Dan Walsh - the process of painting:
With this publication, American artist Dan Walsh allows the reader to enter his studio and follow his idiosyncratic artistic process. By showing the different stages that a group of 12 recent works (2019–2022) navigated, he generously offers an insight into how a painting is built, how colors and fo...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Geneva
JRP editions
[2023]
Galerie TschudiZuoz |
Schlagworte: | |
Zusammenfassung: | With this publication, American artist Dan Walsh allows the reader to enter his studio and follow his idiosyncratic artistic process. By showing the different stages that a group of 12 recent works (2019–2022) navigated, he generously offers an insight into how a painting is built, how colors and forms merge together, how photography is a precious tool for painterly thinking, and how composition and structure are organic processes even if the result in his case is fundamentally geometrical and grid-based. In his essay entitled "Ways of Seeing/Ways of Seeking," New York-based art critic and curator Bob Nickas, a long-time connoisseur of Walsh’s practice, traces the genealogy of such an unveiling of the painting process, from legendary examples like Willem de Kooning’s Woman 1 (1950–1952) to Walsh’s contemporaries. Addressing the paintings reproduced in this volume, Nickas writes: "There are, on average, seven photographs that tell the story of how a painting emerged. The editing of them for publication, a necessary matter of concision in relating the image as it unfolded, may be related to the creation of the paintings themselves, the fine-tuning each requires. As Walsh pursues images, teasing them out, they begin to appear to him, a holistic coming together of elements, at times as alternating currents, compositionally, chromatically. Of this he has said, ‘The logic of the painting reveals itself to me.’ The artist’s way of seeing is also a way of seeking. He might not have made any of these paintings if the process was predictable. In each instance, comparing the first photograph taken with the last, even with all those in-between, we are still left to wonder, ‘How did he get from there to there?’ Walsh very likely surprised himself as well." |
Beschreibung: | 95 Seiten |
ISBN: | 9783037646076 3037646071 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV049427451 | ||
003 | DE-604 | ||
005 | 20240425 | ||
007 | t | ||
008 | 231123s2023 |||| 00||| eng d | ||
020 | |a 9783037646076 |c Broschur |9 978-3-03764-607-6 | ||
020 | |a 3037646071 |9 3-03764-607-1 | ||
035 | |a (OCoLC)1371721960 | ||
035 | |a (DE-599)BVBBV049427451 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-255 |a DE-12 | ||
100 | 1 | |a Walsh, Dan |d 1960- |0 (DE-588)124044433 |4 art | |
245 | 1 | 0 | |a Dan Walsh - the process of painting |c Dan Walsh ; [author: Bob Nickas] |
246 | 1 | 3 | |a The process of painting |
264 | 1 | |a Geneva |b JRP editions |c [2023] | |
264 | 1 | |b Galerie TschudiZuoz | |
264 | 4 | |c © 2023 | |
300 | |a 95 Seiten | ||
336 | |b sti |2 rdacontent | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
520 | 3 | |a With this publication, American artist Dan Walsh allows the reader to enter his studio and follow his idiosyncratic artistic process. By showing the different stages that a group of 12 recent works (2019–2022) navigated, he generously offers an insight into how a painting is built, how colors and forms merge together, how photography is a precious tool for painterly thinking, and how composition and structure are organic processes even if the result in his case is fundamentally geometrical and grid-based. In his essay entitled "Ways of Seeing/Ways of Seeking," New York-based art critic and curator Bob Nickas, a long-time connoisseur of Walsh’s practice, traces the genealogy of such an unveiling of the painting process, from legendary examples like Willem de Kooning’s Woman 1 (1950–1952) to Walsh’s contemporaries. Addressing the paintings reproduced in this volume, Nickas writes: "There are, on average, seven photographs that tell the story of how a painting emerged. The editing of them for publication, a necessary matter of concision in relating the image as it unfolded, may be related to the creation of the paintings themselves, the fine-tuning each requires. As Walsh pursues images, teasing them out, they begin to appear to him, a holistic coming together of elements, at times as alternating currents, compositionally, chromatically. Of this he has said, ‘The logic of the painting reveals itself to me.’ The artist’s way of seeing is also a way of seeking. He might not have made any of these paintings if the process was predictable. In each instance, comparing the first photograph taken with the last, even with all those in-between, we are still left to wonder, ‘How did he get from there to there?’ Walsh very likely surprised himself as well." | |
600 | 1 | 7 | |a Walsh, Dan |d 1960- |0 (DE-588)124044433 |2 gnd |9 rswk-swf |
655 | 7 | |0 (DE-588)4145395-5 |a Bildband |2 gnd-content | |
689 | 0 | 0 | |a Walsh, Dan |d 1960- |0 (DE-588)124044433 |D p |
689 | 0 | |5 DE-604 | |
700 | 1 | |a Nickas, Robert |0 (DE-588)129748676 |4 aut | |
710 | 2 | |a Galerie Tschudi |e Sonstige |0 (DE-588)2086873-X |4 oth | |
999 | |a oai:aleph.bib-bvb.de:BVB01-034773638 |
Datensatz im Suchindex
_version_ | 1804186166916808704 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Nickas, Robert |
author_GND | (DE-588)124044433 (DE-588)129748676 |
author_facet | Nickas, Robert |
author_role | aut |
author_sort | Nickas, Robert |
author_variant | r n rn |
building | Verbundindex |
bvnumber | BV049427451 |
ctrlnum | (OCoLC)1371721960 (DE-599)BVBBV049427451 |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03052nam a2200397 c 4500</leader><controlfield tag="001">BV049427451</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240425 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">231123s2023 |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783037646076</subfield><subfield code="c">Broschur</subfield><subfield code="9">978-3-03764-607-6</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">3037646071</subfield><subfield code="9">3-03764-607-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1371721960</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049427451</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield><subfield code="a">DE-12</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Walsh, Dan</subfield><subfield code="d">1960-</subfield><subfield code="0">(DE-588)124044433</subfield><subfield code="4">art</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Dan Walsh - the process of painting</subfield><subfield code="c">Dan Walsh ; [author: Bob Nickas]</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">The process of painting</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Geneva</subfield><subfield code="b">JRP editions</subfield><subfield code="c">[2023]</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="b">Galerie TschudiZuoz</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">95 Seiten</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">With this publication, American artist Dan Walsh allows the reader to enter his studio and follow his idiosyncratic artistic process. By showing the different stages that a group of 12 recent works (2019–2022) navigated, he generously offers an insight into how a painting is built, how colors and forms merge together, how photography is a precious tool for painterly thinking, and how composition and structure are organic processes even if the result in his case is fundamentally geometrical and grid-based. In his essay entitled "Ways of Seeing/Ways of Seeking," New York-based art critic and curator Bob Nickas, a long-time connoisseur of Walsh’s practice, traces the genealogy of such an unveiling of the painting process, from legendary examples like Willem de Kooning’s Woman 1 (1950–1952) to Walsh’s contemporaries. Addressing the paintings reproduced in this volume, Nickas writes: "There are, on average, seven photographs that tell the story of how a painting emerged. The editing of them for publication, a necessary matter of concision in relating the image as it unfolded, may be related to the creation of the paintings themselves, the fine-tuning each requires. As Walsh pursues images, teasing them out, they begin to appear to him, a holistic coming together of elements, at times as alternating currents, compositionally, chromatically. Of this he has said, ‘The logic of the painting reveals itself to me.’ The artist’s way of seeing is also a way of seeking. He might not have made any of these paintings if the process was predictable. In each instance, comparing the first photograph taken with the last, even with all those in-between, we are still left to wonder, ‘How did he get from there to there?’ Walsh very likely surprised himself as well."</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Walsh, Dan</subfield><subfield code="d">1960-</subfield><subfield code="0">(DE-588)124044433</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4145395-5</subfield><subfield code="a">Bildband</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Walsh, Dan</subfield><subfield code="d">1960-</subfield><subfield code="0">(DE-588)124044433</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Nickas, Robert</subfield><subfield code="0">(DE-588)129748676</subfield><subfield code="4">aut</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">Galerie Tschudi</subfield><subfield code="e">Sonstige</subfield><subfield code="0">(DE-588)2086873-X</subfield><subfield code="4">oth</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034773638</subfield></datafield></record></collection> |
genre | (DE-588)4145395-5 Bildband gnd-content |
genre_facet | Bildband |
id | DE-604.BV049427451 |
illustrated | Not Illustrated |
index_date | 2024-07-03T23:09:29Z |
indexdate | 2024-07-10T10:06:49Z |
institution | BVB |
institution_GND | (DE-588)2086873-X |
isbn | 9783037646076 3037646071 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034773638 |
oclc_num | 1371721960 |
open_access_boolean | |
owner | DE-255 DE-12 |
owner_facet | DE-255 DE-12 |
physical | 95 Seiten |
publishDate | 2023 |
publishDateSearch | 2023 |
publishDateSort | 2023 |
publisher | JRP editions Galerie TschudiZuoz |
record_format | marc |
spelling | Walsh, Dan 1960- (DE-588)124044433 art Dan Walsh - the process of painting Dan Walsh ; [author: Bob Nickas] The process of painting Geneva JRP editions [2023] Galerie TschudiZuoz © 2023 95 Seiten sti rdacontent txt rdacontent n rdamedia nc rdacarrier With this publication, American artist Dan Walsh allows the reader to enter his studio and follow his idiosyncratic artistic process. By showing the different stages that a group of 12 recent works (2019–2022) navigated, he generously offers an insight into how a painting is built, how colors and forms merge together, how photography is a precious tool for painterly thinking, and how composition and structure are organic processes even if the result in his case is fundamentally geometrical and grid-based. In his essay entitled "Ways of Seeing/Ways of Seeking," New York-based art critic and curator Bob Nickas, a long-time connoisseur of Walsh’s practice, traces the genealogy of such an unveiling of the painting process, from legendary examples like Willem de Kooning’s Woman 1 (1950–1952) to Walsh’s contemporaries. Addressing the paintings reproduced in this volume, Nickas writes: "There are, on average, seven photographs that tell the story of how a painting emerged. The editing of them for publication, a necessary matter of concision in relating the image as it unfolded, may be related to the creation of the paintings themselves, the fine-tuning each requires. As Walsh pursues images, teasing them out, they begin to appear to him, a holistic coming together of elements, at times as alternating currents, compositionally, chromatically. Of this he has said, ‘The logic of the painting reveals itself to me.’ The artist’s way of seeing is also a way of seeking. He might not have made any of these paintings if the process was predictable. In each instance, comparing the first photograph taken with the last, even with all those in-between, we are still left to wonder, ‘How did he get from there to there?’ Walsh very likely surprised himself as well." Walsh, Dan 1960- (DE-588)124044433 gnd rswk-swf (DE-588)4145395-5 Bildband gnd-content Walsh, Dan 1960- (DE-588)124044433 p DE-604 Nickas, Robert (DE-588)129748676 aut Galerie Tschudi Sonstige (DE-588)2086873-X oth |
spellingShingle | Nickas, Robert Dan Walsh - the process of painting Walsh, Dan 1960- (DE-588)124044433 gnd |
subject_GND | (DE-588)124044433 (DE-588)4145395-5 |
title | Dan Walsh - the process of painting |
title_alt | The process of painting |
title_auth | Dan Walsh - the process of painting |
title_exact_search | Dan Walsh - the process of painting |
title_exact_search_txtP | Dan Walsh - the process of painting |
title_full | Dan Walsh - the process of painting Dan Walsh ; [author: Bob Nickas] |
title_fullStr | Dan Walsh - the process of painting Dan Walsh ; [author: Bob Nickas] |
title_full_unstemmed | Dan Walsh - the process of painting Dan Walsh ; [author: Bob Nickas] |
title_short | Dan Walsh - the process of painting |
title_sort | dan walsh the process of painting |
topic | Walsh, Dan 1960- (DE-588)124044433 gnd |
topic_facet | Walsh, Dan 1960- Bildband |
work_keys_str_mv | AT walshdan danwalshtheprocessofpainting AT nickasrobert danwalshtheprocessofpainting AT galerietschudi danwalshtheprocessofpainting AT walshdan theprocessofpainting AT nickasrobert theprocessofpainting AT galerietschudi theprocessofpainting |