Cannibalizing the canon: Dada techniques in East-Central Europe

This rich, in-depth exploration of Dada’s roots in East-Central Europe is a vital addition to existing research on Dada and the avant-garde. Through deeply researched case studies and employing novel theoretical approaches, the volume rewrites the history of Dada as a story of cultural and political...

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Bibliographische Detailangaben
Weitere Verfasser: Botar, Oliver A. I. 1957- (HerausgeberIn), Denischenko, Irina M. (HerausgeberIn), Dobó, Gábor 1987- (HerausgeberIn), Szeredi, Merse Pál 1990- (HerausgeberIn)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: Leiden ; Boston Brill [2024]
Schriftenreihe:Avant-Garde critical studies volume 42
Schlagworte:
Online-Zugang:DE-12
DE-19
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Zusammenfassung:This rich, in-depth exploration of Dada’s roots in East-Central Europe is a vital addition to existing research on Dada and the avant-garde. Through deeply researched case studies and employing novel theoretical approaches, the volume rewrites the history of Dada as a story of cultural and political hybridity, border-crossings, transitions, and transgressions, across political, class and gender lines. Dismantling prevailing notions of Dada as a "Western" movement, the contributors to this volume present East-Central Europe as the locus of Dada activity and techniques. The articles explore how artists from the region pre-figured Dada as well as actively "cannibalized", that is, reabsorbed and further hybridized, a range of avant-garde techniques, thus challenging "Western" cultural hegemony.
Beschreibung:1 Online-Ressource (XXIX, 633 Seiten) Illustrationen
ISBN:9789004526747
DOI:10.1163/9789004526747

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