More-Than-Human Choreography: Handling Things Between Logistics and Entanglement
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bielefeld
transcript
2023
|
| Ausgabe: | 1st ed |
| Schriftenreihe: | TanzScripte
|
| Schlagworte: | |
| Online-Zugang: | HWR01 |
| Beschreibung: | Description based on publisher supplied metadata and other sources |
| Beschreibung: | 1 Online-Ressource (261 Seiten) |
| ISBN: | 9783839464502 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV049408923 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 231114s2023 |||| o||u| ||||||eng d | ||
| 020 | |a 9783839464502 |9 978-3-8394-6450-2 | ||
| 035 | |a (ZDB-30-PQE)EBC7281617 | ||
| 035 | |a (ZDB-30-PAD)EBC7281617 | ||
| 035 | |a (ZDB-89-EBL)EBL7281617 | ||
| 035 | |a (OCoLC)1394121148 | ||
| 035 | |a (DE-599)BVBBV049408923 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-2070s | ||
| 082 | 0 | |a 260 | |
| 100 | 1 | |a Frischkorn, Moritz |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a More-Than-Human Choreography |b Handling Things Between Logistics and Entanglement |
| 250 | |a 1st ed | ||
| 264 | 1 | |a Bielefeld |b transcript |c 2023 | |
| 264 | 4 | |c ©2023 | |
| 300 | |a 1 Online-Ressource (261 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a TanzScripte | |
| 500 | |a Description based on publisher supplied metadata and other sources | ||
| 505 | 8 | |a Cover -- Contents -- Acknowledgements -- 1. More‐than‐human choreography on a broken planet -- 1.1 Introduction -- The Artificial Nature Project (Mette Ingvartsen) -- 1.2 Context: What is 'expanded choreography'? -- Social choreography -- 'Expanded choreography' as pattern language -- 'Expanded choreography' as generic productive faculty -- The double vector of 'expanded choreography' -- 1.3 Method: describing the consistency and choreographic logic of assemblages -- 1.4 Outline of the argument -- 2. Barricades as entangled things -- Rainforest (Merce Cunningham) and Barricade Ballet (Tools for Action) -- 2.1 Things that gather and resist -- 2.2 Things at hand: relational, but concealed -- 2.3 Things that run and fly -- Barricades and Dances (Moritz Frischkorn) -- CONSISTENCY OF THE ASSEMBLAGE (BARRICADES AND DANCES):Group of human participants -- Place of production/performance -- Use of matter -- 2.4 Turbulent flow: barricades as choreopolitical operators -- CHOREOGRAPHIC LOGIC (BARRICADES AND DANCES):Turbulent flow -- 2.5 Composing things as barricade: hesitation -- CHOREOGRAPHIC LOGIC (BARRICADES AND DANCES):Hesitation -- 2.6 Barricades as spaces of attunement -- CHOREOGRAPHIC LOGIC (BARRICADES AND DANCES):Attunement -- 3. Assemblages as more‐than‐human performances -- Homage to New York (Jean Tinguely) -- 3.1 Territorialization and deterritorialization: degrees of cohesion -- 3.2 The performative enactment of assemblages -- Polyset (Vladimir Miller) -- CONSISTENCY OF THE ASSEMBLAGE (POLYSET):Group of human participants -- Place of production/performance -- Use of matter -- 3.3 Assemblages as fields of action and spaces of circulation: 'preferred articulations' -- CHOREOGRAPHIC LOGIC (POLYSET):In/Stability -- 3.4 The choreographic diagram of assemblages: 'to follow the flow of matter' -- CHOREOGRAPHIC LOGIC (POLYSET):'Fumbling in the dark' | |
| 505 | 8 | |a 4. Logistics as socio‐material choreography -- We Love Logistics (UPS) and We are Maersk. We move mountains (Maersk) -- 4.1 Contemporary logistics and its choreographic logic -- Liquefaction of space and valorization of time -- The performative dimension of logistics -- Production of subjectivity, or: the bio‐ and necropolitical nature of logistics -- Constant flow -- Continuous adaptation -- Disposability -- Vectorialization -- Containerization -- Valorization -- 4.2 Colonial logistics and the onto‐epistemic violence of transport -- 4.3 Algorithmic governance: emergent choreography -- African Terminal (geheimagentur) -- CONSISTENCY OF THE ASSEMBLAGE (AFRICAN TERMINAL):Group of human participants -- Place of production/performance -- Use of matter -- 4.4 Unframing the stage, shifting agency, recalibrating the movementof people and things -- CHOREOGRAPHIC LOGIC (AFRICAN TERMINAL):Unframing the stage -- Shifting agency -- 'Recalibration': Attuning people and things to one another -- 4.5 A general realm of 'logisticality' -- 5. Attunement: a more‐than‐human choreography of care -- Literature | |
| 650 | 4 | |a Business logistics | |
| 650 | 0 | 7 | |a Performance |g Künste |0 (DE-588)4173750-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Choreografie |0 (DE-588)4069977-8 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
| 689 | 0 | 0 | |a Choreografie |0 (DE-588)4069977-8 |D s |
| 689 | 0 | 1 | |a Performance |g Künste |0 (DE-588)4173750-7 |D s |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |a Frischkorn, Moritz |t More-Than-Human Choreography |d Bielefeld : transcript,c2023 |z 9783837664508 |
| 912 | |a ZDB-30-PQE | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034736007 | ||
| 966 | e | |u https://ebookcentral.proquest.com/lib/hwr/detail.action?docID=7281617 |l HWR01 |p ZDB-30-PQE |q HWR_PDA_PQE |x Aggregator |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804186134125740034 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Frischkorn, Moritz |
| author_facet | Frischkorn, Moritz |
| author_role | aut |
| author_sort | Frischkorn, Moritz |
| author_variant | m f mf |
| building | Verbundindex |
| bvnumber | BV049408923 |
| collection | ZDB-30-PQE |
| contents | Cover -- Contents -- Acknowledgements -- 1. More‐than‐human choreography on a broken planet -- 1.1 Introduction -- The Artificial Nature Project (Mette Ingvartsen) -- 1.2 Context: What is 'expanded choreography'? -- Social choreography -- 'Expanded choreography' as pattern language -- 'Expanded choreography' as generic productive faculty -- The double vector of 'expanded choreography' -- 1.3 Method: describing the consistency and choreographic logic of assemblages -- 1.4 Outline of the argument -- 2. Barricades as entangled things -- Rainforest (Merce Cunningham) and Barricade Ballet (Tools for Action) -- 2.1 Things that gather and resist -- 2.2 Things at hand: relational, but concealed -- 2.3 Things that run and fly -- Barricades and Dances (Moritz Frischkorn) -- CONSISTENCY OF THE ASSEMBLAGE (BARRICADES AND DANCES):Group of human participants -- Place of production/performance -- Use of matter -- 2.4 Turbulent flow: barricades as choreopolitical operators -- CHOREOGRAPHIC LOGIC (BARRICADES AND DANCES):Turbulent flow -- 2.5 Composing things as barricade: hesitation -- CHOREOGRAPHIC LOGIC (BARRICADES AND DANCES):Hesitation -- 2.6 Barricades as spaces of attunement -- CHOREOGRAPHIC LOGIC (BARRICADES AND DANCES):Attunement -- 3. Assemblages as more‐than‐human performances -- Homage to New York (Jean Tinguely) -- 3.1 Territorialization and deterritorialization: degrees of cohesion -- 3.2 The performative enactment of assemblages -- Polyset (Vladimir Miller) -- CONSISTENCY OF THE ASSEMBLAGE (POLYSET):Group of human participants -- Place of production/performance -- Use of matter -- 3.3 Assemblages as fields of action and spaces of circulation: 'preferred articulations' -- CHOREOGRAPHIC LOGIC (POLYSET):In/Stability -- 3.4 The choreographic diagram of assemblages: 'to follow the flow of matter' -- CHOREOGRAPHIC LOGIC (POLYSET):'Fumbling in the dark' 4. Logistics as socio‐material choreography -- We Love Logistics (UPS) and We are Maersk. We move mountains (Maersk) -- 4.1 Contemporary logistics and its choreographic logic -- Liquefaction of space and valorization of time -- The performative dimension of logistics -- Production of subjectivity, or: the bio‐ and necropolitical nature of logistics -- Constant flow -- Continuous adaptation -- Disposability -- Vectorialization -- Containerization -- Valorization -- 4.2 Colonial logistics and the onto‐epistemic violence of transport -- 4.3 Algorithmic governance: emergent choreography -- African Terminal (geheimagentur) -- CONSISTENCY OF THE ASSEMBLAGE (AFRICAN TERMINAL):Group of human participants -- Place of production/performance -- Use of matter -- 4.4 Unframing the stage, shifting agency, recalibrating the movementof people and things -- CHOREOGRAPHIC LOGIC (AFRICAN TERMINAL):Unframing the stage -- Shifting agency -- 'Recalibration': Attuning people and things to one another -- 4.5 A general realm of 'logisticality' -- 5. Attunement: a more‐than‐human choreography of care -- Literature |
| ctrlnum | (ZDB-30-PQE)EBC7281617 (ZDB-30-PAD)EBC7281617 (ZDB-89-EBL)EBL7281617 (OCoLC)1394121148 (DE-599)BVBBV049408923 |
| dewey-full | 260 |
| dewey-hundreds | 200 - Religion |
| dewey-ones | 260 - Christian social and ecclesiastical theology |
| dewey-raw | 260 |
| dewey-search | 260 |
| dewey-sort | 3260 |
| dewey-tens | 260 - Christian social and ecclesiastical theology |
| discipline | Theologie / Religionswissenschaften |
| discipline_str_mv | Theologie / Religionswissenschaften |
| edition | 1st ed |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04767nmm a2200493zc 4500</leader><controlfield tag="001">BV049408923</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">231114s2023 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783839464502</subfield><subfield code="9">978-3-8394-6450-2</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-30-PQE)EBC7281617</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-30-PAD)EBC7281617</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-89-EBL)EBL7281617</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1394121148</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049408923</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-2070s</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">260</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Frischkorn, Moritz</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">More-Than-Human Choreography</subfield><subfield code="b">Handling Things Between Logistics and Entanglement</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1st ed</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Bielefeld</subfield><subfield code="b">transcript</subfield><subfield code="c">2023</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (261 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">TanzScripte</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on publisher supplied metadata and other sources</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Cover -- Contents -- Acknowledgements -- 1. More‐than‐human choreography on a broken planet -- 1.1 Introduction -- The Artificial Nature Project (Mette Ingvartsen) -- 1.2 Context: What is 'expanded choreography'? -- Social choreography -- 'Expanded choreography' as pattern language -- 'Expanded choreography' as generic productive faculty -- The double vector of 'expanded choreography' -- 1.3 Method: describing the consistency and choreographic logic of assemblages -- 1.4 Outline of the argument -- 2. Barricades as entangled things -- Rainforest (Merce Cunningham) and Barricade Ballet (Tools for Action) -- 2.1 Things that gather and resist -- 2.2 Things at hand: relational, but concealed -- 2.3 Things that run and fly -- Barricades and Dances (Moritz Frischkorn) -- CONSISTENCY OF THE ASSEMBLAGE (BARRICADES AND DANCES):Group of human participants -- Place of production/performance -- Use of matter -- 2.4 Turbulent flow: barricades as choreopolitical operators -- CHOREOGRAPHIC LOGIC (BARRICADES AND DANCES):Turbulent flow -- 2.5 Composing things as barricade: hesitation -- CHOREOGRAPHIC LOGIC (BARRICADES AND DANCES):Hesitation -- 2.6 Barricades as spaces of attunement -- CHOREOGRAPHIC LOGIC (BARRICADES AND DANCES):Attunement -- 3. Assemblages as more‐than‐human performances -- Homage to New York (Jean Tinguely) -- 3.1 Territorialization and deterritorialization: degrees of cohesion -- 3.2 The performative enactment of assemblages -- Polyset (Vladimir Miller) -- CONSISTENCY OF THE ASSEMBLAGE (POLYSET):Group of human participants -- Place of production/performance -- Use of matter -- 3.3 Assemblages as fields of action and spaces of circulation: 'preferred articulations' -- CHOREOGRAPHIC LOGIC (POLYSET):In/Stability -- 3.4 The choreographic diagram of assemblages: 'to follow the flow of matter' -- CHOREOGRAPHIC LOGIC (POLYSET):'Fumbling in the dark'</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">4. Logistics as socio‐material choreography -- We Love Logistics (UPS) and We are Maersk. We move mountains (Maersk) -- 4.1 Contemporary logistics and its choreographic logic -- Liquefaction of space and valorization of time -- The performative dimension of logistics -- Production of subjectivity, or: the bio‐ and necropolitical nature of logistics -- Constant flow -- Continuous adaptation -- Disposability -- Vectorialization -- Containerization -- Valorization -- 4.2 Colonial logistics and the onto‐epistemic violence of transport -- 4.3 Algorithmic governance: emergent choreography -- African Terminal (geheimagentur) -- CONSISTENCY OF THE ASSEMBLAGE (AFRICAN TERMINAL):Group of human participants -- Place of production/performance -- Use of matter -- 4.4 Unframing the stage, shifting agency, recalibrating the movementof people and things -- CHOREOGRAPHIC LOGIC (AFRICAN TERMINAL):Unframing the stage -- Shifting agency -- 'Recalibration': Attuning people and things to one another -- 4.5 A general realm of 'logisticality' -- 5. Attunement: a more‐than‐human choreography of care -- Literature</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Business logistics</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Performance</subfield><subfield code="g">Künste</subfield><subfield code="0">(DE-588)4173750-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Choreografie</subfield><subfield code="0">(DE-588)4069977-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4113937-9</subfield><subfield code="a">Hochschulschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Choreografie</subfield><subfield code="0">(DE-588)4069977-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Performance</subfield><subfield code="g">Künste</subfield><subfield code="0">(DE-588)4173750-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="a">Frischkorn, Moritz</subfield><subfield code="t">More-Than-Human Choreography</subfield><subfield code="d">Bielefeld : transcript,c2023</subfield><subfield code="z">9783837664508</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-30-PQE</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034736007</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://ebookcentral.proquest.com/lib/hwr/detail.action?docID=7281617</subfield><subfield code="l">HWR01</subfield><subfield code="p">ZDB-30-PQE</subfield><subfield code="q">HWR_PDA_PQE</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| id | DE-604.BV049408923 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T23:05:37Z |
| indexdate | 2024-07-10T10:06:17Z |
| institution | BVB |
| isbn | 9783839464502 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034736007 |
| oclc_num | 1394121148 |
| open_access_boolean | |
| owner | DE-2070s |
| owner_facet | DE-2070s |
| physical | 1 Online-Ressource (261 Seiten) |
| psigel | ZDB-30-PQE ZDB-30-PQE HWR_PDA_PQE |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | transcript |
| record_format | marc |
| series2 | TanzScripte |
| spelling | Frischkorn, Moritz Verfasser aut More-Than-Human Choreography Handling Things Between Logistics and Entanglement 1st ed Bielefeld transcript 2023 ©2023 1 Online-Ressource (261 Seiten) txt rdacontent c rdamedia cr rdacarrier TanzScripte Description based on publisher supplied metadata and other sources Cover -- Contents -- Acknowledgements -- 1. More‐than‐human choreography on a broken planet -- 1.1 Introduction -- The Artificial Nature Project (Mette Ingvartsen) -- 1.2 Context: What is 'expanded choreography'? -- Social choreography -- 'Expanded choreography' as pattern language -- 'Expanded choreography' as generic productive faculty -- The double vector of 'expanded choreography' -- 1.3 Method: describing the consistency and choreographic logic of assemblages -- 1.4 Outline of the argument -- 2. Barricades as entangled things -- Rainforest (Merce Cunningham) and Barricade Ballet (Tools for Action) -- 2.1 Things that gather and resist -- 2.2 Things at hand: relational, but concealed -- 2.3 Things that run and fly -- Barricades and Dances (Moritz Frischkorn) -- CONSISTENCY OF THE ASSEMBLAGE (BARRICADES AND DANCES):Group of human participants -- Place of production/performance -- Use of matter -- 2.4 Turbulent flow: barricades as choreopolitical operators -- CHOREOGRAPHIC LOGIC (BARRICADES AND DANCES):Turbulent flow -- 2.5 Composing things as barricade: hesitation -- CHOREOGRAPHIC LOGIC (BARRICADES AND DANCES):Hesitation -- 2.6 Barricades as spaces of attunement -- CHOREOGRAPHIC LOGIC (BARRICADES AND DANCES):Attunement -- 3. Assemblages as more‐than‐human performances -- Homage to New York (Jean Tinguely) -- 3.1 Territorialization and deterritorialization: degrees of cohesion -- 3.2 The performative enactment of assemblages -- Polyset (Vladimir Miller) -- CONSISTENCY OF THE ASSEMBLAGE (POLYSET):Group of human participants -- Place of production/performance -- Use of matter -- 3.3 Assemblages as fields of action and spaces of circulation: 'preferred articulations' -- CHOREOGRAPHIC LOGIC (POLYSET):In/Stability -- 3.4 The choreographic diagram of assemblages: 'to follow the flow of matter' -- CHOREOGRAPHIC LOGIC (POLYSET):'Fumbling in the dark' 4. Logistics as socio‐material choreography -- We Love Logistics (UPS) and We are Maersk. We move mountains (Maersk) -- 4.1 Contemporary logistics and its choreographic logic -- Liquefaction of space and valorization of time -- The performative dimension of logistics -- Production of subjectivity, or: the bio‐ and necropolitical nature of logistics -- Constant flow -- Continuous adaptation -- Disposability -- Vectorialization -- Containerization -- Valorization -- 4.2 Colonial logistics and the onto‐epistemic violence of transport -- 4.3 Algorithmic governance: emergent choreography -- African Terminal (geheimagentur) -- CONSISTENCY OF THE ASSEMBLAGE (AFRICAN TERMINAL):Group of human participants -- Place of production/performance -- Use of matter -- 4.4 Unframing the stage, shifting agency, recalibrating the movementof people and things -- CHOREOGRAPHIC LOGIC (AFRICAN TERMINAL):Unframing the stage -- Shifting agency -- 'Recalibration': Attuning people and things to one another -- 4.5 A general realm of 'logisticality' -- 5. Attunement: a more‐than‐human choreography of care -- Literature Business logistics Performance Künste (DE-588)4173750-7 gnd rswk-swf Choreografie (DE-588)4069977-8 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Choreografie (DE-588)4069977-8 s Performance Künste (DE-588)4173750-7 s DE-604 Erscheint auch als Druck-Ausgabe Frischkorn, Moritz More-Than-Human Choreography Bielefeld : transcript,c2023 9783837664508 |
| spellingShingle | Frischkorn, Moritz More-Than-Human Choreography Handling Things Between Logistics and Entanglement Cover -- Contents -- Acknowledgements -- 1. More‐than‐human choreography on a broken planet -- 1.1 Introduction -- The Artificial Nature Project (Mette Ingvartsen) -- 1.2 Context: What is 'expanded choreography'? -- Social choreography -- 'Expanded choreography' as pattern language -- 'Expanded choreography' as generic productive faculty -- The double vector of 'expanded choreography' -- 1.3 Method: describing the consistency and choreographic logic of assemblages -- 1.4 Outline of the argument -- 2. Barricades as entangled things -- Rainforest (Merce Cunningham) and Barricade Ballet (Tools for Action) -- 2.1 Things that gather and resist -- 2.2 Things at hand: relational, but concealed -- 2.3 Things that run and fly -- Barricades and Dances (Moritz Frischkorn) -- CONSISTENCY OF THE ASSEMBLAGE (BARRICADES AND DANCES):Group of human participants -- Place of production/performance -- Use of matter -- 2.4 Turbulent flow: barricades as choreopolitical operators -- CHOREOGRAPHIC LOGIC (BARRICADES AND DANCES):Turbulent flow -- 2.5 Composing things as barricade: hesitation -- CHOREOGRAPHIC LOGIC (BARRICADES AND DANCES):Hesitation -- 2.6 Barricades as spaces of attunement -- CHOREOGRAPHIC LOGIC (BARRICADES AND DANCES):Attunement -- 3. Assemblages as more‐than‐human performances -- Homage to New York (Jean Tinguely) -- 3.1 Territorialization and deterritorialization: degrees of cohesion -- 3.2 The performative enactment of assemblages -- Polyset (Vladimir Miller) -- CONSISTENCY OF THE ASSEMBLAGE (POLYSET):Group of human participants -- Place of production/performance -- Use of matter -- 3.3 Assemblages as fields of action and spaces of circulation: 'preferred articulations' -- CHOREOGRAPHIC LOGIC (POLYSET):In/Stability -- 3.4 The choreographic diagram of assemblages: 'to follow the flow of matter' -- CHOREOGRAPHIC LOGIC (POLYSET):'Fumbling in the dark' 4. Logistics as socio‐material choreography -- We Love Logistics (UPS) and We are Maersk. We move mountains (Maersk) -- 4.1 Contemporary logistics and its choreographic logic -- Liquefaction of space and valorization of time -- The performative dimension of logistics -- Production of subjectivity, or: the bio‐ and necropolitical nature of logistics -- Constant flow -- Continuous adaptation -- Disposability -- Vectorialization -- Containerization -- Valorization -- 4.2 Colonial logistics and the onto‐epistemic violence of transport -- 4.3 Algorithmic governance: emergent choreography -- African Terminal (geheimagentur) -- CONSISTENCY OF THE ASSEMBLAGE (AFRICAN TERMINAL):Group of human participants -- Place of production/performance -- Use of matter -- 4.4 Unframing the stage, shifting agency, recalibrating the movementof people and things -- CHOREOGRAPHIC LOGIC (AFRICAN TERMINAL):Unframing the stage -- Shifting agency -- 'Recalibration': Attuning people and things to one another -- 4.5 A general realm of 'logisticality' -- 5. Attunement: a more‐than‐human choreography of care -- Literature Business logistics Performance Künste (DE-588)4173750-7 gnd Choreografie (DE-588)4069977-8 gnd |
| subject_GND | (DE-588)4173750-7 (DE-588)4069977-8 (DE-588)4113937-9 |
| title | More-Than-Human Choreography Handling Things Between Logistics and Entanglement |
| title_auth | More-Than-Human Choreography Handling Things Between Logistics and Entanglement |
| title_exact_search | More-Than-Human Choreography Handling Things Between Logistics and Entanglement |
| title_exact_search_txtP | More-Than-Human Choreography Handling Things Between Logistics and Entanglement |
| title_full | More-Than-Human Choreography Handling Things Between Logistics and Entanglement |
| title_fullStr | More-Than-Human Choreography Handling Things Between Logistics and Entanglement |
| title_full_unstemmed | More-Than-Human Choreography Handling Things Between Logistics and Entanglement |
| title_short | More-Than-Human Choreography |
| title_sort | more than human choreography handling things between logistics and entanglement |
| title_sub | Handling Things Between Logistics and Entanglement |
| topic | Business logistics Performance Künste (DE-588)4173750-7 gnd Choreografie (DE-588)4069977-8 gnd |
| topic_facet | Business logistics Performance Künste Choreografie Hochschulschrift |
| work_keys_str_mv | AT frischkornmoritz morethanhumanchoreographyhandlingthingsbetweenlogisticsandentanglement |