Acoustic profiles: a sound ecology of the cinema
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
2023
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| Schriftenreihe: | Oxford music/media series
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xvi, 238 Seiten Illustrationen 24 cm |
| ISBN: | 9780190226145 9780190226077 |
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| 653 | 0 | |a Film soundtracks / History and criticism | |
| 653 | 0 | |a Motion picture music / History and criticism | |
| 653 | 0 | |a Sound (Philosophy) | |
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Datensatz im Suchindex
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Contents Acknowledgments ix Introduction: Acoustic Profiling 1 1. Audible Transparency: Modernist Acoustic Design in Jacques Tati’s Playtime 29 2. Immersive Reflexivity: Documenting the Inaudible in Peter Mettler ’s Picture ofLight 61 3. Reflective Empathy: Soundscape Composition and the Spatialization of Music in Gus Van Sant’s Last Days 97 4. The Schizophonographic Imagination: Visualizing the Myth of Sonic Fidelity in David Lynch’s Twin Peaks 127 5. Unsettled Listening: Tracking Vancouver’s Contested Acoustic Profiles across Media 171 Conclusion: A Position Piece Notes Index 211 227 231 |
| adam_txt |
Contents Acknowledgments ix Introduction: Acoustic Profiling 1 1. Audible Transparency: Modernist Acoustic Design in Jacques Tati’s Playtime 29 2. Immersive Reflexivity: Documenting the Inaudible in Peter Mettler ’s Picture ofLight 61 3. Reflective Empathy: Soundscape Composition and the Spatialization of Music in Gus Van Sant’s Last Days 97 4. The Schizophonographic Imagination: Visualizing the Myth of Sonic Fidelity in David Lynch’s Twin Peaks 127 5. Unsettled Listening: Tracking Vancouver’s Contested Acoustic Profiles across Media 171 Conclusion: A Position Piece Notes Index 211 227 231 |
| any_adam_object | 1 |
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| author | Jordan, Randolph ca. 20. Jh |
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| author_facet | Jordan, Randolph ca. 20. Jh |
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| bvnumber | BV049353681 |
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| contents | Introduction. Acoustic Profiling -- Audible Transparency : Modernist Acoustic Design in Jacques Tati's Playtime -- Immersive Reflexivity : Documenting the Inaudible in Peter Mettler's Picture of Light -- Reflective Empathy : Soundscape Composition and the Spatialization of Music in Gus Van Sant's Last Days -- The Schizophonographic Imagination : Visualizing the Myth of Sonic Fidelity in David Lynch's Twin Peaks -- Unsettled Listening : Tracking Vancouver's Contested Acoustic Profiles across Media -- Conclusion. A Position Piece |
| ctrlnum | (OCoLC)1407833817 (DE-599)BVBBV049353681 |
| discipline | Allgemeines |
| format | Book |
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| spelling | Jordan, Randolph ca. 20. Jh. Verfasser (DE-588)1030497494 aut Acoustic profiles a sound ecology of the cinema Randolph Jordan New York, NY Oxford University Press 2023 xvi, 238 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Oxford music/media series Filmmusik (DE-588)4017129-2 gnd rswk-swf Ton Akustik (DE-588)4185645-4 gnd rswk-swf Film soundtracks / History and criticism Motion picture music / History and criticism Sound (Philosophy) Bandes sonores (Cinéma) / Histoire et critique Film, Musique de / Histoire et critique Son (Philosophie) Filmmusik (DE-588)4017129-2 s Ton Akustik (DE-588)4185645-4 s DE-604 Erscheint auch als Online-Ausgabe 978-0-19-022617-6 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034613970&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Jordan, Randolph ca. 20. Jh Acoustic profiles a sound ecology of the cinema Introduction. Acoustic Profiling -- Audible Transparency : Modernist Acoustic Design in Jacques Tati's Playtime -- Immersive Reflexivity : Documenting the Inaudible in Peter Mettler's Picture of Light -- Reflective Empathy : Soundscape Composition and the Spatialization of Music in Gus Van Sant's Last Days -- The Schizophonographic Imagination : Visualizing the Myth of Sonic Fidelity in David Lynch's Twin Peaks -- Unsettled Listening : Tracking Vancouver's Contested Acoustic Profiles across Media -- Conclusion. A Position Piece Filmmusik (DE-588)4017129-2 gnd Ton Akustik (DE-588)4185645-4 gnd |
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| title | Acoustic profiles a sound ecology of the cinema |
| title_auth | Acoustic profiles a sound ecology of the cinema |
| title_exact_search | Acoustic profiles a sound ecology of the cinema |
| title_exact_search_txtP | Acoustic profiles a sound ecology of the cinema |
| title_full | Acoustic profiles a sound ecology of the cinema Randolph Jordan |
| title_fullStr | Acoustic profiles a sound ecology of the cinema Randolph Jordan |
| title_full_unstemmed | Acoustic profiles a sound ecology of the cinema Randolph Jordan |
| title_short | Acoustic profiles |
| title_sort | acoustic profiles a sound ecology of the cinema |
| title_sub | a sound ecology of the cinema |
| topic | Filmmusik (DE-588)4017129-2 gnd Ton Akustik (DE-588)4185645-4 gnd |
| topic_facet | Filmmusik Ton Akustik |
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