Navigation beyond vision:
Navigation begins where the map becomes indecipherable. Navigation operates on a plane of immanence in constant motion. Instead of framing or representing the world, the art of navigation continuously updates and adjusts multiple frames from viewpoints within and beyond the world. Navigation is thus...
Gespeichert in:
Hauptverfasser: | , |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London
Sternberg Press
[2023]
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Schriftenreihe: | e-flux journal
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Schlagworte: | |
Zusammenfassung: | Navigation begins where the map becomes indecipherable. Navigation operates on a plane of immanence in constant motion. Instead of framing or representing the world, the art of navigation continuously updates and adjusts multiple frames from viewpoints within and beyond the world. Navigation is thus an operational practice of synthesizing various orders of magnitude. Only a few weeks prior to his untimely death in 2014, Harun Farocki briefly referred to navigation as a contemporary challenge to montage—editing distinct sections of film into a continuous sequence—as the dominant paradigm of techno-political visuality. For Farocki, the computer-animated, navigable images that constitute the twenty-first century’s "ruling class of images" call for new tools of analysis, prompting him to ask: How does the shift from montage to navigation alter the way images—and art—operate as models of political action and modes of political intervention? Navigation Beyond Vision originated in a conference organized by the Harun Farocki Institut (HaFI) and e-flux at the Haus der Kulturen der Welt (HKW) in Berlin in 2019 |
Beschreibung: | With contributions from Ramon Amaro, James Bridle, Maïté Chénière, Kodwo Eshun, Anselm Franke, Jennifer Gabrys, Tom Holert, Inhabitants, Doreen Mende, Matteo Pasquinelli, Laura Lo Presti, Patricia Reed, Nikolay Smirnov, Hito Steyerl, Oraib Toukan, and Brian Kuan Wood |
Beschreibung: | 296 Seiten Illustrationen |
ISBN: | 9783956795657 3956795652 |
Internformat
MARC
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520 | 3 | |a Navigation begins where the map becomes indecipherable. Navigation operates on a plane of immanence in constant motion. Instead of framing or representing the world, the art of navigation continuously updates and adjusts multiple frames from viewpoints within and beyond the world. Navigation is thus an operational practice of synthesizing various orders of magnitude. Only a few weeks prior to his untimely death in 2014, Harun Farocki briefly referred to navigation as a contemporary challenge to montage—editing distinct sections of film into a continuous sequence—as the dominant paradigm of techno-political visuality. For Farocki, the computer-animated, navigable images that constitute the twenty-first century’s "ruling class of images" call for new tools of analysis, prompting him to ask: How does the shift from montage to navigation alter the way images—and art—operate as models of political action and modes of political intervention? Navigation Beyond Vision originated in a conference organized by the Harun Farocki Institut (HaFI) and e-flux at the Haus der Kulturen der Welt (HKW) in Berlin in 2019 | |
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Datensatz im Suchindex
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adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Holert, Tom 1962- Mende, Doreen 1976- |
author2 | Holert, Tom 1962- Mende, Doreen 1976- |
author2_role | edt edt |
author2_variant | t h th d m dm |
author_GND | (DE-588)115468161 (DE-588)1149306149 |
author_facet | Holert, Tom 1962- Mende, Doreen 1976- Holert, Tom 1962- Mende, Doreen 1976- |
author_role | aut aut |
author_sort | Holert, Tom 1962- |
author_variant | t h th d m dm |
building | Verbundindex |
bvnumber | BV049433643 |
ctrlnum | (OCoLC)1410426979 (DE-599)KXP1837110840 |
format | Book |
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genre | (DE-588)1071861417 Konferenzschrift Harun Farocki Institut, Berlin 05.04.2019-06.04.2019 Berlin gnd-content |
genre_facet | Konferenzschrift Harun Farocki Institut, Berlin 05.04.2019-06.04.2019 Berlin |
id | DE-604.BV049433643 |
illustrated | Illustrated |
index_date | 2024-07-03T23:10:37Z |
indexdate | 2024-07-10T10:07:00Z |
institution | BVB |
isbn | 9783956795657 3956795652 |
language | English |
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owner_facet | DE-M472 DE-255 |
physical | 296 Seiten Illustrationen |
publishDate | 2023 |
publishDateSearch | 2023 |
publishDateSort | 2023 |
publisher | Sternberg Press |
record_format | marc |
series2 | e-flux journal |
spelling | Navigation beyond vision edited by Tom Holert and Doreen Mende London Sternberg Press [2023] 296 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier e-flux journal With contributions from Ramon Amaro, James Bridle, Maïté Chénière, Kodwo Eshun, Anselm Franke, Jennifer Gabrys, Tom Holert, Inhabitants, Doreen Mende, Matteo Pasquinelli, Laura Lo Presti, Patricia Reed, Nikolay Smirnov, Hito Steyerl, Oraib Toukan, and Brian Kuan Wood Navigation begins where the map becomes indecipherable. Navigation operates on a plane of immanence in constant motion. Instead of framing or representing the world, the art of navigation continuously updates and adjusts multiple frames from viewpoints within and beyond the world. Navigation is thus an operational practice of synthesizing various orders of magnitude. Only a few weeks prior to his untimely death in 2014, Harun Farocki briefly referred to navigation as a contemporary challenge to montage—editing distinct sections of film into a continuous sequence—as the dominant paradigm of techno-political visuality. For Farocki, the computer-animated, navigable images that constitute the twenty-first century’s "ruling class of images" call for new tools of analysis, prompting him to ask: How does the shift from montage to navigation alter the way images—and art—operate as models of political action and modes of political intervention? Navigation Beyond Vision originated in a conference organized by the Harun Farocki Institut (HaFI) and e-flux at the Haus der Kulturen der Welt (HKW) in Berlin in 2019 Ästhetik (DE-588)4000626-8 gnd rswk-swf Kritik (DE-588)4033229-9 gnd rswk-swf Politik (DE-588)4046514-7 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Navigation (DE-588)4041457-7 gnd rswk-swf (DE-588)1071861417 Konferenzschrift Harun Farocki Institut, Berlin 05.04.2019-06.04.2019 Berlin gnd-content Kunst (DE-588)4114333-4 s Ästhetik (DE-588)4000626-8 s Navigation (DE-588)4041457-7 s DE-604 Politik (DE-588)4046514-7 s Kritik (DE-588)4033229-9 s Holert, Tom 1962- (DE-588)115468161 edt aut Mende, Doreen 1976- (DE-588)1149306149 edt aut |
spellingShingle | Holert, Tom 1962- Mende, Doreen 1976- Navigation beyond vision Ästhetik (DE-588)4000626-8 gnd Kritik (DE-588)4033229-9 gnd Politik (DE-588)4046514-7 gnd Kunst (DE-588)4114333-4 gnd Navigation (DE-588)4041457-7 gnd |
subject_GND | (DE-588)4000626-8 (DE-588)4033229-9 (DE-588)4046514-7 (DE-588)4114333-4 (DE-588)4041457-7 (DE-588)1071861417 |
title | Navigation beyond vision |
title_auth | Navigation beyond vision |
title_exact_search | Navigation beyond vision |
title_exact_search_txtP | Navigation beyond vision |
title_full | Navigation beyond vision edited by Tom Holert and Doreen Mende |
title_fullStr | Navigation beyond vision edited by Tom Holert and Doreen Mende |
title_full_unstemmed | Navigation beyond vision edited by Tom Holert and Doreen Mende |
title_short | Navigation beyond vision |
title_sort | navigation beyond vision |
topic | Ästhetik (DE-588)4000626-8 gnd Kritik (DE-588)4033229-9 gnd Politik (DE-588)4046514-7 gnd Kunst (DE-588)4114333-4 gnd Navigation (DE-588)4041457-7 gnd |
topic_facet | Ästhetik Kritik Politik Kunst Navigation Konferenzschrift Harun Farocki Institut, Berlin 05.04.2019-06.04.2019 Berlin |
work_keys_str_mv | AT holerttom navigationbeyondvision AT mendedoreen navigationbeyondvision |