Watching the cops: essays on police and policing in 21st century film and television
"Globally, police officers are the object of unprecedented visual scrutiny. The use of mobile phones, CCTV and personal body cams means that police are not only being filmed on the job but are also filming themselves. In popular culture, police have featured heavily on the big screen since the...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Jefferson, North Carolina
McFarland & Company, Inc., Publishers
[2023]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "Globally, police officers are the object of unprecedented visual scrutiny. The use of mobile phones, CCTV and personal body cams means that police are not only being filmed on the job but are also filming themselves. In popular culture, police have featured heavily on the big screen since the era of silent shorts and on television since the 1930s. Their fictional portrayals today take on added significance in light of social unrest surrounding cases of police brutality and discrimination. These essays explore 21st century portrayals of police on film and television. Chapters often emphasize the Black Lives Matter movement and consider the tone, quality, appropriateness and intention of film and television featuring police activity. Extensively covered works include Mindhunter, Brooklyn Nine-Nine, Cops, Criminal Minds and RoboCop, and among the major topics addressed are policing communities, hunting serial killers, police animals, and police in historic settings ranging from the 19th century through the present day and into science fiction futures"-- |
| Beschreibung: | ix, 287 Seiten 23 cm |
| ISBN: | 9781476689340 |
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| 505 | 8 | |a Introduction : past and future visions of policing / Meredith A. Harmes, Marcus K. Harmes, and Barbara Harmes -- "Scotland yard will never catch him" : Victorian detectives on television / Barbara Harmes, Marcus K. Harmes, and Meredith Harmes -- Hercule Poirot versus the police : detecting the ABC murders / Mark Aldridge -- Interrogating representations of criminal justice policy and procedure in Netflix's Criminal : UK / France / Germany / Spain / Benjamin Lamb -- "Blonde angels and damsels in distress" : death aesthetics and racial hierarchies in the American police procedural / Malinda Hackett -- Evil cops : two supernatural procedurals take on police brutality / Lynn Kozak -- "A man must have a code" : good po-lice and representations of masculinity in HBO's the Wire / Kyle Barrett -- Cops, Live PD, and the problem with post-BLM reality TV policing / Aaron Duplantier -- | |
| 505 | 8 | |a "A traffic stop gone wrong" : Cartesian police violence representation in the Hate u give (2018) / Hilde van der Wal -- "What you gonna do when they come for you?" : cops and the urgency of Black flight in Antoinette Nwandu's pass over / Cornelius Fortune -- Exceptional breeding : the serial killer births the Mindhunter / Michele Byers and Rachael Collins -- Mindhunter versus Criminal minds : degrees of procedurality, Todorov, and complex TV / Elly Temelcos -- Female sleuths and postfeminism in modern American crime shows : Bones and Castle / Lindsay Helwig -- Gender (in)equality in recent Cuban police dramas : Tras la huella, Patrulla 444, and Unidad Nacional Operativa / Carlos Uxo -- Pembleton versus Holt : policing while Black in homicide and Brooklyn Nine-Nine / Erin Giannini 215 -- Brooklyn Nine-Nine : the procedural comedy after the 2020 Black Lives Matter Movement / Hannah Spruce -- | |
| 505 | 8 | |a More than colleagues, less than human : implications of anthropomorphic policing / Marcus K. Harmes, Meredith A. Harmes, and Barbara Harmes -- Don't stand so close to me (because I'll be watching every breath you take) : robotic police and digital surveillance in the 21st Century / David Riddle Watson -- Future visions of policing / Marcus K. Harmes, Meredith A. Harmes, and Barbara Harmes | |
| 520 | 3 | |a "Globally, police officers are the object of unprecedented visual scrutiny. The use of mobile phones, CCTV and personal body cams means that police are not only being filmed on the job but are also filming themselves. In popular culture, police have featured heavily on the big screen since the era of silent shorts and on television since the 1930s. Their fictional portrayals today take on added significance in light of social unrest surrounding cases of police brutality and discrimination. These essays explore 21st century portrayals of police on film and television. Chapters often emphasize the Black Lives Matter movement and consider the tone, quality, appropriateness and intention of film and television featuring police activity. Extensively covered works include Mindhunter, Brooklyn Nine-Nine, Cops, Criminal Minds and RoboCop, and among the major topics addressed are policing communities, hunting serial killers, police animals, and police in historic settings ranging from the 19th century through the present day and into science fiction futures"-- | |
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| 653 | 0 | |a Television cop shows / History and criticism | |
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| 653 | 0 | |a Films policiers / Histoire et critique | |
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Datensatz im Suchindex
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|---|---|
| adam_text |
Table of Contents Introduction: Past and Future Visions of Policing Meredith A. Harmes, Marcus K. Harmes, and Barbara Harmes 1 “Scotland Yard will never catch him”: Victorian Detectives on Television Barbara Harmes, Marcus K. Harmes, and Meredith Harmes 11 Hercule Poirot versus the Police: Detecting The ABC Murders Mark Aldridge 26 Interrogating Representations of Criminal Justice Policy and Procedure in Netflix’s Criminal: UK / Germany I France I Spain Ben Lamb 40 “Blonde angels and damsels in distress”: Death Aesthetics and Racial Hierarchies in the American Police Procedural Malinda Hackett 56 Evil Cops: Two Supernatural Procedurals Take on Police Brutality Lynn Kozak 75 “A man must have a code”: Good Ρο-Lice and Representations of Masculinity in HBO’s The Wire Kyle Barrett 90 Cops, Live PD, and the Problem with Post-BLM Reality TV Policing Aaron Duplantier 108 vii
viii Table of Contents “A traffic stop gone wrong”: Cartesian Police Violence Representation in The Hate U Give (2018) Hilde van der Wal 122 “What you gonna do when they come for you?”: Cops and the Urgency of Black Flight in Antoinette Nwandu’s Pass Over Cornelius Fortune Exceptional Breeding: The Serial Killer Births the Mindhunter Michele Byers and Rachael Collins 136 152 Mindhunter versus Criminal Minds: Degrees of Procedurality, Todorov, and Complex TV Elly Temelcos 167 Female Sleuths and Postfeminism in Modern American Crime Shows: Bones and Castle Lindsay Helwig 181 Gender (In)equality in Recent Cuban Police Dramas: Tras la huella, Patrulla 444, and Unidad Nacional Operativa Carlos Uxo 194 Pembleton versus Holt: Policing While Black in Homicide and Brooklyn Nine-Nine Erin Giannini 210 Brooklyn Nine-Nine: The Procedural Comedy After the 2020 Black Lives Matter Movement Hannah Spruce More Than Colleagues, Less Than Human: Implications of Anthropomorphic Policing Marcus K. Harmes, Meredith A. Harmes, and Barbara Harmes 221 236 Don’t Stand So Close to Me (Because I’ll Be Watching Every Breath You Take): Robotic Police and Digital Surveillance in the 21st Century David Riddle Watson Future Visions of Policing Marcus K. Harmes, Meredith A. Harmes, and Barbara Harmes 251 265
Table of Contents ix Conclusion Marcus K. Harmes, Meredith A. Harmes, and Barbara Harmes 275 About the Contributors 279 Index 283
Globally, police officers are the object of unprecedented visual scrutiny. The use of mobile phones, CCTV and personal body cams means that police are not only being filmed on the job but also filming themselves. In popular culture, police have featured heavily on the big screen since the era of silent shorts and on television since the 1930s. Their fictional portrayals today take on added significance in light of social unrest surrounding cases of police brutality and discrimination. These essays explore 21st century portrayals of police on film and television. Chapters often emphasize the Black Lives Matter movement and consider the tone, quality, appropriateness and intention of film and television featuring police activity. Among works analyzed are The Wire, Mindhunter, Brooklyn Nine-Nine, Cops, Criminal Minds and RoboCop, and topics include racial justice, hunting serial killers, police animals, and police in historic settings ranging from the 19th century through the present day and into science fiction futures. |
| adam_txt |
Table of Contents Introduction: Past and Future Visions of Policing Meredith A. Harmes, Marcus K. Harmes, and Barbara Harmes 1 “Scotland Yard will never catch him”: Victorian Detectives on Television Barbara Harmes, Marcus K. Harmes, and Meredith Harmes 11 Hercule Poirot versus the Police: Detecting The ABC Murders Mark Aldridge 26 Interrogating Representations of Criminal Justice Policy and Procedure in Netflix’s Criminal: UK / Germany I France I Spain Ben Lamb 40 “Blonde angels and damsels in distress”: Death Aesthetics and Racial Hierarchies in the American Police Procedural Malinda Hackett 56 Evil Cops: Two Supernatural Procedurals Take on Police Brutality Lynn Kozak 75 “A man must have a code”: Good Ρο-Lice and Representations of Masculinity in HBO’s The Wire Kyle Barrett 90 Cops, Live PD, and the Problem with Post-BLM Reality TV Policing Aaron Duplantier 108 vii
viii Table of Contents “A traffic stop gone wrong”: Cartesian Police Violence Representation in The Hate U Give (2018) Hilde van der Wal 122 “What you gonna do when they come for you?”: Cops and the Urgency of Black Flight in Antoinette Nwandu’s Pass Over Cornelius Fortune Exceptional Breeding: The Serial Killer Births the Mindhunter Michele Byers and Rachael Collins 136 152 Mindhunter versus Criminal Minds: Degrees of Procedurality, Todorov, and Complex TV Elly Temelcos 167 Female Sleuths and Postfeminism in Modern American Crime Shows: Bones and Castle Lindsay Helwig 181 Gender (In)equality in Recent Cuban Police Dramas: Tras la huella, Patrulla 444, and Unidad Nacional Operativa Carlos Uxo 194 Pembleton versus Holt: Policing While Black in Homicide and Brooklyn Nine-Nine Erin Giannini 210 Brooklyn Nine-Nine: The Procedural Comedy After the 2020 Black Lives Matter Movement Hannah Spruce More Than Colleagues, Less Than Human: Implications of Anthropomorphic Policing Marcus K. Harmes, Meredith A. Harmes, and Barbara Harmes 221 236 Don’t Stand So Close to Me (Because I’ll Be Watching Every Breath You Take): Robotic Police and Digital Surveillance in the 21st Century David Riddle Watson Future Visions of Policing Marcus K. Harmes, Meredith A. Harmes, and Barbara Harmes 251 265
Table of Contents ix Conclusion Marcus K. Harmes, Meredith A. Harmes, and Barbara Harmes 275 About the Contributors 279 Index 283
Globally, police officers are the object of unprecedented visual scrutiny. The use of mobile phones, CCTV and personal body cams means that police are not only being filmed on the job but also filming themselves. In popular culture, police have featured heavily on the big screen since the era of silent shorts and on television since the 1930s. Their fictional portrayals today take on added significance in light of social unrest surrounding cases of police brutality and discrimination. These essays explore 21st century portrayals of police on film and television. Chapters often emphasize the Black Lives Matter movement and consider the tone, quality, appropriateness and intention of film and television featuring police activity. Among works analyzed are The Wire, Mindhunter, Brooklyn Nine-Nine, Cops, Criminal Minds and RoboCop, and topics include racial justice, hunting serial killers, police animals, and police in historic settings ranging from the 19th century through the present day and into science fiction futures. |
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| contents | Introduction : past and future visions of policing / Meredith A. Harmes, Marcus K. Harmes, and Barbara Harmes -- "Scotland yard will never catch him" : Victorian detectives on television / Barbara Harmes, Marcus K. Harmes, and Meredith Harmes -- Hercule Poirot versus the police : detecting the ABC murders / Mark Aldridge -- Interrogating representations of criminal justice policy and procedure in Netflix's Criminal : UK / France / Germany / Spain / Benjamin Lamb -- "Blonde angels and damsels in distress" : death aesthetics and racial hierarchies in the American police procedural / Malinda Hackett -- Evil cops : two supernatural procedurals take on police brutality / Lynn Kozak -- "A man must have a code" : good po-lice and representations of masculinity in HBO's the Wire / Kyle Barrett -- Cops, Live PD, and the problem with post-BLM reality TV policing / Aaron Duplantier -- "A traffic stop gone wrong" : Cartesian police violence representation in the Hate u give (2018) / Hilde van der Wal -- "What you gonna do when they come for you?" : cops and the urgency of Black flight in Antoinette Nwandu's pass over / Cornelius Fortune -- Exceptional breeding : the serial killer births the Mindhunter / Michele Byers and Rachael Collins -- Mindhunter versus Criminal minds : degrees of procedurality, Todorov, and complex TV / Elly Temelcos -- Female sleuths and postfeminism in modern American crime shows : Bones and Castle / Lindsay Helwig -- Gender (in)equality in recent Cuban police dramas : Tras la huella, Patrulla 444, and Unidad Nacional Operativa / Carlos Uxo -- Pembleton versus Holt : policing while Black in homicide and Brooklyn Nine-Nine / Erin Giannini 215 -- Brooklyn Nine-Nine : the procedural comedy after the 2020 Black Lives Matter Movement / Hannah Spruce -- More than colleagues, less than human : implications of anthropomorphic policing / Marcus K. Harmes, Meredith A. Harmes, and Barbara Harmes -- Don't stand so close to me (because I'll be watching every breath you take) : robotic police and digital surveillance in the 21st Century / David Riddle Watson -- Future visions of policing / Marcus K. Harmes, Meredith A. Harmes, and Barbara Harmes |
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| discipline_str_mv | Allgemeines |
| era | Geschichte 2000-2023 gnd |
| era_facet | Geschichte 2000-2023 |
| format | Book |
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| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV049431369 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T23:10:21Z |
| indexdate | 2024-09-24T00:25:35Z |
| institution | BVB |
| isbn | 9781476689340 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034777474 |
| oclc_num | 1424560682 |
| open_access_boolean | |
| owner | DE-12 DE-384 |
| owner_facet | DE-12 DE-384 |
| physical | ix, 287 Seiten 23 cm |
| psigel | BSB_NED_20240301 |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | McFarland & Company, Inc., Publishers |
| record_format | marc |
| spelling | Watching the cops essays on police and policing in 21st century film and television edited by Marcus K. Harmes, Barbara Harmes and Meredith A. Harmes Jefferson, North Carolina McFarland & Company, Inc., Publishers [2023] ix, 287 Seiten 23 cm txt rdacontent n rdamedia nc rdacarrier Introduction : past and future visions of policing / Meredith A. Harmes, Marcus K. Harmes, and Barbara Harmes -- "Scotland yard will never catch him" : Victorian detectives on television / Barbara Harmes, Marcus K. Harmes, and Meredith Harmes -- Hercule Poirot versus the police : detecting the ABC murders / Mark Aldridge -- Interrogating representations of criminal justice policy and procedure in Netflix's Criminal : UK / France / Germany / Spain / Benjamin Lamb -- "Blonde angels and damsels in distress" : death aesthetics and racial hierarchies in the American police procedural / Malinda Hackett -- Evil cops : two supernatural procedurals take on police brutality / Lynn Kozak -- "A man must have a code" : good po-lice and representations of masculinity in HBO's the Wire / Kyle Barrett -- Cops, Live PD, and the problem with post-BLM reality TV policing / Aaron Duplantier -- "A traffic stop gone wrong" : Cartesian police violence representation in the Hate u give (2018) / Hilde van der Wal -- "What you gonna do when they come for you?" : cops and the urgency of Black flight in Antoinette Nwandu's pass over / Cornelius Fortune -- Exceptional breeding : the serial killer births the Mindhunter / Michele Byers and Rachael Collins -- Mindhunter versus Criminal minds : degrees of procedurality, Todorov, and complex TV / Elly Temelcos -- Female sleuths and postfeminism in modern American crime shows : Bones and Castle / Lindsay Helwig -- Gender (in)equality in recent Cuban police dramas : Tras la huella, Patrulla 444, and Unidad Nacional Operativa / Carlos Uxo -- Pembleton versus Holt : policing while Black in homicide and Brooklyn Nine-Nine / Erin Giannini 215 -- Brooklyn Nine-Nine : the procedural comedy after the 2020 Black Lives Matter Movement / Hannah Spruce -- More than colleagues, less than human : implications of anthropomorphic policing / Marcus K. Harmes, Meredith A. Harmes, and Barbara Harmes -- Don't stand so close to me (because I'll be watching every breath you take) : robotic police and digital surveillance in the 21st Century / David Riddle Watson -- Future visions of policing / Marcus K. Harmes, Meredith A. Harmes, and Barbara Harmes "Globally, police officers are the object of unprecedented visual scrutiny. The use of mobile phones, CCTV and personal body cams means that police are not only being filmed on the job but are also filming themselves. In popular culture, police have featured heavily on the big screen since the era of silent shorts and on television since the 1930s. Their fictional portrayals today take on added significance in light of social unrest surrounding cases of police brutality and discrimination. These essays explore 21st century portrayals of police on film and television. Chapters often emphasize the Black Lives Matter movement and consider the tone, quality, appropriateness and intention of film and television featuring police activity. Extensively covered works include Mindhunter, Brooklyn Nine-Nine, Cops, Criminal Minds and RoboCop, and among the major topics addressed are policing communities, hunting serial killers, police animals, and police in historic settings ranging from the 19th century through the present day and into science fiction futures"-- Geschichte 2000-2023 gnd rswk-swf Polizei Motiv (DE-588)4198985-5 gnd rswk-swf Fernsehserie (DE-588)4154072-4 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Television cop shows / History and criticism Police films / History and criticism Police in motion pictures Motion pictures / Social aspects Television programs / Social aspects Émissions policières télévisées / Histoire et critique Films policiers / Histoire et critique Police au cinéma Cinéma / Aspect social Émissions télévisées / Aspect social Police films Television cop shows Criticism, interpretation, etc (DE-588)4143413-4 Aufsatzsammlung gnd-content Film (DE-588)4017102-4 s Fernsehserie (DE-588)4154072-4 s Polizei Motiv (DE-588)4198985-5 s Geschichte 2000-2023 z DE-604 Harmes, Marcus K. (DE-588)1045288306 edt Harmes, Barbara 1945-2022 (DE-588)126176871X edt Harmes, Meredith A. (DE-588)1168633494 edt Erscheint auch als Online-Ausgabe, EPUB 978-1-4766-4973-3 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034777474&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034777474&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Watching the cops essays on police and policing in 21st century film and television Introduction : past and future visions of policing / Meredith A. Harmes, Marcus K. Harmes, and Barbara Harmes -- "Scotland yard will never catch him" : Victorian detectives on television / Barbara Harmes, Marcus K. Harmes, and Meredith Harmes -- Hercule Poirot versus the police : detecting the ABC murders / Mark Aldridge -- Interrogating representations of criminal justice policy and procedure in Netflix's Criminal : UK / France / Germany / Spain / Benjamin Lamb -- "Blonde angels and damsels in distress" : death aesthetics and racial hierarchies in the American police procedural / Malinda Hackett -- Evil cops : two supernatural procedurals take on police brutality / Lynn Kozak -- "A man must have a code" : good po-lice and representations of masculinity in HBO's the Wire / Kyle Barrett -- Cops, Live PD, and the problem with post-BLM reality TV policing / Aaron Duplantier -- "A traffic stop gone wrong" : Cartesian police violence representation in the Hate u give (2018) / Hilde van der Wal -- "What you gonna do when they come for you?" : cops and the urgency of Black flight in Antoinette Nwandu's pass over / Cornelius Fortune -- Exceptional breeding : the serial killer births the Mindhunter / Michele Byers and Rachael Collins -- Mindhunter versus Criminal minds : degrees of procedurality, Todorov, and complex TV / Elly Temelcos -- Female sleuths and postfeminism in modern American crime shows : Bones and Castle / Lindsay Helwig -- Gender (in)equality in recent Cuban police dramas : Tras la huella, Patrulla 444, and Unidad Nacional Operativa / Carlos Uxo -- Pembleton versus Holt : policing while Black in homicide and Brooklyn Nine-Nine / Erin Giannini 215 -- Brooklyn Nine-Nine : the procedural comedy after the 2020 Black Lives Matter Movement / Hannah Spruce -- More than colleagues, less than human : implications of anthropomorphic policing / Marcus K. Harmes, Meredith A. Harmes, and Barbara Harmes -- Don't stand so close to me (because I'll be watching every breath you take) : robotic police and digital surveillance in the 21st Century / David Riddle Watson -- Future visions of policing / Marcus K. Harmes, Meredith A. Harmes, and Barbara Harmes Polizei Motiv (DE-588)4198985-5 gnd Fernsehserie (DE-588)4154072-4 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4198985-5 (DE-588)4154072-4 (DE-588)4017102-4 (DE-588)4143413-4 |
| title | Watching the cops essays on police and policing in 21st century film and television |
| title_auth | Watching the cops essays on police and policing in 21st century film and television |
| title_exact_search | Watching the cops essays on police and policing in 21st century film and television |
| title_exact_search_txtP | Watching the cops essays on police and policing in 21st century film and television |
| title_full | Watching the cops essays on police and policing in 21st century film and television edited by Marcus K. Harmes, Barbara Harmes and Meredith A. Harmes |
| title_fullStr | Watching the cops essays on police and policing in 21st century film and television edited by Marcus K. Harmes, Barbara Harmes and Meredith A. Harmes |
| title_full_unstemmed | Watching the cops essays on police and policing in 21st century film and television edited by Marcus K. Harmes, Barbara Harmes and Meredith A. Harmes |
| title_short | Watching the cops |
| title_sort | watching the cops essays on police and policing in 21st century film and television |
| title_sub | essays on police and policing in 21st century film and television |
| topic | Polizei Motiv (DE-588)4198985-5 gnd Fernsehserie (DE-588)4154072-4 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Polizei Motiv Fernsehserie Film Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034777474&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034777474&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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