Performative activism redeemed:
Over the last century, performance art has troubled the worlds of art and of philosophical aesthetics, unleashing modes of creativity and criticality that spill outside the customary boundaries of either. One of these modes is that of political activism. Performance art is genetically related to act...
Gespeichert in:
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| Format: | Artikel |
| Sprache: | English |
| Veröffentlicht: |
2023
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| Schlagworte: | |
| Zusammenfassung: | Over the last century, performance art has troubled the worlds of art and of philosophical aesthetics, unleashing modes of creativity and criticality that spill outside the customary boundaries of either. One of these modes is that of political activism. Performance art is genetically related to activism due to the shared historical contexts their respective waves have emerged from and responded to. In my article, I make the claim that the relationship between performance art and activism also has much to do with certain significant structural and methodological overlaps between the two. I explore these overlaps against the backdrop of extant philosophical scholarship on performativity, a selection of art historical examples, and a critique of the charge of "performative activism" that has become popular in the last decade. I see the tension between the figurative meaning of the phrase "performative activism" and its literal application to politically charged performance art as a space of philosophical opportunity. A better understanding of performance art and its political import can not only help clear up laypeople’s misconceptions of performativity, but it can also strengthen philosophy’s own position on the subject. |
| ISSN: | 0021-8529 |
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| 520 | 3 | |a Over the last century, performance art has troubled the worlds of art and of philosophical aesthetics, unleashing modes of creativity and criticality that spill outside the customary boundaries of either. One of these modes is that of political activism. Performance art is genetically related to activism due to the shared historical contexts their respective waves have emerged from and responded to. In my article, I make the claim that the relationship between performance art and activism also has much to do with certain significant structural and methodological overlaps between the two. I explore these overlaps against the backdrop of extant philosophical scholarship on performativity, a selection of art historical examples, and a critique of the charge of "performative activism" that has become popular in the last decade. I see the tension between the figurative meaning of the phrase "performative activism" and its literal application to politically charged performance art as a space of philosophical opportunity. A better understanding of performance art and its political import can not only help clear up laypeople’s misconceptions of performativity, but it can also strengthen philosophy’s own position on the subject. | |
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| spelling | Ventzislavov, Rossen Verfasser (DE-588)1027082823 aut Performative activism redeemed Rossen Ventzislavov 2023 txt rdacontent n rdamedia nc rdacarrier Over the last century, performance art has troubled the worlds of art and of philosophical aesthetics, unleashing modes of creativity and criticality that spill outside the customary boundaries of either. One of these modes is that of political activism. Performance art is genetically related to activism due to the shared historical contexts their respective waves have emerged from and responded to. In my article, I make the claim that the relationship between performance art and activism also has much to do with certain significant structural and methodological overlaps between the two. I explore these overlaps against the backdrop of extant philosophical scholarship on performativity, a selection of art historical examples, and a critique of the charge of "performative activism" that has become popular in the last decade. I see the tension between the figurative meaning of the phrase "performative activism" and its literal application to politically charged performance art as a space of philosophical opportunity. A better understanding of performance art and its political import can not only help clear up laypeople’s misconceptions of performativity, but it can also strengthen philosophy’s own position on the subject. Performance Künste (DE-588)4173750-7 gnd rswk-swf Engagierte Kunst (DE-588)4681311-1 gnd rswk-swf Aktivismus (DE-588)4000973-7 gnd rswk-swf Politische Kunst (DE-588)4175029-9 gnd rswk-swf Performance Künste (DE-588)4173750-7 s Politische Kunst (DE-588)4175029-9 s Engagierte Kunst (DE-588)4681311-1 s Aktivismus (DE-588)4000973-7 s DE-604 volume:81 number:2 year:2023 month:06 pages:164-172 The journal of aesthetics and art criticism / American Society for Aesthetics. Ed. Thomas Munro Hoboken, NJ, 2023 Volume 81, number 2 (June 2023), Seite [164]-172 (DE-604)BV002662422 0021-8529 (DE-600)2930-0 |
| spellingShingle | Ventzislavov, Rossen Performative activism redeemed Performance Künste (DE-588)4173750-7 gnd Engagierte Kunst (DE-588)4681311-1 gnd Aktivismus (DE-588)4000973-7 gnd Politische Kunst (DE-588)4175029-9 gnd |
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| title | Performative activism redeemed |
| title_auth | Performative activism redeemed |
| title_exact_search | Performative activism redeemed |
| title_exact_search_txtP | Performative activism redeemed |
| title_full | Performative activism redeemed Rossen Ventzislavov |
| title_fullStr | Performative activism redeemed Rossen Ventzislavov |
| title_full_unstemmed | Performative activism redeemed Rossen Ventzislavov |
| title_short | Performative activism redeemed |
| title_sort | performative activism redeemed |
| topic | Performance Künste (DE-588)4173750-7 gnd Engagierte Kunst (DE-588)4681311-1 gnd Aktivismus (DE-588)4000973-7 gnd Politische Kunst (DE-588)4175029-9 gnd |
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