The 21st century screenplay: a comprehensive guide to writing tomorrow's films
A truly comprehensive overview of the craft of writing for contemporary film and video, by a multi-award winning screenwriter
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Sydney, Australia
Allen & Unwin
2010
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 |
| Zusammenfassung: | A truly comprehensive overview of the craft of writing for contemporary film and video, by a multi-award winning screenwriter |
| Beschreibung: | 1 online resource (510 pages) Illustrationen, Diagramme |
| ISBN: | 9781742690575 1742690572 |
Internformat
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| 245 | 1 | 0 | |a The 21st century screenplay |b a comprehensive guide to writing tomorrow's films |c Linda Aronson |
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| 505 | 8 | |a Praise For Linda Aronson; Title Page; Contents; List of Figures; List of development strategies; Foreword; Preface; Part 1 Getting Ideas; Chapter 1 Creativity and general problem solving; Chapter 2 Triggering good ideas fast from screen models; Chapter 3 Triggering good ideas fast from other models; Chapter 4 What film are we in?; Part 2 Conventional Narrative Structure; Chapter 5 Overview of conventional narritive structure; Chapter 6 Planning a conventional, three-act structure; Chapter 7 Normality and disturbance (the set-up); Chapter 8 Action line or relationship line? | |
| 505 | 8 | |a Chapter 9 Protagonists and characters who seem like protagonists but are notChapter 10 One protagonist, many antagonists; Chapter 11 Characterisation; Chapter 12 The plan and first-act turning point; Chapter 13 The second act; Chapter 14 The third act: Climax, resolution, symbolism and myth; Chapter 15 Structural analysis of The Piano; Part 3 Practical Plotting; Chapter 16 The nature of the task; Chap | |
| 520 | 3 | |a A truly comprehensive overview of the craft of writing for contemporary film and video, by a multi-award winning screenwriter | |
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Datensatz im Suchindex
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| author | Aronson, Linda 1950- |
| author_facet | Aronson, Linda 1950- |
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| author_sort | Aronson, Linda 1950- |
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| building | Verbundindex |
| bvnumber | BV049353377 |
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| contents | Praise For Linda Aronson; Title Page; Contents; List of Figures; List of development strategies; Foreword; Preface; Part 1 Getting Ideas; Chapter 1 Creativity and general problem solving; Chapter 2 Triggering good ideas fast from screen models; Chapter 3 Triggering good ideas fast from other models; Chapter 4 What film are we in?; Part 2 Conventional Narrative Structure; Chapter 5 Overview of conventional narritive structure; Chapter 6 Planning a conventional, three-act structure; Chapter 7 Normality and disturbance (the set-up); Chapter 8 Action line or relationship line? Chapter 9 Protagonists and characters who seem like protagonists but are notChapter 10 One protagonist, many antagonists; Chapter 11 Characterisation; Chapter 12 The plan and first-act turning point; Chapter 13 The second act; Chapter 14 The third act: Climax, resolution, symbolism and myth; Chapter 15 Structural analysis of The Piano; Part 3 Practical Plotting; Chapter 16 The nature of the task; Chap |
| ctrlnum | (OCoLC)1403379307 (DE-599)BV049353377 |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| format | Electronic eBook |
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| index_date | 2024-07-03T22:50:31Z |
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| institution | BVB |
| isbn | 9781742690575 1742690572 |
| language | English |
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| physical | 1 online resource (510 pages) Illustrationen, Diagramme |
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| publishDate | 2010 |
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| publisher | Allen & Unwin |
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| spelling | Aronson, Linda 1950- Verfasser aut The 21st century screenplay a comprehensive guide to writing tomorrow's films Linda Aronson Twenty first century screenplay Sydney, Australia Allen & Unwin 2010 1 online resource (510 pages) Illustrationen, Diagramme txt rdacontent c rdamedia cr rdacarrier Praise For Linda Aronson; Title Page; Contents; List of Figures; List of development strategies; Foreword; Preface; Part 1 Getting Ideas; Chapter 1 Creativity and general problem solving; Chapter 2 Triggering good ideas fast from screen models; Chapter 3 Triggering good ideas fast from other models; Chapter 4 What film are we in?; Part 2 Conventional Narrative Structure; Chapter 5 Overview of conventional narritive structure; Chapter 6 Planning a conventional, three-act structure; Chapter 7 Normality and disturbance (the set-up); Chapter 8 Action line or relationship line? Chapter 9 Protagonists and characters who seem like protagonists but are notChapter 10 One protagonist, many antagonists; Chapter 11 Characterisation; Chapter 12 The plan and first-act turning point; Chapter 13 The second act; Chapter 14 The third act: Climax, resolution, symbolism and myth; Chapter 15 Structural analysis of The Piano; Part 3 Practical Plotting; Chapter 16 The nature of the task; Chap A truly comprehensive overview of the craft of writing for contemporary film and video, by a multi-award winning screenwriter Schreiben (DE-588)4116418-0 gnd rswk-swf Drehbuch (DE-588)4127976-1 gnd rswk-swf Kreatives Schreiben (DE-588)4165550-3 gnd rswk-swf Motion picture authorship Cinéma / Art d'écrire PERFORMING ARTS / Reference Drehbuch (DE-588)4127976-1 s Schreiben (DE-588)4116418-0 s DE-604 Kreatives Schreiben (DE-588)4165550-3 s Erscheint auch als Aronson, Linda Online-Ausgabe, PDF 21st Century Screenplay : A Comprehensive Guide to Writing Tomorrow's Films Sydney : Allen & Unwin, ©2010 978-1-74237-136-8 |
| spellingShingle | Aronson, Linda 1950- The 21st century screenplay a comprehensive guide to writing tomorrow's films Praise For Linda Aronson; Title Page; Contents; List of Figures; List of development strategies; Foreword; Preface; Part 1 Getting Ideas; Chapter 1 Creativity and general problem solving; Chapter 2 Triggering good ideas fast from screen models; Chapter 3 Triggering good ideas fast from other models; Chapter 4 What film are we in?; Part 2 Conventional Narrative Structure; Chapter 5 Overview of conventional narritive structure; Chapter 6 Planning a conventional, three-act structure; Chapter 7 Normality and disturbance (the set-up); Chapter 8 Action line or relationship line? Chapter 9 Protagonists and characters who seem like protagonists but are notChapter 10 One protagonist, many antagonists; Chapter 11 Characterisation; Chapter 12 The plan and first-act turning point; Chapter 13 The second act; Chapter 14 The third act: Climax, resolution, symbolism and myth; Chapter 15 Structural analysis of The Piano; Part 3 Practical Plotting; Chapter 16 The nature of the task; Chap Schreiben (DE-588)4116418-0 gnd Drehbuch (DE-588)4127976-1 gnd Kreatives Schreiben (DE-588)4165550-3 gnd |
| subject_GND | (DE-588)4116418-0 (DE-588)4127976-1 (DE-588)4165550-3 |
| title | The 21st century screenplay a comprehensive guide to writing tomorrow's films |
| title_alt | Twenty first century screenplay |
| title_auth | The 21st century screenplay a comprehensive guide to writing tomorrow's films |
| title_exact_search | The 21st century screenplay a comprehensive guide to writing tomorrow's films |
| title_exact_search_txtP | The 21st century screenplay a comprehensive guide to writing tomorrow's films |
| title_full | The 21st century screenplay a comprehensive guide to writing tomorrow's films Linda Aronson |
| title_fullStr | The 21st century screenplay a comprehensive guide to writing tomorrow's films Linda Aronson |
| title_full_unstemmed | The 21st century screenplay a comprehensive guide to writing tomorrow's films Linda Aronson |
| title_short | The 21st century screenplay |
| title_sort | the 21st century screenplay a comprehensive guide to writing tomorrow s films |
| title_sub | a comprehensive guide to writing tomorrow's films |
| topic | Schreiben (DE-588)4116418-0 gnd Drehbuch (DE-588)4127976-1 gnd Kreatives Schreiben (DE-588)4165550-3 gnd |
| topic_facet | Schreiben Drehbuch Kreatives Schreiben |
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