Negotiating discursive spaces: censorship and women's narrative in Spain (1950s-1960s)
"Professor Nalbone examines censorship practices during Francoist Spain in this in-depth analysis of archival documents that construct a narrative around the publication process of literary works.From the outline of legislative practices to the implementation of those practices, this study-grou...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Newark, Delaware
Juan de la Cuesta
[2023]
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Schriftenreihe: | Juan de la Cuesta hispanic monographs
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | "Professor Nalbone examines censorship practices during Francoist Spain in this in-depth analysis of archival documents that construct a narrative around the publication process of literary works.From the outline of legislative practices to the implementation of those practices, this study-grounded in censorship theories-is the first of its kind to present a taxonomy of the results of censorial evaluation that ranged from authorization to publish texts, authorization to publish texts as tolerable, authorization to publish texts with revisions, and suppression of texts not authorized for publication. Nalbone includes examples of each of these four outcomes to elucidate the practices and perspectives of censorship legislation. Nalbone's analysis of each of the novels in this study and her interpretation of the content of the censorship files create a culturally rich portrait of the authors' experiences and perspectives that shed light on the relationship between fiction and reality." |
Beschreibung: | 244 Seiten |
ISBN: | 9781588713933 |
Internformat
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Datensatz im Suchindex
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adam_text |
Table of Contents Acknowledgments. 9 Introduction. и Chapter i. Censorship: Theories and Practices. 25 Chapter 2. Authorized Texts: Normative Thematic Threads and Character Portrayals. 46 Carmen Laforet: La islay los demonios (1951). 47 Angeles Villarta: Mi vida en elmanicomio lyysfi). 54 Mercedes Rubio: Las siete muchachas delliceo (1957). 59 Carmen Martin Gaite: Entre visillos (1958). 64 Concha Castroviejo: Vispera delodio {1949}. 69 Liberata Masoliver: Barcelona en llamas (1961). 77 Observations. 87 Chapter 3. Tolerated Texts: Boundaries of Transgression. 91 Carmen Conde: En manos delsilencio (1950). 93 Elena Quiroga: Viento del norte (1951). 100 Eugenia Serrano y Balana: Perdimos la primavera (1952). 108 Mercedes Formica: La ciudadperdida (1953). 112 Concha Fernandez Luna: Martin Nadie (1954). 120 Observations.127 Chapter 4. Texts Authorized with Revisions and Excisions. 129 7
Elisa Brufal: Sietepuertas (1964). 131 Isabel Calvo de Aguilar: La danzarina inmovil (1954). 139 Carmen Kurtz: Allado del hombre (1961). 146 Concha Alos: El caballo rojo (1966). 152 Observations. 163 Chapter 5. Rejected: Suppressed Texts: From Moral to Ideological Threat. 167 Rosa Maria Cajal: Unpaso mas (1956). 172 Maria Josefa Canellada: Penal de Ocana (1965). 183 Dolores Medio: Celda comun (1963/1996). 192 Susana March y Ricardo Fernandez de la Reguera: La boda de Alfonso XIII (1965). 203 Observations. 216 Works Cited. 219 Index. 237 |
adam_txt |
Table of Contents Acknowledgments. 9 Introduction. и Chapter i. Censorship: Theories and Practices. 25 Chapter 2. Authorized Texts: Normative Thematic Threads and Character Portrayals. 46 Carmen Laforet: La islay los demonios (1951). 47 Angeles Villarta: Mi vida en elmanicomio lyysfi). 54 Mercedes Rubio: Las siete muchachas delliceo (1957). 59 Carmen Martin Gaite: Entre visillos (1958). 64 Concha Castroviejo: Vispera delodio {1949}. 69 Liberata Masoliver: Barcelona en llamas (1961). 77 Observations. 87 Chapter 3. Tolerated Texts: Boundaries of Transgression. 91 Carmen Conde: En manos delsilencio (1950). 93 Elena Quiroga: Viento del norte (1951). 100 Eugenia Serrano y Balana: Perdimos la primavera (1952). 108 Mercedes Formica: La ciudadperdida (1953). 112 Concha Fernandez Luna: Martin Nadie (1954). 120 Observations.127 Chapter 4. Texts Authorized with Revisions and Excisions. 129 7
Elisa Brufal: Sietepuertas (1964). 131 Isabel Calvo de Aguilar: La danzarina inmovil (1954). 139 Carmen Kurtz: Allado del hombre (1961). 146 Concha Alos: El caballo rojo (1966). 152 Observations. 163 Chapter 5. Rejected: Suppressed Texts: From Moral to Ideological Threat. 167 Rosa Maria Cajal: Unpaso mas (1956). 172 Maria Josefa Canellada: Penal de Ocana (1965). 183 Dolores Medio: Celda comun (1963/1996). 192 Susana March y Ricardo Fernandez de la Reguera: La boda de Alfonso XIII (1965). 203 Observations. 216 Works Cited. 219 Index. 237 |
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spelling | Nalbone, Lisa Verfasser (DE-588)1056550163 aut Negotiating discursive spaces censorship and women's narrative in Spain (1950s-1960s) by Lisa Nalbone Newark, Delaware Juan de la Cuesta [2023] 244 Seiten txt rdacontent n rdamedia nc rdacarrier Juan de la Cuesta hispanic monographs "Professor Nalbone examines censorship practices during Francoist Spain in this in-depth analysis of archival documents that construct a narrative around the publication process of literary works.From the outline of legislative practices to the implementation of those practices, this study-grounded in censorship theories-is the first of its kind to present a taxonomy of the results of censorial evaluation that ranged from authorization to publish texts, authorization to publish texts as tolerable, authorization to publish texts with revisions, and suppression of texts not authorized for publication. Nalbone includes examples of each of these four outcomes to elucidate the practices and perspectives of censorship legislation. Nalbone's analysis of each of the novels in this study and her interpretation of the content of the censorship files create a culturally rich portrait of the authors' experiences and perspectives that shed light on the relationship between fiction and reality." Geschichte 1950-1970 gnd rswk-swf Frauenliteratur (DE-588)4113622-6 gnd rswk-swf Zensur (DE-588)4067601-8 gnd rswk-swf Franquismus (DE-588)4155196-5 gnd rswk-swf Spanien (DE-588)4055964-6 gnd rswk-swf Spanien (DE-588)4055964-6 g Franquismus (DE-588)4155196-5 s Zensur (DE-588)4067601-8 s Frauenliteratur (DE-588)4113622-6 s Geschichte 1950-1970 z DE-604 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034751237&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Nalbone, Lisa Negotiating discursive spaces censorship and women's narrative in Spain (1950s-1960s) Frauenliteratur (DE-588)4113622-6 gnd Zensur (DE-588)4067601-8 gnd Franquismus (DE-588)4155196-5 gnd |
subject_GND | (DE-588)4113622-6 (DE-588)4067601-8 (DE-588)4155196-5 (DE-588)4055964-6 |
title | Negotiating discursive spaces censorship and women's narrative in Spain (1950s-1960s) |
title_auth | Negotiating discursive spaces censorship and women's narrative in Spain (1950s-1960s) |
title_exact_search | Negotiating discursive spaces censorship and women's narrative in Spain (1950s-1960s) |
title_exact_search_txtP | Negotiating discursive spaces censorship and women's narrative in Spain (1950s-1960s) |
title_full | Negotiating discursive spaces censorship and women's narrative in Spain (1950s-1960s) by Lisa Nalbone |
title_fullStr | Negotiating discursive spaces censorship and women's narrative in Spain (1950s-1960s) by Lisa Nalbone |
title_full_unstemmed | Negotiating discursive spaces censorship and women's narrative in Spain (1950s-1960s) by Lisa Nalbone |
title_short | Negotiating discursive spaces |
title_sort | negotiating discursive spaces censorship and women s narrative in spain 1950s 1960s |
title_sub | censorship and women's narrative in Spain (1950s-1960s) |
topic | Frauenliteratur (DE-588)4113622-6 gnd Zensur (DE-588)4067601-8 gnd Franquismus (DE-588)4155196-5 gnd |
topic_facet | Frauenliteratur Zensur Franquismus Spanien |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034751237&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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