The book by design: the remarkable story of the world's greatest invention
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
British Library
2023
|
| Ausgabe: | First published |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | 288 Seiten Illustrationen 27 cm |
| ISBN: | 9780712354042 |
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Datensatz im Suchindex
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CONTENTS The Contributors 08 Introduction 10 I. THE LINDISFARNE GOSPELS by EleanorJackson 16 Feature: ETHIOPIA, AFRICAN SCRIBES AND THE ILLUSTRATED APOCALYPSE by Eyob Derillo 26 II. THE DIAMOND SUTRA PRINTED IN 868 by Mélodie Doumy 28 Feature: THE DEVELOPMENT OF PAPER by Lucy Vinten 38 III. THE ARNSTEIN BIBLE by Kathleen Doyle 40 KING HENRY VIII’S COPY OF THE ‘GREAT BIBLE’ by Karen Limper-Herz 48 IV. THE GOLDEN HAGGADAH by Ilana Tahan 50 V. THE QUEEN MARY PSALTER by Kathleen Doyle 60
THE HARMONIES OF LITTLE GIDDING by Felicity Myrone 70 VI. THE MAINZ PSALTER OF 1457 by Adrian S. Edwards 74 VIL HYPNEROTOMACHIA POLIPHILI by Stephen Parkin 84 BODONI’S MANUALE TIPOGRAFICO AND HIS FOLLOWERS by Valentina Mirabella 94 VIII. AKBAR’S KHAMSAH OF NIZAMI by Ursula Sims-Williams 96 IX. THE SHAKESPEARE FIRST FOLIO OF 1623 by Adrian S. Edwards 106 THE TITLE PAGE AND OTHER PARATEXTS by Stephen Parkin 116 X. EXCERPTS FROM THE TALE OF GENJI by Hamish Todd 118 A MODERN MESOAMERICAN CODEX by Mercedes Aguirre 130 XI. WILLIAM LEIGHTON’S THE TEARES OR LAMENTACIONS OF A SORROWFULL SOULE by James Ritzema and Christopher Scobie 132 Feature: THE DESIGN OF HUMAN ATLASES by Sophie Defrance 142 XII. A DESCRIPTION OF THREE HUNDRED ANIMALS by Lucy Evans 146
MINIATURE BOOKS: THEIR CHARM AND PURPOSE by Helen Peden and Annalisa Ricciardi 154 ХШ. A QUR’AN FROM ACEH by Annabel Teh Gallop 158 XIV. OWEN JONES’S THE GRAMMAR OF ORNAMENT by Edmund M. B. King 168 AMERICAN PUBLISHERS’ BINDINGS, NINETEENTH CENTURY by Edmund M. B. King 178 XV. THE BUDDHA’S LAST BIRTH TALE by Jana Igunma 180 A MATERIAL IDENTITY IN OCEANIA BOOK DESIGN by Lucy Rowland 190 XVI. AUDUBON’S THE BIRDS OF AMERICA by Felicity Myrone 192 Feature: ‘AN ERROR OF TASTE’: SMITHERS, BEARDSLEY AND THE SAVOY by Alex Kither 202 XVII. THE WORKS OF GEOFFREY CHAUCER by Helen Peden 204 TWENTIETH-CENTURY TYPEFACES by Philip Parker 214 XVIII. SADOK SUDEI AND OTHER FUTURIST BOOKS FROM RUSSIA by Ekaterina Rogatchevskaia 216 CARTONERA BOOKS AND PUBLISHERS by Iris Bachmann and Annalisa Ricciardi 226
XIX. CENTURY by Philip Parker 228 PENGUIN BOOKS AND THE PAPERBACK REVOLUTION by Philip Parker 236 XX. SEA AIR by Jeremy Jenkins 238 Feature: WOMEN PUBLISHERS AND DESIGNERS by Alexandra Pringle 248 XXI. EDITIONS AT PLAY by Giulia Carla Rossi 250 BOOK DESIGN AS AN AGENT OF CONSERVATION by Katie McElvanney 258 Epilogue 260 Glossary 262 Notes 265 Further Reading 275 Index 281 Credits 287 QR Codes 288
Why does a book look and feel the way it does? What can it tell us about the circumstances of its creation? This is a fascinating exploration of the development of book design through some of the most treasured volumes in the British Library collections. Carefully selected by the Library’s curatorial teams and beautifully illustrated with striking new studio photography alongside images from specially digitised collections. The Book by Design includes: |
| adam_txt |
CONTENTS The Contributors 08 Introduction 10 I. THE LINDISFARNE GOSPELS by EleanorJackson 16 Feature: ETHIOPIA, AFRICAN SCRIBES AND THE ILLUSTRATED APOCALYPSE by Eyob Derillo 26 II. THE DIAMOND SUTRA PRINTED IN 868 by Mélodie Doumy 28 Feature: THE DEVELOPMENT OF PAPER by Lucy Vinten 38 III. THE ARNSTEIN BIBLE by Kathleen Doyle 40 KING HENRY VIII’S COPY OF THE ‘GREAT BIBLE’ by Karen Limper-Herz 48 IV. THE GOLDEN HAGGADAH by Ilana Tahan 50 V. THE QUEEN MARY PSALTER by Kathleen Doyle 60
THE HARMONIES OF LITTLE GIDDING by Felicity Myrone 70 VI. THE MAINZ PSALTER OF 1457 by Adrian S. Edwards 74 VIL HYPNEROTOMACHIA POLIPHILI by Stephen Parkin 84 BODONI’S MANUALE TIPOGRAFICO AND HIS FOLLOWERS by Valentina Mirabella 94 VIII. AKBAR’S KHAMSAH OF NIZAMI by Ursula Sims-Williams 96 IX. THE SHAKESPEARE FIRST FOLIO OF 1623 by Adrian S. Edwards 106 THE TITLE PAGE AND OTHER PARATEXTS by Stephen Parkin 116 X. EXCERPTS FROM THE TALE OF GENJI by Hamish Todd 118 A MODERN MESOAMERICAN CODEX by Mercedes Aguirre 130 XI. WILLIAM LEIGHTON’S THE TEARES OR LAMENTACIONS OF A SORROWFULL SOULE by James Ritzema and Christopher Scobie 132 Feature: THE DESIGN OF HUMAN ATLASES by Sophie Defrance 142 XII. A DESCRIPTION OF THREE HUNDRED ANIMALS by Lucy Evans 146
MINIATURE BOOKS: THEIR CHARM AND PURPOSE by Helen Peden and Annalisa Ricciardi 154 ХШ. A QUR’AN FROM ACEH by Annabel Teh Gallop 158 XIV. OWEN JONES’S THE GRAMMAR OF ORNAMENT by Edmund M. B. King 168 AMERICAN PUBLISHERS’ BINDINGS, NINETEENTH CENTURY by Edmund M. B. King 178 XV. THE BUDDHA’S LAST BIRTH TALE by Jana Igunma 180 A MATERIAL IDENTITY IN OCEANIA BOOK DESIGN by Lucy Rowland 190 XVI. AUDUBON’S THE BIRDS OF AMERICA by Felicity Myrone 192 Feature: ‘AN ERROR OF TASTE’: SMITHERS, BEARDSLEY AND THE SAVOY by Alex Kither 202 XVII. THE WORKS OF GEOFFREY CHAUCER by Helen Peden 204 TWENTIETH-CENTURY TYPEFACES by Philip Parker 214 XVIII. SADOK SUDEI AND OTHER FUTURIST BOOKS FROM RUSSIA by Ekaterina Rogatchevskaia 216 CARTONERA BOOKS AND PUBLISHERS by Iris Bachmann and Annalisa Ricciardi 226
XIX. CENTURY by Philip Parker 228 PENGUIN BOOKS AND THE PAPERBACK REVOLUTION by Philip Parker 236 XX. SEA AIR by Jeremy Jenkins 238 Feature: WOMEN PUBLISHERS AND DESIGNERS by Alexandra Pringle 248 XXI. EDITIONS AT PLAY by Giulia Carla Rossi 250 BOOK DESIGN AS AN AGENT OF CONSERVATION by Katie McElvanney 258 Epilogue 260 Glossary 262 Notes 265 Further Reading 275 Index 281 Credits 287 QR Codes 288
Why does a book look and feel the way it does? What can it tell us about the circumstances of its creation? This is a fascinating exploration of the development of book design through some of the most treasured volumes in the British Library collections. Carefully selected by the Library’s curatorial teams and beautifully illustrated with striking new studio photography alongside images from specially digitised collections. The Book by Design includes: |
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