Visual citizenship: communicating political opinions and emotions on social media
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
[2024]
|
| Schriftenreihe: | Routledge studies in media, communication, and politics
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xxv, 321 Seiten |
| ISBN: | 9781032505053 9781032505060 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV049383381 | ||
| 003 | DE-604 | ||
| 005 | 20231205 | ||
| 007 | t | ||
| 008 | 231026s2024 |||| 00||| eng d | ||
| 020 | |a 9781032505053 |c hardback |9 978-1-03-250505-3 | ||
| 020 | |a 9781032505060 |c paperback |9 978-1-03-250506-0 | ||
| 035 | |a (OCoLC)1414559939 | ||
| 035 | |a (DE-599)BVBBV049383381 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-384 | ||
| 084 | |a AP 14150 |0 (DE-625)6897: |2 rvk | ||
| 100 | 1 | |a Bouko, Catherine |d ca. 20./21. Jh. |e Verfasser |0 (DE-588)1311546847 |4 aut | |
| 245 | 1 | 0 | |a Visual citizenship |b communicating political opinions and emotions on social media |c Catherine Bouko |
| 264 | 1 | |a London ; New York |b Routledge |c [2024] | |
| 300 | |a xxv, 321 Seiten | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Routledge studies in media, communication, and politics | |
| 650 | 0 | 7 | |a Politische Kommunikation |0 (DE-588)4134262-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Social Media |0 (DE-588)4639271-3 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Politische Kommunikation |0 (DE-588)4134262-8 |D s |
| 689 | 0 | 1 | |a Social Media |0 (DE-588)4639271-3 |D s |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-003-39880-6 |
| 856 | 4 | 2 | |m Digitalisierung UB Augsburg - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034710953&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034710953 | ||
Datensatz im Suchindex
| _version_ | 1804186087117029376 |
|---|---|
| adam_text | List of figures List of tables Acknowledgements Summaries of the chapters Introduction: Visual citizenship: communicating political opinions and emotions on social media 0.1 0.2 0.3 Concepts Methods Empirical insights PARTI Concepts 1 Everyday political expression as acitizenship practice 1.1 1.2 1.3 1.4 Broad definitions of citizenship, civic engagement and political participation 1.1.1 Dutiful versus self-actualising citizenship 1.1.2 Civic engagement 1.1.3 Political participation Idealising political participation over (online) civic engagement 1.2.1 Civic engagement as latent participation 1.2.2 Three criticisms of the gateway model Listening as an underestimated activity Idealising rational deliberation and consensus 1.4.1 The anachronistic bourgeois public sphere xii xiv xvii xviii 1 4 6 9 15 17 18 18 18 19 21 21 21 23 24 24
Ideal rational versus fragmented and messy citizenship practices 26 1.4.3 Deliberation versus agonism, and the conflictual nature of modern pluralism Idealising a certain kind of citizen 1.5.1 Nostalgia for sophisticated literacy in the olden days 1.5.2 Undermining power relations and inequalities among citizens 29 1.4.2 1.5 2 Citizenship, social media and visual cultures 2.1 2.2 2.3 3 The visual turn and a new semiotic order Technical advances and visualplatform vernaculars Citizens’ political expression in visual social media posts The blurring of private and public spheres Privatised civic engagement on ubiquitous social media Political self-expression embedded in personal experiences Image-based content that personalises political self-expression 3.4.1 Political selfies by ordinary people 3.4.2 Pictures of eye-witnessed events Popular culture, creativity and citizenship Heuristic devices in citizens’ political social media posts 4.2.1 Semiotic familiarity: the power of conventional metaphors 4.2.2 Semiotic innovation: the power of play and creative metaphors 62 4.2.2 Л Creative parodies of conventional metaphors 4.2.2.2 Creative metaphors 4.2.3 The power of play and the danger of cognitive biases The affective turn in politicalexpression 5.1.1 Emotion and affect: two different types of situational entanglement 44 45 46 48 48 49 54 5 Affective citizenship 5.1 33 35 38 44 4 Visual creativity and civic engagement 4.1 4.2 28 33 Personalised citizenship 3.1 3.2 3.3 3.4 27 28 54 57 58 63 63 65 71 71 72
5.2 5.3 5.1.2 Emotion and reason 5.1.3 The cultural practice of emotion 5.1.4 The social glue in a political context Affective economies on social media Visual content and emotions 5.3.1 Cognitive approaches to images and emotions 5.3.2 Iconic images and the circulation of emotions 5.3.3 Emotions and citizens visual imagery on social media 82 73 74 75 76 79 79 80 PART 2 89 Methods 6 Challenges to the validity of visual studies 6.1 6.2 91 Challenges in content analysis 6.1.1 Quantitative and qualitative content analyses 6.1.2 Manifest and latent content Challenges in discourse analysis 6.2.1 The analysis of discourse structures and patterns 6.2.2 Qualitative discourse analysis 6.2.3 Interviews and reverse image searches as complementary methods 99 7 Systemic functional approaches to visual content 7.1 7.2 7.3 The three functions of language O’Toole’s functional framework for paintings Kress and van Leeuwen’s three functions of visual communication 7.3.1 The representational function 7.3.1.1 Narrative structures 7.3.1.2 Conceptual structures 7.3.2 The interpersonal function 7.3.2 Л Interactivity 7.3.2 .2 Modality: colour, perspective, background, representation, depth, illumination and brightness 7.3.3 The compositional function 7.3.3.1 Information value: left-right,top bottom and centre-margin 7.3.3.2 Salience 7.3.3.3 Framing 92 92 93 95 96 97 103 103 105 107 107 107 114 120 120 125 128 128 136 137
7.4 Two challenges in analysing visual resources 7.4.1 Social semiotics and the “grammar” of visual content 138 7.4.2 Units of analysis in visual content 8 Methodological standards for quantitative content analysis of social media posts 8.1 8.2 8.3 8.4 8.5 9.2 9.3 140 147 A rich variety of existing research designs Data collection and selection Data contextualisation The size of a valid sample Intercoder and intracoder reliability and the size of the testing sample 156 9 Categories for visual content analysis 9.1 138 Representational variables: connection with the research question, standard and specific topics, frames 9.1.1 Preliminary variable: the connection with the research question 9.1.2 Standard variables: standard topics 9.1.3 Contextualised variables: specific genres and topics 9.1.4 Latent variables: frames based on manifest or latent content 175 Interpersonal variables Compositional variables 10 Appraisal in text-image social media content 10.1 Emotion, opinion and the issue of observability 10.2 Thematised emotions and opinions in text and image 10.2.1 Thematised attitude: affect, judgement and appreciation 201 10.2.2 Literal and figurative thematised emotions: major sets versus basic emotions 10.2.3 Literal and figurative opinions: inscribed or evoked judgement 209 10.3 Signal-like emotions and opinions in text 10.4 Supported emotions and opinions in text and image 10.4.1 Content patterns and related methodological questions 218 10.4.2 Text-image rhetoric: attitude in visual arguments 10.4.3 Specific emotions in supported attitude 147 150 151 153 163 163 163
165 167 181 187 194 194 200 204 213 217 222 228
PART 3 Empirical insights 235 11 The Brexit vote and its aftermath: quantitative results 237 11.1 11.2 11.3 11.4 U.S The connection with Brexit and tagging practices A threefold concentration of topics An unexpected variety of visual genres Self-expression as the main social relation Stance and the issue of polarisation 12 Opinions and emotions in text-image relations 12.1 Ten patterns of attitude in multimodal social media posts 12.2 Five types of appraisers in the verbal elements 12.3 Eight types of verbal attitude in multimodal social media posts 267 12.3.1 Attitude in common-sense sayings, statements or proverbs 12.3.2 Indirect speech and endorsement of external voices 12.3.3 Anchorage of the visual content 12.3.3.1 Attitude through anchorage, no attitude in the visual content 272 12.3.3.2 No attitude through anchorage, attitude in the visual content 273 12.3.3.3 Attitude through both anchorage and in the visual content 274 12.3.3.4 No attitude neither through anchorage nor in the visual content 12.3.4 Diegetic relay of attitude 12.3.5 Verbal alignment and disalignment with attitudinal visual content 276 12.3.5.1 Verbal alignment or disalignment with thematised emotions in the visual content 276 12.3.5.2 Verbal alignment or disalignment with thematised judgements in the visual content 276 12.3.5.3 Verbal alignment or disalignment with supported attitude in the visual content 277 12.3.6 Minimal attitudinal lexis 12.3.6.1 Minimal affect lexis 12.3.6.2 Minimal judgement lexis 238 241 246 249 252 260 260 264 269 269 270 275 276 277 277 277
Minimal lexis of supported attitude in general statements Emotion-related general statements Judgement-related general statements General statements of supported attitude 12.3.8 Attitude in personal narratives 12.3.8.1 Thematised emotions in personal narratives 12.3.8.2 Thematised judgements in personal narratives 12.3.8.3 Supported attitude in personal narratives 12.4 Multimodal patterns and attitude in visual content 12.4.1 Convergence or divergence in the types of attitude 12.4.2 Literal or figurative nature of the verbal and visual content 12.4.3 Attitude and types of visual participants and processes 12.5 Contracting and expanding alternative voices: two patterns of engagement 12.3.6.3 12.3.7 Attitude 12.3.7.1 12.3.7.2 12.3.7.3 13 Metaphoric judgement and creativity in the Brexit context 13.1 Inferring multimodal metaphors 13.2 Emotion-related metaphors 13.3 Judgement-related metaphors in multimodal content 13.3.1 Quantitative findings: the prevalence of four metaphors 13.3.2 Scenarios and moral foundations in metaphors 13.3.2.1 Judgement-related metaphors without markers of moral foundations299 13.3.2.2 Judgement-related metaphors with markers of moral foundations 300 13.4 Metaphoric creativity in image-based social media posts 13.4.1 Level zero: no metaphoric creativity at the conceptual, image or formulation level 309 13.4.2 Level one: non-metaphoric creativity at the formulation level 13.4.3 Level two: metaphoric creativity at the formulation level 311 277 278 278 278 278 278 279 279 279 280 280 280 281 281 286 287 289 293 293 295 306 310
13.4.4 Level three: double metaphoric creativity at the formulation level 311 13.4.5 Level four: metaphoric creativity at the conceptual level and image-schema creativity 312 13.5 Creativity in mundane experiences 314 Index 319
|
| adam_txt |
List of figures List of tables Acknowledgements Summaries of the chapters Introduction: Visual citizenship: communicating political opinions and emotions on social media 0.1 0.2 0.3 Concepts Methods Empirical insights PARTI Concepts 1 Everyday political expression as acitizenship practice 1.1 1.2 1.3 1.4 Broad definitions of citizenship, civic engagement and political participation 1.1.1 Dutiful versus self-actualising citizenship 1.1.2 Civic engagement 1.1.3 Political participation Idealising political participation over (online) civic engagement 1.2.1 Civic engagement as latent participation 1.2.2 Three criticisms of the gateway model Listening as an underestimated activity Idealising rational deliberation and consensus 1.4.1 The anachronistic bourgeois public sphere xii xiv xvii xviii 1 4 6 9 15 17 18 18 18 19 21 21 21 23 24 24
Ideal rational versus fragmented and messy citizenship practices 26 1.4.3 Deliberation versus agonism, and the conflictual nature of modern pluralism Idealising a certain kind of citizen 1.5.1 Nostalgia for sophisticated literacy in the olden days 1.5.2 Undermining power relations and inequalities among citizens 29 1.4.2 1.5 2 Citizenship, social media and visual cultures 2.1 2.2 2.3 3 The visual turn and a new semiotic order Technical advances and visualplatform vernaculars Citizens’ political expression in visual social media posts The blurring of private and public spheres Privatised civic engagement on ubiquitous social media Political self-expression embedded in personal experiences Image-based content that personalises political self-expression 3.4.1 Political selfies by ordinary people 3.4.2 Pictures of eye-witnessed events Popular culture, creativity and citizenship Heuristic devices in citizens’ political social media posts 4.2.1 Semiotic familiarity: the power of conventional metaphors 4.2.2 Semiotic innovation: the power of play and creative metaphors 62 4.2.2 Л Creative parodies of conventional metaphors 4.2.2.2 Creative metaphors 4.2.3 The power of play and the danger of cognitive biases The affective turn in politicalexpression 5.1.1 Emotion and affect: two different types of situational entanglement 44 45 46 48 48 49 54 5 Affective citizenship 5.1 33 35 38 44 4 Visual creativity and civic engagement 4.1 4.2 28 33 Personalised citizenship 3.1 3.2 3.3 3.4 27 28 54 57 58 63 63 65 71 71 72
5.2 5.3 5.1.2 Emotion and reason 5.1.3 The cultural practice of emotion 5.1.4 The social glue in a political context Affective economies on social media Visual content and emotions 5.3.1 Cognitive approaches to images and emotions 5.3.2 Iconic images and the circulation of emotions 5.3.3 Emotions and citizens' visual imagery on social media 82 73 74 75 76 79 79 80 PART 2 89 Methods 6 Challenges to the validity of visual studies 6.1 6.2 91 Challenges in content analysis 6.1.1 Quantitative and qualitative content analyses 6.1.2 Manifest and latent content Challenges in discourse analysis 6.2.1 The analysis of discourse structures and patterns 6.2.2 Qualitative discourse analysis 6.2.3 Interviews and reverse image searches as complementary methods 99 7 Systemic functional approaches to visual content 7.1 7.2 7.3 The three functions of language O’Toole’s functional framework for paintings Kress and van Leeuwen’s three functions of visual communication 7.3.1 The representational function 7.3.1.1 Narrative structures 7.3.1.2 Conceptual structures 7.3.2 The interpersonal function 7.3.2 Л Interactivity 7.3.2 .2 Modality: colour, perspective, background, representation, depth, illumination and brightness 7.3.3 The compositional function 7.3.3.1 Information value: left-right,top bottom and centre-margin 7.3.3.2 Salience 7.3.3.3 Framing 92 92 93 95 96 97 103 103 105 107 107 107 114 120 120 125 128 128 136 137
7.4 Two challenges in analysing visual resources 7.4.1 Social semiotics and the “grammar” of visual content 138 7.4.2 Units of analysis in visual content 8 Methodological standards for quantitative content analysis of social media posts 8.1 8.2 8.3 8.4 8.5 9.2 9.3 140 147 A rich variety of existing research designs Data collection and selection Data contextualisation The size of a valid sample Intercoder and intracoder reliability and the size of the testing sample 156 9 Categories for visual content analysis 9.1 138 Representational variables: connection with the research question, standard and specific topics, frames 9.1.1 Preliminary variable: the connection with the research question 9.1.2 Standard variables: standard topics 9.1.3 Contextualised variables: specific genres and topics 9.1.4 Latent variables: frames based on manifest or latent content 175 Interpersonal variables Compositional variables 10 Appraisal in text-image social media content 10.1 Emotion, opinion and the issue of observability 10.2 Thematised emotions and opinions in text and image 10.2.1 Thematised attitude: affect, judgement and appreciation 201 10.2.2 Literal and figurative thematised emotions: major sets versus basic emotions 10.2.3 Literal and figurative opinions: inscribed or evoked judgement 209 10.3 Signal-like emotions and opinions in text 10.4 Supported emotions and opinions in text and image 10.4.1 Content patterns and related methodological questions 218 10.4.2 Text-image rhetoric: attitude in visual arguments 10.4.3 Specific emotions in supported attitude 147 150 151 153 163 163 163
165 167 181 187 194 194 200 204 213 217 222 228
PART 3 Empirical insights 235 11 The Brexit vote and its aftermath: quantitative results 237 11.1 11.2 11.3 11.4 U.S The connection with Brexit and tagging practices A threefold concentration of topics An unexpected variety of visual genres Self-expression as the main social relation Stance and the issue of polarisation 12 Opinions and emotions in text-image relations 12.1 Ten patterns of attitude in multimodal social media posts 12.2 Five types of appraisers in the verbal elements 12.3 Eight types of verbal attitude in multimodal social media posts 267 12.3.1 Attitude in common-sense sayings, statements or proverbs 12.3.2 Indirect speech and endorsement of external voices 12.3.3 Anchorage of the visual content 12.3.3.1 Attitude through anchorage, no attitude in the visual content 272 12.3.3.2 No attitude through anchorage, attitude in the visual content 273 12.3.3.3 Attitude through both anchorage and in the visual content 274 12.3.3.4 No attitude neither through anchorage nor in the visual content 12.3.4 Diegetic relay of attitude 12.3.5 Verbal alignment and disalignment with attitudinal visual content 276 12.3.5.1 Verbal alignment or disalignment with thematised emotions in the visual content 276 12.3.5.2 Verbal alignment or disalignment with thematised judgements in the visual content 276 12.3.5.3 Verbal alignment or disalignment with supported attitude in the visual content 277 12.3.6 Minimal attitudinal lexis 12.3.6.1 Minimal affect lexis 12.3.6.2 Minimal judgement lexis 238 241 246 249 252 260 260 264 269 269 270 275 276 277 277 277
Minimal lexis of supported attitude in general statements Emotion-related general statements Judgement-related general statements General statements of supported attitude 12.3.8 Attitude in personal narratives 12.3.8.1 Thematised emotions in personal narratives 12.3.8.2 Thematised judgements in personal narratives 12.3.8.3 Supported attitude in personal narratives 12.4 Multimodal patterns and attitude in visual content 12.4.1 Convergence or divergence in the types of attitude 12.4.2 Literal or figurative nature of the verbal and visual content 12.4.3 Attitude and types of visual participants and processes 12.5 Contracting and expanding alternative voices: two patterns of engagement 12.3.6.3 12.3.7 Attitude 12.3.7.1 12.3.7.2 12.3.7.3 13 Metaphoric judgement and creativity in the Brexit context 13.1 Inferring multimodal metaphors 13.2 Emotion-related metaphors 13.3 Judgement-related metaphors in multimodal content 13.3.1 Quantitative findings: the prevalence of four metaphors 13.3.2 Scenarios and moral foundations in metaphors 13.3.2.1 Judgement-related metaphors without markers of moral foundations299 13.3.2.2 Judgement-related metaphors with markers of moral foundations 300 13.4 Metaphoric creativity in image-based social media posts 13.4.1 Level zero: no metaphoric creativity at the conceptual, image or formulation level 309 13.4.2 Level one: non-metaphoric creativity at the formulation level 13.4.3 Level two: metaphoric creativity at the formulation level 311 277 278 278 278 278 278 279 279 279 280 280 280 281 281 286 287 289 293 293 295 306 310
13.4.4 Level three: double metaphoric creativity at the formulation level 311 13.4.5 Level four: metaphoric creativity at the conceptual level and image-schema creativity 312 13.5 Creativity in mundane experiences 314 Index 319 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Bouko, Catherine ca. 20./21. Jh |
| author_GND | (DE-588)1311546847 |
| author_facet | Bouko, Catherine ca. 20./21. Jh |
| author_role | aut |
| author_sort | Bouko, Catherine ca. 20./21. Jh |
| author_variant | c b cb |
| building | Verbundindex |
| bvnumber | BV049383381 |
| classification_rvk | AP 14150 |
| ctrlnum | (OCoLC)1414559939 (DE-599)BVBBV049383381 |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01607nam a2200373 c 4500</leader><controlfield tag="001">BV049383381</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20231205 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">231026s2024 |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781032505053</subfield><subfield code="c">hardback</subfield><subfield code="9">978-1-03-250505-3</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781032505060</subfield><subfield code="c">paperback</subfield><subfield code="9">978-1-03-250506-0</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1414559939</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049383381</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-384</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 14150</subfield><subfield code="0">(DE-625)6897:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Bouko, Catherine</subfield><subfield code="d">ca. 20./21. Jh.</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1311546847</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Visual citizenship</subfield><subfield code="b">communicating political opinions and emotions on social media</subfield><subfield code="c">Catherine Bouko</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London ; New York</subfield><subfield code="b">Routledge</subfield><subfield code="c">[2024]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xxv, 321 Seiten</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Routledge studies in media, communication, and politics</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Politische Kommunikation</subfield><subfield code="0">(DE-588)4134262-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Social Media</subfield><subfield code="0">(DE-588)4639271-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Politische Kommunikation</subfield><subfield code="0">(DE-588)4134262-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Social Media</subfield><subfield code="0">(DE-588)4639271-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-003-39880-6</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung UB Augsburg - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034710953&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034710953</subfield></datafield></record></collection> |
| id | DE-604.BV049383381 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:59:35Z |
| indexdate | 2024-07-10T10:05:33Z |
| institution | BVB |
| isbn | 9781032505053 9781032505060 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034710953 |
| oclc_num | 1414559939 |
| open_access_boolean | |
| owner | DE-384 |
| owner_facet | DE-384 |
| physical | xxv, 321 Seiten |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Routledge |
| record_format | marc |
| series2 | Routledge studies in media, communication, and politics |
| spelling | Bouko, Catherine ca. 20./21. Jh. Verfasser (DE-588)1311546847 aut Visual citizenship communicating political opinions and emotions on social media Catherine Bouko London ; New York Routledge [2024] xxv, 321 Seiten txt rdacontent n rdamedia nc rdacarrier Routledge studies in media, communication, and politics Politische Kommunikation (DE-588)4134262-8 gnd rswk-swf Social Media (DE-588)4639271-3 gnd rswk-swf Politische Kommunikation (DE-588)4134262-8 s Social Media (DE-588)4639271-3 s DE-604 Erscheint auch als Online-Ausgabe 978-1-003-39880-6 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034710953&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Bouko, Catherine ca. 20./21. Jh Visual citizenship communicating political opinions and emotions on social media Politische Kommunikation (DE-588)4134262-8 gnd Social Media (DE-588)4639271-3 gnd |
| subject_GND | (DE-588)4134262-8 (DE-588)4639271-3 |
| title | Visual citizenship communicating political opinions and emotions on social media |
| title_auth | Visual citizenship communicating political opinions and emotions on social media |
| title_exact_search | Visual citizenship communicating political opinions and emotions on social media |
| title_exact_search_txtP | Visual citizenship communicating political opinions and emotions on social media |
| title_full | Visual citizenship communicating political opinions and emotions on social media Catherine Bouko |
| title_fullStr | Visual citizenship communicating political opinions and emotions on social media Catherine Bouko |
| title_full_unstemmed | Visual citizenship communicating political opinions and emotions on social media Catherine Bouko |
| title_short | Visual citizenship |
| title_sort | visual citizenship communicating political opinions and emotions on social media |
| title_sub | communicating political opinions and emotions on social media |
| topic | Politische Kommunikation (DE-588)4134262-8 gnd Social Media (DE-588)4639271-3 gnd |
| topic_facet | Politische Kommunikation Social Media |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034710953&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT boukocatherine visualcitizenshipcommunicatingpoliticalopinionsandemotionsonsocialmedia |