The politics of authenticating: revisiting New Orleans jazz
"This book is part jazz historiography, part autoethnography and part memoir. It sets forth a grounded theory of 'authenticating' as a basic socio-political process, with reference to Richard Ekins' participation in the social worlds of New Orleans jazz, and his life as a social...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Lanham, Maryland
Lexington Books, an imprint of The Rowman & Littlefield Publishing Group, Inc.
[2023]
|
| Schriftenreihe: | Experiments/on the political
|
| Schlagworte: | |
| Zusammenfassung: | "This book is part jazz historiography, part autoethnography and part memoir. It sets forth a grounded theory of 'authenticating' as a basic socio-political process, with reference to Richard Ekins' participation in the social worlds of New Orleans jazz, and his life as a social constructionist social scientist and cultural theorist"-- |
| Beschreibung: | xxiv, 179 pages illustrations 24 cm |
| ISBN: | 9781666917741 |
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| 100 | 1 | |a Ekins, Richard |d 1945- |e Verfasser |0 (DE-588)131729438 |4 aut | |
| 245 | 1 | 0 | |a The politics of authenticating |b revisiting New Orleans jazz |c Richard Ekins and Robert Porter |
| 264 | 1 | |a Lanham, Maryland |b Lexington Books, an imprint of The Rowman & Littlefield Publishing Group, Inc. |c [2023] | |
| 300 | |a xxiv, 179 pages |b illustrations |c 24 cm | ||
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| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Experiments/on the political | |
| 505 | 8 | |a Part I. Beginnings. Introducing the Authors and the Riff Methodology ; Riff I. Robert Porter ; Cultural Studies and the Politics of Everyday Life ; Why Sociology of Knowledge? ; Why George Herbert Mead? ; Why Symbolic Interactionism? ; Riff II. Robert Porter ; Authenticity as Authenticating ; The Move to Grounded Theory -- Part II. Authenticating New Orleans Jazz ; Riff III. Robert Porter ; Analytic Autoethnography ; Becoming Authentic (1961-1976) ; Revisiting Authenticity (2000-2009) ; Enthusiasts, Competing Authenticities, and the Move to Academe ; New Orleans Music, Authenticity, and the Case of Bob Wallis ; Towards Authenticity as Authenticating : Mainstreaming Authenticity and the Case of Bunk Johnson ; Authenticity as Authenticating 1 -- Constructing and Reconstructing Authenticity ; Authenticity as Authenticating 2 -- Adopting and Adapting Authenticity ; Progressing Authenticity ; Coda on a Riff : Fragment from Robert Porter | |
| 520 | 3 | |a "This book is part jazz historiography, part autoethnography and part memoir. It sets forth a grounded theory of 'authenticating' as a basic socio-political process, with reference to Richard Ekins' participation in the social worlds of New Orleans jazz, and his life as a social constructionist social scientist and cultural theorist"-- | |
| 653 | 0 | |a Jazz / Louisiana / New Orleans / Historiography | |
| 653 | 0 | |a Jazz / Social aspects / Louisiana / New Orleans / History | |
| 653 | 0 | |a Authenticity (Philosophy) / History | |
| 653 | 0 | |a Musicology / Methodology | |
| 653 | 1 | |a Ekins, Richard / 1945- | |
| 653 | 1 | |a Porter, Robert / 1972- | |
| 653 | 0 | |a Authenticité (Philosophie) / Histoire | |
| 653 | 0 | |a Musicologie / Méthodologie | |
| 653 | 0 | |a Authenticity (Philosophy) | |
| 653 | 0 | |a Jazz / Historiography | |
| 653 | 0 | |a Jazz / Social aspects | |
| 653 | 2 | |a Louisiana / New Orleans | |
| 653 | 6 | |a Ethnographies | |
| 653 | 6 | |a History | |
| 653 | 6 | |a Ethnographies | |
| 653 | 6 | |a Études ethnographiques | |
| 700 | 1 | |a Porter, Robert |d 1972- |e Verfasser |0 (DE-588)1171728573 |4 aut | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 9781666917758 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034790747 | ||
Datensatz im Suchindex
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| author | Ekins, Richard 1945- Porter, Robert 1972- |
| author_GND | (DE-588)131729438 (DE-588)1171728573 |
| author_facet | Ekins, Richard 1945- Porter, Robert 1972- |
| author_role | aut aut |
| author_sort | Ekins, Richard 1945- |
| author_variant | r e re r p rp |
| building | Verbundindex |
| bvnumber | BV049444824 |
| contents | Part I. Beginnings. Introducing the Authors and the Riff Methodology ; Riff I. Robert Porter ; Cultural Studies and the Politics of Everyday Life ; Why Sociology of Knowledge? ; Why George Herbert Mead? ; Why Symbolic Interactionism? ; Riff II. Robert Porter ; Authenticity as Authenticating ; The Move to Grounded Theory -- Part II. Authenticating New Orleans Jazz ; Riff III. Robert Porter ; Analytic Autoethnography ; Becoming Authentic (1961-1976) ; Revisiting Authenticity (2000-2009) ; Enthusiasts, Competing Authenticities, and the Move to Academe ; New Orleans Music, Authenticity, and the Case of Bob Wallis ; Towards Authenticity as Authenticating : Mainstreaming Authenticity and the Case of Bunk Johnson ; Authenticity as Authenticating 1 -- Constructing and Reconstructing Authenticity ; Authenticity as Authenticating 2 -- Adopting and Adapting Authenticity ; Progressing Authenticity ; Coda on a Riff : Fragment from Robert Porter |
| ctrlnum | (DE-599)BVBBV049444824 |
| format | Book |
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| id | DE-604.BV049444824 |
| illustrated | Illustrated |
| index_date | 2024-07-03T23:12:37Z |
| indexdate | 2024-07-10T10:07:21Z |
| institution | BVB |
| isbn | 9781666917741 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034790747 |
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| owner | DE-12 |
| owner_facet | DE-12 |
| physical | xxiv, 179 pages illustrations 24 cm |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Lexington Books, an imprint of The Rowman & Littlefield Publishing Group, Inc. |
| record_format | marc |
| series2 | Experiments/on the political |
| spelling | Ekins, Richard 1945- Verfasser (DE-588)131729438 aut The politics of authenticating revisiting New Orleans jazz Richard Ekins and Robert Porter Lanham, Maryland Lexington Books, an imprint of The Rowman & Littlefield Publishing Group, Inc. [2023] xxiv, 179 pages illustrations 24 cm txt rdacontent n rdamedia nc rdacarrier Experiments/on the political Part I. Beginnings. Introducing the Authors and the Riff Methodology ; Riff I. Robert Porter ; Cultural Studies and the Politics of Everyday Life ; Why Sociology of Knowledge? ; Why George Herbert Mead? ; Why Symbolic Interactionism? ; Riff II. Robert Porter ; Authenticity as Authenticating ; The Move to Grounded Theory -- Part II. Authenticating New Orleans Jazz ; Riff III. Robert Porter ; Analytic Autoethnography ; Becoming Authentic (1961-1976) ; Revisiting Authenticity (2000-2009) ; Enthusiasts, Competing Authenticities, and the Move to Academe ; New Orleans Music, Authenticity, and the Case of Bob Wallis ; Towards Authenticity as Authenticating : Mainstreaming Authenticity and the Case of Bunk Johnson ; Authenticity as Authenticating 1 -- Constructing and Reconstructing Authenticity ; Authenticity as Authenticating 2 -- Adopting and Adapting Authenticity ; Progressing Authenticity ; Coda on a Riff : Fragment from Robert Porter "This book is part jazz historiography, part autoethnography and part memoir. It sets forth a grounded theory of 'authenticating' as a basic socio-political process, with reference to Richard Ekins' participation in the social worlds of New Orleans jazz, and his life as a social constructionist social scientist and cultural theorist"-- Jazz / Louisiana / New Orleans / Historiography Jazz / Social aspects / Louisiana / New Orleans / History Authenticity (Philosophy) / History Musicology / Methodology Ekins, Richard / 1945- Porter, Robert / 1972- Authenticité (Philosophie) / Histoire Musicologie / Méthodologie Authenticity (Philosophy) Jazz / Historiography Jazz / Social aspects Louisiana / New Orleans Ethnographies History Études ethnographiques Porter, Robert 1972- Verfasser (DE-588)1171728573 aut Erscheint auch als Online-Ausgabe 9781666917758 |
| spellingShingle | Ekins, Richard 1945- Porter, Robert 1972- The politics of authenticating revisiting New Orleans jazz Part I. Beginnings. Introducing the Authors and the Riff Methodology ; Riff I. Robert Porter ; Cultural Studies and the Politics of Everyday Life ; Why Sociology of Knowledge? ; Why George Herbert Mead? ; Why Symbolic Interactionism? ; Riff II. Robert Porter ; Authenticity as Authenticating ; The Move to Grounded Theory -- Part II. Authenticating New Orleans Jazz ; Riff III. Robert Porter ; Analytic Autoethnography ; Becoming Authentic (1961-1976) ; Revisiting Authenticity (2000-2009) ; Enthusiasts, Competing Authenticities, and the Move to Academe ; New Orleans Music, Authenticity, and the Case of Bob Wallis ; Towards Authenticity as Authenticating : Mainstreaming Authenticity and the Case of Bunk Johnson ; Authenticity as Authenticating 1 -- Constructing and Reconstructing Authenticity ; Authenticity as Authenticating 2 -- Adopting and Adapting Authenticity ; Progressing Authenticity ; Coda on a Riff : Fragment from Robert Porter |
| title | The politics of authenticating revisiting New Orleans jazz |
| title_auth | The politics of authenticating revisiting New Orleans jazz |
| title_exact_search | The politics of authenticating revisiting New Orleans jazz |
| title_exact_search_txtP | The politics of authenticating revisiting New Orleans jazz |
| title_full | The politics of authenticating revisiting New Orleans jazz Richard Ekins and Robert Porter |
| title_fullStr | The politics of authenticating revisiting New Orleans jazz Richard Ekins and Robert Porter |
| title_full_unstemmed | The politics of authenticating revisiting New Orleans jazz Richard Ekins and Robert Porter |
| title_short | The politics of authenticating |
| title_sort | the politics of authenticating revisiting new orleans jazz |
| title_sub | revisiting New Orleans jazz |
| work_keys_str_mv | AT ekinsrichard thepoliticsofauthenticatingrevisitingneworleansjazz AT porterrobert thepoliticsofauthenticatingrevisitingneworleansjazz |