Female recreation of music traditions: women's sounds of the past and present
"The current volume traces the ways in which women composers from the early 20th century onwards incorporate and reinterpret musical elements of past music in their compositions. It investigates their unique musical writings in which they fuse traditional idioms into their musical contexts. The...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne
Cambridge Scholars Publishing
2023
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "The current volume traces the ways in which women composers from the early 20th century onwards incorporate and reinterpret musical elements of past music in their compositions. It investigates their unique musical writings in which they fuse traditional idioms into their musical contexts. The book reveals the composers’ perspectives toward their compositional techniques and structural constructions, and the influences that lead us to better understand their music. It provides in-depth analyses, with musical examples, of the composers’ mature compositions, and several aspects of their compositional perspectives. It also discusses their personal experiences as they developed in their music careers; for example, organizations, patrons, groups and people in various countries that helped support their music are discussed. It offers an insight into the growth and development of women’s associations, organizations and musical activity that have developed since the 20th century. Valuable information is afforded to young musicians wanting to understand contemporary music, and to listener-readers seeking a wider knowledge of contemporary music by women composers." |
| Beschreibung: | xiii, 207 Seiten Notenbeispiele 21 cm |
| ISBN: | 9781527534186 1527534189 |
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| 520 | 3 | |a "The current volume traces the ways in which women composers from the early 20th century onwards incorporate and reinterpret musical elements of past music in their compositions. It investigates their unique musical writings in which they fuse traditional idioms into their musical contexts. The book reveals the composers’ perspectives toward their compositional techniques and structural constructions, and the influences that lead us to better understand their music. It provides in-depth analyses, with musical examples, of the composers’ mature compositions, and several aspects of their compositional perspectives. It also discusses their personal experiences as they developed in their music careers; for example, organizations, patrons, groups and people in various countries that helped support their music are discussed. It offers an insight into the growth and development of women’s associations, organizations and musical activity that have developed since the 20th century. Valuable information is afforded to young musicians wanting to understand contemporary music, and to listener-readers seeking a wider knowledge of contemporary music by women composers." | |
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Datensatz im Suchindex
| _version_ | 1825849829695160320 |
|---|---|
| adam_text |
Contents Introduction. vii Part I: Past Chapter 1.3 Recreating Traditions in the Early and Mid-20th Century Chapter 2. 41 Women’s Musical Perspectives, Accomplishments and Organizations in the Early to Mid-20th Century Part II: Recreation and Allusion to Traditional Musical Styles, Idioms and Synthesis Chapter 3. 67 Bach in the Modernist Context of Sofia Gubaidulina’s Offertorium Chapter 4. 83 The “Dialogue” between Past and Present in Ellen Taaffe Zwilich’s Concerto Grosso Chapter 5. 99 American “Bach” in Libby Larsen’s Bach 358 Part III: Women’s Voice Chapter 6. 117 Joan Tower’s Music for Women: Fanfarefor the Uncommon Woman No. 3 Chapter 7. 135 Unconventional Feminist Roles in Thea Musgrave’s Three Women Chapter
8.159 Stacy Garrop’s Gaia
vi Contents Bibliography. 173 Index. 199 |
| adam_txt |
Contents Introduction. vii Part I: Past Chapter 1.3 Recreating Traditions in the Early and Mid-20th Century Chapter 2. 41 Women’s Musical Perspectives, Accomplishments and Organizations in the Early to Mid-20th Century Part II: Recreation and Allusion to Traditional Musical Styles, Idioms and Synthesis Chapter 3. 67 Bach in the Modernist Context of Sofia Gubaidulina’s Offertorium Chapter 4. 83 The “Dialogue” between Past and Present in Ellen Taaffe Zwilich’s Concerto Grosso Chapter 5. 99 American “Bach” in Libby Larsen’s Bach 358 Part III: Women’s Voice Chapter 6. 117 Joan Tower’s Music for Women: Fanfarefor the Uncommon Woman No. 3 Chapter 7. 135 Unconventional Feminist Roles in Thea Musgrave’s Three Women Chapter
8.159 Stacy Garrop’s Gaia
vi Contents Bibliography. 173 Index. 199 |
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| spelling | Koay, Kheng Keow Verfasser (DE-588)102333920X aut Female recreation of music traditions women's sounds of the past and present by Kheng K. Koay Newcastle upon Tyne Cambridge Scholars Publishing 2023 xiii, 207 Seiten Notenbeispiele 21 cm txt rdacontent n rdamedia nc rdacarrier "The current volume traces the ways in which women composers from the early 20th century onwards incorporate and reinterpret musical elements of past music in their compositions. It investigates their unique musical writings in which they fuse traditional idioms into their musical contexts. The book reveals the composers’ perspectives toward their compositional techniques and structural constructions, and the influences that lead us to better understand their music. It provides in-depth analyses, with musical examples, of the composers’ mature compositions, and several aspects of their compositional perspectives. It also discusses their personal experiences as they developed in their music careers; for example, organizations, patrons, groups and people in various countries that helped support their music are discussed. It offers an insight into the growth and development of women’s associations, organizations and musical activity that have developed since the 20th century. Valuable information is afforded to young musicians wanting to understand contemporary music, and to listener-readers seeking a wider knowledge of contemporary music by women composers." Geschichte 1900-2020 gnd rswk-swf Komposition (DE-588)4032012-1 gnd rswk-swf Komponistin (DE-588)4032010-8 gnd rswk-swf Women composers / History / 20th century Music / 20th century / History and criticism Folk music / History and criticism (DE-588)4143413-4 Aufsatzsammlung gnd-content Komponistin (DE-588)4032010-8 s Komposition (DE-588)4032012-1 s Geschichte 1900-2020 z DE-604 Erscheint auch als Online-Ausgabe 978-1-5275-3438-4 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034790755&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Koay, Kheng Keow Female recreation of music traditions women's sounds of the past and present Komposition (DE-588)4032012-1 gnd Komponistin (DE-588)4032010-8 gnd |
| subject_GND | (DE-588)4032012-1 (DE-588)4032010-8 (DE-588)4143413-4 |
| title | Female recreation of music traditions women's sounds of the past and present |
| title_auth | Female recreation of music traditions women's sounds of the past and present |
| title_exact_search | Female recreation of music traditions women's sounds of the past and present |
| title_exact_search_txtP | Female recreation of music traditions women's sounds of the past and present |
| title_full | Female recreation of music traditions women's sounds of the past and present by Kheng K. Koay |
| title_fullStr | Female recreation of music traditions women's sounds of the past and present by Kheng K. Koay |
| title_full_unstemmed | Female recreation of music traditions women's sounds of the past and present by Kheng K. Koay |
| title_short | Female recreation of music traditions |
| title_sort | female recreation of music traditions women s sounds of the past and present |
| title_sub | women's sounds of the past and present |
| topic | Komposition (DE-588)4032012-1 gnd Komponistin (DE-588)4032010-8 gnd |
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