Rock this way: Cultural constructions of musical legitimacy
In order to analyze how transformative musical works are culturally understood, this book examines how mainstream press discourse talks about them. According to professional journalistic norms, press discussion is supposed to be neutral and balanced. This is, of course, a fiction, because press is t...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Ann Arbor, Michigan
University of Michigan Press
2023
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | In order to analyze how transformative musical works are culturally understood, this book examines how mainstream press discourse talks about them. According to professional journalistic norms, press discussion is supposed to be neutral and balanced. This is, of course, a fiction, because press is to study social power relations, this is a benefit, not a drawback. In particular, norms of explaining "both sides" of an issue mean that a cross section of mainstream thought is available in the press, at the same time that more marginal perspectives are systematically excluded. Moreover, in addition to conveying what the journalist perceives to be a neutral account of a situation, the press helps frame public understanding of issues, thus contributing to making this the default understanding through presenting a hegemonic view as the truth. For these reasons, Stanfill uses press coverage to examine social beliefs circulating widely about transformative musical works. In doing so, she specifically abstracts away from particular journalists and their identities (racial, gender, or others) because, by those same professional norms, individual perspectives are supposed to be suppressed in the name of a (white and masculine) construct of universality. Moreover, an individual journalist presenting an opinion (whether they are aware of doing so or not) is not in itself meaningful, but when there are patterns in opinions across multiple articles, by different people, in different locations and at different moments, they become suggestive of a broader hegemonic formation |
| Beschreibung: | Court cases listed in "References" (page 201) |
| Beschreibung: | VIII, 232 Seiten |
| ISBN: | 9780472056286 9780472076284 |
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Datensatz im Suchindex
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CONTENTS Acknowledgments vii I ntroduction: Rock This Way, or the Shape of Musical Norms 1. 1 Judge a Song by Its Cover: Cover Songs between Transformation and Extraction 24 2. Stir It Up: Remix and the Problem of Genre 46 3. Monstrous Mash: Mash-Ups and the Epistemology of Difference 69 4. Fight for Your Right to Parody: Parodies and the Cultural Politics of Kindness 5. 93 Feels like the First Time: The Politics and Poetics of Similarity in Soundalikes 113 Conclusion: Toward a Theory of Ethical Transformative Musical Works 136 Data Appendix 157 Notes 163 References 201 Index 223 |
| adam_txt |
CONTENTS Acknowledgments vii I ntroduction: Rock This Way, or the Shape of Musical Norms 1. 1 Judge a Song by Its Cover: Cover Songs between Transformation and Extraction 24 2. Stir It Up: Remix and the Problem of Genre 46 3. Monstrous Mash: Mash-Ups and the Epistemology of Difference 69 4. Fight for Your Right to Parody: Parodies and the Cultural Politics of Kindness 5. 93 Feels like the First Time: The Politics and Poetics of Similarity in Soundalikes 113 Conclusion: Toward a Theory of Ethical Transformative Musical Works 136 Data Appendix 157 Notes 163 References 201 Index 223 |
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| publisher | University of Michigan Press |
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| spelling | Stanfill, Mel 1983- Verfasser (DE-588)1188070754 aut Rock this way Cultural constructions of musical legitimacy Mel Stanfill Cultural constructions of musical legitimacy Ann Arbor, Michigan University of Michigan Press 2023 VIII, 232 Seiten txt rdacontent n rdamedia nc rdacarrier Court cases listed in "References" (page 201) In order to analyze how transformative musical works are culturally understood, this book examines how mainstream press discourse talks about them. According to professional journalistic norms, press discussion is supposed to be neutral and balanced. This is, of course, a fiction, because press is to study social power relations, this is a benefit, not a drawback. In particular, norms of explaining "both sides" of an issue mean that a cross section of mainstream thought is available in the press, at the same time that more marginal perspectives are systematically excluded. Moreover, in addition to conveying what the journalist perceives to be a neutral account of a situation, the press helps frame public understanding of issues, thus contributing to making this the default understanding through presenting a hegemonic view as the truth. For these reasons, Stanfill uses press coverage to examine social beliefs circulating widely about transformative musical works. In doing so, she specifically abstracts away from particular journalists and their identities (racial, gender, or others) because, by those same professional norms, individual perspectives are supposed to be suppressed in the name of a (white and masculine) construct of universality. Moreover, an individual journalist presenting an opinion (whether they are aware of doing so or not) is not in itself meaningful, but when there are patterns in opinions across multiple articles, by different people, in different locations and at different moments, they become suggestive of a broader hegemonic formation Geschichte 2009-2018 gnd rswk-swf Rassendiskriminierung (DE-588)4048442-7 gnd rswk-swf Remix (DE-588)4700208-6 gnd rswk-swf Soziale Anerkennung (DE-588)4388391-6 gnd rswk-swf Kulturpolitik (DE-588)4033581-1 gnd rswk-swf Urheberrecht (DE-588)4062127-3 gnd rswk-swf Popmusik (DE-588)4046781-8 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Copyright / Music / United States Popular music / Economic aspects / United States Remixes / History and criticism Mashups (Music) / History and criticism Cover versions / History and criticism Race discrimination / Law and legislation / United States African Americans / Music / History and criticism Critical race theory Creation (Literary, artistic, etc.) / Economic aspects / United States Droit d'auteur / Musique / États-Unis Musique populaire / Aspect économique / États-Unis Remix / Histoire et critique Collages (Musique) / Histoire et critique Reprises de chansons / Histoire et critique Théorie critique de la race African Americans / Music Copyright / Music Cover versions Mashups (Music) Popular music / Economic aspects Race discrimination / Law and legislation Remixes United States Criticism, interpretation, etc USA (DE-588)4078704-7 g Popmusik (DE-588)4046781-8 s Remix (DE-588)4700208-6 s Rassendiskriminierung (DE-588)4048442-7 s Urheberrecht (DE-588)4062127-3 s Kulturpolitik (DE-588)4033581-1 s Soziale Anerkennung (DE-588)4388391-6 s Geschichte 2009-2018 z DE-604 Erscheint auch als Online-Ausgabe 9780472903627 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034731926&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Stanfill, Mel 1983- Rock this way Cultural constructions of musical legitimacy Rassendiskriminierung (DE-588)4048442-7 gnd Remix (DE-588)4700208-6 gnd Soziale Anerkennung (DE-588)4388391-6 gnd Kulturpolitik (DE-588)4033581-1 gnd Urheberrecht (DE-588)4062127-3 gnd Popmusik (DE-588)4046781-8 gnd |
| subject_GND | (DE-588)4048442-7 (DE-588)4700208-6 (DE-588)4388391-6 (DE-588)4033581-1 (DE-588)4062127-3 (DE-588)4046781-8 (DE-588)4078704-7 |
| title | Rock this way Cultural constructions of musical legitimacy |
| title_alt | Cultural constructions of musical legitimacy |
| title_auth | Rock this way Cultural constructions of musical legitimacy |
| title_exact_search | Rock this way Cultural constructions of musical legitimacy |
| title_exact_search_txtP | Rock this way Cultural constructions of musical legitimacy |
| title_full | Rock this way Cultural constructions of musical legitimacy Mel Stanfill |
| title_fullStr | Rock this way Cultural constructions of musical legitimacy Mel Stanfill |
| title_full_unstemmed | Rock this way Cultural constructions of musical legitimacy Mel Stanfill |
| title_short | Rock this way |
| title_sort | rock this way cultural constructions of musical legitimacy |
| title_sub | Cultural constructions of musical legitimacy |
| topic | Rassendiskriminierung (DE-588)4048442-7 gnd Remix (DE-588)4700208-6 gnd Soziale Anerkennung (DE-588)4388391-6 gnd Kulturpolitik (DE-588)4033581-1 gnd Urheberrecht (DE-588)4062127-3 gnd Popmusik (DE-588)4046781-8 gnd |
| topic_facet | Rassendiskriminierung Remix Soziale Anerkennung Kulturpolitik Urheberrecht Popmusik USA |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034731926&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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