Anachronic renaissance:
Plural temporality of the work of art -- "The image of the image of Our Lady" -- What is substitution? -- An antique statue of Christ -- The plebeian pleasure of anachronism -- Architectural models -- Double origins of the Christian temple -- Icon maintenance -- Fashion in painting -- Anci...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Zone Books
2020
|
| Ausgabe: | First paperback edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis Inhaltsverzeichnis |
| Zusammenfassung: | Plural temporality of the work of art -- "The image of the image of Our Lady" -- What is substitution? -- An antique statue of Christ -- The plebeian pleasure of anachronism -- Architectural models -- Double origins of the Christian temple -- Icon maintenance -- Fashion in painting -- Ancient painting -- Substitution symbolized -- Author and acheiropoieton -- Antiquity of buildings overrated -- Non-actual histories of architecture -- Temples painted, printed, and real -- Citation and spoliation -- Neo-cosmatesque -- Movable buildings -- The Titulus Crucis -- The fabrication of visual evidence -- Retroactivity -- Forgery 1: copy -- Forgery 2: pastiche -- Anti-architecture -- The primitive hut amidst the ruins of St. Peter's -- Mosaic/paint 1: limits of substitution -- Mosaic/paint 2: intermedial comparison -- Space for fiction. Two leading contemporary art historians present a stunning reconsideration of the problem of time in the Renaissance. With intellectual brilliance, Alexander Nagel and Christopher S. Wood reexamine the meanings, uses, and effects of chronologies, models of temporality, and notions of originality and repetition in Renaissance images and artifacts. [...] The buildings, paintings, drawings, prints, sculptures, and medals addressed in this book were shaped by concerns about authenticity, about reference to prestigious origins and precedents, and about the implications of transposition from one medium to another. Byzantine icons taken to be early Christian antiquities, the acheiropoeton or image made without hands, the activities of spoliation and citation, differing approaches to art restoration, legends about movable buildings, and forgeries and pastiches: all of these emerge as basic conceptual structures of Renaissance art. The authors show how the complex and layered temporalities of images offered a counterpoint to the linear chronologies that increasingly structured commerce, politics, travel, and everyday life in the fourteenth and fifteenth centuries. While a work of art does bear witness to the moment of its fabrication, Nagel and Wood argue that it is equally important to understand its temporal instability: how it points away from that moment, backward to a remote ancestral origin, to a prior artifact or image, even to an origin outside of time, in divinity. The authors conclude with an analysis of Roman episodes and projects of the decades around 1500, culminating in Raphael's Stanza della Segnatura. --Publisher description |
| Beschreibung: | Literaturangaben |
| Beschreibung: | 455 Seiten Illustrationen 28 cm |
| ISBN: | 9781942130345 1942130341 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV049430512 | ||
| 003 | DE-604 | ||
| 005 | 20240412 | ||
| 007 | t| | ||
| 008 | 231124s2020 xxua||| |||| 00||| eng d | ||
| 020 | |a 9781942130345 |c paperback |9 978-1-942130-34-5 | ||
| 020 | |a 1942130341 |c paperback |9 1-942130-34-1 | ||
| 035 | |a (OCoLC)1336917906 | ||
| 035 | |a (DE-599)KXP1760531898 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 044 | |a xxu |c XD-US | ||
| 049 | |a DE-2948 |a DE-255 | ||
| 100 | 1 | |a Nagel, Alexander |d 1964- |e Verfasser |0 (DE-588)142375861 |4 aut | |
| 245 | 1 | 0 | |a Anachronic renaissance |c Alexander Nagel and Christopher S. Wood |
| 250 | |a First paperback edition | ||
| 264 | 1 | |a New York |b Zone Books |c 2020 | |
| 300 | |a 455 Seiten |b Illustrationen |c 28 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 336 | |b sti |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Literaturangaben | ||
| 520 | 3 | |a Plural temporality of the work of art -- "The image of the image of Our Lady" -- What is substitution? -- An antique statue of Christ -- The plebeian pleasure of anachronism -- Architectural models -- Double origins of the Christian temple -- Icon maintenance -- Fashion in painting -- Ancient painting -- Substitution symbolized -- Author and acheiropoieton -- Antiquity of buildings overrated -- Non-actual histories of architecture -- Temples painted, printed, and real -- Citation and spoliation -- Neo-cosmatesque -- Movable buildings -- The Titulus Crucis -- The fabrication of visual evidence -- Retroactivity -- Forgery 1: copy -- Forgery 2: pastiche -- Anti-architecture -- The primitive hut amidst the ruins of St. Peter's -- Mosaic/paint 1: limits of substitution -- Mosaic/paint 2: intermedial comparison -- Space for fiction. | |
| 520 | 3 | |a Two leading contemporary art historians present a stunning reconsideration of the problem of time in the Renaissance. With intellectual brilliance, Alexander Nagel and Christopher S. Wood reexamine the meanings, uses, and effects of chronologies, models of temporality, and notions of originality and repetition in Renaissance images and artifacts. [...] The buildings, paintings, drawings, prints, sculptures, and medals addressed in this book were shaped by concerns about authenticity, about reference to prestigious origins and precedents, and about the implications of transposition from one medium to another. Byzantine icons taken to be early Christian antiquities, the acheiropoeton or image made without hands, the activities of spoliation and citation, differing approaches to art restoration, legends about movable buildings, and forgeries and pastiches: all of these emerge as basic conceptual structures of Renaissance art. The authors show how the complex and layered temporalities of images offered a counterpoint to the linear chronologies that increasingly structured commerce, politics, travel, and everyday life in the fourteenth and fifteenth centuries. While a work of art does bear witness to the moment of its fabrication, Nagel and Wood argue that it is equally important to understand its temporal instability: how it points away from that moment, backward to a remote ancestral origin, to a prior artifact or image, even to an origin outside of time, in divinity. The authors conclude with an analysis of Roman episodes and projects of the decades around 1500, culminating in Raphael's Stanza della Segnatura. --Publisher description | |
| 648 | 7 | |a Geschichte 1420-1550 |2 gnd |9 rswk-swf | |
| 648 | 7 | |a Geschichte 1420-1600 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Renaissance |0 (DE-588)4049450-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Zeitlichkeit |0 (DE-588)4134190-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Architektur |0 (DE-588)4002851-3 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Architecture, Renaissance | |
| 653 | 0 | |a Building materials / Recycling | |
| 653 | 0 | |a Time and art | |
| 653 | 0 | |a Art, Renaissance | |
| 653 | 0 | |a Architecture, Renaissance | |
| 653 | 0 | |a Art, Renaissance | |
| 653 | 0 | |a Building materials ; Recycling | |
| 653 | 0 | |a Time and art | |
| 689 | 0 | 0 | |a Renaissance |0 (DE-588)4049450-0 |D s |
| 689 | 0 | 1 | |a Architektur |0 (DE-588)4002851-3 |D s |
| 689 | 0 | 2 | |a Kunst |0 (DE-588)4114333-4 |D s |
| 689 | 0 | 3 | |a Geschichte 1420-1600 |A z |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Architektur |0 (DE-588)4002851-3 |D s |
| 689 | 1 | 1 | |a Renaissance |0 (DE-588)4049450-0 |D s |
| 689 | 1 | |5 DE-604 | |
| 689 | 2 | 0 | |a Architektur |0 (DE-588)4002851-3 |D s |
| 689 | 2 | 1 | |a Geschichte 1420-1550 |A z |
| 689 | 2 | |5 DE-604 | |
| 689 | 3 | 0 | |a Kunst |0 (DE-588)4114333-4 |D s |
| 689 | 3 | 1 | |a Zeitlichkeit |0 (DE-588)4134190-9 |D s |
| 689 | 3 | 2 | |a Geschichte 1420-1550 |A z |
| 689 | 3 | |5 DE-604 | |
| 700 | 1 | |a Wood, Christopher S. |d 1961- |e Verfasser |0 (DE-588)139285296 |4 aut | |
| 856 | 4 | 2 | |u http://tocs.kubikat.org/rco/b00/351/b00351884f-toc.pdf |v 2021-06-15 |x Verlag |3 Inhaltsverzeichnis |
| 856 | 4 | 2 | |m V:DE-604 |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=018698393&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |v 2021-06-15 |x Verlag |3 Inhaltsverzeichnis |
| 856 | 4 | 2 | |m V:DE-604 |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018698393&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |v 2021-06-15 |x Verlag |3 Inhaltsverzeichnis |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-034776638 | |
Datensatz im Suchindex
| _version_ | 1820587773829054464 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Nagel, Alexander 1964- Wood, Christopher S. 1961- |
| author_GND | (DE-588)142375861 (DE-588)139285296 |
| author_facet | Nagel, Alexander 1964- Wood, Christopher S. 1961- |
| author_role | aut aut |
| author_sort | Nagel, Alexander 1964- |
| author_variant | a n an c s w cs csw |
| building | Verbundindex |
| bvnumber | BV049430512 |
| ctrlnum | (OCoLC)1336917906 (DE-599)KXP1760531898 |
| edition | First paperback edition |
| era | Geschichte 1420-1550 gnd Geschichte 1420-1600 gnd |
| era_facet | Geschichte 1420-1550 Geschichte 1420-1600 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV049430512</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240412</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">231124s2020 xxua||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781942130345</subfield><subfield code="c">paperback</subfield><subfield code="9">978-1-942130-34-5</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1942130341</subfield><subfield code="c">paperback</subfield><subfield code="9">1-942130-34-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1336917906</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)KXP1760531898</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">XD-US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-2948</subfield><subfield code="a">DE-255</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Nagel, Alexander</subfield><subfield code="d">1964-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)142375861</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Anachronic renaissance</subfield><subfield code="c">Alexander Nagel and Christopher S. Wood</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">First paperback edition</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Zone Books</subfield><subfield code="c">2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">455 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">28 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Literaturangaben</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Plural temporality of the work of art -- "The image of the image of Our Lady" -- What is substitution? -- An antique statue of Christ -- The plebeian pleasure of anachronism -- Architectural models -- Double origins of the Christian temple -- Icon maintenance -- Fashion in painting -- Ancient painting -- Substitution symbolized -- Author and acheiropoieton -- Antiquity of buildings overrated -- Non-actual histories of architecture -- Temples painted, printed, and real -- Citation and spoliation -- Neo-cosmatesque -- Movable buildings -- The Titulus Crucis -- The fabrication of visual evidence -- Retroactivity -- Forgery 1: copy -- Forgery 2: pastiche -- Anti-architecture -- The primitive hut amidst the ruins of St. Peter's -- Mosaic/paint 1: limits of substitution -- Mosaic/paint 2: intermedial comparison -- Space for fiction.</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Two leading contemporary art historians present a stunning reconsideration of the problem of time in the Renaissance. With intellectual brilliance, Alexander Nagel and Christopher S. Wood reexamine the meanings, uses, and effects of chronologies, models of temporality, and notions of originality and repetition in Renaissance images and artifacts. [...] The buildings, paintings, drawings, prints, sculptures, and medals addressed in this book were shaped by concerns about authenticity, about reference to prestigious origins and precedents, and about the implications of transposition from one medium to another. Byzantine icons taken to be early Christian antiquities, the acheiropoeton or image made without hands, the activities of spoliation and citation, differing approaches to art restoration, legends about movable buildings, and forgeries and pastiches: all of these emerge as basic conceptual structures of Renaissance art. The authors show how the complex and layered temporalities of images offered a counterpoint to the linear chronologies that increasingly structured commerce, politics, travel, and everyday life in the fourteenth and fifteenth centuries. While a work of art does bear witness to the moment of its fabrication, Nagel and Wood argue that it is equally important to understand its temporal instability: how it points away from that moment, backward to a remote ancestral origin, to a prior artifact or image, even to an origin outside of time, in divinity. The authors conclude with an analysis of Roman episodes and projects of the decades around 1500, culminating in Raphael's Stanza della Segnatura. --Publisher description</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1420-1550</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1420-1600</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Renaissance</subfield><subfield code="0">(DE-588)4049450-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Zeitlichkeit</subfield><subfield code="0">(DE-588)4134190-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Architektur</subfield><subfield code="0">(DE-588)4002851-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Architecture, Renaissance</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Building materials / Recycling</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Time and art</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art, Renaissance</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Architecture, Renaissance</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art, Renaissance</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Building materials ; Recycling</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Time and art</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Renaissance</subfield><subfield code="0">(DE-588)4049450-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Architektur</subfield><subfield code="0">(DE-588)4002851-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1420-1600</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Architektur</subfield><subfield code="0">(DE-588)4002851-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Renaissance</subfield><subfield code="0">(DE-588)4049450-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">Architektur</subfield><subfield code="0">(DE-588)4002851-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="1"><subfield code="a">Geschichte 1420-1550</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="3" ind2="0"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="3" ind2="1"><subfield code="a">Zeitlichkeit</subfield><subfield code="0">(DE-588)4134190-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="3" ind2="2"><subfield code="a">Geschichte 1420-1550</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="3" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Wood, Christopher S.</subfield><subfield code="d">1961-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)139285296</subfield><subfield code="4">aut</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="u">http://tocs.kubikat.org/rco/b00/351/b00351884f-toc.pdf</subfield><subfield code="v">2021-06-15</subfield><subfield code="x">Verlag</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">V:DE-604</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=018698393&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="v">2021-06-15</subfield><subfield code="x">Verlag</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">V:DE-604</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018698393&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="v">2021-06-15</subfield><subfield code="x">Verlag</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034776638</subfield></datafield></record></collection> |
| id | DE-604.BV049430512 |
| illustrated | Illustrated |
| index_date | 2024-07-03T23:10:08Z |
| indexdate | 2025-01-07T11:03:20Z |
| institution | BVB |
| isbn | 9781942130345 1942130341 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034776638 |
| oclc_num | 1336917906 |
| open_access_boolean | |
| owner | DE-2948 DE-255 |
| owner_facet | DE-2948 DE-255 |
| physical | 455 Seiten Illustrationen 28 cm |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Zone Books |
| record_format | marc |
| spelling | Nagel, Alexander 1964- Verfasser (DE-588)142375861 aut Anachronic renaissance Alexander Nagel and Christopher S. Wood First paperback edition New York Zone Books 2020 455 Seiten Illustrationen 28 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Literaturangaben Plural temporality of the work of art -- "The image of the image of Our Lady" -- What is substitution? -- An antique statue of Christ -- The plebeian pleasure of anachronism -- Architectural models -- Double origins of the Christian temple -- Icon maintenance -- Fashion in painting -- Ancient painting -- Substitution symbolized -- Author and acheiropoieton -- Antiquity of buildings overrated -- Non-actual histories of architecture -- Temples painted, printed, and real -- Citation and spoliation -- Neo-cosmatesque -- Movable buildings -- The Titulus Crucis -- The fabrication of visual evidence -- Retroactivity -- Forgery 1: copy -- Forgery 2: pastiche -- Anti-architecture -- The primitive hut amidst the ruins of St. Peter's -- Mosaic/paint 1: limits of substitution -- Mosaic/paint 2: intermedial comparison -- Space for fiction. Two leading contemporary art historians present a stunning reconsideration of the problem of time in the Renaissance. With intellectual brilliance, Alexander Nagel and Christopher S. Wood reexamine the meanings, uses, and effects of chronologies, models of temporality, and notions of originality and repetition in Renaissance images and artifacts. [...] The buildings, paintings, drawings, prints, sculptures, and medals addressed in this book were shaped by concerns about authenticity, about reference to prestigious origins and precedents, and about the implications of transposition from one medium to another. Byzantine icons taken to be early Christian antiquities, the acheiropoeton or image made without hands, the activities of spoliation and citation, differing approaches to art restoration, legends about movable buildings, and forgeries and pastiches: all of these emerge as basic conceptual structures of Renaissance art. The authors show how the complex and layered temporalities of images offered a counterpoint to the linear chronologies that increasingly structured commerce, politics, travel, and everyday life in the fourteenth and fifteenth centuries. While a work of art does bear witness to the moment of its fabrication, Nagel and Wood argue that it is equally important to understand its temporal instability: how it points away from that moment, backward to a remote ancestral origin, to a prior artifact or image, even to an origin outside of time, in divinity. The authors conclude with an analysis of Roman episodes and projects of the decades around 1500, culminating in Raphael's Stanza della Segnatura. --Publisher description Geschichte 1420-1550 gnd rswk-swf Geschichte 1420-1600 gnd rswk-swf Renaissance (DE-588)4049450-0 gnd rswk-swf Zeitlichkeit (DE-588)4134190-9 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Architektur (DE-588)4002851-3 gnd rswk-swf Architecture, Renaissance Building materials / Recycling Time and art Art, Renaissance Building materials ; Recycling Renaissance (DE-588)4049450-0 s Architektur (DE-588)4002851-3 s Kunst (DE-588)4114333-4 s Geschichte 1420-1600 z DE-604 Geschichte 1420-1550 z Zeitlichkeit (DE-588)4134190-9 s Wood, Christopher S. 1961- Verfasser (DE-588)139285296 aut http://tocs.kubikat.org/rco/b00/351/b00351884f-toc.pdf 2021-06-15 Verlag Inhaltsverzeichnis V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=018698393&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA 2021-06-15 Verlag Inhaltsverzeichnis V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018698393&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA 2021-06-15 Verlag Inhaltsverzeichnis |
| spellingShingle | Nagel, Alexander 1964- Wood, Christopher S. 1961- Anachronic renaissance Renaissance (DE-588)4049450-0 gnd Zeitlichkeit (DE-588)4134190-9 gnd Kunst (DE-588)4114333-4 gnd Architektur (DE-588)4002851-3 gnd |
| subject_GND | (DE-588)4049450-0 (DE-588)4134190-9 (DE-588)4114333-4 (DE-588)4002851-3 |
| title | Anachronic renaissance |
| title_auth | Anachronic renaissance |
| title_exact_search | Anachronic renaissance |
| title_exact_search_txtP | Anachronic renaissance |
| title_full | Anachronic renaissance Alexander Nagel and Christopher S. Wood |
| title_fullStr | Anachronic renaissance Alexander Nagel and Christopher S. Wood |
| title_full_unstemmed | Anachronic renaissance Alexander Nagel and Christopher S. Wood |
| title_short | Anachronic renaissance |
| title_sort | anachronic renaissance |
| topic | Renaissance (DE-588)4049450-0 gnd Zeitlichkeit (DE-588)4134190-9 gnd Kunst (DE-588)4114333-4 gnd Architektur (DE-588)4002851-3 gnd |
| topic_facet | Renaissance Zeitlichkeit Kunst Architektur |
| url | http://tocs.kubikat.org/rco/b00/351/b00351884f-toc.pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=018698393&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018698393&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT nagelalexander anachronicrenaissance AT woodchristophers anachronicrenaissance |
Es ist kein Print-Exemplar vorhanden.
Inhaltsverzeichnis
Inhaltsverzeichnis