The new Nancy: flexible and relatable daily comics in the twenty-first century
""The New Nancy" explores how Olivia Jaimes's 2018 reboot of the legacy comic strip exemplifies how contemporary flexible comics have adapted to serve divergent audiences, from nostalgic fans who read the daily comics in newspapers to newer readers who follow webcomics and post c...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Lincoln
University of Nebraska Press
[2023]
|
| Schriftenreihe: | Encapsulations: critical comics studies
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| Schlagworte: | |
| Zusammenfassung: | ""The New Nancy" explores how Olivia Jaimes's 2018 reboot of the legacy comic strip exemplifies how contemporary flexible comics have adapted to serve divergent audiences, from nostalgic fans who read the daily comics in newspapers to newer readers who follow webcomics and post comments on the daily online comics"-- "In The New Nancy Jeff Karnicky explores how successful today's daily comic strips are flexible and relatable, and he uses Olivia Jaimes's 2018 reboot of the long-running comic strip Nancy to illustrate the ways that contemporary comics have adapted to twenty-first-century technology and culture. Because comic creation has become part of the gig economy, flexible comics must be accessible to both online and print readers, and they must quickly grab readers' attention. Flexible comic creators like Jaimes must focus both on the work of producing comics and on building an audience. Daily comics also must form a relatable connection with readers. Most contemporary comic creators cultivate an online persona through which they engage readers with specific identities, beliefs, and expectations. This work might form a mutually beneficial bond that results in a successful daily comic strip, but it risks becoming fraught, toxic, and sometimes even dangerous. Olivia Jaimes cultivates a relatable persona in connection with longtime readers and new fans. And Nancy is funny-the strip finds its humor in both nostalgic objects (like cookie jars) and contemporary technological objects (like smartphones). Rebooted comic strips like Nancy directly confront the stereotypical representations that haunt the past of comics. Focusing on Nancy's role in contemporary culture, Karnicky uses literary studies, cultural studies, and media studies to argue that Olivia Jaimes's comic strip has something to say about comics, contemporary culture, and the intersection of the two. "-- |
| Beschreibung: | xiii, 189 Seiten Illustrationen 21 cm |
| ISBN: | 9781496235862 149623586X |
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| 520 | 3 | |a "In The New Nancy Jeff Karnicky explores how successful today's daily comic strips are flexible and relatable, and he uses Olivia Jaimes's 2018 reboot of the long-running comic strip Nancy to illustrate the ways that contemporary comics have adapted to twenty-first-century technology and culture. Because comic creation has become part of the gig economy, flexible comics must be accessible to both online and print readers, and they must quickly grab readers' attention. Flexible comic creators like Jaimes must focus both on the work of producing comics and on building an audience. Daily comics also must form a relatable connection with readers. Most contemporary comic creators cultivate an online persona through which they engage readers with specific identities, beliefs, and expectations. This work might form a mutually beneficial bond that results in a successful daily comic strip, but it risks becoming fraught, toxic, and sometimes even dangerous. Olivia Jaimes cultivates a relatable persona in connection with longtime readers and new fans. And Nancy is funny-the strip finds its humor in both nostalgic objects (like cookie jars) and contemporary technological objects (like smartphones). Rebooted comic strips like Nancy directly confront the stereotypical representations that haunt the past of comics. Focusing on Nancy's role in contemporary culture, Karnicky uses literary studies, cultural studies, and media studies to argue that Olivia Jaimes's comic strip has something to say about comics, contemporary culture, and the intersection of the two. "-- | |
| 653 | 0 | |a Comic books, strips, etc / United States / History and criticism | |
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| 653 | 1 | |a Jaimes, Olivia / Nancy (Comic strip) | |
| 653 | 0 | |a SOCIAL SCIENCE / Media Studies | |
| 653 | 0 | |a LITERARY CRITICISM / Comics & Graphic Novels | |
| 653 | 0 | |a Comic books, strips, etc | |
| 653 | 0 | |a Mass media | |
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| 653 | 4 | |a 2000-2099 | |
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| 653 | 6 | |a Critiques de bandes dessinées et de romans graphiques | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |a Karnicky, Jeffrey |t New Nancy |d Lincoln : University of Nebraska Press, [2023] |z 978-1-4962-3719-4 |
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Datensatz im Suchindex
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| dewey-full | 741.5973 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 741 - Drawing and drawings |
| dewey-raw | 741.5973 |
| dewey-search | 741.5973 |
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| discipline | Kunstgeschichte |
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| format | Book |
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| illustrated | Illustrated |
| index_date | 2024-07-03T23:06:32Z |
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| institution | BVB |
| isbn | 9781496235862 149623586X |
| language | English |
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| physical | xiii, 189 Seiten Illustrationen 21 cm |
| publishDate | 2023 |
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| publisher | University of Nebraska Press |
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| spelling | Karnicky, Jeffrey Verfasser (DE-588)1156673615 aut The new Nancy flexible and relatable daily comics in the twenty-first century Jeff Karnicky Lincoln University of Nebraska Press [2023] xiii, 189 Seiten Illustrationen 21 cm txt rdacontent n rdamedia nc rdacarrier Encapsulations: critical comics studies ""The New Nancy" explores how Olivia Jaimes's 2018 reboot of the legacy comic strip exemplifies how contemporary flexible comics have adapted to serve divergent audiences, from nostalgic fans who read the daily comics in newspapers to newer readers who follow webcomics and post comments on the daily online comics"-- "In The New Nancy Jeff Karnicky explores how successful today's daily comic strips are flexible and relatable, and he uses Olivia Jaimes's 2018 reboot of the long-running comic strip Nancy to illustrate the ways that contemporary comics have adapted to twenty-first-century technology and culture. Because comic creation has become part of the gig economy, flexible comics must be accessible to both online and print readers, and they must quickly grab readers' attention. Flexible comic creators like Jaimes must focus both on the work of producing comics and on building an audience. Daily comics also must form a relatable connection with readers. Most contemporary comic creators cultivate an online persona through which they engage readers with specific identities, beliefs, and expectations. This work might form a mutually beneficial bond that results in a successful daily comic strip, but it risks becoming fraught, toxic, and sometimes even dangerous. Olivia Jaimes cultivates a relatable persona in connection with longtime readers and new fans. And Nancy is funny-the strip finds its humor in both nostalgic objects (like cookie jars) and contemporary technological objects (like smartphones). Rebooted comic strips like Nancy directly confront the stereotypical representations that haunt the past of comics. Focusing on Nancy's role in contemporary culture, Karnicky uses literary studies, cultural studies, and media studies to argue that Olivia Jaimes's comic strip has something to say about comics, contemporary culture, and the intersection of the two. "-- Comic books, strips, etc / United States / History and criticism Mass media / United States / History / 21st century Jaimes, Olivia / Nancy (Comic strip) SOCIAL SCIENCE / Media Studies LITERARY CRITICISM / Comics & Graphic Novels Comic books, strips, etc Mass media United States 2000-2099 Comics criticism Criticism, interpretation, etc History Critiques de bandes dessinées et de romans graphiques Erscheint auch als Online-Ausgabe Karnicky, Jeffrey New Nancy Lincoln : University of Nebraska Press, [2023] 978-1-4962-3719-4 |
| spellingShingle | Karnicky, Jeffrey The new Nancy flexible and relatable daily comics in the twenty-first century |
| title | The new Nancy flexible and relatable daily comics in the twenty-first century |
| title_auth | The new Nancy flexible and relatable daily comics in the twenty-first century |
| title_exact_search | The new Nancy flexible and relatable daily comics in the twenty-first century |
| title_exact_search_txtP | The new Nancy flexible and relatable daily comics in the twenty-first century |
| title_full | The new Nancy flexible and relatable daily comics in the twenty-first century Jeff Karnicky |
| title_fullStr | The new Nancy flexible and relatable daily comics in the twenty-first century Jeff Karnicky |
| title_full_unstemmed | The new Nancy flexible and relatable daily comics in the twenty-first century Jeff Karnicky |
| title_short | The new Nancy |
| title_sort | the new nancy flexible and relatable daily comics in the twenty first century |
| title_sub | flexible and relatable daily comics in the twenty-first century |
| work_keys_str_mv | AT karnickyjeffrey thenewnancyflexibleandrelatabledailycomicsinthetwentyfirstcentury |