Reimagining dinosaurs in late Victorian and Edwardian literature: how the "terrible lizard" became a transatlantic cultural icon
"When the term 'dinosaur' was coined in 1842, it referred to fragmentary British fossils. In subsequent decades, American discoveries-including Brontosaurus and Triceratops-proved that these so-called 'terrible lizards' were in fact hardly lizards at all. By the 1910s '...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, United Kingdom
Cambridge University Press
2023
|
| Ausgabe: | First paperback edition |
| Schriftenreihe: | Cambridge studies in nineteenth-century literature and culture
132 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "When the term 'dinosaur' was coined in 1842, it referred to fragmentary British fossils. In subsequent decades, American discoveries-including Brontosaurus and Triceratops-proved that these so-called 'terrible lizards' were in fact hardly lizards at all. By the 1910s 'dinosaur' was a household word. Reimagining Dinosaurs in Late Victorian and Edwardian Literature approaches the hitherto unexplored fiction and popular journalism that made this scientific term a meaningful one to huge transatlantic readerships. Unlike previous scholars, who have focused on displays in American museums, Richard Fallon argues that literature was critical in turning these extinct creatures into cultural icons. Popular authors skilfully related dinosaurs to wider concerns about empire, progress, and faith; some of the most prominent, like Arthur Conan Doyle and Henry Neville Hutchinson, also disparaged elite scientists, undermining distinctions between scientific and imaginative writing. The rise of the dinosaurs thus accompanied fascinating transatlantic controversies about scientific authority." |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xii, 283 Seiten 24 cm |
| ISBN: | 9781108984393 |
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Datensatz im Suchindex
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| adam_text | Contents List ofFigures Acknowledgements Note on Scientific Terminology page vs viii xi Introduction: Dinosaurs in Transition I Reclaiming Authority: Henry Neville Hutchinson, Popular Science, and the Construction of theDinosaur i 29 2 Reinventing Wonderland: Jabberwocks, Grotesque Monsters, and Dinosaurian Maladaptation 63 3 Rearticulating the Nation: Transatlantic Fiction and the Dinosaurs of Empire 4 Rediscovering Lost Worlds: Arthur Conan Doyle and the Modern Romanceof Palaeontology Conclusion:Dinosaurs Rewritten Notes Bibliography Index 99 136 174 jgj ^_o
REIMAGINING DINOSAURS IN LATE VICTORIAN AND EDWARDIAN LITERATURE When the term ‘dinosaur’ was coined in 1842, it referred to fragmen tary British fossils. In subsequent decades, American discoveries including Brontosaurus and Triceratops - proved that these so-called ‘terrible lizards’ were in fact hardly lizards at all. By the 1910s ‘dino saur’ was a household word. Reimagining Dinosaurs in Late Victorian and Edwardian Literature approaches the hitherto unexplored fiction and popular journalism that made this scientific term a meaningful one to huge transatlantic readerships. Unlike previous scholars, who have focused on displays in American museums, Richard Fallon argues that literature was critical in turning these extinct creatures into cultural icons. Popular authors skilfully related dinosaurs to wider concerns about empire, progress, and faith; some of the most prominent, like Arthur Conan Doyle and Henry Neville Hutchinson, also disparaged elite scientists, undermining distinctions between scientific and imaginative writing. The rise of the dinosaurs thus accompanied fascinating transatlantic controversies about scientific authority.
|
| adam_txt |
Contents List ofFigures Acknowledgements Note on Scientific Terminology page vs viii xi Introduction: Dinosaurs in Transition I Reclaiming Authority: Henry Neville Hutchinson, Popular Science, and the Construction of theDinosaur i 29 2 Reinventing Wonderland: Jabberwocks, Grotesque Monsters, and Dinosaurian Maladaptation 63 3 Rearticulating the Nation: Transatlantic Fiction and the Dinosaurs of Empire 4 Rediscovering Lost Worlds: Arthur Conan Doyle and the Modern Romanceof Palaeontology Conclusion:Dinosaurs Rewritten Notes Bibliography Index 99 136 174 jgj ^_o
REIMAGINING DINOSAURS IN LATE VICTORIAN AND EDWARDIAN LITERATURE When the term ‘dinosaur’ was coined in 1842, it referred to fragmen tary British fossils. In subsequent decades, American discoveries including Brontosaurus and Triceratops - proved that these so-called ‘terrible lizards’ were in fact hardly lizards at all. By the 1910s ‘dino saur’ was a household word. Reimagining Dinosaurs in Late Victorian and Edwardian Literature approaches the hitherto unexplored fiction and popular journalism that made this scientific term a meaningful one to huge transatlantic readerships. Unlike previous scholars, who have focused on displays in American museums, Richard Fallon argues that literature was critical in turning these extinct creatures into cultural icons. Popular authors skilfully related dinosaurs to wider concerns about empire, progress, and faith; some of the most prominent, like Arthur Conan Doyle and Henry Neville Hutchinson, also disparaged elite scientists, undermining distinctions between scientific and imaginative writing. The rise of the dinosaurs thus accompanied fascinating transatlantic controversies about scientific authority. |
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| author | Fallon, Richard ca. 20./21. Jh |
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| discipline | Anglistik / Amerikanistik |
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| edition | First paperback edition |
| era | Geschichte 1842-1921 gnd |
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| spelling | Fallon, Richard ca. 20./21. Jh. Verfasser (DE-588)124815472X aut Reimagining dinosaurs in late Victorian and Edwardian literature how the "terrible lizard" became a transatlantic cultural icon Richard Fallon, University of Birmingham First paperback edition Cambridge, United Kingdom Cambridge University Press 2023 xii, 283 Seiten 24 cm txt rdacontent n rdamedia nc rdacarrier Cambridge studies in nineteenth-century literature and culture 132 Includes bibliographical references and index "When the term 'dinosaur' was coined in 1842, it referred to fragmentary British fossils. In subsequent decades, American discoveries-including Brontosaurus and Triceratops-proved that these so-called 'terrible lizards' were in fact hardly lizards at all. By the 1910s 'dinosaur' was a household word. Reimagining Dinosaurs in Late Victorian and Edwardian Literature approaches the hitherto unexplored fiction and popular journalism that made this scientific term a meaningful one to huge transatlantic readerships. Unlike previous scholars, who have focused on displays in American museums, Richard Fallon argues that literature was critical in turning these extinct creatures into cultural icons. Popular authors skilfully related dinosaurs to wider concerns about empire, progress, and faith; some of the most prominent, like Arthur Conan Doyle and Henry Neville Hutchinson, also disparaged elite scientists, undermining distinctions between scientific and imaginative writing. The rise of the dinosaurs thus accompanied fascinating transatlantic controversies about scientific authority." Geschichte 1842-1921 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Dinosaurier Motiv (DE-588)4252965-7 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Dinosaurs in literature English literature / 19th century / History and criticism American literature / 19th century / History and criticism LITERARY CRITICISM / European / English, Irish, Scottish, Welsh Literary criticism Englisch (DE-588)4014777-0 s Literatur (DE-588)4035964-5 s Dinosaurier Motiv (DE-588)4252965-7 s Geschichte 1842-1921 z DE-604 Cambridge studies in nineteenth-century literature and culture 132 (DE-604)BV009696612 132 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034749346&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034749346&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Fallon, Richard ca. 20./21. Jh Reimagining dinosaurs in late Victorian and Edwardian literature how the "terrible lizard" became a transatlantic cultural icon Cambridge studies in nineteenth-century literature and culture Englisch (DE-588)4014777-0 gnd Dinosaurier Motiv (DE-588)4252965-7 gnd Literatur (DE-588)4035964-5 gnd |
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| title | Reimagining dinosaurs in late Victorian and Edwardian literature how the "terrible lizard" became a transatlantic cultural icon |
| title_auth | Reimagining dinosaurs in late Victorian and Edwardian literature how the "terrible lizard" became a transatlantic cultural icon |
| title_exact_search | Reimagining dinosaurs in late Victorian and Edwardian literature how the "terrible lizard" became a transatlantic cultural icon |
| title_exact_search_txtP | Reimagining dinosaurs in late Victorian and Edwardian literature how the "terrible lizard" became a transatlantic cultural icon |
| title_full | Reimagining dinosaurs in late Victorian and Edwardian literature how the "terrible lizard" became a transatlantic cultural icon Richard Fallon, University of Birmingham |
| title_fullStr | Reimagining dinosaurs in late Victorian and Edwardian literature how the "terrible lizard" became a transatlantic cultural icon Richard Fallon, University of Birmingham |
| title_full_unstemmed | Reimagining dinosaurs in late Victorian and Edwardian literature how the "terrible lizard" became a transatlantic cultural icon Richard Fallon, University of Birmingham |
| title_short | Reimagining dinosaurs in late Victorian and Edwardian literature |
| title_sort | reimagining dinosaurs in late victorian and edwardian literature how the terrible lizard became a transatlantic cultural icon |
| title_sub | how the "terrible lizard" became a transatlantic cultural icon |
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