The view from somewhere: undoing the myth of journalistic objectivity
"#MeToo. #BlackLivesMatter. #NeverAgain. #WontBeErased. Though both the right- and left-wing media claim "objectivity" in their reporting of these and other contentious issues, the American public has become increasingly cynical about truth, fact, and reality. In The View From Somewhe...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chicago ; London
The University of Chicago Press
2023
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| Ausgabe: | Paperback edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "#MeToo. #BlackLivesMatter. #NeverAgain. #WontBeErased. Though both the right- and left-wing media claim "objectivity" in their reporting of these and other contentious issues, the American public has become increasingly cynical about truth, fact, and reality. In The View From Somewhere, Lewis Raven Wallace dives deep into the history of "objectivity" in journalism and how it's been used to gatekeep and silence marginalized writers as far back as Ida B. Wells. At its core, this is a book about fierce journalists who have pursued truth and transparency and sometimes been punished for it--not just by tyrannical governments but by journalistic institutions themselves. He highlights the stories of journalists who question "objectivity" with sensitivity and passion: Desmond Cole of the Toronto Star; New York Times reporter Linda Greenhouse; Pulitzer Prize-winner Rachel Kadzi Ghansah; Peabody-winning podcaster John Biewen; Guardian correspondent Gary Younge; former Buzzfeed reporter Meredith Talusan; and many others. Wallace also shares his own experiences as a midwestern transgender journalist and activist who was fired from his job as a national reporter for public radio for speaking out against "objectivity" in coverage of Trump and white supremacy. With insightful steps through history, Wallace stresses that journalists have never been mere passive observers--the choices they make reflect worldviews tinted by race, class, gender, and geography. He upholds the centrality of facts and the necessary discipline of verification but argues against the long-held standard of "objective" media coverage that asks journalists to claim they are without bias." -- Publisher's website |
| Beschreibung: | Includes index |
| Beschreibung: | 239 Seiten 24 cm |
| ISBN: | 9780226589176 9780226826585 |
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| 505 | 8 | |a How Black Lives Matter made the news -- The deviants: race, lynching, and the origins of "objectivity" -- The agitators: journalists as labor leaders -- Drowning in facts: "objectivity," ambiguity, and Vietnam -- "Public Radio Voice" -- Straight news, gay media, and the AIDS crisis -- Journalism's purity ritual -- "Can't you find any more women to attack?": what happens when facts don't matter -- Truth and the lost cause -- The "assault on reality": trans people and subjectivity -- The view from somewhere -- Conclusion: The end of journalism | |
| 520 | 3 | |a "#MeToo. #BlackLivesMatter. #NeverAgain. #WontBeErased. Though both the right- and left-wing media claim "objectivity" in their reporting of these and other contentious issues, the American public has become increasingly cynical about truth, fact, and reality. In The View From Somewhere, Lewis Raven Wallace dives deep into the history of "objectivity" in journalism and how it's been used to gatekeep and silence marginalized writers as far back as Ida B. Wells. At its core, this is a book about fierce journalists who have pursued truth and transparency and sometimes been punished for it--not just by tyrannical governments but by journalistic institutions themselves. He highlights the stories of journalists who question "objectivity" with sensitivity and passion: Desmond Cole of the Toronto Star; New York Times reporter Linda Greenhouse; Pulitzer Prize-winner Rachel Kadzi Ghansah; Peabody-winning podcaster John Biewen; Guardian correspondent Gary Younge; former Buzzfeed reporter Meredith Talusan; and many others. Wallace also shares his own experiences as a midwestern transgender journalist and activist who was fired from his job as a national reporter for public radio for speaking out against "objectivity" in coverage of Trump and white supremacy. With insightful steps through history, Wallace stresses that journalists have never been mere passive observers--the choices they make reflect worldviews tinted by race, class, gender, and geography. He upholds the centrality of facts and the necessary discipline of verification but argues against the long-held standard of "objective" media coverage that asks journalists to claim they are without bias." -- Publisher's website | |
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Datensatz im Suchindex
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| adam_text | Introduction i 1 How Black Lives Matter Made the News 2 The Deviants: Race, Lynching, and the 15 Origins of “Objectivity ” 39 з Ihe Agitators: Journalists as Labor Leaders 53 4 Drowning in Facts: “Objectivity,” Ambiguity, and Vietnam 67 5 “Public Radio Voice” 81 б Straight News, Gay Media, and the AIDS Crisis 7 Journalism’s Purity Ritual 119 8 “Can’t You Find Any More Women to Attack?’’: What Happens When Facts Don’t Matter 139 9 Truth and the Lost Cause 160 10 The ‘Assault on Realty”: Trans People and Subjectivity 176 11 The View from Somewhere 194 Conclusion: The End of Journalism Acknowledgments 217 Further Reading 219 229 208 101
In The View from Somewhere, Lewis Raven Wallace dives deep into the history of “objectivity” in journalism and how it s been used to gatekeep and silence marginal ized writers as far back as Ida B. Wells. Now more than ever, Wallace argues, jour nalism that resists exploitive and tokenistic practices toward marginahzed people isn’t just important—it is essential. Combining Wallace’s intellectual and emotional journey with the wisdom of others’ experiences, The Viewfrom Somewhere is a com pelling rallying cry against journalist neutrality and for the validity ofnews told from distinctly subjective voices. Lewis Raven Wallace is an independent journalist; a cofounder ofPress On, a southern movement journalism collective; and the host of The View from Somewhere podcast. He previously worked in public radio and is a longtime activist engaged in prison abolition, racial justice, and queer and trans liberation. He is a white transgender person from the Midwest and is now based in North Carolina.
|
| adam_txt |
Introduction i 1 How Black Lives Matter Made the News 2 The Deviants: Race, Lynching, and the 15 Origins of “Objectivity ” 39 з Ihe Agitators: Journalists as Labor Leaders 53 4 Drowning in Facts: “Objectivity,” Ambiguity, and Vietnam 67 5 “Public Radio Voice” 81 б Straight News, Gay Media, and the AIDS Crisis 7 Journalism’s Purity Ritual 119 8 “Can’t You Find Any More Women to Attack?’’: What Happens When Facts Don’t Matter 139 9 Truth and the Lost Cause 160 10 The ‘Assault on Realty”: Trans People and Subjectivity 176 11 The View from Somewhere 194 Conclusion: The End of Journalism Acknowledgments 217 Further Reading 219 229 208 101
In The View from Somewhere, Lewis Raven Wallace dives deep into the history of “objectivity” in journalism and how it s been used to gatekeep and silence marginal ized writers as far back as Ida B. Wells. Now more than ever, Wallace argues, jour nalism that resists exploitive and tokenistic practices toward marginahzed people isn’t just important—it is essential. Combining Wallace’s intellectual and emotional journey with the wisdom of others’ experiences, The Viewfrom Somewhere is a com pelling rallying cry against journalist neutrality and for the validity ofnews told from distinctly subjective voices. Lewis Raven Wallace is an independent journalist; a cofounder ofPress On, a southern movement journalism collective; and the host of The View from Somewhere podcast. He previously worked in public radio and is a longtime activist engaged in prison abolition, racial justice, and queer and trans liberation. He is a white transgender person from the Midwest and is now based in North Carolina. |
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| contents | How Black Lives Matter made the news -- The deviants: race, lynching, and the origins of "objectivity" -- The agitators: journalists as labor leaders -- Drowning in facts: "objectivity," ambiguity, and Vietnam -- "Public Radio Voice" -- Straight news, gay media, and the AIDS crisis -- Journalism's purity ritual -- "Can't you find any more women to attack?": what happens when facts don't matter -- Truth and the lost cause -- The "assault on reality": trans people and subjectivity -- The view from somewhere -- Conclusion: The end of journalism |
| ctrlnum | (OCoLC)1409127304 (DE-599)BVBBV049378532 |
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| spelling | Wallace, Lewis Raven Verfasser (DE-588)1206265264 aut The view from somewhere undoing the myth of journalistic objectivity Lewis Raven Wallace Paperback edition Chicago ; London The University of Chicago Press 2023 239 Seiten 24 cm txt rdacontent n rdamedia nc rdacarrier Includes index How Black Lives Matter made the news -- The deviants: race, lynching, and the origins of "objectivity" -- The agitators: journalists as labor leaders -- Drowning in facts: "objectivity," ambiguity, and Vietnam -- "Public Radio Voice" -- Straight news, gay media, and the AIDS crisis -- Journalism's purity ritual -- "Can't you find any more women to attack?": what happens when facts don't matter -- Truth and the lost cause -- The "assault on reality": trans people and subjectivity -- The view from somewhere -- Conclusion: The end of journalism "#MeToo. #BlackLivesMatter. #NeverAgain. #WontBeErased. Though both the right- and left-wing media claim "objectivity" in their reporting of these and other contentious issues, the American public has become increasingly cynical about truth, fact, and reality. In The View From Somewhere, Lewis Raven Wallace dives deep into the history of "objectivity" in journalism and how it's been used to gatekeep and silence marginalized writers as far back as Ida B. Wells. At its core, this is a book about fierce journalists who have pursued truth and transparency and sometimes been punished for it--not just by tyrannical governments but by journalistic institutions themselves. He highlights the stories of journalists who question "objectivity" with sensitivity and passion: Desmond Cole of the Toronto Star; New York Times reporter Linda Greenhouse; Pulitzer Prize-winner Rachel Kadzi Ghansah; Peabody-winning podcaster John Biewen; Guardian correspondent Gary Younge; former Buzzfeed reporter Meredith Talusan; and many others. Wallace also shares his own experiences as a midwestern transgender journalist and activist who was fired from his job as a national reporter for public radio for speaking out against "objectivity" in coverage of Trump and white supremacy. With insightful steps through history, Wallace stresses that journalists have never been mere passive observers--the choices they make reflect worldviews tinted by race, class, gender, and geography. He upholds the centrality of facts and the necessary discipline of verification but argues against the long-held standard of "objective" media coverage that asks journalists to claim they are without bias." -- Publisher's website Journalismus (DE-588)4028779-8 gnd rswk-swf Objektivität (DE-588)4172310-7 gnd rswk-swf Ethik (DE-588)4015602-3 gnd rswk-swf Journalism / Objectivity / United States Journalistic ethics / United States Social movements / Press coverage / United States Social justice / Press coverage / United States LANGUAGE ARTS & DISCIPLINES / Journalism Journalism / Objectivity Journalistic ethics United States Journalismus (DE-588)4028779-8 s Objektivität (DE-588)4172310-7 s Ethik (DE-588)4015602-3 s DE-604 Erscheint auch als Online-Ausgabe 978-0-226-66743-0 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034706209&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034706209&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Wallace, Lewis Raven The view from somewhere undoing the myth of journalistic objectivity How Black Lives Matter made the news -- The deviants: race, lynching, and the origins of "objectivity" -- The agitators: journalists as labor leaders -- Drowning in facts: "objectivity," ambiguity, and Vietnam -- "Public Radio Voice" -- Straight news, gay media, and the AIDS crisis -- Journalism's purity ritual -- "Can't you find any more women to attack?": what happens when facts don't matter -- Truth and the lost cause -- The "assault on reality": trans people and subjectivity -- The view from somewhere -- Conclusion: The end of journalism Journalismus (DE-588)4028779-8 gnd Objektivität (DE-588)4172310-7 gnd Ethik (DE-588)4015602-3 gnd |
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| title | The view from somewhere undoing the myth of journalistic objectivity |
| title_auth | The view from somewhere undoing the myth of journalistic objectivity |
| title_exact_search | The view from somewhere undoing the myth of journalistic objectivity |
| title_exact_search_txtP | The view from somewhere undoing the myth of journalistic objectivity |
| title_full | The view from somewhere undoing the myth of journalistic objectivity Lewis Raven Wallace |
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| title_full_unstemmed | The view from somewhere undoing the myth of journalistic objectivity Lewis Raven Wallace |
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| title_sort | the view from somewhere undoing the myth of journalistic objectivity |
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