The Routledge companion to history and the moving image:
"The Routledge Companion to History and the Moving Image takes an interdisciplinary approach to understanding history in moving images. It engages this popular and dynamic field that has evolved rapidly from film and television to digital streaming into the age of user-created content. The volu...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2024
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "The Routledge Companion to History and the Moving Image takes an interdisciplinary approach to understanding history in moving images. It engages this popular and dynamic field that has evolved rapidly from film and television to digital streaming into the age of user-created content. The volume addresses moving image history through a theoretical lens; modes and genres; representation, race, and identity; and evolving forms and formats. It brings together a range of scholars from across the globe who specialize in film and media studies, cultural studies, history, philosophy of history, and education. Together, the chapters provide a necessary contemporary analysis that covers new developments and questions that arise from the shift to digital screen culture. The book examines technological and ethical concerns stemming from today’s media landscape, but it also considers the artificial construction of the boundaries between professional expertise and amateur production. Each contributor’s unique approach highlights the necessity of engaging with moving images for the academic discipline of history. The collection, written for a global audience, offers accessible discussions of historiography and a compelling resource for advanced undergraduates and postgraduates in history, film and media studies, and communications." |
| Beschreibung: | xiv, 351 Seiten Illustrationen |
| ISBN: | 9781032203317 |
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| 520 | 3 | |a "The Routledge Companion to History and the Moving Image takes an interdisciplinary approach to understanding history in moving images. It engages this popular and dynamic field that has evolved rapidly from film and television to digital streaming into the age of user-created content. The volume addresses moving image history through a theoretical lens; modes and genres; representation, race, and identity; and evolving forms and formats. It brings together a range of scholars from across the globe who specialize in film and media studies, cultural studies, history, philosophy of history, and education. Together, the chapters provide a necessary contemporary analysis that covers new developments and questions that arise from the shift to digital screen culture. The book examines technological and ethical concerns stemming from today’s media landscape, but it also considers the artificial construction of the boundaries between professional expertise and amateur production. Each contributor’s unique approach highlights the necessity of engaging with moving images for the academic discipline of history. The collection, written for a global audience, offers accessible discussions of historiography and a compelling resource for advanced undergraduates and postgraduates in history, film and media studies, and communications." | |
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Datensatz im Suchindex
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| adam_text |
CONTENTS List of contributors Acknowledgements x xiv Introduction: history is a moving image 1 PARTI Understanding history and the movingimage 5 1 From “history and film” to “screened history” MiaE.M. Treacey 2 Actuality is not enough: on historiography and cinema Philip Rosen 30 3 Moving image histories and ethics Marnie Hughes-Warrington 46 7 PART II Genres and modes 55 4 Patterns of reality Ernesto Pena and Claire Ahn 57 5 Remediation, trauma, and “preposterous history” in documentary film Robert Burgoyne 74 vii
Contents 6 The hero myth and the cutting room floor Nick Hector 83 7 Dramatizing film history in the historical film Jonathan Stubbs 99 8 Mirroring the 1980s in contemporary horror Chera Kee 114 9 Fantastic histories: medievalism in fantasy film and television Avery Lafortune 129 10 Satire and realism in the historical film Eleftheria Thanouli 144 PART III Representation, race, and identity 161 11 Counter-temporalities and dialectical images in the mass cultural rewriting of US racial histories Alison Landsberg 163 12 History and Hindi film William R. Pinch 176 13 Horrific history and Black aliveness: travel and liberatory loopholes in Lovecraft Country Lisa Woolfork 194 14 Pasts refracted: indigenous histories on film beyond the cinema Christine Sprengler 209 15 The new Civil War cinema John Trafton 225 PARTIV Evolving forms and formats 241 16 Public history on screen: from broadcast and network TV to the Internet era, an evolutionary approach Ann Gray viii 243
Contents 17 Live documentary': social cinema and the cinepoetics of doubt Kim Nelson 258 18 Process, pedagogy, préfiguration, and the promised land Sara Joan MacLean 276 19 Teaching difficult history with YouTube videos James Miles and Eve Herold 298 20 What if? Experimental history on television Rebecca Weeks 314 Afterword: history with images: a conversation with Robert A. Rosenstone Robert A. Rosenstone and Kim Nelson Index 330 344
THE ROUTLEDGE COMPANION TO HISTORY AND THE MOVING IMAGE The Routledge Companion to History and the Moving Image takes an interdisciplinary approach to understanding history in moving images. It engages this popular and dynamic field that has evolved rapidly from film and television to digital streaming into the age of user-created content. The volume addresses moving image history through a theoretical lens; modes and genres; representation, race, and identity; and evolving forms and formats. It brings together a range of scholars from across the globe who specialize in film and media studies, cultural studies, history, philosophy of history, and education. Together, the chapters provide a necessary contemporary analysis that covers new developments and questions that arise from the shift to digital screen culture. The book examines technological and ethical concerns stemming from today’s media landscape, but it also considers the artificial construction of the boundaries between professional expertise and amateur production. Each contributor’s unique approach highlights the necessity of engaging with moving images for the academic discipline of history. The collection, written for a global audience, offers accessible discussions of historiography and a compelling resource for advanced undergraduates and postgraduates in history, film and media studies, and communications. |
| adam_txt |
CONTENTS List of contributors Acknowledgements x xiv Introduction: history is a moving image 1 PARTI Understanding history and the movingimage 5 1 From “history and film” to “screened history” MiaE.M. Treacey 2 Actuality is not enough: on historiography and cinema Philip Rosen 30 3 Moving image histories and ethics Marnie Hughes-Warrington 46 7 PART II Genres and modes 55 4 Patterns of reality Ernesto Pena and Claire Ahn 57 5 Remediation, trauma, and “preposterous history” in documentary film Robert Burgoyne 74 vii
Contents 6 The hero myth and the cutting room floor Nick Hector 83 7 Dramatizing film history in the historical film Jonathan Stubbs 99 8 Mirroring the 1980s in contemporary horror Chera Kee 114 9 Fantastic histories: medievalism in fantasy film and television Avery Lafortune 129 10 Satire and realism in the historical film Eleftheria Thanouli 144 PART III Representation, race, and identity 161 11 Counter-temporalities and dialectical images in the mass cultural rewriting of US racial histories Alison Landsberg 163 12 History and Hindi film William R. Pinch 176 13 Horrific history and Black aliveness: travel and liberatory loopholes in Lovecraft Country Lisa Woolfork 194 14 Pasts refracted: indigenous histories on film beyond the cinema Christine Sprengler 209 15 The new Civil War cinema John Trafton 225 PARTIV Evolving forms and formats 241 16 Public history on screen: from broadcast and network TV to the Internet era, an evolutionary approach Ann Gray viii 243
Contents 17 Live documentary': social cinema and the cinepoetics of doubt Kim Nelson 258 18 Process, pedagogy, préfiguration, and the promised land Sara Joan MacLean 276 19 Teaching difficult history with YouTube videos James Miles and Eve Herold 298 20 What if? Experimental history on television Rebecca Weeks 314 Afterword: history with images: a conversation with Robert A. Rosenstone Robert A. Rosenstone and Kim Nelson Index 330 344
THE ROUTLEDGE COMPANION TO HISTORY AND THE MOVING IMAGE The Routledge Companion to History and the Moving Image takes an interdisciplinary approach to understanding history in moving images. It engages this popular and dynamic field that has evolved rapidly from film and television to digital streaming into the age of user-created content. The volume addresses moving image history through a theoretical lens; modes and genres; representation, race, and identity; and evolving forms and formats. It brings together a range of scholars from across the globe who specialize in film and media studies, cultural studies, history, philosophy of history, and education. Together, the chapters provide a necessary contemporary analysis that covers new developments and questions that arise from the shift to digital screen culture. The book examines technological and ethical concerns stemming from today’s media landscape, but it also considers the artificial construction of the boundaries between professional expertise and amateur production. Each contributor’s unique approach highlights the necessity of engaging with moving images for the academic discipline of history. The collection, written for a global audience, offers accessible discussions of historiography and a compelling resource for advanced undergraduates and postgraduates in history, film and media studies, and communications. |
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| spelling | The Routledge companion to history and the moving image edited by Marnie Hughes-Warrington, Kim Nelson and Mia E.M. Treacey History and the moving image London ; New York Routledge, Taylor & Francis Group 2024 xiv, 351 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier "The Routledge Companion to History and the Moving Image takes an interdisciplinary approach to understanding history in moving images. It engages this popular and dynamic field that has evolved rapidly from film and television to digital streaming into the age of user-created content. The volume addresses moving image history through a theoretical lens; modes and genres; representation, race, and identity; and evolving forms and formats. It brings together a range of scholars from across the globe who specialize in film and media studies, cultural studies, history, philosophy of history, and education. Together, the chapters provide a necessary contemporary analysis that covers new developments and questions that arise from the shift to digital screen culture. The book examines technological and ethical concerns stemming from today’s media landscape, but it also considers the artificial construction of the boundaries between professional expertise and amateur production. Each contributor’s unique approach highlights the necessity of engaging with moving images for the academic discipline of history. The collection, written for a global audience, offers accessible discussions of historiography and a compelling resource for advanced undergraduates and postgraduates in history, film and media studies, and communications." Geschichte Motiv (DE-588)4156971-4 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Film (DE-588)4017102-4 s Geschichte Motiv (DE-588)4156971-4 s DE-604 Hughes-Warrington, Marnie (DE-588)133054802 edt Nelson, Kim edt Treacey, Mia E. M. (DE-588)109109991X edt Äquivalent Druck-Ausgabe, Hardcover 978-1-03-220332-4 Erscheint auch als Online-Ausgabe 978-1-003-26323-4 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034726182&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034726182&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | The Routledge companion to history and the moving image Geschichte Motiv (DE-588)4156971-4 gnd Film (DE-588)4017102-4 gnd |
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| title | The Routledge companion to history and the moving image |
| title_alt | History and the moving image |
| title_auth | The Routledge companion to history and the moving image |
| title_exact_search | The Routledge companion to history and the moving image |
| title_exact_search_txtP | The Routledge companion to history and the moving image |
| title_full | The Routledge companion to history and the moving image edited by Marnie Hughes-Warrington, Kim Nelson and Mia E.M. Treacey |
| title_fullStr | The Routledge companion to history and the moving image edited by Marnie Hughes-Warrington, Kim Nelson and Mia E.M. Treacey |
| title_full_unstemmed | The Routledge companion to history and the moving image edited by Marnie Hughes-Warrington, Kim Nelson and Mia E.M. Treacey |
| title_short | The Routledge companion to history and the moving image |
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