Heracles and Athenian propaganda: politics, imagery and drama
Heracles was Greece's most important hero. He was also a strong candidate for representing 5th-century Athens who needed a hero of Hellenic stature to be associated with their new empire. However, he was also a deeply problematic figure: a violent hero of ancient epic, with an aristocratic natu...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2023
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | Heracles was Greece's most important hero. He was also a strong candidate for representing 5th-century Athens who needed a hero of Hellenic stature to be associated with their new empire. However, he was also a deeply problematic figure: a violent hero of ancient epic, with an aristocratic nature and a murderous temper, who did not naturally fit into the new ideals of democratic society at Athens. Heracles and Athenian Propaganda examines how the hero was appropriated and portrayed by Athens in religion, politics, architecture and literature, with a detailed study of Euripides' Heracles in relation to this interplay between the hero and the city's ideology. Examining how this particular play fits within the space of the polis and its political ideology, the title asks specific questions of tragedy and politics: how does Euripides' tragic drama of grief, insanity and murder reconcile this hero to a palatable, patriotic ideal? How does the tragic hero relate to his own representations and his cult within the polis? In a city so marked by iconographic propaganda, how did the imagery influence the audience? By looking at the play's larger contexts - literary, civic, political, religious and ideological - new readings are offered to the most problematic elements of the play, including the question of its unity, the nature of the hero's madness and the role of the gods |
| Beschreibung: | 165 Seiten |
| ISBN: | 9781472505590 |
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| 520 | 3 | |a Heracles was Greece's most important hero. He was also a strong candidate for representing 5th-century Athens who needed a hero of Hellenic stature to be associated with their new empire. However, he was also a deeply problematic figure: a violent hero of ancient epic, with an aristocratic nature and a murderous temper, who did not naturally fit into the new ideals of democratic society at Athens. Heracles and Athenian Propaganda examines how the hero was appropriated and portrayed by Athens in religion, politics, architecture and literature, with a detailed study of Euripides' Heracles in relation to this interplay between the hero and the city's ideology. Examining how this particular play fits within the space of the polis and its political ideology, the title asks specific questions of tragedy and politics: how does Euripides' tragic drama of grief, insanity and murder reconcile this hero to a palatable, patriotic ideal? How does the tragic hero relate to his own representations and his cult within the polis? In a city so marked by iconographic propaganda, how did the imagery influence the audience? By looking at the play's larger contexts - literary, civic, political, religious and ideological - new readings are offered to the most problematic elements of the play, including the question of its unity, the nature of the hero's madness and the role of the gods | |
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Datensatz im Suchindex
| _version_ | 1804185920964919296 |
|---|---|
| adam_text | Contents 1 Introduction 1 2 Propaganda and Politics in Athens 13 3 Transforming The Hero: Heracles and Athenian Ideology 41 4 Forsaking the Tripod: Heracles in Athenian Architecture 61 5 Crossing Boundaries: What Is It to Be a Hero? 81 6 Into Athens: Old Gods and New Gods 99 7 Conclusion 123 Notes 129 Bibliography 147 Index 161
Heracles and Athenian Propaganda examines how Greece’s most important hero was appropriated and portrayed by Athens in religion, politics, architecture and literature, with a detailed study of Euripides’ Heracles in relation to this interplay between the hero and the city’s ideology. Though Athens needed a hero of Hellenic stature, Heracles was a deeply problematic figure: a violent hero of ancient epic, with an aristocratic nature and a murderous temper, who did not naturally fit into the new ideals of democratic society at Athens. Examining how Euripides’ play fits within the space of the polis and its political ideology, Sofia Frade asks specific questions of tragedy and politics: how does Euripides’ tragic drama of grief, insanity and murder reconcile this hero to a palatable, patriotic ideal? How does the tragic hero relate to his own representations and his cult within the polisi In a city so marked by iconographie propaganda, how did the imagery influence the audience? By looking at the play’s larger contexts - literary, civic, political, religious and ideological - new readings are offered to the most problematic elements of the play, including the question of its unity, the nature of the hero’s madness and the role of the gods.
|
| adam_txt |
Contents 1 Introduction 1 2 Propaganda and Politics in Athens 13 3 Transforming The Hero: Heracles and Athenian Ideology 41 4 Forsaking the Tripod: Heracles in Athenian Architecture 61 5 Crossing Boundaries: What Is It to Be a Hero? 81 6 Into Athens: Old Gods and New Gods 99 7 Conclusion 123 Notes 129 Bibliography 147 Index 161
Heracles and Athenian Propaganda examines how Greece’s most important hero was appropriated and portrayed by Athens in religion, politics, architecture and literature, with a detailed study of Euripides’ Heracles in relation to this interplay between the hero and the city’s ideology. Though Athens needed a hero of Hellenic stature, Heracles was a deeply problematic figure: a violent hero of ancient epic, with an aristocratic nature and a murderous temper, who did not naturally fit into the new ideals of democratic society at Athens. Examining how Euripides’ play fits within the space of the polis and its political ideology, Sofia Frade asks specific questions of tragedy and politics: how does Euripides’ tragic drama of grief, insanity and murder reconcile this hero to a palatable, patriotic ideal? How does the tragic hero relate to his own representations and his cult within the polisi In a city so marked by iconographie propaganda, how did the imagery influence the audience? By looking at the play’s larger contexts - literary, civic, political, religious and ideological - new readings are offered to the most problematic elements of the play, including the question of its unity, the nature of the hero’s madness and the role of the gods. |
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| author | Frade, Sofia ca. 20./21. Jh |
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| author_sort | Frade, Sofia ca. 20./21. Jh |
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| dewey-ones | 480 - Classical Greek; Hellenic languages |
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| discipline | Geschichte Philologie / Byzantinistik / Neulatein |
| discipline_str_mv | Geschichte Philologie / Byzantinistik / Neulatein |
| era | Geschichte 500 v. Chr.-400 v. Chr. gnd |
| era_facet | Geschichte 500 v. Chr.-400 v. Chr. |
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| spelling | Frade, Sofia ca. 20./21. Jh. Verfasser (DE-588)1312163119 aut Heracles and Athenian propaganda politics, imagery and drama Sofia Frade New York ; London ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2023 165 Seiten txt rdacontent n rdamedia nc rdacarrier Heracles was Greece's most important hero. He was also a strong candidate for representing 5th-century Athens who needed a hero of Hellenic stature to be associated with their new empire. However, he was also a deeply problematic figure: a violent hero of ancient epic, with an aristocratic nature and a murderous temper, who did not naturally fit into the new ideals of democratic society at Athens. Heracles and Athenian Propaganda examines how the hero was appropriated and portrayed by Athens in religion, politics, architecture and literature, with a detailed study of Euripides' Heracles in relation to this interplay between the hero and the city's ideology. Examining how this particular play fits within the space of the polis and its political ideology, the title asks specific questions of tragedy and politics: how does Euripides' tragic drama of grief, insanity and murder reconcile this hero to a palatable, patriotic ideal? How does the tragic hero relate to his own representations and his cult within the polis? In a city so marked by iconographic propaganda, how did the imagery influence the audience? By looking at the play's larger contexts - literary, civic, political, religious and ideological - new readings are offered to the most problematic elements of the play, including the question of its unity, the nature of the hero's madness and the role of the gods Herakles (DE-588)118639552 gnd rswk-swf Geschichte 500 v. Chr.-400 v. Chr. gnd rswk-swf Propaganda (DE-588)4076374-2 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Athen (DE-588)4003366-1 gnd rswk-swf Herakles (DE-588)118639552 p Rezeption (DE-588)4049716-1 s Athen (DE-588)4003366-1 g Propaganda (DE-588)4076374-2 s Geschichte 500 v. Chr.-400 v. Chr. z DE-604 Erscheint auch als Online-Ausgabe, PDF 978-1-4725-1115-7 Erscheint auch als Online-Ausgabe 978-1-4725-1043-3 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034633068&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034633068&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | Heracles and Athenian propaganda politics, imagery and drama |
| title_auth | Heracles and Athenian propaganda politics, imagery and drama |
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| title_full | Heracles and Athenian propaganda politics, imagery and drama Sofia Frade |
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