Messiaen in context:
"Exploring the many dimensions of Messiaen's life, thought and music, this book provides fresh perspectives on the contexts within which the composer worked, the intellectual currents that influenced him, and the influence he himself exerted on twentieth-century music. It enables a holisti...
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, United Kingdom ; New York, NY, USA ; Port Melbourne, Australia ; New Delhi, India ; Singapore
Cambridge University Press
[2024]
|
| Schriftenreihe: | Composers in context
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Exploring the many dimensions of Messiaen's life, thought and music, this book provides fresh perspectives on the contexts within which the composer worked, the intellectual currents that influenced him, and the influence he himself exerted on twentieth-century music. It enables a holistic understanding of this 'mondial' French composer in relation to the wider world, including his engagement with and refiguration of theology through music, the performance and reception of his work, the ways in which his aesthetics and conceptual universe have been understood by his students, and how his legacy continues to evolve. Reappraising known facts and adding new interpretations from a variety of inter-disciplinary and multi-disciplinary viewpoints, Messiaen in Context provides a fresh understanding and engagement with one of the most significant musicians of the twentieth century. Robert Sholl teaches at The Royal Academy of Music and the University of West London. He is the editor of Messiaen Studies (2007) and James MacMillan Studies (with George Parsons, 2021) and Contemporary Music and Spirituality (with Sander van Maas, 2017). As a performer, he has played all of Messiaen's organ music, recorded improvisations to film on the organ and piano, and has given recitals at major venues in London and Paris"-- |
| Beschreibung: | xx, 348 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781108487917 |
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Datensatz im Suchindex
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Contents List ofFigures List of Tables List ofMusic Examples Notes on Contributors List ofAbbreviations page viii ix x xii xx PART I MONDIAL MESSIAEN I Introduction: The Image of Messiaen Robert Shall 3 2 Messiaen’s Family Nigel Simeone 10 3 Yvonne Loriod Matthew Schellhorn 18 4 Messiaen and the Paris Conservatoire Christopher Brent Murray 27 5 Messiaen and Classical India and Greece Peter Asimov 37 6 Messiaen and the USA Nigel Simeone 46 7 Messiaen and the Idea of Japan Peter Burt 54 8 Messiaen and China Wai-Ling Cheong 68 9 Messiaen and Australia: The Composer as Lyrebird Charles Bodman Rae 76
vi Contents PART II MESSIAEN AND THEOLOGY io Messiaen and Tournemire Jennifer Donelson-Nowicka и Ressourcement Theology in the Interwar Works of Olivier Messiaen Elizabeth McLain 87 95 12 Revitalising the Spiritual: Messiaen and La Jeune France Caroline Rae 13 The Theology and Aesthetics of Thomas Aquinas in the Compositions of Olivier Messiaen Siglind Bruhn 103 119 14 Messiaen’s Musical Language of Religious Symbolism Siglind Bruhn 15 The Composition of Glory: Olivier Messiaen and Hans Urs von Balthasar Jennifer Newsome Martin 127 135 16 Messiaen and the Franciscan Spirit Robert Fallon 143 PART III COMPOSERS, PERFORMERS, AND CRITICS 17 Before ‘Le Cas’: Messiaen in the Musical Press Stephen Broad 155 18 Messiaen and Borrowing Yves Balmer, Thomas Lacôte, and Christopher Brent Murray 164 19 Messiaen and Criticism Arnold Whittail 173 20 Messiaen as Organist of L’Église de la Sainte-Trinité Andrew Shenton 181 21 Messiaen and the Organ Recordings Andrew Shenton 190 22 ‘Un sens artistique très développé’: Messiaen’s Cahiers as Performance Aid Roderick Chadwick 199
vii Contents 23 Pianism and Virtuosity in Messiaen’s Vingt Regards sur l’Enfant-Jésus Caroline Rae 24 Messiaen as Orchestrator Christopher Dingle 207 221 PART IV CONCEPTS AND LEGACY 25 The Simplicity of Messiaen Jacques Amblard (trans. Robert Sholl) 233 26 Music in Colour: Messiaen and Synaesthesia Duncan Carmichael 240 27 The Opposite of Time: What Birds Meant for Messiaen David Rothenberg 248 28 Messiaen and Surrealism Robert Sholl 257 29 An Explosive Confrontation: Messiaen and the Post-War Avant-Garde Amy Bauer 267 30 Messiaen and Jacques Charpentier Robert Sholl 278 31 Messiaen and Boulez Arnold Whittali 290 32 Messiaen and Spectralism Marilyn Nonken 298 33 Olivier Messiaen and Jean-Louis Florentz: A Filiation? Michel Bourcier (trans. Robert Sholl) 306 34 Messiaen in France Today Jacques Amblard (trans. Robert Sholl) 314 Select Bibliography Index 322 343 |
| adam_txt |
Contents List ofFigures List of Tables List ofMusic Examples Notes on Contributors List ofAbbreviations page viii ix x xii xx PART I MONDIAL MESSIAEN I Introduction: The Image of Messiaen Robert Shall 3 2 Messiaen’s Family Nigel Simeone 10 3 Yvonne Loriod Matthew Schellhorn 18 4 Messiaen and the Paris Conservatoire Christopher Brent Murray 27 5 Messiaen and Classical India and Greece Peter Asimov 37 6 Messiaen and the USA Nigel Simeone 46 7 Messiaen and the Idea of Japan Peter Burt 54 8 Messiaen and China Wai-Ling Cheong 68 9 Messiaen and Australia: The Composer as Lyrebird Charles Bodman Rae 76
vi Contents PART II MESSIAEN AND THEOLOGY io Messiaen and Tournemire Jennifer Donelson-Nowicka и Ressourcement Theology in the Interwar Works of Olivier Messiaen Elizabeth McLain 87 95 12 Revitalising the Spiritual: Messiaen and La Jeune France Caroline Rae 13 The Theology and Aesthetics of Thomas Aquinas in the Compositions of Olivier Messiaen Siglind Bruhn 103 119 14 Messiaen’s Musical Language of Religious Symbolism Siglind Bruhn 15 The Composition of Glory: Olivier Messiaen and Hans Urs von Balthasar Jennifer Newsome Martin 127 135 16 Messiaen and the Franciscan Spirit Robert Fallon 143 PART III COMPOSERS, PERFORMERS, AND CRITICS 17 Before ‘Le Cas’: Messiaen in the Musical Press Stephen Broad 155 18 Messiaen and Borrowing Yves Balmer, Thomas Lacôte, and Christopher Brent Murray 164 19 Messiaen and Criticism Arnold Whittail 173 20 Messiaen as Organist of L’Église de la Sainte-Trinité Andrew Shenton 181 21 Messiaen and the Organ Recordings Andrew Shenton 190 22 ‘Un sens artistique très développé’: Messiaen’s Cahiers as Performance Aid Roderick Chadwick 199
vii Contents 23 Pianism and Virtuosity in Messiaen’s Vingt Regards sur l’Enfant-Jésus Caroline Rae 24 Messiaen as Orchestrator Christopher Dingle 207 221 PART IV CONCEPTS AND LEGACY 25 The Simplicity of Messiaen Jacques Amblard (trans. Robert Sholl) 233 26 Music in Colour: Messiaen and Synaesthesia Duncan Carmichael 240 27 The Opposite of Time: What Birds Meant for Messiaen David Rothenberg 248 28 Messiaen and Surrealism Robert Sholl 257 29 An Explosive Confrontation: Messiaen and the Post-War Avant-Garde Amy Bauer 267 30 Messiaen and Jacques Charpentier Robert Sholl 278 31 Messiaen and Boulez Arnold Whittali 290 32 Messiaen and Spectralism Marilyn Nonken 298 33 Olivier Messiaen and Jean-Louis Florentz: A Filiation? Michel Bourcier (trans. Robert Sholl) 306 34 Messiaen in France Today Jacques Amblard (trans. Robert Sholl) 314 Select Bibliography Index 322 343 |
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