Postdramatic theatre and India: theatre-making since the 1990s
None of the Indian theatre-makers consciously built their works on the Euro-American model of the postdramatic, but many have used the theatre model in innovative, transnational ways. Essentially, they have adapted an originally European theatre paradigm to a different historical context and added n...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Methuen Drama
2023
|
| Ausgabe: | Paperback edition |
| Schriftenreihe: | Methuen drama engage
|
| Schlagworte: | |
| Zusammenfassung: | None of the Indian theatre-makers consciously built their works on the Euro-American model of the postdramatic, but many have used the theatre model in innovative, transnational ways. Essentially, they have adapted an originally European theatre paradigm to a different historical context and added new dimensions to it by cross-pollinating it with indigenous cultural forms. The main aim in doing so has been to invigorate the language of Indian urban theatre that had turned stale under the stronghold of realism growing out of colonial stage practice and homogeneous under the decolonizing drive of the ‘theatre of roots’ movement post-independence. Theatre in India today is rich in cross-media performance, theatre solos and monologues, pure spatial experience, plurimedial work, durational reading, real-time action, and so on. The book balances theory, contextualisation and praxis, building a hitherto non-existing archive of scholarship in Indian theatre within a postdramatic framework, and an argument for its place within contemporary Indian theatre. Interspersed throughout are Indian theatre-makers’ opinions about their contemporary performance theory and practices vis-a-vis those in Europe and the US. |
| Beschreibung: | x, 202 Seiten Illustrationen 22 cm |
| ISBN: | 9781350284395 9781350154087 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV049383854 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | t | ||
| 008 | 231026s2023 a||| |||| 00||| eng d | ||
| 020 | |a 9781350284395 |c pbk |9 978-1-350-28439-5 | ||
| 020 | |a 9781350154087 |c hbk |9 978-1-3501-5408-7 | ||
| 035 | |a (OCoLC)1409127046 | ||
| 035 | |a (DE-599)BVBBV049383854 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-29 | ||
| 100 | 1 | |a Sengupta, Ashis |d 1962- |e Verfasser |0 (DE-588)105940785X |4 aut | |
| 245 | 1 | 0 | |a Postdramatic theatre and India |b theatre-making since the 1990s |c Ashis Sengupta |
| 246 | 1 | 0 | |a theater-making |
| 250 | |a Paperback edition | ||
| 264 | 1 | |a London ; New York ; Oxford ; New Delhi ; Sydney |b Methuen Drama |c 2023 | |
| 300 | |a x, 202 Seiten |b Illustrationen |c 22 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Methuen drama engage | |
| 520 | 3 | |a None of the Indian theatre-makers consciously built their works on the Euro-American model of the postdramatic, but many have used the theatre model in innovative, transnational ways. Essentially, they have adapted an originally European theatre paradigm to a different historical context and added new dimensions to it by cross-pollinating it with indigenous cultural forms. The main aim in doing so has been to invigorate the language of Indian urban theatre that had turned stale under the stronghold of realism growing out of colonial stage practice and homogeneous under the decolonizing drive of the ‘theatre of roots’ movement post-independence. Theatre in India today is rich in cross-media performance, theatre solos and monologues, pure spatial experience, plurimedial work, durational reading, real-time action, and so on. The book balances theory, contextualisation and praxis, building a hitherto non-existing archive of scholarship in Indian theatre within a postdramatic framework, and an argument for its place within contemporary Indian theatre. Interspersed throughout are Indian theatre-makers’ opinions about their contemporary performance theory and practices vis-a-vis those in Europe and the US. | |
| 648 | 7 | |a Geschichte 1990- |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Drama |0 (DE-588)4012899-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Theater |0 (DE-588)4059702-7 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Indien |0 (DE-588)4026722-2 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Theater / India / History / 20th century | |
| 653 | 0 | |a Theater / India / History / 21st century | |
| 653 | 0 | |a Indic drama / 20th century / History and criticism | |
| 653 | 0 | |a Indic drama / 21st century / History and criticism | |
| 653 | 0 | |a Indic drama | |
| 653 | 0 | |a Theater | |
| 653 | 2 | |a India | |
| 653 | 4 | |a 1900-2099 | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 653 | 6 | |a History | |
| 689 | 0 | 0 | |a Indien |0 (DE-588)4026722-2 |D g |
| 689 | 0 | 1 | |a Theater |0 (DE-588)4059702-7 |D s |
| 689 | 0 | 2 | |a Drama |0 (DE-588)4012899-4 |D s |
| 689 | 0 | 3 | |a Geschichte 1990- |A z |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-3501-5409-4 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-3501-5411-7 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, PDF |z 978-1-3501-5410-0 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034711421 | ||
Datensatz im Suchindex
| _version_ | 1804186087913947136 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Sengupta, Ashis 1962- |
| author_GND | (DE-588)105940785X |
| author_facet | Sengupta, Ashis 1962- |
| author_role | aut |
| author_sort | Sengupta, Ashis 1962- |
| author_variant | a s as |
| building | Verbundindex |
| bvnumber | BV049383854 |
| ctrlnum | (OCoLC)1409127046 (DE-599)BVBBV049383854 |
| edition | Paperback edition |
| era | Geschichte 1990- gnd |
| era_facet | Geschichte 1990- |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03263nam a2200577 c 4500</leader><controlfield tag="001">BV049383854</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">231026s2023 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781350284395</subfield><subfield code="c">pbk</subfield><subfield code="9">978-1-350-28439-5</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781350154087</subfield><subfield code="c">hbk</subfield><subfield code="9">978-1-3501-5408-7</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1409127046</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049383854</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-29</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Sengupta, Ashis</subfield><subfield code="d">1962-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)105940785X</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Postdramatic theatre and India</subfield><subfield code="b">theatre-making since the 1990s</subfield><subfield code="c">Ashis Sengupta</subfield></datafield><datafield tag="246" ind1="1" ind2="0"><subfield code="a">theater-making</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">Paperback edition</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London ; New York ; Oxford ; New Delhi ; Sydney</subfield><subfield code="b">Methuen Drama</subfield><subfield code="c">2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">x, 202 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">22 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Methuen drama engage</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">None of the Indian theatre-makers consciously built their works on the Euro-American model of the postdramatic, but many have used the theatre model in innovative, transnational ways. Essentially, they have adapted an originally European theatre paradigm to a different historical context and added new dimensions to it by cross-pollinating it with indigenous cultural forms. The main aim in doing so has been to invigorate the language of Indian urban theatre that had turned stale under the stronghold of realism growing out of colonial stage practice and homogeneous under the decolonizing drive of the ‘theatre of roots’ movement post-independence. Theatre in India today is rich in cross-media performance, theatre solos and monologues, pure spatial experience, plurimedial work, durational reading, real-time action, and so on. The book balances theory, contextualisation and praxis, building a hitherto non-existing archive of scholarship in Indian theatre within a postdramatic framework, and an argument for its place within contemporary Indian theatre. Interspersed throughout are Indian theatre-makers’ opinions about their contemporary performance theory and practices vis-a-vis those in Europe and the US.</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1990-</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Drama</subfield><subfield code="0">(DE-588)4012899-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Theater</subfield><subfield code="0">(DE-588)4059702-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Indien</subfield><subfield code="0">(DE-588)4026722-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Theater / India / History / 20th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Theater / India / History / 21st century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Indic drama / 20th century / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Indic drama / 21st century / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Indic drama</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Theater</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">India</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">1900-2099</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">History</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Indien</subfield><subfield code="0">(DE-588)4026722-2</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Theater</subfield><subfield code="0">(DE-588)4059702-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Drama</subfield><subfield code="0">(DE-588)4012899-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1990-</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-3501-5409-4</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-3501-5411-7</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, PDF</subfield><subfield code="z">978-1-3501-5410-0</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034711421</subfield></datafield></record></collection> |
| geographic | Indien (DE-588)4026722-2 gnd |
| geographic_facet | Indien |
| id | DE-604.BV049383854 |
| illustrated | Illustrated |
| index_date | 2024-07-03T22:59:41Z |
| indexdate | 2024-07-10T10:05:34Z |
| institution | BVB |
| isbn | 9781350284395 9781350154087 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034711421 |
| oclc_num | 1409127046 |
| open_access_boolean | |
| owner | DE-29 |
| owner_facet | DE-29 |
| physical | x, 202 Seiten Illustrationen 22 cm |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Methuen Drama |
| record_format | marc |
| series2 | Methuen drama engage |
| spelling | Sengupta, Ashis 1962- Verfasser (DE-588)105940785X aut Postdramatic theatre and India theatre-making since the 1990s Ashis Sengupta theater-making Paperback edition London ; New York ; Oxford ; New Delhi ; Sydney Methuen Drama 2023 x, 202 Seiten Illustrationen 22 cm txt rdacontent n rdamedia nc rdacarrier Methuen drama engage None of the Indian theatre-makers consciously built their works on the Euro-American model of the postdramatic, but many have used the theatre model in innovative, transnational ways. Essentially, they have adapted an originally European theatre paradigm to a different historical context and added new dimensions to it by cross-pollinating it with indigenous cultural forms. The main aim in doing so has been to invigorate the language of Indian urban theatre that had turned stale under the stronghold of realism growing out of colonial stage practice and homogeneous under the decolonizing drive of the ‘theatre of roots’ movement post-independence. Theatre in India today is rich in cross-media performance, theatre solos and monologues, pure spatial experience, plurimedial work, durational reading, real-time action, and so on. The book balances theory, contextualisation and praxis, building a hitherto non-existing archive of scholarship in Indian theatre within a postdramatic framework, and an argument for its place within contemporary Indian theatre. Interspersed throughout are Indian theatre-makers’ opinions about their contemporary performance theory and practices vis-a-vis those in Europe and the US. Geschichte 1990- gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Indien (DE-588)4026722-2 gnd rswk-swf Theater / India / History / 20th century Theater / India / History / 21st century Indic drama / 20th century / History and criticism Indic drama / 21st century / History and criticism Indic drama Theater India 1900-2099 Criticism, interpretation, etc History Indien (DE-588)4026722-2 g Theater (DE-588)4059702-7 s Drama (DE-588)4012899-4 s Geschichte 1990- z DE-604 Erscheint auch als Online-Ausgabe 978-1-3501-5409-4 Erscheint auch als Online-Ausgabe 978-1-3501-5411-7 Erscheint auch als Online-Ausgabe, PDF 978-1-3501-5410-0 |
| spellingShingle | Sengupta, Ashis 1962- Postdramatic theatre and India theatre-making since the 1990s Drama (DE-588)4012899-4 gnd Theater (DE-588)4059702-7 gnd |
| subject_GND | (DE-588)4012899-4 (DE-588)4059702-7 (DE-588)4026722-2 |
| title | Postdramatic theatre and India theatre-making since the 1990s |
| title_alt | theater-making |
| title_auth | Postdramatic theatre and India theatre-making since the 1990s |
| title_exact_search | Postdramatic theatre and India theatre-making since the 1990s |
| title_exact_search_txtP | Postdramatic theatre and India theatre-making since the 1990s |
| title_full | Postdramatic theatre and India theatre-making since the 1990s Ashis Sengupta |
| title_fullStr | Postdramatic theatre and India theatre-making since the 1990s Ashis Sengupta |
| title_full_unstemmed | Postdramatic theatre and India theatre-making since the 1990s Ashis Sengupta |
| title_short | Postdramatic theatre and India |
| title_sort | postdramatic theatre and india theatre making since the 1990s |
| title_sub | theatre-making since the 1990s |
| topic | Drama (DE-588)4012899-4 gnd Theater (DE-588)4059702-7 gnd |
| topic_facet | Drama Theater Indien |
| work_keys_str_mv | AT senguptaashis postdramatictheatreandindiatheatremakingsincethe1990s AT senguptaashis theatermaking |