Settler aesthetics: visualizing the spectacle of originary moments in 'The new world'
"In Settler Aesthetics, Mishuana Goeman examines Terrence Malick's film The New World (2005) and the Pocahontas narrative, analyzing the settler structures and regimes of power that sustain colonialism and empire"
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Lincoln
University of Nebraska Press
[2023]
|
| Schriftenreihe: | Indigenous films
|
| Schlagworte: | |
| Zusammenfassung: | "In Settler Aesthetics, Mishuana Goeman examines Terrence Malick's film The New World (2005) and the Pocahontas narrative, analyzing the settler structures and regimes of power that sustain colonialism and empire" "In Settler Aesthetics, an analysis of renowned director Terrence Malick's 2005 film, The New World, Mishuana Goeman examines the continuity of imperialist exceptionalism and settler-colonial aesthetics. The story of Pocahontas has thrived for centuries as a cover for settler-colonial erasure, destruction, and violence against Native peoples, and Native women in particular. Since the romanticized story of the encounter and relationship between Pocahontas and Captain John Smith was first published, it has imprinted a whitewashed historical memory into the minds of Americans. As one of the most enduring tropes of imperialist nostalgia in world history, Renaissance European invasions of Indigenous lands by settlers trades in a falsified "civilizational discourse" that has been a focus in literature for centuries and in films since their inception. Ironically, Malick himself was a symbol of the New Hollywood in his early career, but with The New World he created a film that serves as a buttress for racial capitalism in the Americas. Focusing on settler structures, the setup of regimes of power, sexual violence and the gendering of colonialism, and the sustainability of colonialism and empires, Goeman masterfully peels away the visual layers of settler logics in The New World, creating a language in Native American and Indigenous studies for interpreting visual media" |
| Beschreibung: | xii, 189 Seiten Illustrationen 22 cm |
| ISBN: | 9780803290662 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV049431366 | ||
| 003 | DE-604 | ||
| 005 | 20240410 | ||
| 007 | t | ||
| 008 | 231127s2023 a||| |||| 00||| eng d | ||
| 020 | |a 9780803290662 |c pbk |9 978-0-8032-9066-2 | ||
| 035 | |a (OCoLC)1409489748 | ||
| 035 | |a (DE-599)BVBBV049431366 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-M472 | ||
| 100 | 1 | |a Goeman, Mishuana |e Verfasser |0 (DE-588)1041305338 |4 aut | |
| 245 | 1 | 0 | |a Settler aesthetics |b visualizing the spectacle of originary moments in 'The new world' |c Mishuana Goeman |
| 264 | 1 | |a Lincoln |b University of Nebraska Press |c [2023] | |
| 300 | |a xii, 189 Seiten |b Illustrationen |c 22 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Indigenous films | |
| 505 | 8 | 0 | |t Introduction: The Spectacle of Originary Moments -- |t The Consumption of Mythic Romance and Innocence -- |t Settler Aesthetics and the Making of Cinematic Geographies -- |t Filmic Apologies and Indigenous Labor -- |t The "New World" of Race, U.S. Law, and the Politics of Recognition -- |t Conclusion: Undoing the Spectacle |
| 520 | 3 | |a "In Settler Aesthetics, Mishuana Goeman examines Terrence Malick's film The New World (2005) and the Pocahontas narrative, analyzing the settler structures and regimes of power that sustain colonialism and empire" | |
| 520 | 3 | |a "In Settler Aesthetics, an analysis of renowned director Terrence Malick's 2005 film, The New World, Mishuana Goeman examines the continuity of imperialist exceptionalism and settler-colonial aesthetics. The story of Pocahontas has thrived for centuries as a cover for settler-colonial erasure, destruction, and violence against Native peoples, and Native women in particular. Since the romanticized story of the encounter and relationship between Pocahontas and Captain John Smith was first published, it has imprinted a whitewashed historical memory into the minds of Americans. As one of the most enduring tropes of imperialist nostalgia in world history, Renaissance European invasions of Indigenous lands by settlers trades in a falsified "civilizational discourse" that has been a focus in literature for centuries and in films since their inception. Ironically, Malick himself was a symbol of the New Hollywood in his early career, but with The New World he created a film that serves as a buttress for racial capitalism in the Americas. Focusing on settler structures, the setup of regimes of power, sexual violence and the gendering of colonialism, and the sustainability of colonialism and empires, Goeman masterfully peels away the visual layers of settler logics in The New World, creating a language in Native American and Indigenous studies for interpreting visual media" | |
| 600 | 0 | 7 | |a Pocahontas |d ca. um 1595-1617 |0 (DE-588)119006456 |2 gnd |9 rswk-swf |
| 630 | 0 | 7 | |a The New World |0 (DE-588)7676561-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kolonialismus |0 (DE-588)4073624-6 |2 gnd |9 rswk-swf |
| 653 | 1 | |a Malick, Terrence / 1943- / Criticism and interpretation | |
| 653 | 1 | |a Pocahontas / -1617 / In motion pictures | |
| 653 | |a New world (Motion picture) | ||
| 653 | 0 | |a Indians in motion pictures | |
| 653 | 0 | |a Indians of North America / First contact with other peoples | |
| 653 | 0 | |a Settler colonialism | |
| 653 | 0 | |a Historical films / History and criticism | |
| 653 | 0 | |a SOCIAL SCIENCE / Ethnic Studies / American / Native American Studies | |
| 653 | 0 | |a SOCIAL SCIENCE / Media Studies | |
| 653 | 1 | |a Malick, Terrence / 1943- | |
| 653 | 1 | |a Pocahontas / -1617 | |
| 653 | |a New world (Motion picture) | ||
| 653 | 0 | |a Historical films | |
| 653 | 0 | |a Indians in motion pictures | |
| 653 | 0 | |a Indians of North America / First contact with other peoples | |
| 653 | 0 | |a Motion pictures | |
| 653 | 0 | |a Settler colonialism | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 689 | 0 | 0 | |a The New World |0 (DE-588)7676561-1 |D u |
| 689 | 0 | 1 | |a Pocahontas |d ca. um 1595-1617 |0 (DE-588)119006456 |D p |
| 689 | 0 | 2 | |a Kolonialismus |0 (DE-588)4073624-6 |D s |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, EPUB |z 9781496238009 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, PDF |z 9781496238016 |
| 940 | 1 | |q BSB_NED_20240205 | |
| 942 | 1 | 1 | |c 791.409 |e 22/bsb |f 090511 |g 73 |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-034777471 | |
Datensatz im Suchindex
| _version_ | 1806052915153993728 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Goeman, Mishuana |
| author_GND | (DE-588)1041305338 |
| author_facet | Goeman, Mishuana |
| author_role | aut |
| author_sort | Goeman, Mishuana |
| author_variant | m g mg |
| building | Verbundindex |
| bvnumber | BV049431366 |
| contents | Introduction: The Spectacle of Originary Moments -- The Consumption of Mythic Romance and Innocence -- Settler Aesthetics and the Making of Cinematic Geographies -- Filmic Apologies and Indigenous Labor -- The "New World" of Race, U.S. Law, and the Politics of Recognition -- Conclusion: Undoing the Spectacle |
| ctrlnum | (OCoLC)1409489748 (DE-599)BVBBV049431366 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV049431366</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240410</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">231127s2023 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780803290662</subfield><subfield code="c">pbk</subfield><subfield code="9">978-0-8032-9066-2</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1409489748</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049431366</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-M472</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Goeman, Mishuana</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1041305338</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Settler aesthetics</subfield><subfield code="b">visualizing the spectacle of originary moments in 'The new world'</subfield><subfield code="c">Mishuana Goeman</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Lincoln</subfield><subfield code="b">University of Nebraska Press</subfield><subfield code="c">[2023]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xii, 189 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">22 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Indigenous films</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">Introduction: The Spectacle of Originary Moments --</subfield><subfield code="t">The Consumption of Mythic Romance and Innocence --</subfield><subfield code="t">Settler Aesthetics and the Making of Cinematic Geographies --</subfield><subfield code="t">Filmic Apologies and Indigenous Labor --</subfield><subfield code="t">The "New World" of Race, U.S. Law, and the Politics of Recognition --</subfield><subfield code="t">Conclusion: Undoing the Spectacle</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"In Settler Aesthetics, Mishuana Goeman examines Terrence Malick's film The New World (2005) and the Pocahontas narrative, analyzing the settler structures and regimes of power that sustain colonialism and empire"</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"In Settler Aesthetics, an analysis of renowned director Terrence Malick's 2005 film, The New World, Mishuana Goeman examines the continuity of imperialist exceptionalism and settler-colonial aesthetics. The story of Pocahontas has thrived for centuries as a cover for settler-colonial erasure, destruction, and violence against Native peoples, and Native women in particular. Since the romanticized story of the encounter and relationship between Pocahontas and Captain John Smith was first published, it has imprinted a whitewashed historical memory into the minds of Americans. As one of the most enduring tropes of imperialist nostalgia in world history, Renaissance European invasions of Indigenous lands by settlers trades in a falsified "civilizational discourse" that has been a focus in literature for centuries and in films since their inception. Ironically, Malick himself was a symbol of the New Hollywood in his early career, but with The New World he created a film that serves as a buttress for racial capitalism in the Americas. Focusing on settler structures, the setup of regimes of power, sexual violence and the gendering of colonialism, and the sustainability of colonialism and empires, Goeman masterfully peels away the visual layers of settler logics in The New World, creating a language in Native American and Indigenous studies for interpreting visual media"</subfield></datafield><datafield tag="600" ind1="0" ind2="7"><subfield code="a">Pocahontas</subfield><subfield code="d">ca. um 1595-1617</subfield><subfield code="0">(DE-588)119006456</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="630" ind1="0" ind2="7"><subfield code="a">The New World</subfield><subfield code="0">(DE-588)7676561-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kolonialismus</subfield><subfield code="0">(DE-588)4073624-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Malick, Terrence / 1943- / Criticism and interpretation</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Pocahontas / -1617 / In motion pictures</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">New world (Motion picture)</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Indians in motion pictures</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Indians of North America / First contact with other peoples</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Settler colonialism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Historical films / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">SOCIAL SCIENCE / Ethnic Studies / American / Native American Studies</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">SOCIAL SCIENCE / Media Studies</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Malick, Terrence / 1943-</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Pocahontas / -1617</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">New world (Motion picture)</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Historical films</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Indians in motion pictures</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Indians of North America / First contact with other peoples</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Settler colonialism</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">The New World</subfield><subfield code="0">(DE-588)7676561-1</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Pocahontas</subfield><subfield code="d">ca. um 1595-1617</subfield><subfield code="0">(DE-588)119006456</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Kolonialismus</subfield><subfield code="0">(DE-588)4073624-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, EPUB</subfield><subfield code="z">9781496238009</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, PDF</subfield><subfield code="z">9781496238016</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20240205</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield><subfield code="f">090511</subfield><subfield code="g">73</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034777471</subfield></datafield></record></collection> |
| id | DE-604.BV049431366 |
| illustrated | Illustrated |
| index_date | 2024-07-03T23:10:21Z |
| indexdate | 2024-07-31T00:37:57Z |
| institution | BVB |
| isbn | 9780803290662 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034777471 |
| oclc_num | 1409489748 |
| open_access_boolean | |
| owner | DE-12 DE-M472 |
| owner_facet | DE-12 DE-M472 |
| physical | xii, 189 Seiten Illustrationen 22 cm |
| psigel | BSB_NED_20240205 |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | University of Nebraska Press |
| record_format | marc |
| series2 | Indigenous films |
| spelling | Goeman, Mishuana Verfasser (DE-588)1041305338 aut Settler aesthetics visualizing the spectacle of originary moments in 'The new world' Mishuana Goeman Lincoln University of Nebraska Press [2023] xii, 189 Seiten Illustrationen 22 cm txt rdacontent n rdamedia nc rdacarrier Indigenous films Introduction: The Spectacle of Originary Moments -- The Consumption of Mythic Romance and Innocence -- Settler Aesthetics and the Making of Cinematic Geographies -- Filmic Apologies and Indigenous Labor -- The "New World" of Race, U.S. Law, and the Politics of Recognition -- Conclusion: Undoing the Spectacle "In Settler Aesthetics, Mishuana Goeman examines Terrence Malick's film The New World (2005) and the Pocahontas narrative, analyzing the settler structures and regimes of power that sustain colonialism and empire" "In Settler Aesthetics, an analysis of renowned director Terrence Malick's 2005 film, The New World, Mishuana Goeman examines the continuity of imperialist exceptionalism and settler-colonial aesthetics. The story of Pocahontas has thrived for centuries as a cover for settler-colonial erasure, destruction, and violence against Native peoples, and Native women in particular. Since the romanticized story of the encounter and relationship between Pocahontas and Captain John Smith was first published, it has imprinted a whitewashed historical memory into the minds of Americans. As one of the most enduring tropes of imperialist nostalgia in world history, Renaissance European invasions of Indigenous lands by settlers trades in a falsified "civilizational discourse" that has been a focus in literature for centuries and in films since their inception. Ironically, Malick himself was a symbol of the New Hollywood in his early career, but with The New World he created a film that serves as a buttress for racial capitalism in the Americas. Focusing on settler structures, the setup of regimes of power, sexual violence and the gendering of colonialism, and the sustainability of colonialism and empires, Goeman masterfully peels away the visual layers of settler logics in The New World, creating a language in Native American and Indigenous studies for interpreting visual media" Pocahontas ca. um 1595-1617 (DE-588)119006456 gnd rswk-swf The New World (DE-588)7676561-1 gnd rswk-swf Kolonialismus (DE-588)4073624-6 gnd rswk-swf Malick, Terrence / 1943- / Criticism and interpretation Pocahontas / -1617 / In motion pictures New world (Motion picture) Indians in motion pictures Indians of North America / First contact with other peoples Settler colonialism Historical films / History and criticism SOCIAL SCIENCE / Ethnic Studies / American / Native American Studies SOCIAL SCIENCE / Media Studies Malick, Terrence / 1943- Pocahontas / -1617 Historical films Motion pictures Criticism, interpretation, etc The New World (DE-588)7676561-1 u Pocahontas ca. um 1595-1617 (DE-588)119006456 p Kolonialismus (DE-588)4073624-6 s DE-604 Erscheint auch als Online-Ausgabe, EPUB 9781496238009 Erscheint auch als Online-Ausgabe, PDF 9781496238016 |
| spellingShingle | Goeman, Mishuana Settler aesthetics visualizing the spectacle of originary moments in 'The new world' Introduction: The Spectacle of Originary Moments -- The Consumption of Mythic Romance and Innocence -- Settler Aesthetics and the Making of Cinematic Geographies -- Filmic Apologies and Indigenous Labor -- The "New World" of Race, U.S. Law, and the Politics of Recognition -- Conclusion: Undoing the Spectacle Pocahontas ca. um 1595-1617 (DE-588)119006456 gnd The New World (DE-588)7676561-1 gnd Kolonialismus (DE-588)4073624-6 gnd |
| subject_GND | (DE-588)119006456 (DE-588)7676561-1 (DE-588)4073624-6 |
| title | Settler aesthetics visualizing the spectacle of originary moments in 'The new world' |
| title_alt | Introduction: The Spectacle of Originary Moments -- The Consumption of Mythic Romance and Innocence -- Settler Aesthetics and the Making of Cinematic Geographies -- Filmic Apologies and Indigenous Labor -- The "New World" of Race, U.S. Law, and the Politics of Recognition -- Conclusion: Undoing the Spectacle |
| title_auth | Settler aesthetics visualizing the spectacle of originary moments in 'The new world' |
| title_exact_search | Settler aesthetics visualizing the spectacle of originary moments in 'The new world' |
| title_exact_search_txtP | Settler aesthetics visualizing the spectacle of originary moments in 'The new world' |
| title_full | Settler aesthetics visualizing the spectacle of originary moments in 'The new world' Mishuana Goeman |
| title_fullStr | Settler aesthetics visualizing the spectacle of originary moments in 'The new world' Mishuana Goeman |
| title_full_unstemmed | Settler aesthetics visualizing the spectacle of originary moments in 'The new world' Mishuana Goeman |
| title_short | Settler aesthetics |
| title_sort | settler aesthetics visualizing the spectacle of originary moments in the new world |
| title_sub | visualizing the spectacle of originary moments in 'The new world' |
| topic | Pocahontas ca. um 1595-1617 (DE-588)119006456 gnd The New World (DE-588)7676561-1 gnd Kolonialismus (DE-588)4073624-6 gnd |
| topic_facet | Pocahontas ca. um 1595-1617 The New World Kolonialismus |
| work_keys_str_mv | AT goemanmishuana settleraestheticsvisualizingthespectacleoforiginarymomentsinthenewworld |