The life of music in South India:
"Sankaran examines the cultural and social matrix in which Carnatic music was cultivated and consumed in mid-twentieth century India, including the ways that musicians negotiated caste politics and the double standard for male and female musicians. Sankaran's memoir is interwoven with pass...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | , |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Middletown, Connecticut
Wesleyan University Press
[2023]
|
| Schriftenreihe: | Music/culture
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Sankaran examines the cultural and social matrix in which Carnatic music was cultivated and consumed in mid-twentieth century India, including the ways that musicians negotiated caste politics and the double standard for male and female musicians. Sankaran's memoir is interwoven with passages from Daniel M. Neuman's work on music in North India, which inspired Sankaran's project, and interviews with Sankaran by Matthew Allen"-- "An insider's eight-decade overview of South India's 20th century classical music culture. This book offers an account of Carnatic music culture drawing on the knowledge of T. Sankaran, a musician raised in an illustrious non-Brahmin devadasi family, and his long affiliation with cultural institutions including All India Radio (AIR) and the Tamil Isai Sangam (Tamil Music Academy). Sankaran examines the cultural and social matrix in which Carnatic music was cultivated and consumed in mid-twentieth century India, including the ways that musicians negotiated caste politics and the double standard for male and female musicians. The memoir provides insight into the way AIR worked as a modern, bureaucratic institution, and how the opening of government music colleges interacted with caste politics and the shifted womens' participation in public performance. The book is polyvocal, as Sankaran's writing is interwoven with passages from Daniel M. Neuman's book The Life of Music in North India, which inspired Sankaran's project, as well as transcripts from interviews with Sankaran by Matthew Allen. Includes rare archival photos"-- |
| Beschreibung: | xxiv, 175 Seiten Illustrationen 23 cm |
| ISBN: | 9780819500748 |
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| 505 | 8 | |a Introduction -- Becoming a Musician -- Being a Musician -- The Social Organization of Specialist Knowledge -- Gharanas -- Adaptive Strategies -- The Ecology of Karnatak Music -- The Cultural Structure and Social Organization of a Music Tradition -- Epilogue -- Coda | |
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| 520 | 3 | |a "An insider's eight-decade overview of South India's 20th century classical music culture. This book offers an account of Carnatic music culture drawing on the knowledge of T. Sankaran, a musician raised in an illustrious non-Brahmin devadasi family, and his long affiliation with cultural institutions including All India Radio (AIR) and the Tamil Isai Sangam (Tamil Music Academy). Sankaran examines the cultural and social matrix in which Carnatic music was cultivated and consumed in mid-twentieth century India, including the ways that musicians negotiated caste politics and the double standard for male and female musicians. The memoir provides insight into the way AIR worked as a modern, bureaucratic institution, and how the opening of government music colleges interacted with caste politics and the shifted womens' participation in public performance. The book is polyvocal, as Sankaran's writing is interwoven with passages from Daniel M. Neuman's book The Life of Music in North India, which inspired Sankaran's project, as well as transcripts from interviews with Sankaran by Matthew Allen. Includes rare archival photos"-- | |
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CONTENTS Preface by Daniel Μ. Neuman vii Preface by Matthew Harp Allen xi Dramatis Personae xvii A Note on the Texts xxiii one two Becoming a Musician 32 three four Introduction i Being a Musician 47 The Social Organization of Specialist Knowledge 67 five Gharanas 89 six Adaptive Strategies 100 seven eight The Ecology of Karnatak Music 123 The Cultural Structure and Social Organization of a Music Tradition 141 Epilogue 150 Coda 154 Appendix 155 Bibliography (in Three Parts) 161 Index 167 |
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| contents | Introduction -- Becoming a Musician -- Being a Musician -- The Social Organization of Specialist Knowledge -- Gharanas -- Adaptive Strategies -- The Ecology of Karnatak Music -- The Cultural Structure and Social Organization of a Music Tradition -- Epilogue -- Coda |
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| index_date | 2024-07-03T22:52:36Z |
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| spelling | Sankaran, T. 1906-2001 Verfasser (DE-588)1307949711 aut The life of music in South India T. Sankaran ; edited by Matthew Harp Allen and Daniel M. Neuman Middletown, Connecticut Wesleyan University Press [2023] xxiv, 175 Seiten Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier Music/culture Introduction -- Becoming a Musician -- Being a Musician -- The Social Organization of Specialist Knowledge -- Gharanas -- Adaptive Strategies -- The Ecology of Karnatak Music -- The Cultural Structure and Social Organization of a Music Tradition -- Epilogue -- Coda "Sankaran examines the cultural and social matrix in which Carnatic music was cultivated and consumed in mid-twentieth century India, including the ways that musicians negotiated caste politics and the double standard for male and female musicians. Sankaran's memoir is interwoven with passages from Daniel M. Neuman's work on music in North India, which inspired Sankaran's project, and interviews with Sankaran by Matthew Allen"-- "An insider's eight-decade overview of South India's 20th century classical music culture. This book offers an account of Carnatic music culture drawing on the knowledge of T. Sankaran, a musician raised in an illustrious non-Brahmin devadasi family, and his long affiliation with cultural institutions including All India Radio (AIR) and the Tamil Isai Sangam (Tamil Music Academy). Sankaran examines the cultural and social matrix in which Carnatic music was cultivated and consumed in mid-twentieth century India, including the ways that musicians negotiated caste politics and the double standard for male and female musicians. The memoir provides insight into the way AIR worked as a modern, bureaucratic institution, and how the opening of government music colleges interacted with caste politics and the shifted womens' participation in public performance. The book is polyvocal, as Sankaran's writing is interwoven with passages from Daniel M. Neuman's book The Life of Music in North India, which inspired Sankaran's project, as well as transcripts from interviews with Sankaran by Matthew Allen. Includes rare archival photos"-- Musiksoziologie (DE-588)4040869-3 gnd rswk-swf Musikleben (DE-588)4075128-4 gnd rswk-swf Volksmusik (DE-588)4063854-6 gnd rswk-swf Indien Süd (DE-588)4026754-4 gnd rswk-swf Carnatic music / Social aspects / India, South / History / 20th century Musicians / India, South / Social conditions / 20th century Music / India, South / History and criticism Sankaran, T. / Interviews Musicians / India, South / Interviews Musique carnatique / Aspect social / Inde (Sud) / Histoire / 20e siècle Musiciens / Inde (Sud) / Conditions sociales / 20e siècle Musique / Inde (Sud) / Histoire et critique Musiciens / Inde (Sud) / Entretiens MUSIC / Ethnomusicology MUSIC / Philosophy & Social Aspects Music Musicians Musicians / Social conditions South India 1900-1999 Criticism, interpretation, etc History Interviews Indien Süd (DE-588)4026754-4 g Volksmusik (DE-588)4063854-6 s Musikleben (DE-588)4075128-4 s Musiksoziologie (DE-588)4040869-3 s DE-604 Allen, Matthew Harp (DE-588)1019560339 edt Neuman, Daniel M. 1944- (DE-588)141052171 edt Äquivalent Druck-Ausgabe, Hardcover 978-0-8195-0073-1 Erscheint auch als Online-Ausgabe 978-0-8195-0075-5 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034623398&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Sankaran, T. 1906-2001 The life of music in South India Introduction -- Becoming a Musician -- Being a Musician -- The Social Organization of Specialist Knowledge -- Gharanas -- Adaptive Strategies -- The Ecology of Karnatak Music -- The Cultural Structure and Social Organization of a Music Tradition -- Epilogue -- Coda Musiksoziologie (DE-588)4040869-3 gnd Musikleben (DE-588)4075128-4 gnd Volksmusik (DE-588)4063854-6 gnd |
| subject_GND | (DE-588)4040869-3 (DE-588)4075128-4 (DE-588)4063854-6 (DE-588)4026754-4 |
| title | The life of music in South India |
| title_auth | The life of music in South India |
| title_exact_search | The life of music in South India |
| title_exact_search_txtP | The life of music in South India |
| title_full | The life of music in South India T. Sankaran ; edited by Matthew Harp Allen and Daniel M. Neuman |
| title_fullStr | The life of music in South India T. Sankaran ; edited by Matthew Harp Allen and Daniel M. Neuman |
| title_full_unstemmed | The life of music in South India T. Sankaran ; edited by Matthew Harp Allen and Daniel M. Neuman |
| title_short | The life of music in South India |
| title_sort | the life of music in south india |
| topic | Musiksoziologie (DE-588)4040869-3 gnd Musikleben (DE-588)4075128-4 gnd Volksmusik (DE-588)4063854-6 gnd |
| topic_facet | Musiksoziologie Musikleben Volksmusik Indien Süd |
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