Lieder in America: on stages and in parlors
"Though viewed as quintessentially German, lieder became a centerpiece of nineteenth century song recitals in the United States. By the 1890s, these songs, which were often sung in English, were a sensation among tutored and untutored music lovers alike. Heather Platt examines the varied suppor...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Urbana ; Chicago ; Springfield
University of Illinois Press
[2023]
|
| Schriftenreihe: | Music in American life
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Though viewed as quintessentially German, lieder became a centerpiece of nineteenth century song recitals in the United States. By the 1890s, these songs, which were often sung in English, were a sensation among tutored and untutored music lovers alike. Heather Platt examines the varied supporters and singers who both established the lied as a concert repertoire and shaped a new kind of recital dedicated to art songs. Lieder were embraced and spread by performers like Max Heinrich and advocates like John Sullivan Dwight, as well as by the women's clubs that flourished nationwide. At the same time as examining the critical reception of the artists and songs, Platt reveals ways in which US recital programs anticipated trends in European recitals. She also places lieder against the backdrop of the time, when factors like the growth in the sheet music industry, the evolution of American art song, and emerging anti-German feeling had a profound impact on the genre's popularity"-- |
| Beschreibung: | x, 299 Seiten Illustrationen, Porträts 23,6 cm |
| ISBN: | 9780252087592 9780252045486 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV049392828 | ||
| 003 | DE-604 | ||
| 005 | 20240228 | ||
| 007 | t | ||
| 008 | 231103s2023 ac|| b||| 00||| eng d | ||
| 020 | |a 9780252087592 |c paperback |9 978-0-252-08759-2 | ||
| 020 | |a 9780252045486 |c hardback |9 978-0-252-04548-6 | ||
| 035 | |a (OCoLC)1418691708 | ||
| 035 | |a (DE-599)BVBBV049392828 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-188 | ||
| 082 | 0 | |a 782.421680973 |2 23 | |
| 084 | |a MUS |q DE-12 |2 fid | ||
| 100 | 1 | |a Platt, Heather |d 1962- |e Verfasser |0 (DE-588)1031659749 |4 aut | |
| 245 | 1 | 0 | |a Lieder in America |b on stages and in parlors |c Heather Platt |
| 264 | 1 | |a Urbana ; Chicago ; Springfield |b University of Illinois Press |c [2023] | |
| 264 | 4 | |c 2023 | |
| 300 | |a x, 299 Seiten |b Illustrationen, Porträts |c 23,6 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Music in American life | |
| 505 | 8 | |a Introducing a "Higher Class" of Song to American Audiences -- Song Recitals and Song Recital Series -- The Henschels' Polyglot "Vocal Recitals" -- Max Heinrich's "Classical Song Recitals" -- Max Heinrich's Expanding Stylistic and Geographic Vistas -- Villa Whitney White and Women's Music Clubs -- David Bispham and the Heyday of Song Recitals -- Epilogue. The End of an Era -- Appendix. Milestones in the Development of Song Recitals | |
| 520 | 3 | |a "Though viewed as quintessentially German, lieder became a centerpiece of nineteenth century song recitals in the United States. By the 1890s, these songs, which were often sung in English, were a sensation among tutored and untutored music lovers alike. Heather Platt examines the varied supporters and singers who both established the lied as a concert repertoire and shaped a new kind of recital dedicated to art songs. Lieder were embraced and spread by performers like Max Heinrich and advocates like John Sullivan Dwight, as well as by the women's clubs that flourished nationwide. At the same time as examining the critical reception of the artists and songs, Platt reveals ways in which US recital programs anticipated trends in European recitals. She also places lieder against the backdrop of the time, when factors like the growth in the sheet music industry, the evolution of American art song, and emerging anti-German feeling had a profound impact on the genre's popularity"-- | |
| 648 | 7 | |a Geschichte 1890-1900 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Liederzyklus |0 (DE-588)4297924-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunstlied |0 (DE-588)4166040-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musikleben |0 (DE-588)4075128-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Deutsch |0 (DE-588)4113292-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Aufführung |0 (DE-588)4143388-9 |2 gnd |9 rswk-swf |
| 651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Songs / United States / History and criticism | |
| 653 | 0 | |a Songs, German / United States / History and criticism | |
| 653 | 0 | |a Music / United States / German influences | |
| 653 | 0 | |a Concerts / United States / History | |
| 653 | 0 | |a Concerts | |
| 653 | 0 | |a Music / German influences | |
| 653 | 0 | |a Songs | |
| 653 | 0 | |a Songs, German | |
| 653 | 2 | |a United States | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 653 | 6 | |a History | |
| 689 | 0 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
| 689 | 0 | 1 | |a Deutsch |0 (DE-588)4113292-0 |D s |
| 689 | 0 | 2 | |a Kunstlied |0 (DE-588)4166040-7 |D s |
| 689 | 0 | 3 | |a Liederzyklus |0 (DE-588)4297924-9 |D s |
| 689 | 0 | 4 | |a Aufführung |0 (DE-588)4143388-9 |D s |
| 689 | 0 | 5 | |a Musikleben |0 (DE-588)4075128-4 |D s |
| 689 | 0 | 6 | |a Geschichte 1890-1900 |A z |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-0-252-05510-2 |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034720218&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |q BSB_NED_20240119 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034720218 | ||
| 942 | 1 | 1 | |c 781.4 |e 22/bsb |f 09041 |g 73 |
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |f 09034 |g 73 |
| 942 | 1 | 1 | |c 781.4 |e 22/bsb |f 09034 |g 73 |
| 942 | 1 | 1 | |c 781.5 |e 22/bsb |g 43 |
| 942 | 1 | 1 | |c 781.5 |e 22/bsb |f 09041 |g 73 |
Datensatz im Suchindex
| _version_ | 1804186103924654080 |
|---|---|
| adam_text | Contents Acknowledgments vii Notes Regarding Titles of Compositions and Sources Introduction xi 1 1 Introducing a “Higher Class” of Song to American Audiences 2 Song Recitals and Song Recital Series 48 3 The Henschels’ Polyglot “Vocal Recitals” 72 4 Max Heinrich’s “Classical Song Recitals” 95 5 Max Heinrich’s Expanding Stylistic and Geographic Vistas 6 Villa Whitney White and Women’s Music Clubs 142 7 David Bispham and the Heyday of Song Recitals 167 Epilogue: The End of an Era 217 Bibliography Index 293 275 116 197 Appendix: Milestones in the Development of Song Recitals Notes 23 213
|
| adam_txt |
Contents Acknowledgments vii Notes Regarding Titles of Compositions and Sources Introduction xi 1 1 Introducing a “Higher Class” of Song to American Audiences 2 Song Recitals and Song Recital Series 48 3 The Henschels’ Polyglot “Vocal Recitals” 72 4 Max Heinrich’s “Classical Song Recitals” 95 5 Max Heinrich’s Expanding Stylistic and Geographic Vistas 6 Villa Whitney White and Women’s Music Clubs 142 7 David Bispham and the Heyday of Song Recitals 167 Epilogue: The End of an Era 217 Bibliography Index 293 275 116 197 Appendix: Milestones in the Development of Song Recitals Notes 23 213 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Platt, Heather 1962- |
| author_GND | (DE-588)1031659749 |
| author_facet | Platt, Heather 1962- |
| author_role | aut |
| author_sort | Platt, Heather 1962- |
| author_variant | h p hp |
| building | Verbundindex |
| bvnumber | BV049392828 |
| contents | Introducing a "Higher Class" of Song to American Audiences -- Song Recitals and Song Recital Series -- The Henschels' Polyglot "Vocal Recitals" -- Max Heinrich's "Classical Song Recitals" -- Max Heinrich's Expanding Stylistic and Geographic Vistas -- Villa Whitney White and Women's Music Clubs -- David Bispham and the Heyday of Song Recitals -- Epilogue. The End of an Era -- Appendix. Milestones in the Development of Song Recitals |
| ctrlnum | (OCoLC)1418691708 (DE-599)BVBBV049392828 |
| dewey-full | 782.421680973 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.421680973 |
| dewey-search | 782.421680973 |
| dewey-sort | 3782.421680973 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| era | Geschichte 1890-1900 gnd |
| era_facet | Geschichte 1890-1900 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04273nam a2200745 c 4500</leader><controlfield tag="001">BV049392828</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240228 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">231103s2023 ac|| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780252087592</subfield><subfield code="c">paperback</subfield><subfield code="9">978-0-252-08759-2</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780252045486</subfield><subfield code="c">hardback</subfield><subfield code="9">978-0-252-04548-6</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1418691708</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049392828</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-188</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">782.421680973</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Platt, Heather</subfield><subfield code="d">1962-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1031659749</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Lieder in America</subfield><subfield code="b">on stages and in parlors</subfield><subfield code="c">Heather Platt</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Urbana ; Chicago ; Springfield</subfield><subfield code="b">University of Illinois Press</subfield><subfield code="c">[2023]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">x, 299 Seiten</subfield><subfield code="b">Illustrationen, Porträts</subfield><subfield code="c">23,6 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Music in American life</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Introducing a "Higher Class" of Song to American Audiences -- Song Recitals and Song Recital Series -- The Henschels' Polyglot "Vocal Recitals" -- Max Heinrich's "Classical Song Recitals" -- Max Heinrich's Expanding Stylistic and Geographic Vistas -- Villa Whitney White and Women's Music Clubs -- David Bispham and the Heyday of Song Recitals -- Epilogue. The End of an Era -- Appendix. Milestones in the Development of Song Recitals</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Though viewed as quintessentially German, lieder became a centerpiece of nineteenth century song recitals in the United States. By the 1890s, these songs, which were often sung in English, were a sensation among tutored and untutored music lovers alike. Heather Platt examines the varied supporters and singers who both established the lied as a concert repertoire and shaped a new kind of recital dedicated to art songs. Lieder were embraced and spread by performers like Max Heinrich and advocates like John Sullivan Dwight, as well as by the women's clubs that flourished nationwide. At the same time as examining the critical reception of the artists and songs, Platt reveals ways in which US recital programs anticipated trends in European recitals. She also places lieder against the backdrop of the time, when factors like the growth in the sheet music industry, the evolution of American art song, and emerging anti-German feeling had a profound impact on the genre's popularity"--</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1890-1900</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Liederzyklus</subfield><subfield code="0">(DE-588)4297924-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstlied</subfield><subfield code="0">(DE-588)4166040-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikleben</subfield><subfield code="0">(DE-588)4075128-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Deutsch</subfield><subfield code="0">(DE-588)4113292-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Aufführung</subfield><subfield code="0">(DE-588)4143388-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Songs / United States / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Songs, German / United States / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / United States / German influences</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Concerts / United States / History</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Concerts</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / German influences</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Songs</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Songs, German</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">United States</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">History</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Deutsch</subfield><subfield code="0">(DE-588)4113292-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Kunstlied</subfield><subfield code="0">(DE-588)4166040-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Liederzyklus</subfield><subfield code="0">(DE-588)4297924-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Aufführung</subfield><subfield code="0">(DE-588)4143388-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Musikleben</subfield><subfield code="0">(DE-588)4075128-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="6"><subfield code="a">Geschichte 1890-1900</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-0-252-05510-2</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034720218&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20240119</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034720218</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.4</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09041</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09034</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.4</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09034</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="g">43</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09041</subfield><subfield code="g">73</subfield></datafield></record></collection> |
| geographic | USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV049392828 |
| illustrated | Illustrated |
| index_date | 2024-07-03T23:01:44Z |
| indexdate | 2024-07-10T10:05:49Z |
| institution | BVB |
| isbn | 9780252087592 9780252045486 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034720218 |
| oclc_num | 1418691708 |
| open_access_boolean | |
| owner | DE-12 DE-188 |
| owner_facet | DE-12 DE-188 |
| physical | x, 299 Seiten Illustrationen, Porträts 23,6 cm |
| psigel | BSB_NED_20240119 |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | University of Illinois Press |
| record_format | marc |
| series2 | Music in American life |
| spelling | Platt, Heather 1962- Verfasser (DE-588)1031659749 aut Lieder in America on stages and in parlors Heather Platt Urbana ; Chicago ; Springfield University of Illinois Press [2023] 2023 x, 299 Seiten Illustrationen, Porträts 23,6 cm txt rdacontent n rdamedia nc rdacarrier Music in American life Introducing a "Higher Class" of Song to American Audiences -- Song Recitals and Song Recital Series -- The Henschels' Polyglot "Vocal Recitals" -- Max Heinrich's "Classical Song Recitals" -- Max Heinrich's Expanding Stylistic and Geographic Vistas -- Villa Whitney White and Women's Music Clubs -- David Bispham and the Heyday of Song Recitals -- Epilogue. The End of an Era -- Appendix. Milestones in the Development of Song Recitals "Though viewed as quintessentially German, lieder became a centerpiece of nineteenth century song recitals in the United States. By the 1890s, these songs, which were often sung in English, were a sensation among tutored and untutored music lovers alike. Heather Platt examines the varied supporters and singers who both established the lied as a concert repertoire and shaped a new kind of recital dedicated to art songs. Lieder were embraced and spread by performers like Max Heinrich and advocates like John Sullivan Dwight, as well as by the women's clubs that flourished nationwide. At the same time as examining the critical reception of the artists and songs, Platt reveals ways in which US recital programs anticipated trends in European recitals. She also places lieder against the backdrop of the time, when factors like the growth in the sheet music industry, the evolution of American art song, and emerging anti-German feeling had a profound impact on the genre's popularity"-- Geschichte 1890-1900 gnd rswk-swf Liederzyklus (DE-588)4297924-9 gnd rswk-swf Kunstlied (DE-588)4166040-7 gnd rswk-swf Musikleben (DE-588)4075128-4 gnd rswk-swf Deutsch (DE-588)4113292-0 gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Songs / United States / History and criticism Songs, German / United States / History and criticism Music / United States / German influences Concerts / United States / History Concerts Music / German influences Songs Songs, German United States Criticism, interpretation, etc History USA (DE-588)4078704-7 g Deutsch (DE-588)4113292-0 s Kunstlied (DE-588)4166040-7 s Liederzyklus (DE-588)4297924-9 s Aufführung (DE-588)4143388-9 s Musikleben (DE-588)4075128-4 s Geschichte 1890-1900 z DE-604 Erscheint auch als Online-Ausgabe 978-0-252-05510-2 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034720218&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Platt, Heather 1962- Lieder in America on stages and in parlors Introducing a "Higher Class" of Song to American Audiences -- Song Recitals and Song Recital Series -- The Henschels' Polyglot "Vocal Recitals" -- Max Heinrich's "Classical Song Recitals" -- Max Heinrich's Expanding Stylistic and Geographic Vistas -- Villa Whitney White and Women's Music Clubs -- David Bispham and the Heyday of Song Recitals -- Epilogue. The End of an Era -- Appendix. Milestones in the Development of Song Recitals Liederzyklus (DE-588)4297924-9 gnd Kunstlied (DE-588)4166040-7 gnd Musikleben (DE-588)4075128-4 gnd Deutsch (DE-588)4113292-0 gnd Aufführung (DE-588)4143388-9 gnd |
| subject_GND | (DE-588)4297924-9 (DE-588)4166040-7 (DE-588)4075128-4 (DE-588)4113292-0 (DE-588)4143388-9 (DE-588)4078704-7 |
| title | Lieder in America on stages and in parlors |
| title_auth | Lieder in America on stages and in parlors |
| title_exact_search | Lieder in America on stages and in parlors |
| title_exact_search_txtP | Lieder in America on stages and in parlors |
| title_full | Lieder in America on stages and in parlors Heather Platt |
| title_fullStr | Lieder in America on stages and in parlors Heather Platt |
| title_full_unstemmed | Lieder in America on stages and in parlors Heather Platt |
| title_short | Lieder in America |
| title_sort | lieder in america on stages and in parlors |
| title_sub | on stages and in parlors |
| topic | Liederzyklus (DE-588)4297924-9 gnd Kunstlied (DE-588)4166040-7 gnd Musikleben (DE-588)4075128-4 gnd Deutsch (DE-588)4113292-0 gnd Aufführung (DE-588)4143388-9 gnd |
| topic_facet | Liederzyklus Kunstlied Musikleben Deutsch Aufführung USA |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034720218&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT plattheather liederinamericaonstagesandinparlors |