Final Cut Pro Efficient Editing: The Ultimate Guide to Editing Video with FCP for Mac
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Birmingham
Packt Publishing, Limited
2023
|
| Ausgabe: | 2nd ed |
| Schlagworte: | |
| Online-Zugang: | HWR01 |
| Beschreibung: | Description based on publisher supplied metadata and other sources |
| Beschreibung: | 1 Online-Ressource (823 Seiten) |
| ISBN: | 9781837638192 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV049409397 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 231114s2023 |||| o||u| ||||||eng d | ||
| 020 | |a 9781837638192 |9 978-1-83763-819-2 | ||
| 035 | |a (ZDB-30-PQE)EBC30666618 | ||
| 035 | |a (ZDB-30-PAD)EBC30666618 | ||
| 035 | |a (ZDB-89-EBL)EBL30666618 | ||
| 035 | |a (OCoLC)1393113798 | ||
| 035 | |a (DE-599)BVBBV049409397 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-2070s | ||
| 082 | 0 | |a 381 | |
| 100 | 1 | |a Anderson, Iain |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Final Cut Pro Efficient Editing |b The Ultimate Guide to Editing Video with FCP for Mac |
| 250 | |a 2nd ed | ||
| 264 | 1 | |a Birmingham |b Packt Publishing, Limited |c 2023 | |
| 264 | 4 | |c ©2023 | |
| 300 | |a 1 Online-Ressource (823 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Description based on publisher supplied metadata and other sources | ||
| 505 | 8 | |a Cover -- Copyright -- Contibutors -- Table of Contents -- Preface -- Section 1: Importing and Organizing -- Chapter 1: Quick Start: An Introduction to FCP -- A brief history of editing -- Interface basics -- Overview -- In the central bar -- In the Browser -- In the Viewer pane -- Other important windows and controls -- Controlling the main window -- The Touch Bar -- An editing workflow overview -- Terminology -- Workflow -- Part 1: Importing and Organizing -- Part 2: Rough Cut to Fine Cut -- Part 3: Finishing and Exporting -- Hardware recommendations -- A Mac -- Active media storage -- Backup storage -- Displays -- Audio -- Media card reader -- Miscellaneous USB gear -- Anything else? -- Summary -- Review questions -- Review answers -- Chapter 2: Before the Edit: Production Tips -- Getting the settings right -- Resolution -- Portrait or landscape? -- Frame rate -- Shutter speed -- Banding -- White balance -- Codecs -- Containers -- Review - getting all the settings right -- Choosing a camera -- An iPhone (or any other mobile phone) -- A DSLR or mirrorless camera -- A high-end camera -- An action camera or drone -- A 360° camera -- Audio equipment -- Other accessories -- Review - choosing a camera and audio equipment -- Shooting the right shots -- A-roll -- B-roll -- Movement -- Focus pulling -- Different perspectives -- Framing -- Review - shooting the right shots -- Working with multiple cameras and audio recorders -- Conference presentations -- Interviews -- Physical movement -- Weddings and live events -- Review - working with multiple cameras and audio recorders -- Managing everything on set -- Review - managing everything on set -- Summary -- Review questions -- Review answers -- Chapter 3: Bring It In: Importing Your Footage -- Creating a Library (in the right place) -- Creating and naming a Library -- Deciding where to store media | |
| 505 | 8 | |a Review - creating a Library (in the right place) -- Understanding original, optimized, and proxy footage -- Understanding optimized media (ProRes 422) -- Understanding proxy media -- Generating transcoded media -- Viewing proxy media -- Review - understanding original, optimized, and proxy footage -- Importing media in different ways -- The Import window -- Importing via drag and drop -- Managing storage space -- Using camera archives -- Reimporting media -- Importing from iMovie or FCP for iPad -- Review - importing media in different ways -- Syncing media from multiple devices -- Creating synchronized clips -- Creating Multicam Clips -- Checking and resyncing a multicam clip -- Review - syncing media from multiple devices -- Understanding and applying Roles -- Review - understanding and applying Roles -- Summary -- Review questions -- Review answers -- Chapter 4: Sort It Out: Reviewing and Keywording -- Reviewing your media -- Skimming is awesome -- Exploring the Viewer -- A/V Output -- Review - reviewing your media -- Browser view options -- List view -- Filmstrip view -- Review - Browser view options -- Playback shortcuts -- Basic shortcuts -- Extended shortcuts -- Review - playback shortcuts -- Examining metadata -- Metadata in List view -- Metadata in the Inspector -- Review - examining metadata -- Understanding and applying Keywords -- Applying Keywords to clips -- Automatic tagging for people -- Review - understanding and applying Keywords -- Searching with Keywords -- Review - searching with Keywords -- Summary -- Review questions -- Review Answers -- Chapter 5: Choose Your Favorites:Selecting, Rating, and Searching -- Selecting part of a clip -- Review - selecting part of a clip -- Rating as a Favorite -- Showing only the Favorites -- Review - rating as a Favorite -- Rating as Rejected -- Review - rating as Rejected | |
| 505 | 8 | |a Storing additional information -- Selective Keywords -- Notes -- Names -- Markers -- Review - storing additional information -- Advanced searches -- Review - advanced searches -- Summary -- Review questions -- Review answers -- Section 2: Rough Cut to Fine Cut -- Chapter 6: Build the spine of the story: Quick Assembly -- Creating a new Project -- The perils of Automatic Settings -- Custom Project settings -- Non-standard resolutions -- Moving between open Projects -- Review - creating a new Project -- Adding your media in a few different ways -- Appending with a button or shortcut -- Adding clips with drag and drop -- Inserting with a button or shortcut -- How to use Snapping -- Revisiting the Skimmer and the Playhead -- Adding temporary clips -- Review - adding your media in a few different ways -- Rearranging your clips -- Moving clips in the Magnetic Timeline -- Selecting multiple clips -- Duplicating clips -- Basic timeline shortcuts -- Review - rearranging your clips -- Basic trimming with the Magnetic Timeline -- Do you have enough media? -- Trimming with the mouse -- Trimming with the keyboard -- Trimming the top and tail of a clip -- Extending edits -- Review - basic trimming with the Magnetic Timeline -- Blading and deleting -- Deleting clips -- Breaking up a clip -- Selecting part of a clip -- Review - blading and deleting -- Duplicating Projects -- Review - duplicating Projects -- Summary -- Review questions -- Review answers -- Chapter 7: Cover It Up: Connections, Cutaways, and Storylines -- Understanding cutaways -- Preparing for a cutaway -- Review - understanding cutaways -- Connecting clips -- Connecting visual B-roll -- Connecting sound effects -- Connecting only audio or video -- Understanding connections -- Working with music -- Trimming connected clips -- Review - connecting clips -- Grouping connected clips in Storylines | |
| 505 | 8 | |a Review - grouping connected clips in Storylines -- Controlling and overriding connections -- Review - controlling and overriding connections -- Three-point editing and more -- Backtiming -- Overwriting -- Copy and paste -- Review - three-point editing and more -- Summary -- Review questions -- Review answers -- Chapter 8: Neaten the Edges: Trimming Techniques -- Rolling an edit -- Understanding a regular trim edit -- Performing a Roll edit -- Using keyboard shortcuts to Roll -- Review - Rolling an edit -- Slipping and Sliding clips -- Using a Slip edit -- Using a Slide edit -- Review - Slipping and sliding clips -- Softening audio with split edits (J- and L-cuts) -- Expanding and collapsing audio -- Overlapping audio edit points -- Fading audio edits -- Fading music for beat-matching -- Review - softening audio with split edits (J- and L-cuts) -- Editing numerically and with the precision editor -- Trimming using numbers -- Setting clip duration -- Moving to a specific timecode -- Using the precision editor -- Review - editing numerically and with the precision editor -- Summary -- Review questions -- Review answers -- Chapter 9: Consider Your Options: Multicam, Replacing, and Auditions -- Working with Multicam media -- Understanding Multicam footage -- Preparing to edit with the Angle Viewer -- Switching angles -- Replacing and editing existing angles -- Editing inside a Multicam angle -- Review - working with Multicam media -- Exchanging one clip with another -- Showing or hiding a clip -- Replacing clips -- Review - exchanging one clip with another -- Creating and using Auditions -- Review - creating and using Auditions -- Summary -- Review questions -- Review answers -- Chapter 10: Explore a Little: Compound Clips and Timeline Tricks -- Creating and using Compound Clips -- Replacing media using Multicam Clips | |
| 505 | 8 | |a Understanding Compound Clip trimming issues -- Understanding container duplication issues -- Review - creating and using Compound Clips -- Low-level relinking -- Relinking to replace a clip -- External media and relinking -- Review - low-level relinking -- More tricks with tools -- Overriding the Magnetic Timeline with the Position tool -- Lifting and overwriting -- Blading multiple clips at once -- Zooming and scrolling with tools -- Review - more tricks with tools -- Adding and navigating with Markers -- Review - adding and navigating with Markers -- Using the Timeline Index -- Review - using the Timeline Index -- Summary -- Review questions -- Review answers -- Section 3: Finishing and Exporting -- Chapter 11: Play with Light: Color Correction and Grading -- Understanding the color workflow -- Preparing for color correction -- Understanding Video Scopes -- Understanding Wide Gamut and HDR -- Understanding timeline selection subtleties -- Review - Understanding the color workflow -- Correcting white balance, exposure, and saturation -- Using Balance Color and Match Color -- Adjusting Exposure with the Color Board -- Adjusting Saturation with the Color Board -- Adjusting white balance with the Color Board -- Using Color Wheels -- Using Color Adjustments -- Using the Comparison Viewer -- Review - Correcting white balance, exposure, and saturation -- Finessing contrast and more -- Using Color Curves to change contrast -- Using the eyedropper to sample the image -- Using the color channel curves -- Review - Finessing contrast and more -- Selective corrections -- Using Hue/Saturation Curves to change color -- Using a Color Mask to restrict a correction -- Using a Shape Mask to restrict a correction -- Combining multiple masks together -- Review - Selective corrections -- Advanced color techniques -- Copying and pasting color adjustments | |
| 505 | 8 | |a Applying color corrections from nearby clips | |
| 650 | 4 | |a Final cut (Electronic resource) | |
| 650 | 4 | |a Digital video-Editing-Data processing | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |a Anderson, Iain |t Final Cut Pro Efficient Editing |d Birmingham : Packt Publishing, Limited,c2023 |
| 912 | |a ZDB-30-PQE | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034736481 | ||
| 966 | e | |u https://ebookcentral.proquest.com/lib/hwr/detail.action?docID=30666618 |l HWR01 |p ZDB-30-PQE |q HWR_PDA_PQE |x Aggregator |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804186135052681217 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Anderson, Iain |
| author_facet | Anderson, Iain |
| author_role | aut |
| author_sort | Anderson, Iain |
| author_variant | i a ia |
| building | Verbundindex |
| bvnumber | BV049409397 |
| collection | ZDB-30-PQE |
| contents | Cover -- Copyright -- Contibutors -- Table of Contents -- Preface -- Section 1: Importing and Organizing -- Chapter 1: Quick Start: An Introduction to FCP -- A brief history of editing -- Interface basics -- Overview -- In the central bar -- In the Browser -- In the Viewer pane -- Other important windows and controls -- Controlling the main window -- The Touch Bar -- An editing workflow overview -- Terminology -- Workflow -- Part 1: Importing and Organizing -- Part 2: Rough Cut to Fine Cut -- Part 3: Finishing and Exporting -- Hardware recommendations -- A Mac -- Active media storage -- Backup storage -- Displays -- Audio -- Media card reader -- Miscellaneous USB gear -- Anything else? -- Summary -- Review questions -- Review answers -- Chapter 2: Before the Edit: Production Tips -- Getting the settings right -- Resolution -- Portrait or landscape? -- Frame rate -- Shutter speed -- Banding -- White balance -- Codecs -- Containers -- Review - getting all the settings right -- Choosing a camera -- An iPhone (or any other mobile phone) -- A DSLR or mirrorless camera -- A high-end camera -- An action camera or drone -- A 360° camera -- Audio equipment -- Other accessories -- Review - choosing a camera and audio equipment -- Shooting the right shots -- A-roll -- B-roll -- Movement -- Focus pulling -- Different perspectives -- Framing -- Review - shooting the right shots -- Working with multiple cameras and audio recorders -- Conference presentations -- Interviews -- Physical movement -- Weddings and live events -- Review - working with multiple cameras and audio recorders -- Managing everything on set -- Review - managing everything on set -- Summary -- Review questions -- Review answers -- Chapter 3: Bring It In: Importing Your Footage -- Creating a Library (in the right place) -- Creating and naming a Library -- Deciding where to store media Review - creating a Library (in the right place) -- Understanding original, optimized, and proxy footage -- Understanding optimized media (ProRes 422) -- Understanding proxy media -- Generating transcoded media -- Viewing proxy media -- Review - understanding original, optimized, and proxy footage -- Importing media in different ways -- The Import window -- Importing via drag and drop -- Managing storage space -- Using camera archives -- Reimporting media -- Importing from iMovie or FCP for iPad -- Review - importing media in different ways -- Syncing media from multiple devices -- Creating synchronized clips -- Creating Multicam Clips -- Checking and resyncing a multicam clip -- Review - syncing media from multiple devices -- Understanding and applying Roles -- Review - understanding and applying Roles -- Summary -- Review questions -- Review answers -- Chapter 4: Sort It Out: Reviewing and Keywording -- Reviewing your media -- Skimming is awesome -- Exploring the Viewer -- A/V Output -- Review - reviewing your media -- Browser view options -- List view -- Filmstrip view -- Review - Browser view options -- Playback shortcuts -- Basic shortcuts -- Extended shortcuts -- Review - playback shortcuts -- Examining metadata -- Metadata in List view -- Metadata in the Inspector -- Review - examining metadata -- Understanding and applying Keywords -- Applying Keywords to clips -- Automatic tagging for people -- Review - understanding and applying Keywords -- Searching with Keywords -- Review - searching with Keywords -- Summary -- Review questions -- Review Answers -- Chapter 5: Choose Your Favorites:Selecting, Rating, and Searching -- Selecting part of a clip -- Review - selecting part of a clip -- Rating as a Favorite -- Showing only the Favorites -- Review - rating as a Favorite -- Rating as Rejected -- Review - rating as Rejected Storing additional information -- Selective Keywords -- Notes -- Names -- Markers -- Review - storing additional information -- Advanced searches -- Review - advanced searches -- Summary -- Review questions -- Review answers -- Section 2: Rough Cut to Fine Cut -- Chapter 6: Build the spine of the story: Quick Assembly -- Creating a new Project -- The perils of Automatic Settings -- Custom Project settings -- Non-standard resolutions -- Moving between open Projects -- Review - creating a new Project -- Adding your media in a few different ways -- Appending with a button or shortcut -- Adding clips with drag and drop -- Inserting with a button or shortcut -- How to use Snapping -- Revisiting the Skimmer and the Playhead -- Adding temporary clips -- Review - adding your media in a few different ways -- Rearranging your clips -- Moving clips in the Magnetic Timeline -- Selecting multiple clips -- Duplicating clips -- Basic timeline shortcuts -- Review - rearranging your clips -- Basic trimming with the Magnetic Timeline -- Do you have enough media? -- Trimming with the mouse -- Trimming with the keyboard -- Trimming the top and tail of a clip -- Extending edits -- Review - basic trimming with the Magnetic Timeline -- Blading and deleting -- Deleting clips -- Breaking up a clip -- Selecting part of a clip -- Review - blading and deleting -- Duplicating Projects -- Review - duplicating Projects -- Summary -- Review questions -- Review answers -- Chapter 7: Cover It Up: Connections, Cutaways, and Storylines -- Understanding cutaways -- Preparing for a cutaway -- Review - understanding cutaways -- Connecting clips -- Connecting visual B-roll -- Connecting sound effects -- Connecting only audio or video -- Understanding connections -- Working with music -- Trimming connected clips -- Review - connecting clips -- Grouping connected clips in Storylines Review - grouping connected clips in Storylines -- Controlling and overriding connections -- Review - controlling and overriding connections -- Three-point editing and more -- Backtiming -- Overwriting -- Copy and paste -- Review - three-point editing and more -- Summary -- Review questions -- Review answers -- Chapter 8: Neaten the Edges: Trimming Techniques -- Rolling an edit -- Understanding a regular trim edit -- Performing a Roll edit -- Using keyboard shortcuts to Roll -- Review - Rolling an edit -- Slipping and Sliding clips -- Using a Slip edit -- Using a Slide edit -- Review - Slipping and sliding clips -- Softening audio with split edits (J- and L-cuts) -- Expanding and collapsing audio -- Overlapping audio edit points -- Fading audio edits -- Fading music for beat-matching -- Review - softening audio with split edits (J- and L-cuts) -- Editing numerically and with the precision editor -- Trimming using numbers -- Setting clip duration -- Moving to a specific timecode -- Using the precision editor -- Review - editing numerically and with the precision editor -- Summary -- Review questions -- Review answers -- Chapter 9: Consider Your Options: Multicam, Replacing, and Auditions -- Working with Multicam media -- Understanding Multicam footage -- Preparing to edit with the Angle Viewer -- Switching angles -- Replacing and editing existing angles -- Editing inside a Multicam angle -- Review - working with Multicam media -- Exchanging one clip with another -- Showing or hiding a clip -- Replacing clips -- Review - exchanging one clip with another -- Creating and using Auditions -- Review - creating and using Auditions -- Summary -- Review questions -- Review answers -- Chapter 10: Explore a Little: Compound Clips and Timeline Tricks -- Creating and using Compound Clips -- Replacing media using Multicam Clips Understanding Compound Clip trimming issues -- Understanding container duplication issues -- Review - creating and using Compound Clips -- Low-level relinking -- Relinking to replace a clip -- External media and relinking -- Review - low-level relinking -- More tricks with tools -- Overriding the Magnetic Timeline with the Position tool -- Lifting and overwriting -- Blading multiple clips at once -- Zooming and scrolling with tools -- Review - more tricks with tools -- Adding and navigating with Markers -- Review - adding and navigating with Markers -- Using the Timeline Index -- Review - using the Timeline Index -- Summary -- Review questions -- Review answers -- Section 3: Finishing and Exporting -- Chapter 11: Play with Light: Color Correction and Grading -- Understanding the color workflow -- Preparing for color correction -- Understanding Video Scopes -- Understanding Wide Gamut and HDR -- Understanding timeline selection subtleties -- Review - Understanding the color workflow -- Correcting white balance, exposure, and saturation -- Using Balance Color and Match Color -- Adjusting Exposure with the Color Board -- Adjusting Saturation with the Color Board -- Adjusting white balance with the Color Board -- Using Color Wheels -- Using Color Adjustments -- Using the Comparison Viewer -- Review - Correcting white balance, exposure, and saturation -- Finessing contrast and more -- Using Color Curves to change contrast -- Using the eyedropper to sample the image -- Using the color channel curves -- Review - Finessing contrast and more -- Selective corrections -- Using Hue/Saturation Curves to change color -- Using a Color Mask to restrict a correction -- Using a Shape Mask to restrict a correction -- Combining multiple masks together -- Review - Selective corrections -- Advanced color techniques -- Copying and pasting color adjustments Applying color corrections from nearby clips |
| ctrlnum | (ZDB-30-PQE)EBC30666618 (ZDB-30-PAD)EBC30666618 (ZDB-89-EBL)EBL30666618 (OCoLC)1393113798 (DE-599)BVBBV049409397 |
| dewey-full | 381 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 381 - Commerce (Trade) |
| dewey-raw | 381 |
| dewey-search | 381 |
| dewey-sort | 3381 |
| dewey-tens | 380 - Commerce, communications, transportation |
| discipline | Wirtschaftswissenschaften |
| discipline_str_mv | Wirtschaftswissenschaften |
| edition | 2nd ed |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>10919nmm a2200469zc 4500</leader><controlfield tag="001">BV049409397</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">231114s2023 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781837638192</subfield><subfield code="9">978-1-83763-819-2</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-30-PQE)EBC30666618</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-30-PAD)EBC30666618</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-89-EBL)EBL30666618</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1393113798</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049409397</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-2070s</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">381</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Anderson, Iain</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Final Cut Pro Efficient Editing</subfield><subfield code="b">The Ultimate Guide to Editing Video with FCP for Mac</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">2nd ed</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Birmingham</subfield><subfield code="b">Packt Publishing, Limited</subfield><subfield code="c">2023</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (823 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on publisher supplied metadata and other sources</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Cover -- Copyright -- Contibutors -- Table of Contents -- Preface -- Section 1: Importing and Organizing -- Chapter 1: Quick Start: An Introduction to FCP -- A brief history of editing -- Interface basics -- Overview -- In the central bar -- In the Browser -- In the Viewer pane -- Other important windows and controls -- Controlling the main window -- The Touch Bar -- An editing workflow overview -- Terminology -- Workflow -- Part 1: Importing and Organizing -- Part 2: Rough Cut to Fine Cut -- Part 3: Finishing and Exporting -- Hardware recommendations -- A Mac -- Active media storage -- Backup storage -- Displays -- Audio -- Media card reader -- Miscellaneous USB gear -- Anything else? -- Summary -- Review questions -- Review answers -- Chapter 2: Before the Edit: Production Tips -- Getting the settings right -- Resolution -- Portrait or landscape? -- Frame rate -- Shutter speed -- Banding -- White balance -- Codecs -- Containers -- Review - getting all the settings right -- Choosing a camera -- An iPhone (or any other mobile phone) -- A DSLR or mirrorless camera -- A high-end camera -- An action camera or drone -- A 360° camera -- Audio equipment -- Other accessories -- Review - choosing a camera and audio equipment -- Shooting the right shots -- A-roll -- B-roll -- Movement -- Focus pulling -- Different perspectives -- Framing -- Review - shooting the right shots -- Working with multiple cameras and audio recorders -- Conference presentations -- Interviews -- Physical movement -- Weddings and live events -- Review - working with multiple cameras and audio recorders -- Managing everything on set -- Review - managing everything on set -- Summary -- Review questions -- Review answers -- Chapter 3: Bring It In: Importing Your Footage -- Creating a Library (in the right place) -- Creating and naming a Library -- Deciding where to store media</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Review - creating a Library (in the right place) -- Understanding original, optimized, and proxy footage -- Understanding optimized media (ProRes 422) -- Understanding proxy media -- Generating transcoded media -- Viewing proxy media -- Review - understanding original, optimized, and proxy footage -- Importing media in different ways -- The Import window -- Importing via drag and drop -- Managing storage space -- Using camera archives -- Reimporting media -- Importing from iMovie or FCP for iPad -- Review - importing media in different ways -- Syncing media from multiple devices -- Creating synchronized clips -- Creating Multicam Clips -- Checking and resyncing a multicam clip -- Review - syncing media from multiple devices -- Understanding and applying Roles -- Review - understanding and applying Roles -- Summary -- Review questions -- Review answers -- Chapter 4: Sort It Out: Reviewing and Keywording -- Reviewing your media -- Skimming is awesome -- Exploring the Viewer -- A/V Output -- Review - reviewing your media -- Browser view options -- List view -- Filmstrip view -- Review - Browser view options -- Playback shortcuts -- Basic shortcuts -- Extended shortcuts -- Review - playback shortcuts -- Examining metadata -- Metadata in List view -- Metadata in the Inspector -- Review - examining metadata -- Understanding and applying Keywords -- Applying Keywords to clips -- Automatic tagging for people -- Review - understanding and applying Keywords -- Searching with Keywords -- Review - searching with Keywords -- Summary -- Review questions -- Review Answers -- Chapter 5: Choose Your Favorites:Selecting, Rating, and Searching -- Selecting part of a clip -- Review - selecting part of a clip -- Rating as a Favorite -- Showing only the Favorites -- Review - rating as a Favorite -- Rating as Rejected -- Review - rating as Rejected</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Storing additional information -- Selective Keywords -- Notes -- Names -- Markers -- Review - storing additional information -- Advanced searches -- Review - advanced searches -- Summary -- Review questions -- Review answers -- Section 2: Rough Cut to Fine Cut -- Chapter 6: Build the spine of the story: Quick Assembly -- Creating a new Project -- The perils of Automatic Settings -- Custom Project settings -- Non-standard resolutions -- Moving between open Projects -- Review - creating a new Project -- Adding your media in a few different ways -- Appending with a button or shortcut -- Adding clips with drag and drop -- Inserting with a button or shortcut -- How to use Snapping -- Revisiting the Skimmer and the Playhead -- Adding temporary clips -- Review - adding your media in a few different ways -- Rearranging your clips -- Moving clips in the Magnetic Timeline -- Selecting multiple clips -- Duplicating clips -- Basic timeline shortcuts -- Review - rearranging your clips -- Basic trimming with the Magnetic Timeline -- Do you have enough media? -- Trimming with the mouse -- Trimming with the keyboard -- Trimming the top and tail of a clip -- Extending edits -- Review - basic trimming with the Magnetic Timeline -- Blading and deleting -- Deleting clips -- Breaking up a clip -- Selecting part of a clip -- Review - blading and deleting -- Duplicating Projects -- Review - duplicating Projects -- Summary -- Review questions -- Review answers -- Chapter 7: Cover It Up: Connections, Cutaways, and Storylines -- Understanding cutaways -- Preparing for a cutaway -- Review - understanding cutaways -- Connecting clips -- Connecting visual B-roll -- Connecting sound effects -- Connecting only audio or video -- Understanding connections -- Working with music -- Trimming connected clips -- Review - connecting clips -- Grouping connected clips in Storylines</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Review - grouping connected clips in Storylines -- Controlling and overriding connections -- Review - controlling and overriding connections -- Three-point editing and more -- Backtiming -- Overwriting -- Copy and paste -- Review - three-point editing and more -- Summary -- Review questions -- Review answers -- Chapter 8: Neaten the Edges: Trimming Techniques -- Rolling an edit -- Understanding a regular trim edit -- Performing a Roll edit -- Using keyboard shortcuts to Roll -- Review - Rolling an edit -- Slipping and Sliding clips -- Using a Slip edit -- Using a Slide edit -- Review - Slipping and sliding clips -- Softening audio with split edits (J- and L-cuts) -- Expanding and collapsing audio -- Overlapping audio edit points -- Fading audio edits -- Fading music for beat-matching -- Review - softening audio with split edits (J- and L-cuts) -- Editing numerically and with the precision editor -- Trimming using numbers -- Setting clip duration -- Moving to a specific timecode -- Using the precision editor -- Review - editing numerically and with the precision editor -- Summary -- Review questions -- Review answers -- Chapter 9: Consider Your Options: Multicam, Replacing, and Auditions -- Working with Multicam media -- Understanding Multicam footage -- Preparing to edit with the Angle Viewer -- Switching angles -- Replacing and editing existing angles -- Editing inside a Multicam angle -- Review - working with Multicam media -- Exchanging one clip with another -- Showing or hiding a clip -- Replacing clips -- Review - exchanging one clip with another -- Creating and using Auditions -- Review - creating and using Auditions -- Summary -- Review questions -- Review answers -- Chapter 10: Explore a Little: Compound Clips and Timeline Tricks -- Creating and using Compound Clips -- Replacing media using Multicam Clips</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Understanding Compound Clip trimming issues -- Understanding container duplication issues -- Review - creating and using Compound Clips -- Low-level relinking -- Relinking to replace a clip -- External media and relinking -- Review - low-level relinking -- More tricks with tools -- Overriding the Magnetic Timeline with the Position tool -- Lifting and overwriting -- Blading multiple clips at once -- Zooming and scrolling with tools -- Review - more tricks with tools -- Adding and navigating with Markers -- Review - adding and navigating with Markers -- Using the Timeline Index -- Review - using the Timeline Index -- Summary -- Review questions -- Review answers -- Section 3: Finishing and Exporting -- Chapter 11: Play with Light: Color Correction and Grading -- Understanding the color workflow -- Preparing for color correction -- Understanding Video Scopes -- Understanding Wide Gamut and HDR -- Understanding timeline selection subtleties -- Review - Understanding the color workflow -- Correcting white balance, exposure, and saturation -- Using Balance Color and Match Color -- Adjusting Exposure with the Color Board -- Adjusting Saturation with the Color Board -- Adjusting white balance with the Color Board -- Using Color Wheels -- Using Color Adjustments -- Using the Comparison Viewer -- Review - Correcting white balance, exposure, and saturation -- Finessing contrast and more -- Using Color Curves to change contrast -- Using the eyedropper to sample the image -- Using the color channel curves -- Review - Finessing contrast and more -- Selective corrections -- Using Hue/Saturation Curves to change color -- Using a Color Mask to restrict a correction -- Using a Shape Mask to restrict a correction -- Combining multiple masks together -- Review - Selective corrections -- Advanced color techniques -- Copying and pasting color adjustments</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Applying color corrections from nearby clips</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Final cut (Electronic resource)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Digital video-Editing-Data processing</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="a">Anderson, Iain</subfield><subfield code="t">Final Cut Pro Efficient Editing</subfield><subfield code="d">Birmingham : Packt Publishing, Limited,c2023</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-30-PQE</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034736481</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://ebookcentral.proquest.com/lib/hwr/detail.action?docID=30666618</subfield><subfield code="l">HWR01</subfield><subfield code="p">ZDB-30-PQE</subfield><subfield code="q">HWR_PDA_PQE</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV049409397 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T23:05:38Z |
| indexdate | 2024-07-10T10:06:18Z |
| institution | BVB |
| isbn | 9781837638192 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034736481 |
| oclc_num | 1393113798 |
| open_access_boolean | |
| owner | DE-2070s |
| owner_facet | DE-2070s |
| physical | 1 Online-Ressource (823 Seiten) |
| psigel | ZDB-30-PQE ZDB-30-PQE HWR_PDA_PQE |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Packt Publishing, Limited |
| record_format | marc |
| spelling | Anderson, Iain Verfasser aut Final Cut Pro Efficient Editing The Ultimate Guide to Editing Video with FCP for Mac 2nd ed Birmingham Packt Publishing, Limited 2023 ©2023 1 Online-Ressource (823 Seiten) txt rdacontent c rdamedia cr rdacarrier Description based on publisher supplied metadata and other sources Cover -- Copyright -- Contibutors -- Table of Contents -- Preface -- Section 1: Importing and Organizing -- Chapter 1: Quick Start: An Introduction to FCP -- A brief history of editing -- Interface basics -- Overview -- In the central bar -- In the Browser -- In the Viewer pane -- Other important windows and controls -- Controlling the main window -- The Touch Bar -- An editing workflow overview -- Terminology -- Workflow -- Part 1: Importing and Organizing -- Part 2: Rough Cut to Fine Cut -- Part 3: Finishing and Exporting -- Hardware recommendations -- A Mac -- Active media storage -- Backup storage -- Displays -- Audio -- Media card reader -- Miscellaneous USB gear -- Anything else? -- Summary -- Review questions -- Review answers -- Chapter 2: Before the Edit: Production Tips -- Getting the settings right -- Resolution -- Portrait or landscape? -- Frame rate -- Shutter speed -- Banding -- White balance -- Codecs -- Containers -- Review - getting all the settings right -- Choosing a camera -- An iPhone (or any other mobile phone) -- A DSLR or mirrorless camera -- A high-end camera -- An action camera or drone -- A 360° camera -- Audio equipment -- Other accessories -- Review - choosing a camera and audio equipment -- Shooting the right shots -- A-roll -- B-roll -- Movement -- Focus pulling -- Different perspectives -- Framing -- Review - shooting the right shots -- Working with multiple cameras and audio recorders -- Conference presentations -- Interviews -- Physical movement -- Weddings and live events -- Review - working with multiple cameras and audio recorders -- Managing everything on set -- Review - managing everything on set -- Summary -- Review questions -- Review answers -- Chapter 3: Bring It In: Importing Your Footage -- Creating a Library (in the right place) -- Creating and naming a Library -- Deciding where to store media Review - creating a Library (in the right place) -- Understanding original, optimized, and proxy footage -- Understanding optimized media (ProRes 422) -- Understanding proxy media -- Generating transcoded media -- Viewing proxy media -- Review - understanding original, optimized, and proxy footage -- Importing media in different ways -- The Import window -- Importing via drag and drop -- Managing storage space -- Using camera archives -- Reimporting media -- Importing from iMovie or FCP for iPad -- Review - importing media in different ways -- Syncing media from multiple devices -- Creating synchronized clips -- Creating Multicam Clips -- Checking and resyncing a multicam clip -- Review - syncing media from multiple devices -- Understanding and applying Roles -- Review - understanding and applying Roles -- Summary -- Review questions -- Review answers -- Chapter 4: Sort It Out: Reviewing and Keywording -- Reviewing your media -- Skimming is awesome -- Exploring the Viewer -- A/V Output -- Review - reviewing your media -- Browser view options -- List view -- Filmstrip view -- Review - Browser view options -- Playback shortcuts -- Basic shortcuts -- Extended shortcuts -- Review - playback shortcuts -- Examining metadata -- Metadata in List view -- Metadata in the Inspector -- Review - examining metadata -- Understanding and applying Keywords -- Applying Keywords to clips -- Automatic tagging for people -- Review - understanding and applying Keywords -- Searching with Keywords -- Review - searching with Keywords -- Summary -- Review questions -- Review Answers -- Chapter 5: Choose Your Favorites:Selecting, Rating, and Searching -- Selecting part of a clip -- Review - selecting part of a clip -- Rating as a Favorite -- Showing only the Favorites -- Review - rating as a Favorite -- Rating as Rejected -- Review - rating as Rejected Storing additional information -- Selective Keywords -- Notes -- Names -- Markers -- Review - storing additional information -- Advanced searches -- Review - advanced searches -- Summary -- Review questions -- Review answers -- Section 2: Rough Cut to Fine Cut -- Chapter 6: Build the spine of the story: Quick Assembly -- Creating a new Project -- The perils of Automatic Settings -- Custom Project settings -- Non-standard resolutions -- Moving between open Projects -- Review - creating a new Project -- Adding your media in a few different ways -- Appending with a button or shortcut -- Adding clips with drag and drop -- Inserting with a button or shortcut -- How to use Snapping -- Revisiting the Skimmer and the Playhead -- Adding temporary clips -- Review - adding your media in a few different ways -- Rearranging your clips -- Moving clips in the Magnetic Timeline -- Selecting multiple clips -- Duplicating clips -- Basic timeline shortcuts -- Review - rearranging your clips -- Basic trimming with the Magnetic Timeline -- Do you have enough media? -- Trimming with the mouse -- Trimming with the keyboard -- Trimming the top and tail of a clip -- Extending edits -- Review - basic trimming with the Magnetic Timeline -- Blading and deleting -- Deleting clips -- Breaking up a clip -- Selecting part of a clip -- Review - blading and deleting -- Duplicating Projects -- Review - duplicating Projects -- Summary -- Review questions -- Review answers -- Chapter 7: Cover It Up: Connections, Cutaways, and Storylines -- Understanding cutaways -- Preparing for a cutaway -- Review - understanding cutaways -- Connecting clips -- Connecting visual B-roll -- Connecting sound effects -- Connecting only audio or video -- Understanding connections -- Working with music -- Trimming connected clips -- Review - connecting clips -- Grouping connected clips in Storylines Review - grouping connected clips in Storylines -- Controlling and overriding connections -- Review - controlling and overriding connections -- Three-point editing and more -- Backtiming -- Overwriting -- Copy and paste -- Review - three-point editing and more -- Summary -- Review questions -- Review answers -- Chapter 8: Neaten the Edges: Trimming Techniques -- Rolling an edit -- Understanding a regular trim edit -- Performing a Roll edit -- Using keyboard shortcuts to Roll -- Review - Rolling an edit -- Slipping and Sliding clips -- Using a Slip edit -- Using a Slide edit -- Review - Slipping and sliding clips -- Softening audio with split edits (J- and L-cuts) -- Expanding and collapsing audio -- Overlapping audio edit points -- Fading audio edits -- Fading music for beat-matching -- Review - softening audio with split edits (J- and L-cuts) -- Editing numerically and with the precision editor -- Trimming using numbers -- Setting clip duration -- Moving to a specific timecode -- Using the precision editor -- Review - editing numerically and with the precision editor -- Summary -- Review questions -- Review answers -- Chapter 9: Consider Your Options: Multicam, Replacing, and Auditions -- Working with Multicam media -- Understanding Multicam footage -- Preparing to edit with the Angle Viewer -- Switching angles -- Replacing and editing existing angles -- Editing inside a Multicam angle -- Review - working with Multicam media -- Exchanging one clip with another -- Showing or hiding a clip -- Replacing clips -- Review - exchanging one clip with another -- Creating and using Auditions -- Review - creating and using Auditions -- Summary -- Review questions -- Review answers -- Chapter 10: Explore a Little: Compound Clips and Timeline Tricks -- Creating and using Compound Clips -- Replacing media using Multicam Clips Understanding Compound Clip trimming issues -- Understanding container duplication issues -- Review - creating and using Compound Clips -- Low-level relinking -- Relinking to replace a clip -- External media and relinking -- Review - low-level relinking -- More tricks with tools -- Overriding the Magnetic Timeline with the Position tool -- Lifting and overwriting -- Blading multiple clips at once -- Zooming and scrolling with tools -- Review - more tricks with tools -- Adding and navigating with Markers -- Review - adding and navigating with Markers -- Using the Timeline Index -- Review - using the Timeline Index -- Summary -- Review questions -- Review answers -- Section 3: Finishing and Exporting -- Chapter 11: Play with Light: Color Correction and Grading -- Understanding the color workflow -- Preparing for color correction -- Understanding Video Scopes -- Understanding Wide Gamut and HDR -- Understanding timeline selection subtleties -- Review - Understanding the color workflow -- Correcting white balance, exposure, and saturation -- Using Balance Color and Match Color -- Adjusting Exposure with the Color Board -- Adjusting Saturation with the Color Board -- Adjusting white balance with the Color Board -- Using Color Wheels -- Using Color Adjustments -- Using the Comparison Viewer -- Review - Correcting white balance, exposure, and saturation -- Finessing contrast and more -- Using Color Curves to change contrast -- Using the eyedropper to sample the image -- Using the color channel curves -- Review - Finessing contrast and more -- Selective corrections -- Using Hue/Saturation Curves to change color -- Using a Color Mask to restrict a correction -- Using a Shape Mask to restrict a correction -- Combining multiple masks together -- Review - Selective corrections -- Advanced color techniques -- Copying and pasting color adjustments Applying color corrections from nearby clips Final cut (Electronic resource) Digital video-Editing-Data processing Erscheint auch als Druck-Ausgabe Anderson, Iain Final Cut Pro Efficient Editing Birmingham : Packt Publishing, Limited,c2023 |
| spellingShingle | Anderson, Iain Final Cut Pro Efficient Editing The Ultimate Guide to Editing Video with FCP for Mac Cover -- Copyright -- Contibutors -- Table of Contents -- Preface -- Section 1: Importing and Organizing -- Chapter 1: Quick Start: An Introduction to FCP -- A brief history of editing -- Interface basics -- Overview -- In the central bar -- In the Browser -- In the Viewer pane -- Other important windows and controls -- Controlling the main window -- The Touch Bar -- An editing workflow overview -- Terminology -- Workflow -- Part 1: Importing and Organizing -- Part 2: Rough Cut to Fine Cut -- Part 3: Finishing and Exporting -- Hardware recommendations -- A Mac -- Active media storage -- Backup storage -- Displays -- Audio -- Media card reader -- Miscellaneous USB gear -- Anything else? -- Summary -- Review questions -- Review answers -- Chapter 2: Before the Edit: Production Tips -- Getting the settings right -- Resolution -- Portrait or landscape? -- Frame rate -- Shutter speed -- Banding -- White balance -- Codecs -- Containers -- Review - getting all the settings right -- Choosing a camera -- An iPhone (or any other mobile phone) -- A DSLR or mirrorless camera -- A high-end camera -- An action camera or drone -- A 360° camera -- Audio equipment -- Other accessories -- Review - choosing a camera and audio equipment -- Shooting the right shots -- A-roll -- B-roll -- Movement -- Focus pulling -- Different perspectives -- Framing -- Review - shooting the right shots -- Working with multiple cameras and audio recorders -- Conference presentations -- Interviews -- Physical movement -- Weddings and live events -- Review - working with multiple cameras and audio recorders -- Managing everything on set -- Review - managing everything on set -- Summary -- Review questions -- Review answers -- Chapter 3: Bring It In: Importing Your Footage -- Creating a Library (in the right place) -- Creating and naming a Library -- Deciding where to store media Review - creating a Library (in the right place) -- Understanding original, optimized, and proxy footage -- Understanding optimized media (ProRes 422) -- Understanding proxy media -- Generating transcoded media -- Viewing proxy media -- Review - understanding original, optimized, and proxy footage -- Importing media in different ways -- The Import window -- Importing via drag and drop -- Managing storage space -- Using camera archives -- Reimporting media -- Importing from iMovie or FCP for iPad -- Review - importing media in different ways -- Syncing media from multiple devices -- Creating synchronized clips -- Creating Multicam Clips -- Checking and resyncing a multicam clip -- Review - syncing media from multiple devices -- Understanding and applying Roles -- Review - understanding and applying Roles -- Summary -- Review questions -- Review answers -- Chapter 4: Sort It Out: Reviewing and Keywording -- Reviewing your media -- Skimming is awesome -- Exploring the Viewer -- A/V Output -- Review - reviewing your media -- Browser view options -- List view -- Filmstrip view -- Review - Browser view options -- Playback shortcuts -- Basic shortcuts -- Extended shortcuts -- Review - playback shortcuts -- Examining metadata -- Metadata in List view -- Metadata in the Inspector -- Review - examining metadata -- Understanding and applying Keywords -- Applying Keywords to clips -- Automatic tagging for people -- Review - understanding and applying Keywords -- Searching with Keywords -- Review - searching with Keywords -- Summary -- Review questions -- Review Answers -- Chapter 5: Choose Your Favorites:Selecting, Rating, and Searching -- Selecting part of a clip -- Review - selecting part of a clip -- Rating as a Favorite -- Showing only the Favorites -- Review - rating as a Favorite -- Rating as Rejected -- Review - rating as Rejected Storing additional information -- Selective Keywords -- Notes -- Names -- Markers -- Review - storing additional information -- Advanced searches -- Review - advanced searches -- Summary -- Review questions -- Review answers -- Section 2: Rough Cut to Fine Cut -- Chapter 6: Build the spine of the story: Quick Assembly -- Creating a new Project -- The perils of Automatic Settings -- Custom Project settings -- Non-standard resolutions -- Moving between open Projects -- Review - creating a new Project -- Adding your media in a few different ways -- Appending with a button or shortcut -- Adding clips with drag and drop -- Inserting with a button or shortcut -- How to use Snapping -- Revisiting the Skimmer and the Playhead -- Adding temporary clips -- Review - adding your media in a few different ways -- Rearranging your clips -- Moving clips in the Magnetic Timeline -- Selecting multiple clips -- Duplicating clips -- Basic timeline shortcuts -- Review - rearranging your clips -- Basic trimming with the Magnetic Timeline -- Do you have enough media? -- Trimming with the mouse -- Trimming with the keyboard -- Trimming the top and tail of a clip -- Extending edits -- Review - basic trimming with the Magnetic Timeline -- Blading and deleting -- Deleting clips -- Breaking up a clip -- Selecting part of a clip -- Review - blading and deleting -- Duplicating Projects -- Review - duplicating Projects -- Summary -- Review questions -- Review answers -- Chapter 7: Cover It Up: Connections, Cutaways, and Storylines -- Understanding cutaways -- Preparing for a cutaway -- Review - understanding cutaways -- Connecting clips -- Connecting visual B-roll -- Connecting sound effects -- Connecting only audio or video -- Understanding connections -- Working with music -- Trimming connected clips -- Review - connecting clips -- Grouping connected clips in Storylines Review - grouping connected clips in Storylines -- Controlling and overriding connections -- Review - controlling and overriding connections -- Three-point editing and more -- Backtiming -- Overwriting -- Copy and paste -- Review - three-point editing and more -- Summary -- Review questions -- Review answers -- Chapter 8: Neaten the Edges: Trimming Techniques -- Rolling an edit -- Understanding a regular trim edit -- Performing a Roll edit -- Using keyboard shortcuts to Roll -- Review - Rolling an edit -- Slipping and Sliding clips -- Using a Slip edit -- Using a Slide edit -- Review - Slipping and sliding clips -- Softening audio with split edits (J- and L-cuts) -- Expanding and collapsing audio -- Overlapping audio edit points -- Fading audio edits -- Fading music for beat-matching -- Review - softening audio with split edits (J- and L-cuts) -- Editing numerically and with the precision editor -- Trimming using numbers -- Setting clip duration -- Moving to a specific timecode -- Using the precision editor -- Review - editing numerically and with the precision editor -- Summary -- Review questions -- Review answers -- Chapter 9: Consider Your Options: Multicam, Replacing, and Auditions -- Working with Multicam media -- Understanding Multicam footage -- Preparing to edit with the Angle Viewer -- Switching angles -- Replacing and editing existing angles -- Editing inside a Multicam angle -- Review - working with Multicam media -- Exchanging one clip with another -- Showing or hiding a clip -- Replacing clips -- Review - exchanging one clip with another -- Creating and using Auditions -- Review - creating and using Auditions -- Summary -- Review questions -- Review answers -- Chapter 10: Explore a Little: Compound Clips and Timeline Tricks -- Creating and using Compound Clips -- Replacing media using Multicam Clips Understanding Compound Clip trimming issues -- Understanding container duplication issues -- Review - creating and using Compound Clips -- Low-level relinking -- Relinking to replace a clip -- External media and relinking -- Review - low-level relinking -- More tricks with tools -- Overriding the Magnetic Timeline with the Position tool -- Lifting and overwriting -- Blading multiple clips at once -- Zooming and scrolling with tools -- Review - more tricks with tools -- Adding and navigating with Markers -- Review - adding and navigating with Markers -- Using the Timeline Index -- Review - using the Timeline Index -- Summary -- Review questions -- Review answers -- Section 3: Finishing and Exporting -- Chapter 11: Play with Light: Color Correction and Grading -- Understanding the color workflow -- Preparing for color correction -- Understanding Video Scopes -- Understanding Wide Gamut and HDR -- Understanding timeline selection subtleties -- Review - Understanding the color workflow -- Correcting white balance, exposure, and saturation -- Using Balance Color and Match Color -- Adjusting Exposure with the Color Board -- Adjusting Saturation with the Color Board -- Adjusting white balance with the Color Board -- Using Color Wheels -- Using Color Adjustments -- Using the Comparison Viewer -- Review - Correcting white balance, exposure, and saturation -- Finessing contrast and more -- Using Color Curves to change contrast -- Using the eyedropper to sample the image -- Using the color channel curves -- Review - Finessing contrast and more -- Selective corrections -- Using Hue/Saturation Curves to change color -- Using a Color Mask to restrict a correction -- Using a Shape Mask to restrict a correction -- Combining multiple masks together -- Review - Selective corrections -- Advanced color techniques -- Copying and pasting color adjustments Applying color corrections from nearby clips Final cut (Electronic resource) Digital video-Editing-Data processing |
| title | Final Cut Pro Efficient Editing The Ultimate Guide to Editing Video with FCP for Mac |
| title_auth | Final Cut Pro Efficient Editing The Ultimate Guide to Editing Video with FCP for Mac |
| title_exact_search | Final Cut Pro Efficient Editing The Ultimate Guide to Editing Video with FCP for Mac |
| title_exact_search_txtP | Final Cut Pro Efficient Editing The Ultimate Guide to Editing Video with FCP for Mac |
| title_full | Final Cut Pro Efficient Editing The Ultimate Guide to Editing Video with FCP for Mac |
| title_fullStr | Final Cut Pro Efficient Editing The Ultimate Guide to Editing Video with FCP for Mac |
| title_full_unstemmed | Final Cut Pro Efficient Editing The Ultimate Guide to Editing Video with FCP for Mac |
| title_short | Final Cut Pro Efficient Editing |
| title_sort | final cut pro efficient editing the ultimate guide to editing video with fcp for mac |
| title_sub | The Ultimate Guide to Editing Video with FCP for Mac |
| topic | Final cut (Electronic resource) Digital video-Editing-Data processing |
| topic_facet | Final cut (Electronic resource) Digital video-Editing-Data processing |
| work_keys_str_mv | AT andersoniain finalcutproefficienteditingtheultimateguidetoeditingvideowithfcpformac |