DeFord Bailey: a Black star in early country music
Bailey is largely forgotten today, a victim of the recording industry's emphasis on the blues during the 1920s--a decision which segregated forever "black" folk music from "white" folk music. Bailey was from an African American mountain culture that shared much of its musica...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Nashville, TN
Country Music Foundation Press
2023
|
| Ausgabe: | Revised paperback edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Bailey is largely forgotten today, a victim of the recording industry's emphasis on the blues during the 1920s--a decision which segregated forever "black" folk music from "white" folk music. Bailey was from an African American mountain culture that shared much of its musical heritage with its Anglo-Saxon neighbors, producing a unique hybrid which Bailey called "black hillbilly." A virtuoso on the harmonica, guitar, and banjo, Bailey became one of the Grand Old Opry's earliest stars during the 1920s, only to be fired from the Opry in 1941 during one of the Opry's more repressive eras. Bailey's story is told mainly in his own words through interviews conducted by his longtime friend Morton, with Wolfe (English and folklore, Middle Tennessee State Univ.) providing cultural and historical background. The authors' stated goal was to write a book of universal appeal, and indeed the work is a fascinating cultural history. -- Library Journal |
| Beschreibung: | xxiii, 199 Seiten Illustrationen, Porträts 23 cm |
| ISBN: | 9780915608393 |
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| 505 | 8 | |a Acknowledgments -- Introductions -- The blues is a sad music -- They didn't give me no rattler, they gave me a harp -- That boy's gonna play that harp someday -- I wasn't cut out for most jobs -- The world's pet -- A gold mine walking around on earth -- them songs -- We got their best harp player -- Had some good times together -- The Black and the White -- all wanted to hear the same tune -- They turned me loose to root hog or die -- I knowed I could make it on my own -- We got to meet Jesus someday -- Just playing to four walls and to God -- You have to learn to live with old age -- Appendix : musical selections performed by Bailey -- Sources -- Discography -- Index | |
| 520 | 3 | |a Bailey is largely forgotten today, a victim of the recording industry's emphasis on the blues during the 1920s--a decision which segregated forever "black" folk music from "white" folk music. Bailey was from an African American mountain culture that shared much of its musical heritage with its Anglo-Saxon neighbors, producing a unique hybrid which Bailey called "black hillbilly." A virtuoso on the harmonica, guitar, and banjo, Bailey became one of the Grand Old Opry's earliest stars during the 1920s, only to be fired from the Opry in 1941 during one of the Opry's more repressive eras. Bailey's story is told mainly in his own words through interviews conducted by his longtime friend Morton, with Wolfe (English and folklore, Middle Tennessee State Univ.) providing cultural and historical background. The authors' stated goal was to write a book of universal appeal, and indeed the work is a fascinating cultural history. -- Library Journal | |
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Datensatz im Suchindex
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| adam_text | Contents Foreword by Dom Flemons xi Acknowledgments xv Introductions xix 1. “The Blues Is a Sad Music” 1 2. “They Didn’t Give Me No Rattler, They Gave Me a Harp” 12 3. “That Boy’s Gonna Play That Harp Someday” 22 4. “I Wasn’t Cut Out for Most Jobs” 32 5. “The World’s Pet” 40 6. “A Gold Mine Walking Around on Earth” 50 7. “Them Songs” 60 8. “We Got Their Best Harp Player” 83 9. “Had Some Good Times Together” 93 10. “The Black and the White— All Wanted to Hear the Same Tune” 109 11. “They Turned Me Loose to Root Hog or Die” 121 12. “I Knowed I Could Make It on My Own” 131 13. “We Got to Meet Jesus Someday” 140 14. 15. “Just Playing to Four Walls and to God” 147 “You Have to Learn to Live with Old Age” 164 Appendix: Musical Selections Performed by Bailey 175 Sources 177 Discography 185 Index 187
|
| adam_txt |
Contents Foreword by Dom Flemons xi Acknowledgments xv Introductions xix 1. “The Blues Is a Sad Music” 1 2. “They Didn’t Give Me No Rattler, They Gave Me a Harp” 12 3. “That Boy’s Gonna Play That Harp Someday” 22 4. “I Wasn’t Cut Out for Most Jobs” 32 5. “The World’s Pet” 40 6. “A Gold Mine Walking Around on Earth” 50 7. “Them Songs” 60 8. “We Got Their Best Harp Player” 83 9. “Had Some Good Times Together” 93 10. “The Black and the White— All Wanted to Hear the Same Tune” 109 11. “They Turned Me Loose to Root Hog or Die” 121 12. “I Knowed I Could Make It on My Own” 131 13. “We Got to Meet Jesus Someday” 140 14. 15. “Just Playing to Four Walls and to God” 147 “You Have to Learn to Live with Old Age” 164 Appendix: Musical Selections Performed by Bailey 175 Sources 177 Discography 185 Index 187 |
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| author | Morton, David C. 1945- |
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| author_facet | Morton, David C. 1945- Wolfe, Charles K. 1943-2006 |
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| author_sort | Morton, David C. 1945- |
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| bvnumber | BV049376280 |
| contents | Acknowledgments -- Introductions -- The blues is a sad music -- They didn't give me no rattler, they gave me a harp -- That boy's gonna play that harp someday -- I wasn't cut out for most jobs -- The world's pet -- A gold mine walking around on earth -- them songs -- We got their best harp player -- Had some good times together -- The Black and the White -- all wanted to hear the same tune -- They turned me loose to root hog or die -- I knowed I could make it on my own -- We got to meet Jesus someday -- Just playing to four walls and to God -- You have to learn to live with old age -- Appendix : musical selections performed by Bailey -- Sources -- Discography -- Index |
| ctrlnum | (OCoLC)1418697385 (DE-599)BVBBV049376280 |
| edition | Revised paperback edition |
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| era_facet | Geschichte 1899-1982 |
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| spelling | Morton, David C. 1945- Verfasser (DE-588)1315917270 aut DeFord Bailey a Black star in early country music David C. Morton with Charles K. Wolfe Revised paperback edition Nashville, TN Country Music Foundation Press 2023 xxiii, 199 Seiten Illustrationen, Porträts 23 cm txt rdacontent n rdamedia nc rdacarrier Acknowledgments -- Introductions -- The blues is a sad music -- They didn't give me no rattler, they gave me a harp -- That boy's gonna play that harp someday -- I wasn't cut out for most jobs -- The world's pet -- A gold mine walking around on earth -- them songs -- We got their best harp player -- Had some good times together -- The Black and the White -- all wanted to hear the same tune -- They turned me loose to root hog or die -- I knowed I could make it on my own -- We got to meet Jesus someday -- Just playing to four walls and to God -- You have to learn to live with old age -- Appendix : musical selections performed by Bailey -- Sources -- Discography -- Index Bailey is largely forgotten today, a victim of the recording industry's emphasis on the blues during the 1920s--a decision which segregated forever "black" folk music from "white" folk music. Bailey was from an African American mountain culture that shared much of its musical heritage with its Anglo-Saxon neighbors, producing a unique hybrid which Bailey called "black hillbilly." A virtuoso on the harmonica, guitar, and banjo, Bailey became one of the Grand Old Opry's earliest stars during the 1920s, only to be fired from the Opry in 1941 during one of the Opry's more repressive eras. Bailey's story is told mainly in his own words through interviews conducted by his longtime friend Morton, with Wolfe (English and folklore, Middle Tennessee State Univ.) providing cultural and historical background. The authors' stated goal was to write a book of universal appeal, and indeed the work is a fascinating cultural history. -- Library Journal Bailey, DeFord 1899-1982 (DE-588)119090562 gnd rswk-swf Geschichte 1899-1982 gnd rswk-swf Ethnische Identität (DE-588)4153096-2 gnd rswk-swf Musikleben (DE-588)4075128-4 gnd rswk-swf Country-Musiker (DE-588)4282776-0 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Bailey, DeFord Country musicians / Biography Bailey, DeFord / https://isni.org/isni/0000000078597151 Harmonica players / United States / Biography Country musicians Harmonica players United States Biographies (DE-588)4006804-3 Biografie gnd-content Bailey, DeFord 1899-1982 (DE-588)119090562 p DE-604 USA (DE-588)4078704-7 g Country-Musiker (DE-588)4282776-0 s Musikleben (DE-588)4075128-4 s Ethnische Identität (DE-588)4153096-2 s Geschichte 1899-1982 z Wolfe, Charles K. 1943-2006 (DE-588)10070770X ctb Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034703999&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Morton, David C. 1945- DeFord Bailey a Black star in early country music Acknowledgments -- Introductions -- The blues is a sad music -- They didn't give me no rattler, they gave me a harp -- That boy's gonna play that harp someday -- I wasn't cut out for most jobs -- The world's pet -- A gold mine walking around on earth -- them songs -- We got their best harp player -- Had some good times together -- The Black and the White -- all wanted to hear the same tune -- They turned me loose to root hog or die -- I knowed I could make it on my own -- We got to meet Jesus someday -- Just playing to four walls and to God -- You have to learn to live with old age -- Appendix : musical selections performed by Bailey -- Sources -- Discography -- Index Bailey, DeFord 1899-1982 (DE-588)119090562 gnd Ethnische Identität (DE-588)4153096-2 gnd Musikleben (DE-588)4075128-4 gnd Country-Musiker (DE-588)4282776-0 gnd |
| subject_GND | (DE-588)119090562 (DE-588)4153096-2 (DE-588)4075128-4 (DE-588)4282776-0 (DE-588)4078704-7 (DE-588)4006804-3 |
| title | DeFord Bailey a Black star in early country music |
| title_auth | DeFord Bailey a Black star in early country music |
| title_exact_search | DeFord Bailey a Black star in early country music |
| title_exact_search_txtP | DeFord Bailey a Black star in early country music |
| title_full | DeFord Bailey a Black star in early country music David C. Morton with Charles K. Wolfe |
| title_fullStr | DeFord Bailey a Black star in early country music David C. Morton with Charles K. Wolfe |
| title_full_unstemmed | DeFord Bailey a Black star in early country music David C. Morton with Charles K. Wolfe |
| title_short | DeFord Bailey |
| title_sort | deford bailey a black star in early country music |
| title_sub | a Black star in early country music |
| topic | Bailey, DeFord 1899-1982 (DE-588)119090562 gnd Ethnische Identität (DE-588)4153096-2 gnd Musikleben (DE-588)4075128-4 gnd Country-Musiker (DE-588)4282776-0 gnd |
| topic_facet | Bailey, DeFord 1899-1982 Ethnische Identität Musikleben Country-Musiker USA Biografie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034703999&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT mortondavidc defordbaileyablackstarinearlycountrymusic AT wolfecharlesk defordbaileyablackstarinearlycountrymusic |