The Chinese May Fourth generation and the Irish literary revival: writers and fighters
"This book examines how the early twentieth-century Irish Renaissance (Irish Literary Revival) inspired the Chinese Renaissance (the May Fourth generation) of writers to make agentic choices and translingual exchanges. It sheds a new light on "May Fourth" and on the Irish Renaissance...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Singapore
Palgrave Macmillan
[2023]
|
| Schriftenreihe: | Asia-Pacific and literature in English
|
| Schlagworte: | |
| Zusammenfassung: | "This book examines how the early twentieth-century Irish Renaissance (Irish Literary Revival) inspired the Chinese Renaissance (the May Fourth generation) of writers to make agentic choices and translingual exchanges. It sheds a new light on "May Fourth" and on the Irish Renaissance by establishing that the Irish Literary Revival (1900-1922) provided an alternative decolonizing model of resistance for the Chinese Renaissance to that provided by the western imperial center. The book also argues that Chinese May Fourth intellectuals translated Irish Revivalist plays by W. B. Yeats, Lady Gregory, Seán O'Casey and Synge and that Chinese peasants performed these plays throughout China during the 1920s and 1930s as a form of anti-imperial resistance. Yet this literary exchange was not simply going one way, since Yeats, Lady Gregory, Synge and O'Casey were also influenced by Chinese developments in literature and politics. Therefore this was a reciprocal encounter based on the circulation of Anti-colonial ideals and mutual transformation." |
| Beschreibung: | "Revised dissertation" |
| Beschreibung: | xxxi, 425 Seiten Illustrationen |
| ISBN: | 9789819952687 |
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| 505 | 8 | |a 1. Introduction -- 2. Yeats and Lu Xun: Postcolonised Modernists? -- 3.How Lu Xun translated Yeats and the Irish Revival -- 4. Yeats's Reception in China: How Chinese May Fourth Writers Translated Yeats and the Irish Revival -- 5. Tempests in Tenements and Teahouses: A Comparison of Irish Revivalist Seán O'Casey's trilogy of plays with Lao She's Teahouse -- 6. Spreading the News Lady Gregory's Plays Made it all the Way to China! A Gendered Comparison of "Founding Mothers" Lady Gregory in Revivalist Ireland and Qiu Jin in China -- 7. How Was the New Woman Constructed in Revivalist Ireland and May Fourth China? A Comparison of Socialist and Feminist Writers Ding Ling and Eva Gore-Booth -- 8. Irish Revivalist J. M. Synge and Chinese May Fourth Playwright Cao Yu: 'Boys' Who 'Play' in the Postcolonised Wilderness? -- 9. Did Ye Ever Hear of the Christmas Rising by Liu Bannong? Receptions of the 1916 Irish Easter Rising in Republican era China -- 10. Conclusion | |
| 520 | 3 | |a "This book examines how the early twentieth-century Irish Renaissance (Irish Literary Revival) inspired the Chinese Renaissance (the May Fourth generation) of writers to make agentic choices and translingual exchanges. It sheds a new light on "May Fourth" and on the Irish Renaissance by establishing that the Irish Literary Revival (1900-1922) provided an alternative decolonizing model of resistance for the Chinese Renaissance to that provided by the western imperial center. The book also argues that Chinese May Fourth intellectuals translated Irish Revivalist plays by W. B. Yeats, Lady Gregory, Seán O'Casey and Synge and that Chinese peasants performed these plays throughout China during the 1920s and 1930s as a form of anti-imperial resistance. Yet this literary exchange was not simply going one way, since Yeats, Lady Gregory, Synge and O'Casey were also influenced by Chinese developments in literature and politics. Therefore this was a reciprocal encounter based on the circulation of Anti-colonial ideals and mutual transformation." | |
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Datensatz im Suchindex
| _version_ | 1805069599604998144 |
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| author | O'Malley-Sutton, Simone |
| author_GND | (DE-588)1310619239 |
| author_facet | O'Malley-Sutton, Simone |
| author_role | aut |
| author_sort | O'Malley-Sutton, Simone |
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| bvnumber | BV049423522 |
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| contents | 1. Introduction -- 2. Yeats and Lu Xun: Postcolonised Modernists? -- 3.How Lu Xun translated Yeats and the Irish Revival -- 4. Yeats's Reception in China: How Chinese May Fourth Writers Translated Yeats and the Irish Revival -- 5. Tempests in Tenements and Teahouses: A Comparison of Irish Revivalist Seán O'Casey's trilogy of plays with Lao She's Teahouse -- 6. Spreading the News Lady Gregory's Plays Made it all the Way to China! A Gendered Comparison of "Founding Mothers" Lady Gregory in Revivalist Ireland and Qiu Jin in China -- 7. How Was the New Woman Constructed in Revivalist Ireland and May Fourth China? A Comparison of Socialist and Feminist Writers Ding Ling and Eva Gore-Booth -- 8. Irish Revivalist J. M. Synge and Chinese May Fourth Playwright Cao Yu: 'Boys' Who 'Play' in the Postcolonised Wilderness? -- 9. Did Ye Ever Hear of the Christmas Rising by Liu Bannong? Receptions of the 1916 Irish Easter Rising in Republican era China -- 10. Conclusion |
| ctrlnum | (OCoLC)1422492200 (DE-599)BVBBV049423522 |
| dewey-full | 809 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 809 - History, description & criticism |
| dewey-raw | 809 |
| dewey-search | 809 |
| dewey-sort | 3809 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Kommunikationswesen Literaturwissenschaft |
| discipline_str_mv | Kommunikationswesen Literaturwissenschaft |
| era | Geschichte 1900-1937 gnd |
| era_facet | Geschichte 1900-1937 |
| format | Thesis Book |
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| id | DE-604.BV049423522 |
| illustrated | Illustrated |
| index_date | 2024-07-03T23:08:21Z |
| indexdate | 2024-07-20T04:08:36Z |
| institution | BVB |
| isbn | 9789819952687 |
| language | English |
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| spelling | O'Malley-Sutton, Simone Verfasser (DE-588)1310619239 aut The Chinese May Fourth generation and the Irish literary revival writers and fighters Simone O'Malley-Sutton Singapore Palgrave Macmillan [2023] xxxi, 425 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Asia-Pacific and literature in English "Revised dissertation" Dissertation 1. Introduction -- 2. Yeats and Lu Xun: Postcolonised Modernists? -- 3.How Lu Xun translated Yeats and the Irish Revival -- 4. Yeats's Reception in China: How Chinese May Fourth Writers Translated Yeats and the Irish Revival -- 5. Tempests in Tenements and Teahouses: A Comparison of Irish Revivalist Seán O'Casey's trilogy of plays with Lao She's Teahouse -- 6. Spreading the News Lady Gregory's Plays Made it all the Way to China! A Gendered Comparison of "Founding Mothers" Lady Gregory in Revivalist Ireland and Qiu Jin in China -- 7. How Was the New Woman Constructed in Revivalist Ireland and May Fourth China? A Comparison of Socialist and Feminist Writers Ding Ling and Eva Gore-Booth -- 8. Irish Revivalist J. M. Synge and Chinese May Fourth Playwright Cao Yu: 'Boys' Who 'Play' in the Postcolonised Wilderness? -- 9. Did Ye Ever Hear of the Christmas Rising by Liu Bannong? Receptions of the 1916 Irish Easter Rising in Republican era China -- 10. Conclusion "This book examines how the early twentieth-century Irish Renaissance (Irish Literary Revival) inspired the Chinese Renaissance (the May Fourth generation) of writers to make agentic choices and translingual exchanges. It sheds a new light on "May Fourth" and on the Irish Renaissance by establishing that the Irish Literary Revival (1900-1922) provided an alternative decolonizing model of resistance for the Chinese Renaissance to that provided by the western imperial center. The book also argues that Chinese May Fourth intellectuals translated Irish Revivalist plays by W. B. Yeats, Lady Gregory, Seán O'Casey and Synge and that Chinese peasants performed these plays throughout China during the 1920s and 1930s as a form of anti-imperial resistance. Yet this literary exchange was not simply going one way, since Yeats, Lady Gregory, Synge and O'Casey were also influenced by Chinese developments in literature and politics. Therefore this was a reciprocal encounter based on the circulation of Anti-colonial ideals and mutual transformation." Geschichte 1900-1937 gnd rswk-swf Comparative Literature History of China Literature Comparative literature China / History Rezeption (DE-588)4049716-1 gnd rswk-swf Vierter-Mai-Bewegung (DE-588)4241830-6 gnd rswk-swf Irische Renaissance (DE-588)4162416-6 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Irisch (DE-588)4120207-7 gnd rswk-swf China (DE-588)4009937-4 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Irisch (DE-588)4120207-7 s Literatur (DE-588)4035964-5 s Rezeption (DE-588)4049716-1 s China (DE-588)4009937-4 g Vierter-Mai-Bewegung (DE-588)4241830-6 s Geschichte 1900-1937 z DE-604 Irische Renaissance (DE-588)4162416-6 s Erscheint auch als Online-Ausgabe 978-981-99-5269-4 |
| spellingShingle | O'Malley-Sutton, Simone The Chinese May Fourth generation and the Irish literary revival writers and fighters 1. Introduction -- 2. Yeats and Lu Xun: Postcolonised Modernists? -- 3.How Lu Xun translated Yeats and the Irish Revival -- 4. Yeats's Reception in China: How Chinese May Fourth Writers Translated Yeats and the Irish Revival -- 5. Tempests in Tenements and Teahouses: A Comparison of Irish Revivalist Seán O'Casey's trilogy of plays with Lao She's Teahouse -- 6. Spreading the News Lady Gregory's Plays Made it all the Way to China! A Gendered Comparison of "Founding Mothers" Lady Gregory in Revivalist Ireland and Qiu Jin in China -- 7. How Was the New Woman Constructed in Revivalist Ireland and May Fourth China? A Comparison of Socialist and Feminist Writers Ding Ling and Eva Gore-Booth -- 8. Irish Revivalist J. M. Synge and Chinese May Fourth Playwright Cao Yu: 'Boys' Who 'Play' in the Postcolonised Wilderness? -- 9. Did Ye Ever Hear of the Christmas Rising by Liu Bannong? Receptions of the 1916 Irish Easter Rising in Republican era China -- 10. Conclusion Comparative Literature History of China Literature Comparative literature China / History Rezeption (DE-588)4049716-1 gnd Vierter-Mai-Bewegung (DE-588)4241830-6 gnd Irische Renaissance (DE-588)4162416-6 gnd Literatur (DE-588)4035964-5 gnd Irisch (DE-588)4120207-7 gnd |
| subject_GND | (DE-588)4049716-1 (DE-588)4241830-6 (DE-588)4162416-6 (DE-588)4035964-5 (DE-588)4120207-7 (DE-588)4009937-4 (DE-588)4113937-9 |
| title | The Chinese May Fourth generation and the Irish literary revival writers and fighters |
| title_auth | The Chinese May Fourth generation and the Irish literary revival writers and fighters |
| title_exact_search | The Chinese May Fourth generation and the Irish literary revival writers and fighters |
| title_exact_search_txtP | The Chinese May Fourth generation and the Irish literary revival writers and fighters |
| title_full | The Chinese May Fourth generation and the Irish literary revival writers and fighters Simone O'Malley-Sutton |
| title_fullStr | The Chinese May Fourth generation and the Irish literary revival writers and fighters Simone O'Malley-Sutton |
| title_full_unstemmed | The Chinese May Fourth generation and the Irish literary revival writers and fighters Simone O'Malley-Sutton |
| title_short | The Chinese May Fourth generation and the Irish literary revival |
| title_sort | the chinese may fourth generation and the irish literary revival writers and fighters |
| title_sub | writers and fighters |
| topic | Comparative Literature History of China Literature Comparative literature China / History Rezeption (DE-588)4049716-1 gnd Vierter-Mai-Bewegung (DE-588)4241830-6 gnd Irische Renaissance (DE-588)4162416-6 gnd Literatur (DE-588)4035964-5 gnd Irisch (DE-588)4120207-7 gnd |
| topic_facet | Comparative Literature History of China Literature Comparative literature China / History Rezeption Vierter-Mai-Bewegung Irische Renaissance Literatur Irisch China Hochschulschrift |
| work_keys_str_mv | AT omalleysuttonsimone thechinesemayfourthgenerationandtheirishliteraryrevivalwritersandfighters |