Jan Massys (c. 1510-1573): Renaissance painter of Flemish female beauty
"The painter Jan Massys (c. 1510-1573) trained under his father Quinten, succeeding him after his death (1530) at the head of Antwerp's most famous workshop. However, his career, destined for certain success, was abruptly cut short in 1544. Condemned for joining the Loysts sect, he had to...
Gespeichert in:
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Turnhout, Belgium
Brepols
[2023]
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| Schriftenreihe: | Me fecit
[14] |
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| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Zusammenfassung: | "The painter Jan Massys (c. 1510-1573) trained under his father Quinten, succeeding him after his death (1530) at the head of Antwerp's most famous workshop. However, his career, destined for certain success, was abruptly cut short in 1544. Condemned for joining the Loysts sect, he had to flee Antwerp, finding refuge perhaps initially in France and at one point in Italy. Only in 1555 was he able to return to his homeland, regaining his artistic leadership within a few years. His oeuvre consists exclusively of works for private use and is characterized, in particular, by the depiction of elegant and seductive nude or half-naked female figures, protagonists of biblical or mythological subjects. The identification of the patron of the 1561 Venus with the view of Genoa (Stockholm, Nationalmuseum) in the person of the noble Genoese banker Ambrogio di Negro, offered the possibility of reconstructing the social context of the artist's clientele and his relations with those intellectuals – both Genoese and Flemish-who gave life to the lively humanist academies of Antwerp. The figure emerges of a cultivated and particularly refined painter, who shared with his patrons the ideals of neo-Petrarchan poetry and executed paintings of great preciousness, characterized by a meticulous and skillful painting technique." |
| Beschreibung: | Rückentitel: "Jan Massys" Die Bandangabe wurde auf der Internetseite des Verlags ermittelt Literaturverzeichnis: Seite 223-231 |
| Beschreibung: | 239 Seiten Illustrationen |
| ISBN: | 9782503607207 |
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Datensatz im Suchindex
| _version_ | 1811019838740496384 |
|---|---|
| adam_text |
CONTENTS
CHAPTER 1 11
'JOANNES MASSIIS ALIAS QUINTENS': FOLLOWER OF A GREAT ARTISTIC LEGACY
1. JAN, HIS FATHER QUINTENS COLLABORATOR AND EMULATOR 11
2
. THE BEGINNINGS UNDER PATERNAL TUTORING 12
2.1
THE PRADO DIPTYCH
, AN UNSOLVABLE CASE? 12
2.2
THE SAINT MARY MAGDALENE OF ANTWERP: A PROPOSAL 1
5
3
. DEVELOPING THE PROTOTYPE OF QUINTEN MASSYS'S BUTTER MADONNA 20
4
. THE BEGINNINGS AS QUINTENS FOLLOWER: THE FIRST SECULAR SUBJECTS 28
3
. CONCLUSIONS
37
CHAPTER 2
41
A CAREER OF UPS AND DOWNS
1
. JANS ASCERTAINED BIOGRAPHY THROUGH DOCUMENTS AND DATED PAINTINGS 41
2
. RECONSTRUCTING A BACKGROUND: THE YEARS OF A SUCCESSFUL DEBUT 43
2.1
THE FIRST MADONNAS 46
2.2
THE NEW YORK REST ON THE FLIGHT INTO EGYPT 47
2.3
SECULARIZING RELIGIOUS THEMES: THE PHOEBUS SUSANNA AND THE ELDERS 5 3
3
. THE EXILE 57
3.1
WHERE DID HE GO? 58
3.2
THE TWO PAINTINGS PRODUCED IN EXILE 60
4
. BACK TO A PROFOUNDLY TRANSFORMED ANTWERP 64
4.1
RELIGIOUS SUBJECTS FOR CATHOLIC AND REFORMED CLIENTELE
66
4.2
GENRE SCENES 72
CHAPTER 3 79
JAN MASSYS AND FEMALE BEAUTY
1
. UNE VOLUPTE QUE LE MAITRES FLAMANDS N'AVAIENT POINT OBTENUE OU
CHERCHEE JUSQU'ALORS':
CHARACTERISTICS OF THE MASSYS'S BRAND 79
1.1 CHANGING AESTHETIC CANONS: JANS ANSWER TO ANTWERP ROMANISTS 82
2. THE VENUS OF CYTHERA WITH THE VIEWS OF GENOA', A CLUE ABOUT JAN
MASSYS'S PATRONS 87
3
. WAS IT JAN VAN DER NOOT WHO INSPIRED, OR COMMISSIONED,
THE FLORA A WITH THE VIEW OF ANTWERP? 92
2
4
. 'UT PICTURA THAETRUM': JAN MASSYS'S TABLEAX VIVANTS-
LIKE PAINTINGS FOR AN ELITE AUDIENCE.
A HYPOTHESIS THAT REQUIRES FURTHER INVESTIGATION
95
5
. A SPECIAL MERRY COMPANY 100
CHAPTER 4 I07
A VARIED PAINTING TECHNIQUE FOR BEAUTY, LECHERY, AND LUXURY
1. 'PALE, FISHY, COLDISH COLOR FOR ENAMELED FEMALE NUDES:
A POSSIBLE REASON FOR VAN MANDER'S DISREGARD 107
2
. THE COLORS OF BEAUTY: NATURE AND COSMETICS IN MASSYS'S FEMALE
FIESH-TONES 113
3
. SEEKING CONTRAST: GRAPHIC TREATMENTS TO DEPICT OLD MALE FLESH TONES
114
4
. BRUSHWORK TEXTURE, WET-ON-WET COLOURS AND ABBOZZO TO CREATE LUXURIOUS,
'SENSUAL CLOTHES' 116
CHAPTER 3
123
INSIDE JAN MASSYS'S WORKSHOP: VARIABLE PRACTICES AND RESULTING
DIFFERENCES
1
. WOODEN SUPPORTS 123
2
. DESIGN PROCEDURES 126
3
. PAINTING MATERIALS 134
3.1
SEEKING THE LOST BLUE 139
4
. WORKING OUTSIDE AND INSIDE THE ANTWERP WORKSHOP:
THE GENOA MADONNA VS. THE GENOA CARITAS 141
3
. THE PRODUCTION OF REPLICAS IN THE WORKSHOP 146
5.1
THE CASE OF THE ILL-MATCHED LOVERS 148
5.2
PAINTING FOR THE MARKET: REPLICAS ON COPPER AND CANVAS 1 53
CHAPTER
6
I59
INSIDE JAN MASSYS'S WORKSHOP: KNOWN AND UNKNOWN ASSISTANTS
1. DOCUMENTED ASSISTANTS 159
1.1 SEARCHING FOR UNIDENTIFIED AUTHORS:
THE ROUEN AND MADRID ST. JEROME IN HIS STUDY 160
2
. QUINTEN II INSIDE AND OUTSIDE HIS FATHER'S WORKSHOP 168
2.1 LANDSCAPE SPECIALISTS
2.2 CITYSCAPE SPECIALISTS: THE VIEWS OF ANTWERP AND GENOA 187
2.3
THE
1572
MEETING BETWEEN ELIJAH AND ELISHA. A POSSIBLE ATTRIBUTION 193
3
CHAPTER
7
CONCLUSION
199
1. EPILOGUE: JAN'S FAREWELL IN TWO PAINTINGS 200
APPENDIX
1
NOTES AND PRELIMINARY CONSIDERATION ABOUT FASHION
IN JAN MASSYS'S PAINTINGS (BY ALESSIO PALMIERI-MARINONI) 211
1
. INTRODUCTION 211
2
. CLOTHING AND TEXTILES IN MASSYS'S PAINTING BEFORE THE EXILE 211
3. THE GREAT THEATER OF THE WORLD 212
4
. GENOA. EVENTUALLY, GENOA
213
APPENDIX
2
A NON-INVASIVE XRF STUDY OF JAN MASSYS S PAINTINGS IN GENOA
(BY MICHELE BRANCUCCI) 2* 5
FOREWORD 215
1
. XRF SPECTROMETRY 215
2
. METHOD OF ANALYSIS AND INSTRUMENTAL CHARACTERISTICS 215
3
. XRF ANALYSIS OF JAN MASSYS'S MADONNA AND CHILD. RESULTS AND
CONCLUSIONS 216
4
. XRF ANALYSES OF JAN MASSYS'S CARITAS. RESULTS AND CONCLUSIONS 217
APPENDIX
3
DIGITALLY RESTORING DEGRADED SMALT: A PROPOSAL
(BY MANUELA SERANDO) 219
1
. DIGITAL RESTORATION: PRINCIPLES AND POSSIBILITIES 219
2. CASE STUDY: JAN MASSYS
1332
MADONNA AND CHILD
(GENOA, MUSEI DI STRADA NUOVA, GALLERIA DI PALAZZO BIANCO) 219
BIBLIOGRAPHY 223
PHOTO CREDITS 233
INDEX 235
4 |
| adam_txt |
CONTENTS
CHAPTER 1 11
'JOANNES MASSIIS ALIAS QUINTENS': FOLLOWER OF A GREAT ARTISTIC LEGACY
1. JAN, HIS FATHER QUINTENS COLLABORATOR AND EMULATOR 11
2
. THE BEGINNINGS UNDER PATERNAL TUTORING 12
2.1
THE PRADO DIPTYCH
, AN UNSOLVABLE CASE? 12
2.2
THE SAINT MARY MAGDALENE OF ANTWERP: A PROPOSAL 1
5
3
. DEVELOPING THE PROTOTYPE OF QUINTEN MASSYS'S BUTTER MADONNA 20
4
. THE BEGINNINGS AS QUINTENS FOLLOWER: THE FIRST SECULAR SUBJECTS 28
3
. CONCLUSIONS
37
CHAPTER 2
41
A CAREER OF UPS AND DOWNS
1
. JANS ASCERTAINED BIOGRAPHY THROUGH DOCUMENTS AND DATED PAINTINGS 41
2
. RECONSTRUCTING A BACKGROUND: THE YEARS OF A SUCCESSFUL DEBUT 43
2.1
THE FIRST MADONNAS 46
2.2
THE NEW YORK REST ON THE FLIGHT INTO EGYPT 47
2.3
SECULARIZING RELIGIOUS THEMES: THE PHOEBUS SUSANNA AND THE ELDERS 5 3
3
. THE EXILE 57
3.1
WHERE DID HE GO? 58
3.2
THE TWO PAINTINGS PRODUCED IN EXILE 60
4
. BACK TO A PROFOUNDLY TRANSFORMED ANTWERP 64
4.1
RELIGIOUS SUBJECTS FOR CATHOLIC AND REFORMED CLIENTELE
66
4.2
GENRE SCENES 72
CHAPTER 3 79
JAN MASSYS AND FEMALE BEAUTY
1
. UNE VOLUPTE QUE LE MAITRES FLAMANDS N'AVAIENT POINT OBTENUE OU
CHERCHEE JUSQU'ALORS':
CHARACTERISTICS OF THE MASSYS'S BRAND 79
1.1 CHANGING AESTHETIC CANONS: JANS ANSWER TO ANTWERP ROMANISTS 82
2. THE VENUS OF CYTHERA WITH THE VIEWS OF GENOA', A CLUE ABOUT JAN
MASSYS'S PATRONS 87
3
. WAS IT JAN VAN DER NOOT WHO INSPIRED, OR COMMISSIONED,
THE FLORA A WITH THE VIEW OF ANTWERP? 92
2
4
. 'UT PICTURA THAETRUM': JAN MASSYS'S TABLEAX VIVANTS-
LIKE PAINTINGS FOR AN ELITE AUDIENCE.
A HYPOTHESIS THAT REQUIRES FURTHER INVESTIGATION
95
5
. A SPECIAL MERRY COMPANY 100
CHAPTER 4 I07
A VARIED PAINTING TECHNIQUE FOR BEAUTY, LECHERY, AND LUXURY
1. 'PALE, FISHY, COLDISH COLOR FOR ENAMELED FEMALE NUDES:
A POSSIBLE REASON FOR VAN MANDER'S DISREGARD 107
2
. THE COLORS OF BEAUTY: NATURE AND COSMETICS IN MASSYS'S FEMALE
FIESH-TONES 113
3
. SEEKING CONTRAST: GRAPHIC TREATMENTS TO DEPICT OLD MALE FLESH TONES
114
4
. BRUSHWORK TEXTURE, WET-ON-WET COLOURS AND ABBOZZO TO CREATE LUXURIOUS,
'SENSUAL CLOTHES' 116
CHAPTER 3
123
INSIDE JAN MASSYS'S WORKSHOP: VARIABLE PRACTICES AND RESULTING
DIFFERENCES
1
. WOODEN SUPPORTS 123
2
. DESIGN PROCEDURES 126
3
. PAINTING MATERIALS 134
3.1
SEEKING THE LOST BLUE 139
4
. WORKING OUTSIDE AND INSIDE THE ANTWERP WORKSHOP:
THE GENOA MADONNA VS. THE GENOA CARITAS 141
3
. THE PRODUCTION OF REPLICAS IN THE WORKSHOP 146
5.1
THE CASE OF THE ILL-MATCHED LOVERS 148
5.2
PAINTING FOR THE MARKET: REPLICAS ON COPPER AND CANVAS 1 53
CHAPTER
6
I59
INSIDE JAN MASSYS'S WORKSHOP: KNOWN AND UNKNOWN ASSISTANTS
1. DOCUMENTED ASSISTANTS 159
1.1 SEARCHING FOR UNIDENTIFIED AUTHORS:
THE ROUEN AND MADRID ST. JEROME IN HIS STUDY 160
2
. QUINTEN II INSIDE AND OUTSIDE HIS FATHER'S WORKSHOP 168
2.1 LANDSCAPE SPECIALISTS
2.2 CITYSCAPE SPECIALISTS: THE VIEWS OF ANTWERP AND GENOA 187
2.3
THE
1572
MEETING BETWEEN ELIJAH AND ELISHA. A POSSIBLE ATTRIBUTION 193
3
CHAPTER
7
CONCLUSION
199
1. EPILOGUE: JAN'S FAREWELL IN TWO PAINTINGS 200
APPENDIX
1
NOTES AND PRELIMINARY CONSIDERATION ABOUT FASHION
IN JAN MASSYS'S PAINTINGS (BY ALESSIO PALMIERI-MARINONI) 211
1
. INTRODUCTION 211
2
. CLOTHING AND TEXTILES IN MASSYS'S PAINTING BEFORE THE EXILE 211
3. THE GREAT THEATER OF THE WORLD 212
4
. GENOA. EVENTUALLY, GENOA
213
APPENDIX
2
A NON-INVASIVE XRF STUDY OF JAN MASSYS S PAINTINGS IN GENOA
(BY MICHELE BRANCUCCI) 2* 5
FOREWORD 215
1
. XRF SPECTROMETRY 215
2
. METHOD OF ANALYSIS AND INSTRUMENTAL CHARACTERISTICS 215
3
. XRF ANALYSIS OF JAN MASSYS'S MADONNA AND CHILD. RESULTS AND
CONCLUSIONS 216
4
. XRF ANALYSES OF JAN MASSYS'S CARITAS. RESULTS AND CONCLUSIONS 217
APPENDIX
3
DIGITALLY RESTORING DEGRADED SMALT: A PROPOSAL
(BY MANUELA SERANDO) 219
1
. DIGITAL RESTORATION: PRINCIPLES AND POSSIBILITIES 219
2. CASE STUDY: JAN MASSYS
1332
MADONNA AND CHILD
(GENOA, MUSEI DI STRADA NUOVA, GALLERIA DI PALAZZO BIANCO) 219
BIBLIOGRAPHY 223
PHOTO CREDITS 233
INDEX 235
4 |
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| author | Galassi, Maria Clelia 1954- |
| author2 | Massys, Jan 1509-1575 |
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| author_facet | Galassi, Maria Clelia 1954- Massys, Jan 1509-1575 |
| author_role | aut |
| author_sort | Galassi, Maria Clelia 1954- |
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| bvnumber | BV049410059 |
| classification_rvk | LI 99999 |
| ctrlnum | (OCoLC)1430213539 (DE-599)BVBBV049410059 |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
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| id | DE-604.BV049410059 |
| illustrated | Illustrated |
| index_date | 2024-07-03T23:05:44Z |
| indexdate | 2024-09-23T20:25:06Z |
| institution | BVB |
| isbn | 9782503607207 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034737138 |
| oclc_num | 1430213539 |
| open_access_boolean | |
| owner | DE-Y2 DE-20 DE-11 DE-255 DE-12 DE-Y3 |
| owner_facet | DE-Y2 DE-20 DE-11 DE-255 DE-12 DE-Y3 |
| physical | 239 Seiten Illustrationen |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Brepols |
| record_format | marc |
| series | Me fecit |
| series2 | Me fecit |
| spelling | Galassi, Maria Clelia 1954- Verfasser (DE-588)137135653 aut Jan Massys (c. 1510-1573) Renaissance painter of Flemish female beauty Maria Clelia Galassi Jan Massys Turnhout, Belgium Brepols [2023] © 2023 239 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Me fecit [14] Rückentitel: "Jan Massys" Die Bandangabe wurde auf der Internetseite des Verlags ermittelt Literaturverzeichnis: Seite 223-231 "The painter Jan Massys (c. 1510-1573) trained under his father Quinten, succeeding him after his death (1530) at the head of Antwerp's most famous workshop. However, his career, destined for certain success, was abruptly cut short in 1544. Condemned for joining the Loysts sect, he had to flee Antwerp, finding refuge perhaps initially in France and at one point in Italy. Only in 1555 was he able to return to his homeland, regaining his artistic leadership within a few years. His oeuvre consists exclusively of works for private use and is characterized, in particular, by the depiction of elegant and seductive nude or half-naked female figures, protagonists of biblical or mythological subjects. The identification of the patron of the 1561 Venus with the view of Genoa (Stockholm, Nationalmuseum) in the person of the noble Genoese banker Ambrogio di Negro, offered the possibility of reconstructing the social context of the artist's clientele and his relations with those intellectuals – both Genoese and Flemish-who gave life to the lively humanist academies of Antwerp. The figure emerges of a cultivated and particularly refined painter, who shared with his patrons the ideals of neo-Petrarchan poetry and executed paintings of great preciousness, characterized by a meticulous and skillful painting technique." Massys, Jan 1509-1575 (DE-588)119382989 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Frau Motiv (DE-588)4113617-2 gnd rswk-swf Massys, Jan 1509-1575 (DE-588)119382989 p Malerei (DE-588)4037220-0 s Frau Motiv (DE-588)4113617-2 s DE-604 Massys, Jan 1509-1575 (DE-588)119382989 ill Me fecit [14] (DE-604)BV038748502 14 B:DE-16 V:DE-576 https://swbplus.bsz-bw.de/bsz1885972687inh.htm 20240626194845 Inhaltsverzeichnis V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034737138&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Galassi, Maria Clelia 1954- Jan Massys (c. 1510-1573) Renaissance painter of Flemish female beauty Me fecit Massys, Jan 1509-1575 (DE-588)119382989 gnd Malerei (DE-588)4037220-0 gnd Frau Motiv (DE-588)4113617-2 gnd |
| subject_GND | (DE-588)119382989 (DE-588)4037220-0 (DE-588)4113617-2 |
| title | Jan Massys (c. 1510-1573) Renaissance painter of Flemish female beauty |
| title_alt | Jan Massys |
| title_auth | Jan Massys (c. 1510-1573) Renaissance painter of Flemish female beauty |
| title_exact_search | Jan Massys (c. 1510-1573) Renaissance painter of Flemish female beauty |
| title_exact_search_txtP | Jan Massys (c. 1510-1573) : Renaissance painter of Flemish female beauty |
| title_full | Jan Massys (c. 1510-1573) Renaissance painter of Flemish female beauty Maria Clelia Galassi |
| title_fullStr | Jan Massys (c. 1510-1573) Renaissance painter of Flemish female beauty Maria Clelia Galassi |
| title_full_unstemmed | Jan Massys (c. 1510-1573) Renaissance painter of Flemish female beauty Maria Clelia Galassi |
| title_short | Jan Massys (c. 1510-1573) |
| title_sort | jan massys c 1510 1573 renaissance painter of flemish female beauty |
| title_sub | Renaissance painter of Flemish female beauty |
| topic | Massys, Jan 1509-1575 (DE-588)119382989 gnd Malerei (DE-588)4037220-0 gnd Frau Motiv (DE-588)4113617-2 gnd |
| topic_facet | Massys, Jan 1509-1575 Malerei Frau Motiv |
| url | https://swbplus.bsz-bw.de/bsz1885972687inh.htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034737138&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV038748502 |
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