The Bible in American poetic culture: community, conflict, war
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cham, Switzerland
Palgrave Macmillan
[2023]
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| Schriftenreihe: | Modern and contemporary poetry and poetics
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xii, 297 Seiten |
| ISBN: | 9783031401053 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents 1 Introduction: Biblical Disputes in American Polity and Poetics 2 Puritan Hebraism: Anne Bradstreet, John Cotton, Edward Taylor Covenantal Community Anne Bradstreet’s Biblical Commentary John Cotton’s Hebrew Republic Edward Taylor’s Covenantal Poetics Controversy in New English Poetics 3 Biblical Poetic Wars: Covenant, Millennium, Apocalypse Covenant, Millennium, Apocalypse Revolutionary Poetry’s Mixed Discourses Poetic Apocalypse in Civil War 4 The Bible Divided Against Itself: Abolition, Slave Spirituals The Abolition Campaign in Poetry Frances Harper Slave Spirituals 1 13 18 23 31 39 46 77 79 83 96 113 115 125 131 xi
xii 5 CONTENTS Rewriting Scripture: Emerson, Whitman, Melville Make Your Own Bible: Emerson’s Poetry and Poetics Walt Whitman ’s Scriptural Transfigurations Melville: Unwriting the Apocalypse 6 Emily Dickinson’s Biblical Contests: Authority, Gender, History 201 Textual Criticism Dickinson’s Woman’s Bible Historicist Poetics 7 155 157 171 182 Women’s Bibles, White and Black: Twentieth Century and Beyond From First to Second Wave Feminism Moore, Plath, Sexton: Scriptural Ethics, Scriptural Ruptures African American Women Poets: Chanting the Bible Cultural Divides Final Remarks Index 202 210 220 233 236 242 256 269 280 293
Although the Bible is the foundation of American poetic tradition, there is no study of the Bible as an ongoing force in American poetry. Not only a source of imagery, allusion, rhythm and style, the Bible is central to how poetry has both shaped and been shaped by American civic, political, and social history, including issues of ethnicity, race and gender. Through poetry core issues of the Bible in American culture emerge in a new light. What defines America as a nation? What are its historical, political and religious meanings and direction? Vitally, how is it that the Bible is at once a shared common text, binding community, and yet was throughout American culture also contested, disputed, and politicized as a weapon of war? This study begins with the Puritans, and goes on to examine poetry of the Revolutionary and Civil Wars, as well as claims and counterclaims in abolition, slavery, and women s rights. In doing so it treats both popular and major writers, including Edward Taylor, Frances Harper, Emerson, Whitman, Dickinson, Moore and Gwendoln Brooks, concluding with Amanda Gorman.
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| adam_txt |
Contents 1 Introduction: Biblical Disputes in American Polity and Poetics 2 Puritan Hebraism: Anne Bradstreet, John Cotton, Edward Taylor Covenantal Community Anne Bradstreet’s Biblical Commentary John Cotton’s Hebrew Republic Edward Taylor’s Covenantal Poetics Controversy in New English Poetics 3 Biblical Poetic Wars: Covenant, Millennium, Apocalypse Covenant, Millennium, Apocalypse Revolutionary Poetry’s Mixed Discourses Poetic Apocalypse in Civil War 4 The Bible Divided Against Itself: Abolition, Slave Spirituals The Abolition Campaign in Poetry Frances Harper Slave Spirituals 1 13 18 23 31 39 46 77 79 83 96 113 115 125 131 xi
xii 5 CONTENTS Rewriting Scripture: Emerson, Whitman, Melville Make Your Own Bible: Emerson’s Poetry and Poetics Walt Whitman ’s Scriptural Transfigurations Melville: Unwriting the Apocalypse 6 Emily Dickinson’s Biblical Contests: Authority, Gender, History 201 Textual Criticism Dickinson’s Woman’s Bible Historicist Poetics 7 155 157 171 182 Women’s Bibles, White and Black: Twentieth Century and Beyond From First to Second Wave Feminism Moore, Plath, Sexton: Scriptural Ethics, Scriptural Ruptures African American Women Poets: Chanting the Bible Cultural Divides Final Remarks Index 202 210 220 233 236 242 256 269 280 293
Although the Bible is the foundation of American poetic tradition, there is no study of the Bible as an ongoing force in American poetry. Not only a source of imagery, allusion, rhythm and style, the Bible is central to how poetry has both shaped and been shaped by American civic, political, and social history, including issues of ethnicity, race and gender. Through poetry core issues of the Bible in American culture emerge in a new light. What defines America as a nation? What are its historical, political and religious meanings and direction? Vitally, how is it that the Bible is at once a shared common text, binding community, and yet was throughout American culture also contested, disputed, and politicized as a weapon of war? This study begins with the Puritans, and goes on to examine poetry of the Revolutionary and Civil Wars, as well as claims and counterclaims in abolition, slavery, and women's rights. In doing so it treats both popular and major writers, including Edward Taylor, Frances Harper, Emerson, Whitman, Dickinson, Moore and Gwendoln Brooks, concluding with Amanda Gorman. |
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