But will you love me tomorrow?: an oral history of the '60s girl groups
"The Girl Group Sound, made famous and unforgettable by acts like The Ronettes, The Shirelles, The Supremes, and The Vandellas, took over the airwaves by capturing the mix of innocence and rebellion emblematic of America in the 1960s. As songs like "Will You Love Me Tomorrow," "T...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Hachette Books
2023
|
| Ausgabe: | First edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "The Girl Group Sound, made famous and unforgettable by acts like The Ronettes, The Shirelles, The Supremes, and The Vandellas, took over the airwaves by capturing the mix of innocence and rebellion emblematic of America in the 1960s. As songs like "Will You Love Me Tomorrow," "Then He Kissed Me," and "Be My Baby" rose to number one, Girl Groups cornered the burgeoning post-war market of teenage rock and roll fans, indelibly shaping the trajectory of pop music in the process. But the story of the Girl Group Sound is also one of race and power. The women, most of whom were Black and many of whom were only teenagers when their first songs were recorded, were cultivated, packaged, and sold by a music industry that cut them out of the lion's share of their profits. And though the women's careers would take them on tour with Civil Rights leaders and to performances at some of the earliest desegregated concerts, many found themselves cast aside as trends shifted in favor of the largely white British Invasion of the mid to late '60s. While the voices of the Girl Group Sound have become essential to the American canon, many of the artists remain all but anonymous to most listeners. Weaving together over 300 hours of interviews across more than ninety subjects, But Will You Love Me Tomorrow: An Oral History of the '60s Girl Groups gives voice to the many women of the era who have long been consigned to silence. Through the chorus formed by their collective voice in these pages, But Will You Love Me Tomorrow is a distinctly American coming-of-age story-it's a story of girls finding their footing as young women, of artistic success and struggle, and of the inequity faced by women of color in this country"-- |
| Beschreibung: | xiii, 434 Seiten, 16 ungezählte Seiten Tafeln Illustrationen, Porträts 24 cm |
| ISBN: | 9780306829772 9780306829789 |
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| 505 | 8 | |a Introduction -- The beginnings of the girl group sound: the 1950s -- The sound on the street: 1960-1963 -- Hitsville USA: 1960-1963 -- Topping the charts: 1963-1964 -- Motown becomes the sound of Young America: 1964-1966 -- The end of an era: 1965-1970 -- Motown outgrows Detroit: 1967-present -- Coming back together and saying goodbye: 1970-present | |
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Datensatz im Suchindex
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| adam_text | Contents Introduction xi PART 1 The Beginnings of the Girl Group Sound: The 1950s Singing on the Corner and Growing Up with Music in the Air The Chantels and The Bobbettes 2 Learning the Show Business Ropes The Clickettes and The Hearts 13 Living the Girl Group Dream The Shirelies 18 Origins of the Girl Group Sound The Radio, Rock and Roll, and The Chordettes 23 Teenagers in Love The Sound Behind the New Business of Pop 31 The Brill Building’s Own Girl Group The Cookies 38 Tonight’s the Night Taking the Show on the Road 43 CHAPTER 8 Here Today, Gone Tomorrow 55 CHAPTER 9 Breaking the Record Industry’s Vinyl Ceiling 65 CHAPTER 1 CHAPTER 2 CHAPTER 3 CHAPTER 4 CHAPTER 5 CHAPTER 6 CHAPTER 7
CONTENTS vi PART 2 The Sound on the Street: 1960-1963 CHAPTER 10 CHAPTER 11 CHAPTER 12 CHAPTER 13 CHAPTER 14 The Foundation of the Wall of Sound The Crystals 74 Behind the Scenes with the Original Background Singers The Blossoms 87 The New York Hustle The Ronettes 98 They’ve Got the Power The Exciters 111 The Center of the Square Phil Spector 122 PART 3 Hitsville USA: 1960-1963 CHAPTER 15 CHAPTER 16 CHAPTER 17 CHAPTER 18 CHAPTER 19 CHAPTER 20 Motown’s First Number One The Marvelettes 138 The Assembly Line Making Girl Groups the Detroit Way 147 From Behind the Desk to Center Stage The Vandellas 152 The No-Hit Suprêmes Motown’s Last Girl Group The Velvelettes 160 Motown Makes a National Impact 167 164 PART 4 Topping the Charts: 1963-1964 CHAPTER 21 The Salute to Freedom, Birmingham, Alabama The Shirelies Use Their Voices 176
CONTENTS vii Summer of ’63 The Angels 182 All Over the Radio The Chiffons 192 chapter 24 The British Invasion 203 chapter 25 Crossing the Mason-Dixon Line The Dixie Cups 214 The Not-So-Bad Girls The Shangri-Las 225 chapter 22 chapter 23 chapter 26 PART 5 Motown Becomes the Sound of Young America: 1964-1966 CHAPTER 27 Motown University 236 chapter za Standing Out from the Crowd 243 chapter 29 Putting a Face to a Name The Girl Groups Hit Prime Time 253 PART 6 The End of an Era: 1965-1970 CHAPTER 30 chapter 31 chapter 32 chapter 33 chapter 34 A Girl Group Grows Up The Shirelies 262 Things Fall Apart The Crystals 271 A Family Divided The Ronettes 278 Lost in the Shuffle Red Bird Closes Its Doors 286 A New Music Business for the Next Generation 296
CONTENTS viii PART 7 Motown Outgrows Detroit: 1967-Present CHAPTER 35 Detroit, 1967 304 CHAPTER 36 Diana Ross and The Suprêmes 307 CHAPTER 37 A Girl Group Evolves Labelle CHAPTER 38 313 Behind Motovvn’s Curtain The Andantes 322 CHAPTER 39 Martha and The Vandellas 328 CHAPTER 40 Lost on the Road They Paved The Marvelettes CHAPTER 41 331 Left Behind Motown Leaves Detroit 334 CHAPTER 42 Flo’s Story 339 CHAPTER 43 The Legacy of Motown 347 PART 8 Coming Back Together and Saying Goodbye: 1970-Present The Chantels, The Bobbettes, The Clickettes, The Super Girls 354 CHAPTER 45 The Shirelies 364 CHAPTER 46 Royalties CHAPTER 44 The Same Old Song and Dance 370 CHAPTER 47 The Blossoms, Darlene Love, and Ellie Greenwich 379 CHAPTER 48 The Crystals 390 CHAPTER 49 The Ronettes 393 Acknowledgments Bibliography 415 Index 423 417
|
| adam_txt |
Contents Introduction xi PART 1 The Beginnings of the Girl Group Sound: The 1950s Singing on the Corner and Growing Up with Music in the Air The Chantels and The Bobbettes 2 Learning the Show Business Ropes The Clickettes and The Hearts 13 Living the Girl Group Dream The Shirelies 18 Origins of the Girl Group Sound The Radio, Rock and Roll, and The Chordettes 23 Teenagers in Love The Sound Behind the New Business of Pop 31 The Brill Building’s Own Girl Group The Cookies 38 Tonight’s the Night Taking the Show on the Road 43 CHAPTER 8 Here Today, Gone Tomorrow 55 CHAPTER 9 Breaking the Record Industry’s Vinyl Ceiling 65 CHAPTER 1 CHAPTER 2 CHAPTER 3 CHAPTER 4 CHAPTER 5 CHAPTER 6 CHAPTER 7
CONTENTS vi PART 2 The Sound on the Street: 1960-1963 CHAPTER 10 CHAPTER 11 CHAPTER 12 CHAPTER 13 CHAPTER 14 The Foundation of the Wall of Sound The Crystals 74 Behind the Scenes with the Original Background Singers The Blossoms 87 The New York Hustle The Ronettes 98 They’ve Got the Power The Exciters 111 The Center of the Square Phil Spector 122 PART 3 Hitsville USA: 1960-1963 CHAPTER 15 CHAPTER 16 CHAPTER 17 CHAPTER 18 CHAPTER 19 CHAPTER 20 Motown’s First Number One The Marvelettes 138 The Assembly Line Making Girl Groups the Detroit Way 147 From Behind the Desk to Center Stage The Vandellas 152 The No-Hit Suprêmes Motown’s Last Girl Group The Velvelettes 160 Motown Makes a National Impact 167 164 PART 4 Topping the Charts: 1963-1964 CHAPTER 21 The Salute to Freedom, Birmingham, Alabama The Shirelies Use Their Voices 176
CONTENTS vii Summer of ’63 The Angels 182 All Over the Radio The Chiffons 192 chapter 24 The British Invasion 203 chapter 25 Crossing the Mason-Dixon Line The Dixie Cups 214 The Not-So-Bad Girls The Shangri-Las 225 chapter 22 chapter 23 chapter 26 PART 5 Motown Becomes the Sound of Young America: 1964-1966 CHAPTER 27 Motown University 236 chapter za Standing Out from the Crowd 243 chapter 29 Putting a Face to a Name The Girl Groups Hit Prime Time 253 PART 6 The End of an Era: 1965-1970 CHAPTER 30 chapter 31 chapter 32 chapter 33 chapter 34 A Girl Group Grows Up The Shirelies 262 Things Fall Apart The Crystals 271 A Family Divided The Ronettes 278 Lost in the Shuffle Red Bird Closes Its Doors 286 A New Music Business for the Next Generation 296
CONTENTS viii PART 7 Motown Outgrows Detroit: 1967-Present CHAPTER 35 Detroit, 1967 304 CHAPTER 36 Diana Ross and The Suprêmes 307 CHAPTER 37 A Girl Group Evolves Labelle CHAPTER 38 313 Behind Motovvn’s Curtain The Andantes 322 CHAPTER 39 Martha and The Vandellas 328 CHAPTER 40 Lost on the Road They Paved The Marvelettes CHAPTER 41 331 Left Behind Motown Leaves Detroit 334 CHAPTER 42 Flo’s Story 339 CHAPTER 43 The Legacy of Motown 347 PART 8 Coming Back Together and Saying Goodbye: 1970-Present The Chantels, The Bobbettes, The Clickettes, The Super Girls 354 CHAPTER 45 The Shirelies 364 CHAPTER 46 Royalties CHAPTER 44 The Same Old Song and Dance 370 CHAPTER 47 The Blossoms, Darlene Love, and Ellie Greenwich 379 CHAPTER 48 The Crystals 390 CHAPTER 49 The Ronettes 393 Acknowledgments Bibliography 415 Index 423 417 |
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| contents | Introduction -- The beginnings of the girl group sound: the 1950s -- The sound on the street: 1960-1963 -- Hitsville USA: 1960-1963 -- Topping the charts: 1963-1964 -- Motown becomes the sound of Young America: 1964-1966 -- The end of an era: 1965-1970 -- Motown outgrows Detroit: 1967-present -- Coming back together and saying goodbye: 1970-present |
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| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)4027503-6 Interview gnd-content |
| genre_facet | Aufsatzsammlung Interview |
| geographic | USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV049353696 |
| illustrated | Illustrated |
| index_date | 2024-07-03T22:50:37Z |
| indexdate | 2024-07-10T10:02:23Z |
| institution | BVB |
| isbn | 9780306829772 9780306829789 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034613985 |
| oclc_num | 1396779790 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | xiii, 434 Seiten, 16 ungezählte Seiten Tafeln Illustrationen, Porträts 24 cm |
| psigel | BSB_NED_20231122 |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Hachette Books |
| record_format | marc |
| spelling | But will you love me tomorrow? an oral history of the '60s girl groups Laura Flam and Emily Sieu Liebowitz First edition New York, NY Hachette Books 2023 xiii, 434 Seiten, 16 ungezählte Seiten Tafeln Illustrationen, Porträts 24 cm txt rdacontent n rdamedia nc rdacarrier Introduction -- The beginnings of the girl group sound: the 1950s -- The sound on the street: 1960-1963 -- Hitsville USA: 1960-1963 -- Topping the charts: 1963-1964 -- Motown becomes the sound of Young America: 1964-1966 -- The end of an era: 1965-1970 -- Motown outgrows Detroit: 1967-present -- Coming back together and saying goodbye: 1970-present "The Girl Group Sound, made famous and unforgettable by acts like The Ronettes, The Shirelles, The Supremes, and The Vandellas, took over the airwaves by capturing the mix of innocence and rebellion emblematic of America in the 1960s. As songs like "Will You Love Me Tomorrow," "Then He Kissed Me," and "Be My Baby" rose to number one, Girl Groups cornered the burgeoning post-war market of teenage rock and roll fans, indelibly shaping the trajectory of pop music in the process. But the story of the Girl Group Sound is also one of race and power. The women, most of whom were Black and many of whom were only teenagers when their first songs were recorded, were cultivated, packaged, and sold by a music industry that cut them out of the lion's share of their profits. And though the women's careers would take them on tour with Civil Rights leaders and to performances at some of the earliest desegregated concerts, many found themselves cast aside as trends shifted in favor of the largely white British Invasion of the mid to late '60s. While the voices of the Girl Group Sound have become essential to the American canon, many of the artists remain all but anonymous to most listeners. Weaving together over 300 hours of interviews across more than ninety subjects, But Will You Love Me Tomorrow: An Oral History of the '60s Girl Groups gives voice to the many women of the era who have long been consigned to silence. Through the chorus formed by their collective voice in these pages, But Will You Love Me Tomorrow is a distinctly American coming-of-age story-it's a story of girls finding their footing as young women, of artistic success and struggle, and of the inequity faced by women of color in this country"-- Geschichte gnd rswk-swf Girlgroup (DE-588)4507244-9 gnd rswk-swf Oral history (DE-588)4115456-3 gnd rswk-swf Popmusik (DE-588)4046781-8 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Girl groups (Musical groups) / History / 20th century Popular music / 1961-1970 / History and criticism Women singers African American women singers Music and race / United States / History / 20th century Groupes féminins (Musique) / Histoire / 20e siècle Musique populaire / 1961-1970 / Histoire et critique Chanteuses Chanteuses noires américaines Musique et race / États-Unis / Histoire / 20e siècle singers MUSIC / History & Criticism Girl groups (Musical groups) Music and race Popular music United States 1900-1999 oral histories (literary works) Criticism, interpretation, etc History Oral histories Histoires orales (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)4027503-6 Interview gnd-content USA (DE-588)4078704-7 g Popmusik (DE-588)4046781-8 s Girlgroup (DE-588)4507244-9 s Oral history (DE-588)4115456-3 s Geschichte z DE-604 Flam, Laura (DE-588)1309781907 edt Liebowitz, Emily Sieu (DE-588)1309781966 edt Äquivalent Druck-Ausgabe, Paperback 978-0-306-82978-9 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034613985&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | But will you love me tomorrow? an oral history of the '60s girl groups Introduction -- The beginnings of the girl group sound: the 1950s -- The sound on the street: 1960-1963 -- Hitsville USA: 1960-1963 -- Topping the charts: 1963-1964 -- Motown becomes the sound of Young America: 1964-1966 -- The end of an era: 1965-1970 -- Motown outgrows Detroit: 1967-present -- Coming back together and saying goodbye: 1970-present Girlgroup (DE-588)4507244-9 gnd Oral history (DE-588)4115456-3 gnd Popmusik (DE-588)4046781-8 gnd |
| subject_GND | (DE-588)4507244-9 (DE-588)4115456-3 (DE-588)4046781-8 (DE-588)4078704-7 (DE-588)4143413-4 (DE-588)4027503-6 |
| title | But will you love me tomorrow? an oral history of the '60s girl groups |
| title_auth | But will you love me tomorrow? an oral history of the '60s girl groups |
| title_exact_search | But will you love me tomorrow? an oral history of the '60s girl groups |
| title_exact_search_txtP | But will you love me tomorrow? an oral history of the '60s girl groups |
| title_full | But will you love me tomorrow? an oral history of the '60s girl groups Laura Flam and Emily Sieu Liebowitz |
| title_fullStr | But will you love me tomorrow? an oral history of the '60s girl groups Laura Flam and Emily Sieu Liebowitz |
| title_full_unstemmed | But will you love me tomorrow? an oral history of the '60s girl groups Laura Flam and Emily Sieu Liebowitz |
| title_short | But will you love me tomorrow? |
| title_sort | but will you love me tomorrow an oral history of the 60s girl groups |
| title_sub | an oral history of the '60s girl groups |
| topic | Girlgroup (DE-588)4507244-9 gnd Oral history (DE-588)4115456-3 gnd Popmusik (DE-588)4046781-8 gnd |
| topic_facet | Girlgroup Oral history Popmusik USA Aufsatzsammlung Interview |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034613985&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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