Blanks, print, space, and void in English Renaissance literature: an archaeology of absence
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford University Press
[2023]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xvii, 574 Seiten Illustrationen, Karten 24 cm |
| ISBN: | 9780192845641 |
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Contents List of Illustrations Acknowledgments A Note on Citations, Quotations, and Illustrations Introduction: Towards an Archaeology of Absence xii xvi xviii 1 PART I. LANDSCAPES 1. Experiencing the Blank Cut to Black Theorizing the Blank “A Gap in Nature” In the Beginning Was. The Gap Space and Silence Blankness: Blackness or Whiteness? Conclusion: The Infinitude of Blackness 17 17 19 23 29 34 47 52 2. Inky Faces and an Empty World: Print, Race, and Cartography “The Definitive Triumph of Whites over Blacks” Black and White A History of Darkness Discovering Whiteness “Sooty Hands” and the Blackness of Ink Cartographic Blankness: Creating an Empty World Conclusion: What’s in a Name? 54 54 56 65 71 76 85 95 3. Reading the Early Modern Page “Typographic Free Fall” Script, Speech, Print, and Space Quick and Slow Reading Reading White Space From Blackletter to Roman (and Back Again) Listening to the King’s Speech in 1616 Space and Meaning on the Early Modern Page The Search for Order Ornaments and the Problem of Emptiness Conclusion: Filling the Void 99 99 103 109 116 118 125 128 132 140 151 4. The Social Space of the Page The Blank Page 154 154
X CONTENTS White Paper Female Surfaces Books of the Mind Hierarchies of Space Dedicatory Space Dedicating The Faerie Queens, 1590-1609 Women and Dedicatory Space: The Dedications of John Florio and Emelia Lanier Conclusion: Ben Jonson’s Blank Pages 5. Vacant Leaves and Waste Blanks Where to Begin? Intentional Blanks Jane Grey and the Waste Blanks of Shakespeare's Sonnet 77 Interleaving Blank Pages Books of Memory The Blank Verso Filling up Blank Spaces Writing in the Endpapers Conclusion: Typographic Men (and Women)? 156 161 169 173 179 187 196 203 206 206 207 211 216 220 227 238 242 246 PART II. EXCAVATIONS 6. Exploring the Blank Archive . Paying Freight for the said Goods Negro Fifty Shillings.” The Space of the Form The Genesis of the Blank Form Books or Forms? Printing the “First Folio” of Shakespeares Plays The Authority of the Blank Form Fighting with Blanks, 1640-1650 Reading the Blank Archive The Anxieties of the Blank Conclusion: Inexplicable Blanks 251 251 260 263 268 273 278 283 287 298 7. Missing Text Interpreting Absence “Desunt Nonnulla:” Something is Missing “Purposely that Space I Left” The Case of the Missing Couplet: Shakespeare’s Sonnet 126 Conclusion: The Presence of the Missing 301 301 302 316 322 336 8. Poetry and Space in the Seventeenth Century Scored Space The Vacant Pages of “His Majesties Buik” George Herbert and Devotional Space Indented Space The Ragged Spaces of John Donne’s Poetry 338 338 340 345 352 358
CONTENTS The Politics of Print in the 1640s Thomas Carew and Libertine Space Royalist Space John Milton, Print, and Space Conclusion: Republican Space 9. Censored Space “A Blush on the Cheek of Modesty” Blanks and Mumbles: Sigmund Freud and the Failure of Censorship The Problem of the Gap Early Modern Censorship Sir Francis Hubert and the Cancellation of History, 1628-1629 The Censoring of John Donne, 1633 Missing Leaves: William Cartwright,1651, and Andrew Marvell, 1681 The Return of the Repressed: Rochester, Dryden, and “--------- ” Conclusion: Derridas Post Cards XI 365 373 377 383 395 399 399 402 406 408 416 423 426 431 438 10. Unfinished Cut to White A Sense of an Ending The Unfinished Dance of Sir John Davies The Lure of the Fragment Incomplete Narratives: Sir Philip Sidney and Lady Mary Wroth The End 442 442 443 448 453 464 469 Works Cited Index 487 541
Blanks, Print, Space, and Void in English Renaissance Literature: An Archaeology of Absence is an inquiry into the empty spaces encountered not just on the pages of printed books c. 1500-c. ’ 700, but in Renaissance culture more generally. The book argues that print culture in the sixteenth and seventeenth centuries helped to foster the modern idea of the 'gap (where words, texts, images and ideas are constructed as missing, lost, withheld, fragmented, or perhaps never devised in the first place). It reimagines not just how early modern people reacted to printed books and documents of many different kinds, but also how the very idea of emptiness or absence began to be fashioned in a way which still surrounds us. Jonathan Sawday leads the reader through the entire landscape of early modern print culture, discussing topics such as: space and silence: the exploration of the vacuum; the ways in which race and racial identity in early modern England were constructed by the language and technology of print; blackness and whiteness, together with lightness, darkness, and sightlessness: cartography and emptiness: the effect of typography on reading practices; the social spaces of the page; gendered surfaces; hierarchies of information; books of memory; pages constructed as waste or vacant; the genesis of blank forms and early modern bureaucracy; the political and devotional spaces of printed books; the impact of censorship: and the problem posed by texts which lack endings or conclusions. The book ends by dwelling on blank or empty pages as a sign of human mortality. Sawday pays
close attention to the writings of many of the familiar Figures in English Renaissance literary culture—Sidney, Shakespeare, Donne, Jonson, and Milton, for example— as well as introducing readers to a host of lesser-known figures. The book also discusses the work of numerous women writers from the period including Aphra Behn Ann Bradstreet, Margaret Cavendish. Lady Jane Grey, Lucy Hutchinson, Emelia Lanier, Isabella Whitney, and Lady Mary Wroth. |
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| discipline | Anglistik / Amerikanistik |
| era | Geschichte 1500-1700 gnd |
| era_facet | Geschichte 1500-1700 |
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