Marking radical aesthetics in the time of racial capitalism:
This article examines colonialism, the regime of whiteness, and feminism; it sketches possible genealogies of theories and practices in order to design an aesthetic of radicality or a radical aesthetic that is insurgent and defiant, based on histories and knowledge. We know that aesthetics is a colo...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Artikel |
| Sprache: | English |
| Veröffentlicht: |
2023
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| Schlagworte: | |
| Zusammenfassung: | This article examines colonialism, the regime of whiteness, and feminism; it sketches possible genealogies of theories and practices in order to design an aesthetic of radicality or a radical aesthetic that is insurgent and defiant, based on histories and knowledge. We know that aesthetics is a colonial formation that historically and currently privileges the white European bourgeois who could speculate on the beautiful and the good, while genocidal practices and slave trade were carried out from European soil in other parts of the world. Similarly, the Shoah, the still unthinkable genocide that happened on European soil in the twentieth century and shaped the European present, is still, at its base, covered by rhetorically empty constructions of aesthetic perception, practices, and theories. A radical aesthetics must realign all these categories, not only with a cynical gesture of inversion but to situate them categorically and ethically elsewhere. |
| ISSN: | 0021-8529 |
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| 520 | 3 | |a This article examines colonialism, the regime of whiteness, and feminism; it sketches possible genealogies of theories and practices in order to design an aesthetic of radicality or a radical aesthetic that is insurgent and defiant, based on histories and knowledge. We know that aesthetics is a colonial formation that historically and currently privileges the white European bourgeois who could speculate on the beautiful and the good, while genocidal practices and slave trade were carried out from European soil in other parts of the world. Similarly, the Shoah, the still unthinkable genocide that happened on European soil in the twentieth century and shaped the European present, is still, at its base, covered by rhetorically empty constructions of aesthetic perception, practices, and theories. A radical aesthetics must realign all these categories, not only with a cynical gesture of inversion but to situate them categorically and ethically elsewhere. | |
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| spelling | Gržinić, Marina 1958- Verfasser (DE-588)120556243 aut Marking radical aesthetics in the time of racial capitalism Marina Gržinić 2023 txt rdacontent n rdamedia nc rdacarrier This article examines colonialism, the regime of whiteness, and feminism; it sketches possible genealogies of theories and practices in order to design an aesthetic of radicality or a radical aesthetic that is insurgent and defiant, based on histories and knowledge. We know that aesthetics is a colonial formation that historically and currently privileges the white European bourgeois who could speculate on the beautiful and the good, while genocidal practices and slave trade were carried out from European soil in other parts of the world. Similarly, the Shoah, the still unthinkable genocide that happened on European soil in the twentieth century and shaped the European present, is still, at its base, covered by rhetorically empty constructions of aesthetic perception, practices, and theories. A radical aesthetics must realign all these categories, not only with a cynical gesture of inversion but to situate them categorically and ethically elsewhere. Ästhetik (DE-588)4000626-8 gnd rswk-swf Kolonialismus (DE-588)4073624-6 gnd rswk-swf Ästhetik (DE-588)4000626-8 s Kolonialismus (DE-588)4073624-6 s DE-604 volume:81 number:2 year:2023 month:06 pages:201-212 The journal of aesthetics and art criticism / American Society for Aesthetics. Ed. Thomas Munro Hoboken, NJ, 2023 Volume 81, number 2 (June 2023), Seite [201]-212 (DE-604)BV002662422 0021-8529 (DE-600)2930-0 |
| spellingShingle | Gržinić, Marina 1958- Marking radical aesthetics in the time of racial capitalism Ästhetik (DE-588)4000626-8 gnd Kolonialismus (DE-588)4073624-6 gnd |
| subject_GND | (DE-588)4000626-8 (DE-588)4073624-6 |
| title | Marking radical aesthetics in the time of racial capitalism |
| title_auth | Marking radical aesthetics in the time of racial capitalism |
| title_exact_search | Marking radical aesthetics in the time of racial capitalism |
| title_exact_search_txtP | Marking radical aesthetics in the time of racial capitalism |
| title_full | Marking radical aesthetics in the time of racial capitalism Marina Gržinić |
| title_fullStr | Marking radical aesthetics in the time of racial capitalism Marina Gržinić |
| title_full_unstemmed | Marking radical aesthetics in the time of racial capitalism Marina Gržinić |
| title_short | Marking radical aesthetics in the time of racial capitalism |
| title_sort | marking radical aesthetics in the time of racial capitalism |
| topic | Ästhetik (DE-588)4000626-8 gnd Kolonialismus (DE-588)4073624-6 gnd |
| topic_facet | Ästhetik Kolonialismus |
| work_keys_str_mv | AT grzinicmarina markingradicalaestheticsinthetimeofracialcapitalism |