What a difference a day makes: women who conquered 1950s music
"In What a Difference a Day Makes: Women Who Conquered 1950s Music, Steve Bergsman highlights the Black female artists of the 1950s, a time that predated the chart-topping girl groups of the early 1960s. Many of the singers of this era became wildly famous and respected, and even made it into t...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Jackson
University Press of Mississippi
2023
|
| Schriftenreihe: | American made music series
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "In What a Difference a Day Makes: Women Who Conquered 1950s Music, Steve Bergsman highlights the Black female artists of the 1950s, a time that predated the chart-topping girl groups of the early 1960s. Many of the singers of this era became wildly famous and respected, and even made it into the Rock 'n' Roll Hall of Fame. However, there were many others, such as Margie Day, Helen Humes, Nellie Lutcher, Jewel King, and Savannah Churchill, who made one or two great records in the 1950s and then disappeared from the scene. The era featured former jazz and blues singers, who first came to prominence in the 1940s, and others who pioneered early forms of rock 'n' roll. In a companion volume, Bergsman has written the history of white women singers of the same era. Although song styles paralleled, the careers of Black and white female singers of the period ran in very different directions as the decade progressed. The songs of African American vocalists like Dinah Washington and Etta James were R&B segregated or covered by pop singers in the early and mid-1950s but burst into prominence in the last part of the decade and well into the 1960s. White singers, on the other hand, excelled in the early 1950s but saw their careers decline with the advent of rock music. In this volume, Bergsman takes an encyclopedic look at both the renowned and the sadly faded stars of the 1950s, placing them and their music back in the spotlight"-- |
| Beschreibung: | ix, 283 Seiten |
| ISBN: | 9781496848956 9781496844965 |
Internformat
MARC
| LEADER | 00000nam a22000008c 4500 | ||
|---|---|---|---|
| 001 | BV049414382 | ||
| 003 | DE-604 | ||
| 005 | 20240226 | ||
| 007 | t | ||
| 008 | 231116s2023 bb|| 00||| eng d | ||
| 020 | |a 9781496848956 |c pbk. |9 978-1-4968-4895-6 | ||
| 020 | |a 9781496844965 |c hbk. |9 978-1-4968-4496-5 | ||
| 035 | |a (OCoLC)1418701641 | ||
| 035 | |a (DE-599)BVBBV049414382 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-188 |a DE-12 | ||
| 082 | 0 | |a 782.4216409252 |2 23 | |
| 084 | |a MUS |q DE-12 |2 fid | ||
| 100 | 1 | |a Bergsman, Steve |e Verfasser |0 (DE-588)1238255477 |4 aut | |
| 245 | 1 | 0 | |a What a difference a day makes |b women who conquered 1950s music |c Steve Bergsman ; foreword by Lillian Walker-Moss |
| 264 | 1 | |a Jackson |b University Press of Mississippi |c 2023 | |
| 300 | |a ix, 283 Seiten | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a American made music series | |
| 505 | 8 | 0 | |t Foreword by Lillian Walker-Moss -- |t Introduction. Teardrops from my eyes -- |t I wanna be loved (1950) -- Smooth sailing (1951) -- |t 5-10-15 hours (1952) -- |t Hound dog (1953) -- Teach me tonight (1954) -- |t Tweedle Dee (1955) -- |t Let the good times roll (1956) -- |t Love is strange (1957) -- |t Maybe (1958) -- |t What a diff'rence a day makes (1959 and beyond) : The soloists -- |t Sally go 'round the roses (1959 and beyond) : The groups -- |t Selected discography |
| 520 | 3 | |a "In What a Difference a Day Makes: Women Who Conquered 1950s Music, Steve Bergsman highlights the Black female artists of the 1950s, a time that predated the chart-topping girl groups of the early 1960s. Many of the singers of this era became wildly famous and respected, and even made it into the Rock 'n' Roll Hall of Fame. However, there were many others, such as Margie Day, Helen Humes, Nellie Lutcher, Jewel King, and Savannah Churchill, who made one or two great records in the 1950s and then disappeared from the scene. The era featured former jazz and blues singers, who first came to prominence in the 1940s, and others who pioneered early forms of rock 'n' roll. In a companion volume, Bergsman has written the history of white women singers of the same era. Although song styles paralleled, the careers of Black and white female singers of the period ran in very different directions as the decade progressed. The songs of African American vocalists like Dinah Washington and Etta James were R&B segregated or covered by pop singers in the early and mid-1950s but burst into prominence in the last part of the decade and well into the 1960s. White singers, on the other hand, excelled in the early 1950s but saw their careers decline with the advent of rock music. In this volume, Bergsman takes an encyclopedic look at both the renowned and the sadly faded stars of the 1950s, placing them and their music back in the spotlight"-- | |
| 648 | 7 | |a Geschichte 1950-1960 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Schwarze |0 (DE-588)4116433-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Sängerin |0 (DE-588)4051246-0 |2 gnd |9 rswk-swf |
| 651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Popular music / United States / 1951-1960 / History and criticism | |
| 653 | 0 | |a African Americans / Music / 20th century / History and criticism | |
| 653 | 0 | |a Girl groups (Musical groups) / United States / History / 20th century | |
| 653 | 0 | |a African American women singers | |
| 653 | 0 | |a Women singers / United States | |
| 653 | 0 | |a African American singers | |
| 653 | 0 | |a Musique populaire / États-Unis / 1951-1960 / Histoire et critique | |
| 653 | 0 | |a Noirs américains / Musique / 20e siècle / Histoire et critique | |
| 653 | 0 | |a Groupes féminins (Musique) / États-Unis / Histoire / 20e siècle | |
| 653 | 0 | |a Chanteuses noires américaines | |
| 653 | 0 | |a Chanteuses / États-Unis | |
| 653 | 0 | |a Chanteurs noirs américains | |
| 653 | 0 | |a SOCIAL SCIENCE / Women's Studies | |
| 653 | 0 | |a African American singers | |
| 653 | 0 | |a African American women singers | |
| 653 | 0 | |a African Americans / Music | |
| 653 | 0 | |a Girl groups (Musical groups) | |
| 653 | 0 | |a Popular music | |
| 653 | 0 | |a Women singers | |
| 653 | 2 | |a United States | |
| 653 | 4 | |a 1900-1999 | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 653 | 6 | |a History | |
| 655 | 7 | |0 (DE-588)4006804-3 |a Biografie |2 gnd-content | |
| 689 | 0 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
| 689 | 0 | 1 | |a Sängerin |0 (DE-588)4051246-0 |D s |
| 689 | 0 | 2 | |a Schwarze |0 (DE-588)4116433-7 |D s |
| 689 | 0 | 3 | |a Geschichte 1950-1960 |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Walker-Moss, Lillian |d 1945-2023 |0 (DE-588)1316255581 |4 wpr | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, EPUB |a Bergsman, Steve |t What a difference a day makes |d Jackson : University Press of Mississippi, 2023 |z 978-1-4968-4896-3 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, PDF |a Bergsman, Steve |t What a difference a day makes |d Jackson : University Press of Mississippi, 2023 |z 978-1-4968-4898-7 |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034741381&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |q BSB_NED_20240226 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034741381 | ||
| 942 | 1 | 1 | |c 781.65 |e 22/bsb |f 09045 |g 73 |
| 942 | 1 | 1 | |c 781.66 |e 22/bsb |f 09045 |g 73 |
Datensatz im Suchindex
| _version_ | 1804186144183681024 |
|---|---|
| adam_text | СОПТСПТЗ Foreword by Lillian Walker-Moss.................................................................. vu Introduction: Teardrops from My Eyes......................................................... 3 Chapter One: I Wanna Be Loved (1950)............................................................ 15 Chapter Two: Smooth Sailing (1951).................................................................. 32 Chapter Three: 5-10-15 Hours (1952).................................................................. 51 Chapter Four: Hound Dog (1953)....................................................................... 70 Chapter Five: Teach Me Tonight (1954)........................................................... 9° Chapter Six: Tweedie Dee (1955)..................................................................... 106 Chapter Seven: Let the Good Times Roll (1956)........................................... 131 Chapter Eight: Love Is Strange (1957)............................................................. 153 Chapter Nine: Maybe (1958)............................................................................ 171 Chapter Ten: What a Diff’rence a Day Makes (1959 and Beyond): The Soloists................................................................................................... 190 Chapter Eleven: Sally Go ’Round the Roses (1959 and Beyond): The Groups................................................................................................ 211 Epilogue...............................................................................................................
229 Research and Acknowledgments ......................................................................232 Notes.................................................................................................................. 234 Selected Discography........................................................................................253 Index.................................................................................................................. 267
|
| adam_txt |
СОПТСПТЗ Foreword by Lillian Walker-Moss. vu Introduction: Teardrops from My Eyes. 3 Chapter One: I Wanna Be Loved (1950). 15 Chapter Two: Smooth Sailing (1951). 32 Chapter Three: 5-10-15 Hours (1952). 51 Chapter Four: Hound Dog (1953). 70 Chapter Five: Teach Me Tonight (1954). 9° Chapter Six: Tweedie Dee (1955). 106 Chapter Seven: Let the Good Times Roll (1956). 131 Chapter Eight: Love Is Strange (1957). 153 Chapter Nine: Maybe (1958). 171 Chapter Ten: What a Diff’rence a Day Makes (1959 and Beyond): The Soloists. 190 Chapter Eleven: Sally Go ’Round the Roses (1959 and Beyond): The Groups. 211 Epilogue.
229 Research and Acknowledgments .232 Notes. 234 Selected Discography.253 Index. 267 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Bergsman, Steve |
| author_GND | (DE-588)1238255477 (DE-588)1316255581 |
| author_facet | Bergsman, Steve |
| author_role | aut |
| author_sort | Bergsman, Steve |
| author_variant | s b sb |
| building | Verbundindex |
| bvnumber | BV049414382 |
| contents | Foreword by Lillian Walker-Moss -- Introduction. Teardrops from my eyes -- I wanna be loved (1950) -- Smooth sailing (1951) -- 5-10-15 hours (1952) -- Hound dog (1953) -- Teach me tonight (1954) -- Tweedle Dee (1955) -- Let the good times roll (1956) -- Love is strange (1957) -- Maybe (1958) -- What a diff'rence a day makes (1959 and beyond) : The soloists -- Sally go 'round the roses (1959 and beyond) : The groups -- Selected discography |
| ctrlnum | (OCoLC)1418701641 (DE-599)BVBBV049414382 |
| dewey-full | 782.4216409252 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.4216409252 |
| dewey-search | 782.4216409252 |
| dewey-sort | 3782.4216409252 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| era | Geschichte 1950-1960 gnd |
| era_facet | Geschichte 1950-1960 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05380nam a22008058c 4500</leader><controlfield tag="001">BV049414382</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240226 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">231116s2023 bb|| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781496848956</subfield><subfield code="c">pbk.</subfield><subfield code="9">978-1-4968-4895-6</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781496844965</subfield><subfield code="c">hbk.</subfield><subfield code="9">978-1-4968-4496-5</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1418701641</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049414382</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-188</subfield><subfield code="a">DE-12</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">782.4216409252</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Bergsman, Steve</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1238255477</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">What a difference a day makes</subfield><subfield code="b">women who conquered 1950s music</subfield><subfield code="c">Steve Bergsman ; foreword by Lillian Walker-Moss</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Jackson</subfield><subfield code="b">University Press of Mississippi</subfield><subfield code="c">2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">ix, 283 Seiten</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">American made music series</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">Foreword by Lillian Walker-Moss --</subfield><subfield code="t">Introduction. Teardrops from my eyes --</subfield><subfield code="t">I wanna be loved (1950) -- Smooth sailing (1951) --</subfield><subfield code="t">5-10-15 hours (1952) --</subfield><subfield code="t">Hound dog (1953) -- Teach me tonight (1954) --</subfield><subfield code="t">Tweedle Dee (1955) --</subfield><subfield code="t">Let the good times roll (1956) --</subfield><subfield code="t">Love is strange (1957) --</subfield><subfield code="t">Maybe (1958) --</subfield><subfield code="t">What a diff'rence a day makes (1959 and beyond) : The soloists --</subfield><subfield code="t">Sally go 'round the roses (1959 and beyond) : The groups --</subfield><subfield code="t">Selected discography</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"In What a Difference a Day Makes: Women Who Conquered 1950s Music, Steve Bergsman highlights the Black female artists of the 1950s, a time that predated the chart-topping girl groups of the early 1960s. Many of the singers of this era became wildly famous and respected, and even made it into the Rock 'n' Roll Hall of Fame. However, there were many others, such as Margie Day, Helen Humes, Nellie Lutcher, Jewel King, and Savannah Churchill, who made one or two great records in the 1950s and then disappeared from the scene. The era featured former jazz and blues singers, who first came to prominence in the 1940s, and others who pioneered early forms of rock 'n' roll. In a companion volume, Bergsman has written the history of white women singers of the same era. Although song styles paralleled, the careers of Black and white female singers of the period ran in very different directions as the decade progressed. The songs of African American vocalists like Dinah Washington and Etta James were R&B segregated or covered by pop singers in the early and mid-1950s but burst into prominence in the last part of the decade and well into the 1960s. White singers, on the other hand, excelled in the early 1950s but saw their careers decline with the advent of rock music. In this volume, Bergsman takes an encyclopedic look at both the renowned and the sadly faded stars of the 1950s, placing them and their music back in the spotlight"--</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1950-1960</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Schwarze</subfield><subfield code="0">(DE-588)4116433-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Sängerin</subfield><subfield code="0">(DE-588)4051246-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Popular music / United States / 1951-1960 / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">African Americans / Music / 20th century / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Girl groups (Musical groups) / United States / History / 20th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">African American women singers</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Women singers / United States</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">African American singers</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Musique populaire / États-Unis / 1951-1960 / Histoire et critique</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Noirs américains / Musique / 20e siècle / Histoire et critique</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Groupes féminins (Musique) / États-Unis / Histoire / 20e siècle</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Chanteuses noires américaines</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Chanteuses / États-Unis</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Chanteurs noirs américains</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">SOCIAL SCIENCE / Women's Studies</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">African American singers</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">African American women singers</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">African Americans / Music</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Girl groups (Musical groups)</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Popular music</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Women singers</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">United States</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">1900-1999</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">History</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4006804-3</subfield><subfield code="a">Biografie</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Sängerin</subfield><subfield code="0">(DE-588)4051246-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Schwarze</subfield><subfield code="0">(DE-588)4116433-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1950-1960</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Walker-Moss, Lillian</subfield><subfield code="d">1945-2023</subfield><subfield code="0">(DE-588)1316255581</subfield><subfield code="4">wpr</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, EPUB</subfield><subfield code="a">Bergsman, Steve</subfield><subfield code="t">What a difference a day makes</subfield><subfield code="d">Jackson : University Press of Mississippi, 2023</subfield><subfield code="z">978-1-4968-4896-3</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, PDF</subfield><subfield code="a">Bergsman, Steve</subfield><subfield code="t">What a difference a day makes</subfield><subfield code="d">Jackson : University Press of Mississippi, 2023</subfield><subfield code="z">978-1-4968-4898-7</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034741381&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20240226</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034741381</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.65</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09045</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.66</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09045</subfield><subfield code="g">73</subfield></datafield></record></collection> |
| genre | (DE-588)4006804-3 Biografie gnd-content |
| genre_facet | Biografie |
| geographic | USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV049414382 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T23:06:49Z |
| indexdate | 2024-07-10T10:06:27Z |
| institution | BVB |
| isbn | 9781496848956 9781496844965 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034741381 |
| oclc_num | 1418701641 |
| open_access_boolean | |
| owner | DE-188 DE-12 |
| owner_facet | DE-188 DE-12 |
| physical | ix, 283 Seiten |
| psigel | BSB_NED_20240226 |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | University Press of Mississippi |
| record_format | marc |
| series2 | American made music series |
| spelling | Bergsman, Steve Verfasser (DE-588)1238255477 aut What a difference a day makes women who conquered 1950s music Steve Bergsman ; foreword by Lillian Walker-Moss Jackson University Press of Mississippi 2023 ix, 283 Seiten txt rdacontent n rdamedia nc rdacarrier American made music series Foreword by Lillian Walker-Moss -- Introduction. Teardrops from my eyes -- I wanna be loved (1950) -- Smooth sailing (1951) -- 5-10-15 hours (1952) -- Hound dog (1953) -- Teach me tonight (1954) -- Tweedle Dee (1955) -- Let the good times roll (1956) -- Love is strange (1957) -- Maybe (1958) -- What a diff'rence a day makes (1959 and beyond) : The soloists -- Sally go 'round the roses (1959 and beyond) : The groups -- Selected discography "In What a Difference a Day Makes: Women Who Conquered 1950s Music, Steve Bergsman highlights the Black female artists of the 1950s, a time that predated the chart-topping girl groups of the early 1960s. Many of the singers of this era became wildly famous and respected, and even made it into the Rock 'n' Roll Hall of Fame. However, there were many others, such as Margie Day, Helen Humes, Nellie Lutcher, Jewel King, and Savannah Churchill, who made one or two great records in the 1950s and then disappeared from the scene. The era featured former jazz and blues singers, who first came to prominence in the 1940s, and others who pioneered early forms of rock 'n' roll. In a companion volume, Bergsman has written the history of white women singers of the same era. Although song styles paralleled, the careers of Black and white female singers of the period ran in very different directions as the decade progressed. The songs of African American vocalists like Dinah Washington and Etta James were R&B segregated or covered by pop singers in the early and mid-1950s but burst into prominence in the last part of the decade and well into the 1960s. White singers, on the other hand, excelled in the early 1950s but saw their careers decline with the advent of rock music. In this volume, Bergsman takes an encyclopedic look at both the renowned and the sadly faded stars of the 1950s, placing them and their music back in the spotlight"-- Geschichte 1950-1960 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf Sängerin (DE-588)4051246-0 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Popular music / United States / 1951-1960 / History and criticism African Americans / Music / 20th century / History and criticism Girl groups (Musical groups) / United States / History / 20th century African American women singers Women singers / United States African American singers Musique populaire / États-Unis / 1951-1960 / Histoire et critique Noirs américains / Musique / 20e siècle / Histoire et critique Groupes féminins (Musique) / États-Unis / Histoire / 20e siècle Chanteuses noires américaines Chanteuses / États-Unis Chanteurs noirs américains SOCIAL SCIENCE / Women's Studies African Americans / Music Girl groups (Musical groups) Popular music Women singers United States 1900-1999 Criticism, interpretation, etc History (DE-588)4006804-3 Biografie gnd-content USA (DE-588)4078704-7 g Sängerin (DE-588)4051246-0 s Schwarze (DE-588)4116433-7 s Geschichte 1950-1960 z DE-604 Walker-Moss, Lillian 1945-2023 (DE-588)1316255581 wpr Erscheint auch als Online-Ausgabe, EPUB Bergsman, Steve What a difference a day makes Jackson : University Press of Mississippi, 2023 978-1-4968-4896-3 Erscheint auch als Online-Ausgabe, PDF Bergsman, Steve What a difference a day makes Jackson : University Press of Mississippi, 2023 978-1-4968-4898-7 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034741381&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Bergsman, Steve What a difference a day makes women who conquered 1950s music Foreword by Lillian Walker-Moss -- Introduction. Teardrops from my eyes -- I wanna be loved (1950) -- Smooth sailing (1951) -- 5-10-15 hours (1952) -- Hound dog (1953) -- Teach me tonight (1954) -- Tweedle Dee (1955) -- Let the good times roll (1956) -- Love is strange (1957) -- Maybe (1958) -- What a diff'rence a day makes (1959 and beyond) : The soloists -- Sally go 'round the roses (1959 and beyond) : The groups -- Selected discography Schwarze (DE-588)4116433-7 gnd Sängerin (DE-588)4051246-0 gnd |
| subject_GND | (DE-588)4116433-7 (DE-588)4051246-0 (DE-588)4078704-7 (DE-588)4006804-3 |
| title | What a difference a day makes women who conquered 1950s music |
| title_alt | Foreword by Lillian Walker-Moss -- Introduction. Teardrops from my eyes -- I wanna be loved (1950) -- Smooth sailing (1951) -- 5-10-15 hours (1952) -- Hound dog (1953) -- Teach me tonight (1954) -- Tweedle Dee (1955) -- Let the good times roll (1956) -- Love is strange (1957) -- Maybe (1958) -- What a diff'rence a day makes (1959 and beyond) : The soloists -- Sally go 'round the roses (1959 and beyond) : The groups -- Selected discography |
| title_auth | What a difference a day makes women who conquered 1950s music |
| title_exact_search | What a difference a day makes women who conquered 1950s music |
| title_exact_search_txtP | What a difference a day makes women who conquered 1950s music |
| title_full | What a difference a day makes women who conquered 1950s music Steve Bergsman ; foreword by Lillian Walker-Moss |
| title_fullStr | What a difference a day makes women who conquered 1950s music Steve Bergsman ; foreword by Lillian Walker-Moss |
| title_full_unstemmed | What a difference a day makes women who conquered 1950s music Steve Bergsman ; foreword by Lillian Walker-Moss |
| title_short | What a difference a day makes |
| title_sort | what a difference a day makes women who conquered 1950s music |
| title_sub | women who conquered 1950s music |
| topic | Schwarze (DE-588)4116433-7 gnd Sängerin (DE-588)4051246-0 gnd |
| topic_facet | Schwarze Sängerin USA Biografie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034741381&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT bergsmansteve whatadifferenceadaymakeswomenwhoconquered1950smusic AT walkermosslillian whatadifferenceadaymakeswomenwhoconquered1950smusic |