Dutch art in a global age:
"The seventeenth century has long been considered a "golden age" for Dutch art, fueled by the Dutch Republic's growth as an economic world power. Nourished by an innovative stock market and burgeoning global trade network, this vibrant economy not only provided artists with a ric...
Gespeichert in:
| 1. Verfasser: | |
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| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Boston
Museum of Fine Arts
[2023]
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| Schriftenreihe: | MFA Publications
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "The seventeenth century has long been considered a "golden age" for Dutch art, fueled by the Dutch Republic's growth as an economic world power. Nourished by an innovative stock market and burgeoning global trade network, this vibrant economy not only provided artists with a rich context in which to make their art, but also directly influenced the art itself--in its subject matter, materials, meaning, and interpretation. The genre scenes and still lifes that today seem quintessentially Dutch actually project a global vision, and often address the positive and the negative of economic and global expansion. Drawing on the world-renowned collection of Dutch paintings, works on paper, decorative arts, and illustrated books at the Museum of Fine Arts, Boston, this book offers a fresh look at seventeenth-century Dutch art, accompanied by authoritative essays that ask readers to consider the global context in which this work was made." -- Publisher's website "Dutch art in a global age" is a book that accompanied an exhibition touring the U.S.A. from September 2023 until July 2024. The show drew on the collections of Dutch art of the Museum of Fine Art in Boston and Rose-Marie and Eijk van Otterloo, much of which is a promised gift to the MFA.[1] Slightly confusingly, the book is not an exhibition catalogue. Instead, seven relatively short and accessible essays are followed by shorter texts on remarkable objects that are related to the topic of these essays. There is a list of illustrations, but not of the exhibited works, and not every illustrated object is featured in the exhibition. This might also cause some confusion as to the function of some illustrations in the book. For instance, Rembrandt van Rijn’s (1606-1669) Two African men (1661) never leaves the Mauritshuis (and was therefore not on display in the U.S.A.), but it plays an important role in the essay about images of the Dutch population (p. 119). Meanwhile Pieter de Hooch’s (1629 – in or after 1679) Interior with two women and a child (fig. 1) was shown at the exhibition, but is it really the right example to illustrate the use of porcelain in Dutch households (p. 45)? In any case, the well-designed book that is the subject of this review, contains excellent reproductions, wonderful details, and two useful maps. It seems to have been written for a wider audience with an interest in Dutch art. Yet it is relevant for a more scholarly audience as well. Notes are kept to a minimum and there is no complete bibliography, but, instead, a shortlist of essential literature is made available. The book’s aim is to explore the impact of the Dutch republic’s new, global engagement on the production and consumption of art (...) (https://oudholland.rkd.nl/index.php/reviews/132-review-of-dutch-art-in-a-global-age-2023) |
| Beschreibung: | "This book coincides with the exhibition 'Dutch Art in a Global Age', curated by Anna C. Knaap and Frederick Ilchman" (Seite 215). - Ermittelt: Das Buch wurde in Zusammenhang mit der Wanderausstellung "Dutch Art in a Global Age: Masterpieces from the Museum of Fine Arts, Boston" publiziert. Diese fand vom 16.09.2023 bis zum 07.01.2024 im North Carolina Museum of Art in Raleigh, North Carolina, statt sowie vom 19.04.2024 bis zum 14.07.2024 im High Museum of Art in Atlanta, Georgia, und vom 10.11.2024 bis zum 09.02.2025 im Kimbell Art Museum in Fort Worth, Texas. Die Ausstellung wurde von dem Museum of Fine Arts in Boston organisiert |
| Beschreibung: | 224 Seiten Illustrationen, Porträts, Karten 28 cm |
| ISBN: | 9780878468911 |
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| 500 | |a "This book coincides with the exhibition 'Dutch Art in a Global Age', curated by Anna C. Knaap and Frederick Ilchman" (Seite 215). - Ermittelt: Das Buch wurde in Zusammenhang mit der Wanderausstellung "Dutch Art in a Global Age: Masterpieces from the Museum of Fine Arts, Boston" publiziert. Diese fand vom 16.09.2023 bis zum 07.01.2024 im North Carolina Museum of Art in Raleigh, North Carolina, statt sowie vom 19.04.2024 bis zum 14.07.2024 im High Museum of Art in Atlanta, Georgia, und vom 10.11.2024 bis zum 09.02.2025 im Kimbell Art Museum in Fort Worth, Texas. Die Ausstellung wurde von dem Museum of Fine Arts in Boston organisiert | ||
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| 520 | 3 | |a "The seventeenth century has long been considered a "golden age" for Dutch art, fueled by the Dutch Republic's growth as an economic world power. Nourished by an innovative stock market and burgeoning global trade network, this vibrant economy not only provided artists with a rich context in which to make their art, but also directly influenced the art itself--in its subject matter, materials, meaning, and interpretation. The genre scenes and still lifes that today seem quintessentially Dutch actually project a global vision, and often address the positive and the negative of economic and global expansion. Drawing on the world-renowned collection of Dutch paintings, works on paper, decorative arts, and illustrated books at the Museum of Fine Arts, Boston, this book offers a fresh look at seventeenth-century Dutch art, accompanied by authoritative essays that ask readers to consider the global context in which this work was made." -- Publisher's website | |
| 520 | 3 | |a "Dutch art in a global age" is a book that accompanied an exhibition touring the U.S.A. from September 2023 until July 2024. The show drew on the collections of Dutch art of the Museum of Fine Art in Boston and Rose-Marie and Eijk van Otterloo, much of which is a promised gift to the MFA.[1] Slightly confusingly, the book is not an exhibition catalogue. Instead, seven relatively short and accessible essays are followed by shorter texts on remarkable objects that are related to the topic of these essays. There is a list of illustrations, but not of the exhibited works, and not every illustrated object is featured in the exhibition. This might also cause some confusion as to the function of some illustrations in the book. For instance, Rembrandt van Rijn’s (1606-1669) Two African men (1661) never leaves the Mauritshuis (and was therefore not on display in the U.S.A.), but it plays an important role in the essay about images of the Dutch population (p. 119). Meanwhile Pieter de Hooch’s (1629 – in or after 1679) Interior with two women and a child (fig. 1) was shown at the exhibition, but is it really the right example to illustrate the use of porcelain in Dutch households (p. 45)? In any case, the well-designed book that is the subject of this review, contains excellent reproductions, wonderful details, and two useful maps. It seems to have been written for a wider audience with an interest in Dutch art. Yet it is relevant for a more scholarly audience as well. Notes are kept to a minimum and there is no complete bibliography, but, instead, a shortlist of essential literature is made available. The book’s aim is to explore the impact of the Dutch republic’s new, global engagement on the production and consumption of art (...) (https://oudholland.rkd.nl/index.php/reviews/132-review-of-dutch-art-in-a-global-age-2023) | |
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CONTENTS
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CHRISTOPHER D. M. ATKINS
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SHIPS IN A GALE ON THE IJ BEFORE THE CITY OF AMSTERDAM
JEROEN VAN DER VLIET
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VALKENISSE
SHIP MODEL
PEPIJN BRANDON
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STILL LIFE WITH OYSTERS, COOKIES, AND CONFITS
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MARY E. HICKS
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RHONA MACBETH, KATRINA NEWBURY, GERRI STRICKLER, AND CHRISTINE STORTI
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- COCONUT CUP
CLAUDIA SWAN
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COURTNEY LEIGH HARRIS
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- THE ROTTERDAM TORAH FINIALS
SIMONA DI NEPI
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MICHELE L. FREDERICK
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AELTJE UYLENBURGH
STEPHANIE S. DICKEY
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- MARIA SCHALCKEN: SELF-PORTRAIT IN HER STUDIO
HANNEKE GROOTENBOER
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- THE PRINTS OF REMBRANDT
KATHERINE HARPER
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CHRISTOPHER D. M. ATKINS
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| adam_txt | |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Brandon, Pepijn 1980- |
| author2 | Atkins, Christopher D. M. ca. 20./21. Jh |
| author2_role | edt |
| author2_variant | c d m a cdm cdma |
| author_GND | (DE-588)1021327999 (DE-588)1077069189 |
| author_additional | Christopher D. M. Atkins Jeroen van der Vliet Pepijn Brandon Anna C. Knaap Mary E. Hicks Rhona MacBeth, Katrina Newbury, Gerri Strickler, and Christine Storti Claudia Swan Courtney Leigh Harris Simona Di Nepi Michele L. Frederick Stephanie S. Dickey Hanneke Grootenboer Benjamin Weiss Katherine Harper |
| author_facet | Brandon, Pepijn 1980- Atkins, Christopher D. M. ca. 20./21. Jh |
| author_role | aut |
| author_sort | Brandon, Pepijn 1980- |
| author_variant | p b pb |
| building | Verbundindex |
| bvnumber | BV049373304 |
| classification_rvk | LN 10250 |
| contents | Centering the Global Ships in a Gale on the IJ before the City of Amsterdam Valkenisse Ship Model <<The>> world at home Still Life with Oysters, Cookies, and Comfits and Landscape with Ruins in Olinda Artists' materials Coconut cup Luxury goods, luxury objects <<The>> Rotterdam Torah Finials Global citizens Aeltje Uylenburgh Maria Schalcken: Self-Portrait in Her Studio Printing and publishing in the Dutch Republic <<The>> prints of Rembrandt Expansion at home Map of principal Dutch overseas trade routes 1600-1800 -- Map of the Dutch Republic in the seventeenth century -- |
| ctrlnum | (OCoLC)1418696596 (DE-599)BVBBV049373304 |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| era | Geschichte 1600-1700 gnd |
| era_facet | Geschichte 1600-1700 |
| format | Book |
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Dickey</subfield><subfield code="t">Maria Schalcken: Self-Portrait in Her Studio</subfield><subfield code="r">Hanneke Grootenboer</subfield><subfield code="t">Printing and publishing in the Dutch Republic</subfield><subfield code="r">Benjamin Weiss</subfield><subfield code="t"><<The>> prints of Rembrandt</subfield><subfield code="r">Katherine Harper</subfield><subfield code="t">Expansion at home</subfield><subfield code="r">Christopher D. M. Atkins</subfield><subfield code="t">Map of principal Dutch overseas trade routes 1600-1800 --</subfield><subfield code="t">Map of the Dutch Republic in the seventeenth century --</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"The seventeenth century has long been considered a "golden age" for Dutch art, fueled by the Dutch Republic's growth as an economic world power. Nourished by an innovative stock market and burgeoning global trade network, this vibrant economy not only provided artists with a rich context in which to make their art, but also directly influenced the art itself--in its subject matter, materials, meaning, and interpretation. The genre scenes and still lifes that today seem quintessentially Dutch actually project a global vision, and often address the positive and the negative of economic and global expansion. Drawing on the world-renowned collection of Dutch paintings, works on paper, decorative arts, and illustrated books at the Museum of Fine Arts, Boston, this book offers a fresh look at seventeenth-century Dutch art, accompanied by authoritative essays that ask readers to consider the global context in which this work was made." -- Publisher's website</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Dutch art in a global age" is a book that accompanied an exhibition touring the U.S.A. from September 2023 until July 2024. The show drew on the collections of Dutch art of the Museum of Fine Art in Boston and Rose-Marie and Eijk van Otterloo, much of which is a promised gift to the MFA.[1] Slightly confusingly, the book is not an exhibition catalogue. Instead, seven relatively short and accessible essays are followed by shorter texts on remarkable objects that are related to the topic of these essays. There is a list of illustrations, but not of the exhibited works, and not every illustrated object is featured in the exhibition. This might also cause some confusion as to the function of some illustrations in the book. For instance, Rembrandt van Rijn’s (1606-1669) Two African men (1661) never leaves the Mauritshuis (and was therefore not on display in the U.S.A.), but it plays an important role in the essay about images of the Dutch population (p. 119). Meanwhile Pieter de Hooch’s (1629 – in or after 1679) Interior with two women and a child (fig. 1) was shown at the exhibition, but is it really the right example to illustrate the use of porcelain in Dutch households (p. 45)? In any case, the well-designed book that is the subject of this review, contains excellent reproductions, wonderful details, and two useful maps. It seems to have been written for a wider audience with an interest in Dutch art. Yet it is relevant for a more scholarly audience as well. Notes are kept to a minimum and there is no complete bibliography, but, instead, a shortlist of essential literature is made available. The book’s aim is to explore the impact of the Dutch republic’s new, global engagement on the production and consumption of art (...) 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| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)4135467-9 Ausstellungskatalog North Carolina Museum of Art 16.09.2023-07.01.2024 Raleigh, NC gnd-content (DE-588)4135467-9 Ausstellungskatalog The High Museum of Art 19.04.2024-14.07.2024 Atlanta, Ga. gnd-content (DE-588)4135467-9 Ausstellungskatalog Kimbell Art Museum 10.11.2024-09.02.2025 Fort Worth, Tex. gnd-content |
| genre_facet | Aufsatzsammlung Ausstellungskatalog North Carolina Museum of Art 16.09.2023-07.01.2024 Raleigh, NC Ausstellungskatalog The High Museum of Art 19.04.2024-14.07.2024 Atlanta, Ga. Ausstellungskatalog Kimbell Art Museum 10.11.2024-09.02.2025 Fort Worth, Tex. |
| geographic | Niederlande (DE-588)4042203-3 gnd |
| geographic_facet | Niederlande |
| id | DE-604.BV049373304 |
| illustrated | Illustrated |
| index_date | 2024-07-03T22:55:05Z |
| indexdate | 2025-01-15T13:00:46Z |
| institution | BVB |
| institution_GND | (DE-588)38524-4 (DE-588)1044550-X (DE-588)4036017-9 (DE-588)1048275-1 |
| isbn | 9780878468911 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034633207 |
| oclc_num | 1418696596 |
| open_access_boolean | |
| owner | DE-Y2 DE-12 DE-11 DE-255 DE-Y3 |
| owner_facet | DE-Y2 DE-12 DE-11 DE-255 DE-Y3 |
| physical | 224 Seiten Illustrationen, Porträts, Karten 28 cm |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Museum of Fine Arts |
| record_format | marc |
| series2 | MFA Publications |
| spelling | Dutch art in a global age edited by Christopher D.M. Atkins ; contributions by Pepijn Brandon, Simona Di Nepi, Stephanie S. Dickey, Michele L. Frederick, Hanneke Grootenboer, Katherine Harper, Courtney Leigh Harris, Mary E. Hicks, Anna C. Knaap, Rhona MacBeth, Katrina Newbury, Christine Storti, Gerri Strickler, Claudia Swan, Jeroen van der Vliet, Benjamin Weiss Boston Museum of Fine Arts [2023] © 2023 224 Seiten Illustrationen, Porträts, Karten 28 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier MFA Publications "This book coincides with the exhibition 'Dutch Art in a Global Age', curated by Anna C. Knaap and Frederick Ilchman" (Seite 215). - Ermittelt: Das Buch wurde in Zusammenhang mit der Wanderausstellung "Dutch Art in a Global Age: Masterpieces from the Museum of Fine Arts, Boston" publiziert. Diese fand vom 16.09.2023 bis zum 07.01.2024 im North Carolina Museum of Art in Raleigh, North Carolina, statt sowie vom 19.04.2024 bis zum 14.07.2024 im High Museum of Art in Atlanta, Georgia, und vom 10.11.2024 bis zum 09.02.2025 im Kimbell Art Museum in Fort Worth, Texas. Die Ausstellung wurde von dem Museum of Fine Arts in Boston organisiert Centering the Global Christopher D. M. Atkins Ships in a Gale on the IJ before the City of Amsterdam Jeroen van der Vliet Valkenisse Ship Model Pepijn Brandon <<The>> world at home Anna C. Knaap Still Life with Oysters, Cookies, and Comfits and Landscape with Ruins in Olinda Mary E. Hicks Artists' materials Rhona MacBeth, Katrina Newbury, Gerri Strickler, and Christine Storti Coconut cup Claudia Swan Luxury goods, luxury objects Courtney Leigh Harris <<The>> Rotterdam Torah Finials Simona Di Nepi Global citizens Michele L. Frederick Aeltje Uylenburgh Stephanie S. Dickey Maria Schalcken: Self-Portrait in Her Studio Hanneke Grootenboer Printing and publishing in the Dutch Republic Benjamin Weiss <<The>> prints of Rembrandt Katherine Harper Expansion at home Christopher D. M. Atkins Map of principal Dutch overseas trade routes 1600-1800 -- Map of the Dutch Republic in the seventeenth century -- "The seventeenth century has long been considered a "golden age" for Dutch art, fueled by the Dutch Republic's growth as an economic world power. Nourished by an innovative stock market and burgeoning global trade network, this vibrant economy not only provided artists with a rich context in which to make their art, but also directly influenced the art itself--in its subject matter, materials, meaning, and interpretation. The genre scenes and still lifes that today seem quintessentially Dutch actually project a global vision, and often address the positive and the negative of economic and global expansion. Drawing on the world-renowned collection of Dutch paintings, works on paper, decorative arts, and illustrated books at the Museum of Fine Arts, Boston, this book offers a fresh look at seventeenth-century Dutch art, accompanied by authoritative essays that ask readers to consider the global context in which this work was made." -- Publisher's website "Dutch art in a global age" is a book that accompanied an exhibition touring the U.S.A. from September 2023 until July 2024. The show drew on the collections of Dutch art of the Museum of Fine Art in Boston and Rose-Marie and Eijk van Otterloo, much of which is a promised gift to the MFA.[1] Slightly confusingly, the book is not an exhibition catalogue. Instead, seven relatively short and accessible essays are followed by shorter texts on remarkable objects that are related to the topic of these essays. There is a list of illustrations, but not of the exhibited works, and not every illustrated object is featured in the exhibition. This might also cause some confusion as to the function of some illustrations in the book. For instance, Rembrandt van Rijn’s (1606-1669) Two African men (1661) never leaves the Mauritshuis (and was therefore not on display in the U.S.A.), but it plays an important role in the essay about images of the Dutch population (p. 119). Meanwhile Pieter de Hooch’s (1629 – in or after 1679) Interior with two women and a child (fig. 1) was shown at the exhibition, but is it really the right example to illustrate the use of porcelain in Dutch households (p. 45)? In any case, the well-designed book that is the subject of this review, contains excellent reproductions, wonderful details, and two useful maps. It seems to have been written for a wider audience with an interest in Dutch art. Yet it is relevant for a more scholarly audience as well. Notes are kept to a minimum and there is no complete bibliography, but, instead, a shortlist of essential literature is made available. The book’s aim is to explore the impact of the Dutch republic’s new, global engagement on the production and consumption of art (...) (https://oudholland.rkd.nl/index.php/reviews/132-review-of-dutch-art-in-a-global-age-2023) Geschichte 1600-1700 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Globalisierung (DE-588)4557997-0 gnd rswk-swf Handel (DE-588)4023222-0 gnd rswk-swf Stich Kunst (DE-588)4121726-3 gnd rswk-swf Niederlande (DE-588)4042203-3 gnd rswk-swf Art, Dutch / 17th century / Exhibitions Arts, Dutch / 17th century / Exhibitions Art and society / Netherlands / History / 17th century / Exhibitions Painting, Dutch / 17th century / Exhibitions Art néerlandais / 17e siècle / Expositions Arts néerlandais / 17e siècle / Expositions Art et société / Pays-Bas / Histoire / 17e siècle / Expositions (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)4135467-9 Ausstellungskatalog North Carolina Museum of Art 16.09.2023-07.01.2024 Raleigh, NC gnd-content (DE-588)4135467-9 Ausstellungskatalog The High Museum of Art 19.04.2024-14.07.2024 Atlanta, Ga. gnd-content (DE-588)4135467-9 Ausstellungskatalog Kimbell Art Museum 10.11.2024-09.02.2025 Fort Worth, Tex. gnd-content Niederlande (DE-588)4042203-3 g Kunst (DE-588)4114333-4 s Malerei (DE-588)4037220-0 s Stich Kunst (DE-588)4121726-3 s Handel (DE-588)4023222-0 s Globalisierung (DE-588)4557997-0 s Geschichte 1600-1700 z DE-604 Atkins, Christopher D. M. ca. 20./21. Jh. (DE-588)1021327999 edt Brandon, Pepijn 1980- (DE-588)1077069189 aut Museum of Fine Arts, Boston (DE-588)38524-4 isb North Carolina Museum of Art (DE-588)1044550-X his The High Museum of Art (DE-588)4036017-9 his Kimbell Art Museum (DE-588)1048275-1 his Rezensiert in Kolfin, Elmer Review of: 'Dutch art in a global age' (2023) Oud Holland Reviews, September 2024 V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034633207&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Brandon, Pepijn 1980- Dutch art in a global age Centering the Global Ships in a Gale on the IJ before the City of Amsterdam Valkenisse Ship Model <<The>> world at home Still Life with Oysters, Cookies, and Comfits and Landscape with Ruins in Olinda Artists' materials Coconut cup Luxury goods, luxury objects <<The>> Rotterdam Torah Finials Global citizens Aeltje Uylenburgh Maria Schalcken: Self-Portrait in Her Studio Printing and publishing in the Dutch Republic <<The>> prints of Rembrandt Expansion at home Map of principal Dutch overseas trade routes 1600-1800 -- Map of the Dutch Republic in the seventeenth century -- Malerei (DE-588)4037220-0 gnd Kunst (DE-588)4114333-4 gnd Globalisierung (DE-588)4557997-0 gnd Handel (DE-588)4023222-0 gnd Stich Kunst (DE-588)4121726-3 gnd |
| subject_GND | (DE-588)4037220-0 (DE-588)4114333-4 (DE-588)4557997-0 (DE-588)4023222-0 (DE-588)4121726-3 (DE-588)4042203-3 (DE-588)4143413-4 (DE-588)4135467-9 |
| title | Dutch art in a global age |
| title_alt | Centering the Global Ships in a Gale on the IJ before the City of Amsterdam Valkenisse Ship Model <<The>> world at home Still Life with Oysters, Cookies, and Comfits and Landscape with Ruins in Olinda Artists' materials Coconut cup Luxury goods, luxury objects <<The>> Rotterdam Torah Finials Global citizens Aeltje Uylenburgh Maria Schalcken: Self-Portrait in Her Studio Printing and publishing in the Dutch Republic <<The>> prints of Rembrandt Expansion at home Map of principal Dutch overseas trade routes 1600-1800 -- Map of the Dutch Republic in the seventeenth century -- |
| title_auth | Dutch art in a global age |
| title_exact_search | Dutch art in a global age |
| title_exact_search_txtP | Dutch art in a global age |
| title_full | Dutch art in a global age edited by Christopher D.M. Atkins ; contributions by Pepijn Brandon, Simona Di Nepi, Stephanie S. Dickey, Michele L. Frederick, Hanneke Grootenboer, Katherine Harper, Courtney Leigh Harris, Mary E. Hicks, Anna C. Knaap, Rhona MacBeth, Katrina Newbury, Christine Storti, Gerri Strickler, Claudia Swan, Jeroen van der Vliet, Benjamin Weiss |
| title_fullStr | Dutch art in a global age edited by Christopher D.M. Atkins ; contributions by Pepijn Brandon, Simona Di Nepi, Stephanie S. Dickey, Michele L. Frederick, Hanneke Grootenboer, Katherine Harper, Courtney Leigh Harris, Mary E. Hicks, Anna C. Knaap, Rhona MacBeth, Katrina Newbury, Christine Storti, Gerri Strickler, Claudia Swan, Jeroen van der Vliet, Benjamin Weiss |
| title_full_unstemmed | Dutch art in a global age edited by Christopher D.M. Atkins ; contributions by Pepijn Brandon, Simona Di Nepi, Stephanie S. Dickey, Michele L. Frederick, Hanneke Grootenboer, Katherine Harper, Courtney Leigh Harris, Mary E. Hicks, Anna C. Knaap, Rhona MacBeth, Katrina Newbury, Christine Storti, Gerri Strickler, Claudia Swan, Jeroen van der Vliet, Benjamin Weiss |
| title_short | Dutch art in a global age |
| title_sort | dutch art in a global age |
| topic | Malerei (DE-588)4037220-0 gnd Kunst (DE-588)4114333-4 gnd Globalisierung (DE-588)4557997-0 gnd Handel (DE-588)4023222-0 gnd Stich Kunst (DE-588)4121726-3 gnd |
| topic_facet | Malerei Kunst Globalisierung Handel Stich Kunst Niederlande Aufsatzsammlung Ausstellungskatalog North Carolina Museum of Art 16.09.2023-07.01.2024 Raleigh, NC Ausstellungskatalog The High Museum of Art 19.04.2024-14.07.2024 Atlanta, Ga. Ausstellungskatalog Kimbell Art Museum 10.11.2024-09.02.2025 Fort Worth, Tex. |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034633207&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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