Film music: the basics
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2024
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Schriftenreihe: | The basics
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | ix, 143 Seiten |
ISBN: | 9781032267463 |
Internformat
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Datensatz im Suchindex
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adam_text |
CONTENTS Acknowledgments ί The History of Film Music in Hollywood xi 1 The Beginning i The Colden Age of Hollywood 4 End of the Colden Age 6 Transitional Years y The Computer Revolution 10 Outside the Box 13 Conclusion 15 2 Film Music from Around the World 17 French Film Music 1/ Italian Film Music 19 Japanese Film Music 21 Russian Film Music 24 Indian Film Music 26 Chinese Film Music 29 3 The History of Music for Animation The Legacy of Walt Disney 32 Pixar 36 Warner Bros yj Hanna-Barbera 38 Studio Chibli 39 DreamWorks Animation 40 32
ViÜ CONTENTS 4 The Language of Film Music 42 Introduction 42 Types of Film Music 43 Film Music Components 44 Style 45 Emotion 46 Energy Level 4g Timing 52 Form 54 Film Music Analysis 57 5 The Creative Team g2 The Team 62 Composer 62 Music Editor 63 Orchestrator 64 Copyist 65 Conductor 65 Score Mixer 66 Composer Assistants 67 6 The Creative Process 70 The Collaboration 70 Initial Conversations 70 Spotting 72 Suites and Demos 74 Cue Mockup 73 Feedback 76 Orchestration 77 Recording 77 Score Mixing 78 Dub Stage 79 7 Technology and Creativity 82 Introduction 82 The DAW 83 The Synthesizer 86 The Sampler 88 Compositional Style 92 8 The Future of Film Scoring: An Introduction to Video Came Music (Co-authored by Thomas Connell) Introduction 97 Similarities in Video Came Composition and Film Scoring 98 Differences in Video Came Composition and Film Scoring 101 97
CONTENTS From Film Music to Game Music 105 From Game Music to Film Music 106 Do Composers Need to Be Gamers? 107 Final Thoughts 108 9 The Future of Film Scoring: The Trilogy, the Series and the Franchise The The The The hi Expansion of Storytelling 111 Theatrical Trilogy 112 Film Franchise 113 Series 117 10 New Voices in Film Music: The Interviews 121 Rachel Portman 121 Kris Bowers 123 Pinar Toprak 124 Natalie Holt Ί27 Glossary of Terms Selected Bibliography Index 129 133 137 IX |
adam_txt |
CONTENTS Acknowledgments ί The History of Film Music in Hollywood xi 1 The Beginning i The Colden Age of Hollywood 4 End of the Colden Age 6 Transitional Years y The Computer Revolution 10 Outside the Box 13 Conclusion 15 2 Film Music from Around the World 17 French Film Music 1/ Italian Film Music 19 Japanese Film Music 21 Russian Film Music 24 Indian Film Music 26 Chinese Film Music 29 3 The History of Music for Animation The Legacy of Walt Disney 32 Pixar 36 Warner Bros yj Hanna-Barbera 38 Studio Chibli 39 DreamWorks Animation 40 32
ViÜ CONTENTS 4 The Language of Film Music 42 Introduction 42 Types of Film Music 43 Film Music Components 44 Style 45 Emotion 46 Energy Level 4g Timing 52 Form 54 Film Music Analysis 57 5 The Creative Team g2 The Team 62 Composer 62 Music Editor 63 Orchestrator 64 Copyist 65 Conductor 65 Score Mixer 66 Composer Assistants 67 6 The Creative Process 70 The Collaboration 70 Initial Conversations 70 Spotting 72 Suites and Demos 74 Cue Mockup 73 Feedback 76 Orchestration 77 Recording 77 Score Mixing 78 Dub Stage 79 7 Technology and Creativity 82 Introduction 82 The DAW 83 The Synthesizer 86 The Sampler 88 Compositional Style 92 8 The Future of Film Scoring: An Introduction to Video Came Music (Co-authored by Thomas Connell) Introduction 97 Similarities in Video Came Composition and Film Scoring 98 Differences in Video Came Composition and Film Scoring 101 97
CONTENTS From Film Music to Game Music 105 From Game Music to Film Music 106 Do Composers Need to Be Gamers? 107 Final Thoughts 108 9 The Future of Film Scoring: The Trilogy, the Series and the Franchise The The The The hi Expansion of Storytelling 111 Theatrical Trilogy 112 Film Franchise 113 Series 117 10 New Voices in Film Music: The Interviews 121 Rachel Portman 121 Kris Bowers 123 Pinar Toprak 124 Natalie Holt Ί27 Glossary of Terms Selected Bibliography Index 129 133 137 IX |
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discipline_str_mv | Allgemeines |
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era_facet | Geschichte |
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spelling | Lampl, Kenneth 1964- Verfasser (DE-588)102199751X aut Film music the basics Kenneth Lampl London ; New York Routledge, Taylor & Francis Group 2024 ix, 143 Seiten txt rdacontent n rdamedia nc rdacarrier The basics Geschichte gnd rswk-swf Filmmusik (DE-588)4017129-2 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Filmmusik (DE-588)4017129-2 s DE-604 Geschichte z Äquivalent Druck-Ausgabe, Hardcover 978-1-032-26745-6 Erscheint auch als Online-Ausgabe 978-1-00-098497-2 Erscheint auch als Online-Ausgabe 978-1-00-328972-2 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034772756&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Lampl, Kenneth 1964- Film music the basics Filmmusik (DE-588)4017129-2 gnd |
subject_GND | (DE-588)4017129-2 (DE-588)4151278-9 |
title | Film music the basics |
title_auth | Film music the basics |
title_exact_search | Film music the basics |
title_exact_search_txtP | Film music the basics |
title_full | Film music the basics Kenneth Lampl |
title_fullStr | Film music the basics Kenneth Lampl |
title_full_unstemmed | Film music the basics Kenneth Lampl |
title_short | Film music |
title_sort | film music the basics |
title_sub | the basics |
topic | Filmmusik (DE-588)4017129-2 gnd |
topic_facet | Filmmusik Einführung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034772756&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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