record by Steven L. Jones |
title_full_unstemmed | Murder ballads old & new a dark and bloody record by Steven L. Jones |
title_short | Murder ballads old & new |
title_sort | murder ballads old new a dark and bloody record |
title_sub | a dark and bloody record |
topic | Mord Motiv (DE-588)4224110-8 gnd Ballade Musik (DE-588)4004344-7 gnd |
topic_facet | Mord Motiv Ballade Musik USA |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034790756&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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