Film, negation and freedom: capitalism and romantic critique
"Film, Negation and Freedom: Capitalism and Romantic Critique explores cinema in relation to the critical tradition in modern philosophy and its heritage in Romantic aesthetics. Synthesising a variety of discursive fields and traditions — including Early German Romanticism, Frankfurt School cri...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New York
Bloomsbury Academic
2023
|
Schriftenreihe: | Bloomsbury collections
|
Schlagworte: | |
Online-Zugang: | BSB01 UBR01 UBT01 URL des Erstveröffentlichers |
Zusammenfassung: | "Film, Negation and Freedom: Capitalism and Romantic Critique explores cinema in relation to the critical tradition in modern philosophy and its heritage in Romantic aesthetics. Synthesising a variety of discursive fields and traditions — including Early German Romanticism, Frankfurt School critical theory and the aesthetic philosophy of Jacques Rancière — Film, Negation and Freedom outlines a radical new approach to film by re-examining the work of Arthur Penn and Lindsay Anderson. A distinction between Light and Dark Romanticism is introduced as a means of interpreting cinema's relationship with capitalism, as well as dualistic concepts such as stillness and motion, passivity and activity, pain and pleasure. Film, Negation and Freedom revitalises our understanding of modern audio-visual media, as well as the aesthetic, philosophical and political conditions of Romantic subjectivity, artistic practice and spectatorship." |
Beschreibung: | 1 Online-Ressource (264 Seiten) |
ISBN: | 9798765105559 9798765105566 9798765105573 |
DOI: | 10.5040/9798765105559 |
Internformat
MARC
LEADER | 00000nmm a22000008c 4500 | ||
---|---|---|---|
001 | BV049392798 | ||
003 | DE-604 | ||
005 | 20240108 | ||
007 | cr|uuu---uuuuu | ||
008 | 231103s2023 |||| o||u| ||||||eng d | ||
020 | |a 9798765105559 |c online |9 979-8-7651-0555-9 | ||
020 | |a 9798765105566 |c epdf |9 979-8-7651-0556-6 | ||
020 | |a 9798765105573 |c epub |9 979-8-7651-0557-3 | ||
024 | 7 | |a 10.5040/9798765105559 |2 doi | |
035 | |a (OCoLC)1409116281 | ||
035 | |a (DE-599)BVBBV049392798 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-703 |a DE-355 | ||
100 | 1 | |a Kitchen, Will |e Verfasser |0 (DE-588)1234475359 |4 aut | |
245 | 1 | 0 | |a Film, negation and freedom |b capitalism and romantic critique |c Will Kitchen |
264 | 1 | |a New York |b Bloomsbury Academic |c 2023 | |
300 | |a 1 Online-Ressource (264 Seiten) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a Bloomsbury collections | |
520 | 3 | |a "Film, Negation and Freedom: Capitalism and Romantic Critique explores cinema in relation to the critical tradition in modern philosophy and its heritage in Romantic aesthetics. Synthesising a variety of discursive fields and traditions — including Early German Romanticism, Frankfurt School critical theory and the aesthetic philosophy of Jacques Rancière — Film, Negation and Freedom outlines a radical new approach to film by re-examining the work of Arthur Penn and Lindsay Anderson. A distinction between Light and Dark Romanticism is introduced as a means of interpreting cinema's relationship with capitalism, as well as dualistic concepts such as stillness and motion, passivity and activity, pain and pleasure. Film, Negation and Freedom revitalises our understanding of modern audio-visual media, as well as the aesthetic, philosophical and political conditions of Romantic subjectivity, artistic practice and spectatorship." | |
600 | 1 | 7 | |a Anderson, Lindsay |d 1923-1994 |0 (DE-588)118645137 |2 gnd |9 rswk-swf |
600 | 1 | 7 | |a Penn, Arthur |d 1922-2010 |0 (DE-588)120429349 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Ästhetik |0 (DE-588)4000626-8 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Kritische Theorie |0 (DE-588)4073840-1 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Kapitalismus |0 (DE-588)4029577-1 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Romantik |0 (DE-588)4050491-8 |2 gnd |9 rswk-swf |
653 | 1 | |a Penn, Arthur / 1922-2010 / Criticism and interpretation | |
653 | 1 | |a Anderson, Lindsay / 1923-1994 / Criticism and interpretation | |
653 | 0 | |a Motion pictures / Philosophy | |
653 | 0 | |a Capitalism | |
653 | 0 | |a Romanticism | |
653 | 1 | |a Anderson, Lindsay / 1923-1994 | |
653 | 1 | |a Penn, Arthur / 1922-2010 | |
653 | 0 | |a Capitalism | |
653 | 0 | |a Motion pictures / Philosophy | |
653 | 0 | |a Romanticism | |
653 | 6 | |a Criticism, interpretation, etc | |
653 | 6 | |a Film criticism | |
689 | 0 | 0 | |a Penn, Arthur |d 1922-2010 |0 (DE-588)120429349 |D p |
689 | 0 | 1 | |a Anderson, Lindsay |d 1923-1994 |0 (DE-588)118645137 |D p |
689 | 0 | 2 | |a Film |0 (DE-588)4017102-4 |D s |
689 | 0 | 3 | |a Kritische Theorie |0 (DE-588)4073840-1 |D s |
689 | 0 | 4 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
689 | 0 | 5 | |a Romantik |0 (DE-588)4050491-8 |D s |
689 | 0 | 6 | |a Kapitalismus |0 (DE-588)4029577-1 |D s |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, hbk |z 979-8-7651-0553-5 |
856 | 4 | 0 | |u https://doi.org/10.5040/9798765105559?locatt=label:secondary_bloomsburyCollections |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-162-BFM | ||
940 | 1 | |q ZDB-162-BFM23 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-034720188 | ||
966 | e | |u https://doi.org/10.5040/9798765105559?locatt=label:secondary_bloomsburyCollections |l BSB01 |p ZDB-162-BFM |q ZDB-162-BFM23 |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.5040/9798765105559?locatt=label:secondary_bloomsburyCollections |l UBR01 |p ZDB-162-BFM |q UBR Paketkauf 2023 |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.5040/9798765105559?locatt=label:secondary_bloomsburyCollections |l UBT01 |p ZDB-162-BFM |q ZDB-162-BFM23 |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804186103849156608 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Kitchen, Will |
author_GND | (DE-588)1234475359 |
author_facet | Kitchen, Will |
author_role | aut |
author_sort | Kitchen, Will |
author_variant | w k wk |
building | Verbundindex |
bvnumber | BV049392798 |
collection | ZDB-162-BFM |
ctrlnum | (OCoLC)1409116281 (DE-599)BVBBV049392798 |
doi_str_mv | 10.5040/9798765105559 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04059nmm a22007218c 4500</leader><controlfield tag="001">BV049392798</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240108 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">231103s2023 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9798765105559</subfield><subfield code="c">online</subfield><subfield code="9">979-8-7651-0555-9</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9798765105566</subfield><subfield code="c">epdf</subfield><subfield code="9">979-8-7651-0556-6</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9798765105573</subfield><subfield code="c">epub</subfield><subfield code="9">979-8-7651-0557-3</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.5040/9798765105559</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1409116281</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049392798</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-703</subfield><subfield code="a">DE-355</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Kitchen, Will</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1234475359</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Film, negation and freedom</subfield><subfield code="b">capitalism and romantic critique</subfield><subfield code="c">Will Kitchen</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Bloomsbury Academic</subfield><subfield code="c">2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (264 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Bloomsbury collections</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Film, Negation and Freedom: Capitalism and Romantic Critique explores cinema in relation to the critical tradition in modern philosophy and its heritage in Romantic aesthetics. Synthesising a variety of discursive fields and traditions — including Early German Romanticism, Frankfurt School critical theory and the aesthetic philosophy of Jacques Rancière — Film, Negation and Freedom outlines a radical new approach to film by re-examining the work of Arthur Penn and Lindsay Anderson. A distinction between Light and Dark Romanticism is introduced as a means of interpreting cinema's relationship with capitalism, as well as dualistic concepts such as stillness and motion, passivity and activity, pain and pleasure. Film, Negation and Freedom revitalises our understanding of modern audio-visual media, as well as the aesthetic, philosophical and political conditions of Romantic subjectivity, artistic practice and spectatorship."</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Anderson, Lindsay</subfield><subfield code="d">1923-1994</subfield><subfield code="0">(DE-588)118645137</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Penn, Arthur</subfield><subfield code="d">1922-2010</subfield><subfield code="0">(DE-588)120429349</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kritische Theorie</subfield><subfield code="0">(DE-588)4073840-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kapitalismus</subfield><subfield code="0">(DE-588)4029577-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Romantik</subfield><subfield code="0">(DE-588)4050491-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Penn, Arthur / 1922-2010 / Criticism and interpretation</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Anderson, Lindsay / 1923-1994 / Criticism and interpretation</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion pictures / Philosophy</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Capitalism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Romanticism</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Anderson, Lindsay / 1923-1994</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Penn, Arthur / 1922-2010</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Capitalism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion pictures / Philosophy</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Romanticism</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Film criticism</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Penn, Arthur</subfield><subfield code="d">1922-2010</subfield><subfield code="0">(DE-588)120429349</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Anderson, Lindsay</subfield><subfield code="d">1923-1994</subfield><subfield code="0">(DE-588)118645137</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Kritische Theorie</subfield><subfield code="0">(DE-588)4073840-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Romantik</subfield><subfield code="0">(DE-588)4050491-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="6"><subfield code="a">Kapitalismus</subfield><subfield code="0">(DE-588)4029577-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, hbk</subfield><subfield code="z">979-8-7651-0553-5</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.5040/9798765105559?locatt=label:secondary_bloomsburyCollections</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-162-BFM</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">ZDB-162-BFM23</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034720188</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.5040/9798765105559?locatt=label:secondary_bloomsburyCollections</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-162-BFM</subfield><subfield code="q">ZDB-162-BFM23</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.5040/9798765105559?locatt=label:secondary_bloomsburyCollections</subfield><subfield code="l">UBR01</subfield><subfield code="p">ZDB-162-BFM</subfield><subfield code="q">UBR Paketkauf 2023</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.5040/9798765105559?locatt=label:secondary_bloomsburyCollections</subfield><subfield code="l">UBT01</subfield><subfield code="p">ZDB-162-BFM</subfield><subfield code="q">ZDB-162-BFM23</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV049392798 |
illustrated | Not Illustrated |
index_date | 2024-07-03T23:01:43Z |
indexdate | 2024-07-10T10:05:49Z |
institution | BVB |
isbn | 9798765105559 9798765105566 9798765105573 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034720188 |
oclc_num | 1409116281 |
open_access_boolean | |
owner | DE-12 DE-703 DE-355 DE-BY-UBR |
owner_facet | DE-12 DE-703 DE-355 DE-BY-UBR |
physical | 1 Online-Ressource (264 Seiten) |
psigel | ZDB-162-BFM ZDB-162-BFM23 ZDB-162-BFM ZDB-162-BFM23 ZDB-162-BFM UBR Paketkauf 2023 |
publishDate | 2023 |
publishDateSearch | 2023 |
publishDateSort | 2023 |
publisher | Bloomsbury Academic |
record_format | marc |
series2 | Bloomsbury collections |
spelling | Kitchen, Will Verfasser (DE-588)1234475359 aut Film, negation and freedom capitalism and romantic critique Will Kitchen New York Bloomsbury Academic 2023 1 Online-Ressource (264 Seiten) txt rdacontent c rdamedia cr rdacarrier Bloomsbury collections "Film, Negation and Freedom: Capitalism and Romantic Critique explores cinema in relation to the critical tradition in modern philosophy and its heritage in Romantic aesthetics. Synthesising a variety of discursive fields and traditions — including Early German Romanticism, Frankfurt School critical theory and the aesthetic philosophy of Jacques Rancière — Film, Negation and Freedom outlines a radical new approach to film by re-examining the work of Arthur Penn and Lindsay Anderson. A distinction between Light and Dark Romanticism is introduced as a means of interpreting cinema's relationship with capitalism, as well as dualistic concepts such as stillness and motion, passivity and activity, pain and pleasure. Film, Negation and Freedom revitalises our understanding of modern audio-visual media, as well as the aesthetic, philosophical and political conditions of Romantic subjectivity, artistic practice and spectatorship." Anderson, Lindsay 1923-1994 (DE-588)118645137 gnd rswk-swf Penn, Arthur 1922-2010 (DE-588)120429349 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Kritische Theorie (DE-588)4073840-1 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Kapitalismus (DE-588)4029577-1 gnd rswk-swf Romantik (DE-588)4050491-8 gnd rswk-swf Penn, Arthur / 1922-2010 / Criticism and interpretation Anderson, Lindsay / 1923-1994 / Criticism and interpretation Motion pictures / Philosophy Capitalism Romanticism Anderson, Lindsay / 1923-1994 Penn, Arthur / 1922-2010 Criticism, interpretation, etc Film criticism Penn, Arthur 1922-2010 (DE-588)120429349 p Anderson, Lindsay 1923-1994 (DE-588)118645137 p Film (DE-588)4017102-4 s Kritische Theorie (DE-588)4073840-1 s Ästhetik (DE-588)4000626-8 s Romantik (DE-588)4050491-8 s Kapitalismus (DE-588)4029577-1 s DE-604 Erscheint auch als Druck-Ausgabe, hbk 979-8-7651-0553-5 https://doi.org/10.5040/9798765105559?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Kitchen, Will Film, negation and freedom capitalism and romantic critique Anderson, Lindsay 1923-1994 (DE-588)118645137 gnd Penn, Arthur 1922-2010 (DE-588)120429349 gnd Ästhetik (DE-588)4000626-8 gnd Kritische Theorie (DE-588)4073840-1 gnd Film (DE-588)4017102-4 gnd Kapitalismus (DE-588)4029577-1 gnd Romantik (DE-588)4050491-8 gnd |
subject_GND | (DE-588)118645137 (DE-588)120429349 (DE-588)4000626-8 (DE-588)4073840-1 (DE-588)4017102-4 (DE-588)4029577-1 (DE-588)4050491-8 |
title | Film, negation and freedom capitalism and romantic critique |
title_auth | Film, negation and freedom capitalism and romantic critique |
title_exact_search | Film, negation and freedom capitalism and romantic critique |
title_exact_search_txtP | Film, negation and freedom capitalism and romantic critique |
title_full | Film, negation and freedom capitalism and romantic critique Will Kitchen |
title_fullStr | Film, negation and freedom capitalism and romantic critique Will Kitchen |
title_full_unstemmed | Film, negation and freedom capitalism and romantic critique Will Kitchen |
title_short | Film, negation and freedom |
title_sort | film negation and freedom capitalism and romantic critique |
title_sub | capitalism and romantic critique |
topic | Anderson, Lindsay 1923-1994 (DE-588)118645137 gnd Penn, Arthur 1922-2010 (DE-588)120429349 gnd Ästhetik (DE-588)4000626-8 gnd Kritische Theorie (DE-588)4073840-1 gnd Film (DE-588)4017102-4 gnd Kapitalismus (DE-588)4029577-1 gnd Romantik (DE-588)4050491-8 gnd |
topic_facet | Anderson, Lindsay 1923-1994 Penn, Arthur 1922-2010 Ästhetik Kritische Theorie Film Kapitalismus Romantik |
url | https://doi.org/10.5040/9798765105559?locatt=label:secondary_bloomsburyCollections |
work_keys_str_mv | AT kitchenwill filmnegationandfreedomcapitalismandromanticcritique |