Author fictions: Narrative representations of literary authorship since 1800
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Berlin ; Boston
De Gruyter
2023
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XI, 504 Seiten Diagramme 23 cm x 15.5 cm, 858 g |
| ISBN: | 9783111056159 3111056155 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804185885786243072 |
|---|---|
| adam_text | Contents Introduction: How Literature Makes Authors — 1 Part I Literary Authorship in History and Theory 1 Towards a Literary History of Literary Authorship —19 Combining Literary Sociology and Criticism----- 19 Levels of Abstraction----- 26 Reading Authorship Historically----- 31 Authorship Today----- 45 2 Authors, Works, Audiences: Conceptual Foundations — 53 Authors and Narrators----- 53 A Rhetorical Model----- 64 Crossing the Gap----- 68 Author, Work, Audience: An Interactional Loop----- 72 Part II Author-Making and Social Form in the Nineteenth Century 3 Lost Illusions՛. Balzac’s Brutal Materialism----- 85 4 Compromise Formation in the English Literary Bildungsroman — 99 “The pursuit of literature”: Bulwer-Lytton’s Ernest Maltravers (1837) Taking to Authorship in Dickens’s David Copperfield (1849-1850) and Thackeray’s Pendennis (1848-1850) 103 5 The Novel of Allopoetic Deformation: Herman Melville’s Pierre (1852)----- 115 6 “Sign it like a queen”: Writing Female Authors in the Victorian Novel----- 127 Charlotte Bronte, Rose Ellen Hendriks, Christina Rossetti----- 127 A Bildungsroman in Verse: Elizabeth Barrett Browning’s Aurora Leigh (1856)----- 133 102
VIII — Contents “Lady Novelists”----- 137 “Distorted Benthamism”: Thomas Hardy’s The Hand of Ethelberta (1876) and the Novels of Mary Braddon 7 140 Starving in the Reading Room: Precarious Economies of Authorship in Late Victorian Fiction----- 153 From ‘We’ to ‘ľ: Anthony Trollope’s An Editor’s Tales (1870)----- 154 “A trackless desert of print”: George Gissing’s New Grub Street (1891) 161 “The off-chance of success”: George Paston’s A Writer of Books (1898) 8 170 Curious Double Lives: Puzzles of Authorship in James, Kipling, and Beerbohm----- 173 Henry James’s Stories of the Literary Life----- 175 Rudyard Kipling’s Authorship Gothic----- 184 Max Beerbohm’s Seven Men (1919)----- 188 Part III Modernist Author Fictions 9 The Ambivalence of Promise in Arthur Machen, E. Μ. Forster, and Henry Green------ 195 Arthur Machen’s The Hill of Dreams (1904)----- 198 E. Μ. Forster’s The Longest Journey (1907)----- 203 Henry Green’s Blindness (1926)----- 207 10 “Do you seriously believe in literature?” Comic Turns from Aldous Huxley to Kingsley Amis----- 213 “Humble Heroisms”: Aldous Huxley’s Crome Yellow (1921), Evelyn Waugh’s Vile Bodies (1930) and Scoop (1938)----- 214 “Hidden Souls”: Authorial Celebrity in W. A. Darlington’s Wishes Limited (1922) and William Caine’s The Author of “Trixie” (1924)----- 218 Author Hunting: N. O. Youman’s Best Seller (1930), Anthony Powell’s What’s Become of Waring (1938), and Kingsley Amis’s I Like It Here (1958)----- 224 11 “Writing’s a mug’s game”: Novels of Resentment and Regeneration in the 1930s and 1940s------ 233 George Orwell’s Keep the
Aspidistra Flying (1936)----- 235
Contents — IX “Everything that was literature has fallen from me”: Samuel Beckett, Henry Miller, and Lawrence Durrell----- 240 Stevie Smith’s Novel on Yellow Paper (1936)----- 245 “What an abominable occupation”: Roland Camberton’s Scamp (1950)----- 250 12 Working Women: Figurations of Female Authorship in Postwar Britain — 255 The Feminine Point of View----- 255 Exorcism of the ‘Lady Novelist’: Elizabeth Taylor’s A View of the Harbour (1947) and Angel (1957)----- 262 Meeting The Cost of Living (1956): Diana Gardner and Kathleen Farrell----- 265 Multiple Narrative Identities: Mary Renault’s The Friendly Young Ladies (1944)----- 268 “A fine woman bashing away at a typewriter”: Muriel Spark’s The Girls of Slender Means (1963)----- 271 Part IV From Postmodernist Metafiction to Contemporary Autofiction 13 The Validity of Authorship: Postwar British Metafiction from Muriel Spark to William Golding------ 279 Beyond the Uncertainty Principle: Muriel Spark’s The Comforters (1957)----- 282 “Telling the literal truth”: Julian Mitchell’s The Undiscovered Country (1968)----- 285 Fiction as a Tool of Knowledge: Iris Murdoch’s The Black Prince (1973)----- 288 “Orpheus on the National Health”: Russell Hoban’s Kleinzeit (1974)----- 291 The ‘Isness’ of Reality: William Golding’s The Paper Men (1984)----- 295 14 “The unreckoned consequences of art”: Authorial Realism in Munro, Carver, Roth, and Moore — 301 A Bad Smell in the House of Fiction: Alice Munro’s “Material” (1973)----- 302 Raymond Carver’s “Put Yourself in My Shoes” (1972) and “Intimacy” (1986)----- 306
X — Contents “The rest was so much fiction”: Philip Roth’s The Ghost Writer (1979)----- 309 “Tell them you’re a walking blade”: Lorrie Moore’s “How to Become a Writer” (1982)----- 314 15 Authorship Horror: Stephen King’s Misery (1987)----- 319 16 The Tremor of Genre: Making and Unmaking Writers in Suspense Fiction----- 331 Authors as Detectives and Criminals: Patricia Highsmith’s The Tremor of Forgery (1969)----- 332 The Stolen Plot: John Colapinto’s About the Author (2001) and Jean Hanff Korelitz’s The Plot (2021)----- 335 Romance Authorship: Colleen Hoover’s Verity (2018) and the Dangers of Fiction----- 340 Powerful Fictions of the Real: Chris Power’s A Lonely Man (2021) and Hari Kunzru’s Red Pill (2020)----- 342 17 Economies of Authorship in Contemporary (Auto-)Fiction: Between Expressivism and Institutionalism — 347 The Authenticity of Suffering: Dave Eggers’s A Heartbreaking Work of Staggering Genius (2000)----- 350 Bildungsroman Revisited: Sheila Heti’s How Should a Person Be? (2012) and Lily King’s Writers Lovers (2020)----- 356 Authorship and the (In)Authenticity of ‘Race’: Percival Everett’s Erasure (2001)----- 363 Forgery, Author Fiction, and the Canon: Arthur Phillips’s The Tragedy of Arthur (2011)----- 366 The Lives of Others: Rachel Cusk’s Outline Trilogy (2014-2018)----- 370 Conclusion----- 377 Appendix 1: An Incomplete List of Authorship Narratives, 1800-2022 — 385 1800-1850------ 385 1851-1900------ 385 1901 -1950----- 389 1951 -2000----- 392 2001 -2022------ 398 Appendix 2: Quantitative Survey, 1800-2022----- 403
Contents List of Illustrations and Tables----- 405 Glossary----- 407 Acknowledgements----- 409 References----- 411 Index----- 447 ------ XI
Author Fictions is a wide-ranging and systematic study of how literature makes authors. It explores European and North American narrative texts that feature writers as characters. Combining approaches from narrative theory and literary sociology, the book unfolds a literary history of literary authorship from the early nineteenth century to the present, covering a broad array of genres from the bildungsroman to horror fiction, romance, and autofiction.
|
| adam_txt |
Contents Introduction: How Literature Makes Authors — 1 Part I Literary Authorship in History and Theory 1 Towards a Literary History of Literary Authorship —19 Combining Literary Sociology and Criticism----- 19 Levels of Abstraction----- 26 Reading Authorship Historically----- 31 Authorship Today----- 45 2 Authors, Works, Audiences: Conceptual Foundations — 53 Authors and Narrators----- 53 A Rhetorical Model----- 64 Crossing the Gap----- 68 Author, Work, Audience: An Interactional Loop----- 72 Part II Author-Making and Social Form in the Nineteenth Century 3 Lost Illusions՛. Balzac’s Brutal Materialism----- 85 4 Compromise Formation in the English Literary Bildungsroman — 99 “The pursuit of literature”: Bulwer-Lytton’s Ernest Maltravers (1837) Taking to Authorship in Dickens’s David Copperfield (1849-1850) and Thackeray’s Pendennis (1848-1850) 103 5 The Novel of Allopoetic Deformation: Herman Melville’s Pierre (1852)----- 115 6 “Sign it like a queen”: Writing Female Authors in the Victorian Novel----- 127 Charlotte Bronte, Rose Ellen Hendriks, Christina Rossetti----- 127 A Bildungsroman in Verse: Elizabeth Barrett Browning’s Aurora Leigh (1856)----- 133 102
VIII — Contents “Lady Novelists”----- 137 “Distorted Benthamism”: Thomas Hardy’s The Hand of Ethelberta (1876) and the Novels of Mary Braddon 7 140 Starving in the Reading Room: Precarious Economies of Authorship in Late Victorian Fiction----- 153 From ‘We’ to ‘ľ: Anthony Trollope’s An Editor’s Tales (1870)----- 154 “A trackless desert of print”: George Gissing’s New Grub Street (1891) 161 “The off-chance of success”: George Paston’s A Writer of Books (1898) 8 170 Curious Double Lives: Puzzles of Authorship in James, Kipling, and Beerbohm----- 173 Henry James’s Stories of the Literary Life----- 175 Rudyard Kipling’s Authorship Gothic----- 184 Max Beerbohm’s Seven Men (1919)----- 188 Part III Modernist Author Fictions 9 The Ambivalence of Promise in Arthur Machen, E. Μ. Forster, and Henry Green------ 195 Arthur Machen’s The Hill of Dreams (1904)----- 198 E. Μ. Forster’s The Longest Journey (1907)----- 203 Henry Green’s Blindness (1926)----- 207 10 “Do you seriously believe in literature?” Comic Turns from Aldous Huxley to Kingsley Amis----- 213 “Humble Heroisms”: Aldous Huxley’s Crome Yellow (1921), Evelyn Waugh’s Vile Bodies (1930) and Scoop (1938)----- 214 “Hidden Souls”: Authorial Celebrity in W. A. Darlington’s Wishes Limited (1922) and William Caine’s The Author of “Trixie” (1924)----- 218 Author Hunting: N. O. Youman’s Best Seller (1930), Anthony Powell’s What’s Become of Waring (1938), and Kingsley Amis’s I Like It Here (1958)----- 224 11 “Writing’s a mug’s game”: Novels of Resentment and Regeneration in the 1930s and 1940s------ 233 George Orwell’s Keep the
Aspidistra Flying (1936)----- 235
Contents — IX “Everything that was literature has fallen from me”: Samuel Beckett, Henry Miller, and Lawrence Durrell----- 240 Stevie Smith’s Novel on Yellow Paper (1936)----- 245 “What an abominable occupation”: Roland Camberton’s Scamp (1950)----- 250 12 Working Women: Figurations of Female Authorship in Postwar Britain — 255 The Feminine Point of View----- 255 Exorcism of the ‘Lady Novelist’: Elizabeth Taylor’s A View of the Harbour (1947) and Angel (1957)----- 262 Meeting The Cost of Living (1956): Diana Gardner and Kathleen Farrell----- 265 Multiple Narrative Identities: Mary Renault’s The Friendly Young Ladies (1944)----- 268 “A fine woman bashing away at a typewriter”: Muriel Spark’s The Girls of Slender Means (1963)----- 271 Part IV From Postmodernist Metafiction to Contemporary Autofiction 13 The Validity of Authorship: Postwar British Metafiction from Muriel Spark to William Golding------ 279 Beyond the Uncertainty Principle: Muriel Spark’s The Comforters (1957)----- 282 “Telling the literal truth”: Julian Mitchell’s The Undiscovered Country (1968)----- 285 Fiction as a Tool of Knowledge: Iris Murdoch’s The Black Prince (1973)----- 288 “Orpheus on the National Health”: Russell Hoban’s Kleinzeit (1974)----- 291 The ‘Isness’ of Reality: William Golding’s The Paper Men (1984)----- 295 14 “The unreckoned consequences of art”: Authorial Realism in Munro, Carver, Roth, and Moore — 301 A Bad Smell in the House of Fiction: Alice Munro’s “Material” (1973)----- 302 Raymond Carver’s “Put Yourself in My Shoes” (1972) and “Intimacy” (1986)----- 306
X — Contents “The rest was so much fiction”: Philip Roth’s The Ghost Writer (1979)----- 309 “Tell them you’re a walking blade”: Lorrie Moore’s “How to Become a Writer” (1982)----- 314 15 Authorship Horror: Stephen King’s Misery (1987)----- 319 16 The Tremor of Genre: Making and Unmaking Writers in Suspense Fiction----- 331 Authors as Detectives and Criminals: Patricia Highsmith’s The Tremor of Forgery (1969)----- 332 The Stolen Plot: John Colapinto’s About the Author (2001) and Jean Hanff Korelitz’s The Plot (2021)----- 335 Romance Authorship: Colleen Hoover’s Verity (2018) and the Dangers of Fiction----- 340 Powerful Fictions of the Real: Chris Power’s A Lonely Man (2021) and Hari Kunzru’s Red Pill (2020)----- 342 17 Economies of Authorship in Contemporary (Auto-)Fiction: Between Expressivism and Institutionalism — 347 The Authenticity of Suffering: Dave Eggers’s A Heartbreaking Work of Staggering Genius (2000)----- 350 Bildungsroman Revisited: Sheila Heti’s How Should a Person Be? (2012) and Lily King’s Writers Lovers (2020)----- 356 Authorship and the (In)Authenticity of ‘Race’: Percival Everett’s Erasure (2001)----- 363 Forgery, Author Fiction, and the Canon: Arthur Phillips’s The Tragedy of Arthur (2011)----- 366 The Lives of Others: Rachel Cusk’s Outline Trilogy (2014-2018)----- 370 Conclusion----- 377 Appendix 1: An Incomplete List of Authorship Narratives, 1800-2022 — 385 1800-1850------ 385 1851-1900------ 385 1901 -1950----- 389 1951 -2000----- 392 2001 -2022------ 398 Appendix 2: Quantitative Survey, 1800-2022----- 403
Contents List of Illustrations and Tables----- 405 Glossary----- 407 Acknowledgements----- 409 References----- 411 Index----- 447 ------ XI
Author Fictions is a wide-ranging and systematic study of how literature makes authors. It explores European and North American narrative texts that feature writers as characters. Combining approaches from narrative theory and literary sociology, the book unfolds a literary history of literary authorship from the early nineteenth century to the present, covering a broad array of genres from the bildungsroman to horror fiction, romance, and autofiction. |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Berensmeyer, Ingo 1972- |
| author_GND | (DE-588)122189566 |
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| author_role | aut |
| author_sort | Berensmeyer, Ingo 1972- |
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| building | Verbundindex |
| bvnumber | BV049352253 |
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| ctrlnum | (OCoLC)1398613157 (DE-599)DNB127973938X |
| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| era | Geschichte 1800-2020 gnd |
| era_facet | Geschichte 1800-2020 |
| format | Book |
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| id | DE-604.BV049352253 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:50:09Z |
| indexdate | 2024-07-10T10:02:21Z |
| institution | BVB |
| institution_GND | (DE-588)10095502-2 |
| isbn | 9783111056159 3111056155 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034612578 |
| oclc_num | 1398613157 |
| open_access_boolean | |
| owner | DE-384 DE-19 DE-BY-UBM |
| owner_facet | DE-384 DE-19 DE-BY-UBM |
| physical | XI, 504 Seiten Diagramme 23 cm x 15.5 cm, 858 g |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | De Gruyter |
| record_format | marc |
| spelling | Berensmeyer, Ingo 1972- Verfasser (DE-588)122189566 aut Author fictions Narrative representations of literary authorship since 1800 Ingo Berensmeyer Berlin ; Boston De Gruyter 2023 XI, 504 Seiten Diagramme 23 cm x 15.5 cm, 858 g txt rdacontent n rdamedia nc rdacarrier Geschichte 1800-2020 gnd rswk-swf Roman (DE-588)4050479-7 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Autorschaft Motiv (DE-588)1118415361 gnd rswk-swf Schriftsteller Motiv (DE-588)4121622-2 gnd rswk-swf Authorship in narrative studies Novel since 1800 Literary sociology Rhetorical poetics Authorship in narrative studies; Novel since 1800; Literary sociology; Rhetorical poetics Englisch (DE-588)4014777-0 s Roman (DE-588)4050479-7 s Schriftsteller Motiv (DE-588)4121622-2 s Geschichte 1800-2020 z DE-604 Autorschaft Motiv (DE-588)1118415361 s Walter de Gruyter GmbH & Co. KG (DE-588)10095502-2 pbl Erscheint auch als Online-Ausgabe, PDF 978-3-11-105616-6 Erscheint auch als Online-Ausgabe, EPUB 978-3-11-105618-0 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034612578&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034612578&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext 1\p vlb 20230201 DE-101 https://d-nb.info/provenance/plan#vlb |
| spellingShingle | Berensmeyer, Ingo 1972- Author fictions Narrative representations of literary authorship since 1800 Roman (DE-588)4050479-7 gnd Englisch (DE-588)4014777-0 gnd Autorschaft Motiv (DE-588)1118415361 gnd Schriftsteller Motiv (DE-588)4121622-2 gnd |
| subject_GND | (DE-588)4050479-7 (DE-588)4014777-0 (DE-588)1118415361 (DE-588)4121622-2 |
| title | Author fictions Narrative representations of literary authorship since 1800 |
| title_auth | Author fictions Narrative representations of literary authorship since 1800 |
| title_exact_search | Author fictions Narrative representations of literary authorship since 1800 |
| title_exact_search_txtP | Author fictions Narrative representations of literary authorship since 1800 |
| title_full | Author fictions Narrative representations of literary authorship since 1800 Ingo Berensmeyer |
| title_fullStr | Author fictions Narrative representations of literary authorship since 1800 Ingo Berensmeyer |
| title_full_unstemmed | Author fictions Narrative representations of literary authorship since 1800 Ingo Berensmeyer |
| title_short | Author fictions |
| title_sort | author fictions narrative representations of literary authorship since 1800 |
| title_sub | Narrative representations of literary authorship since 1800 |
| topic | Roman (DE-588)4050479-7 gnd Englisch (DE-588)4014777-0 gnd Autorschaft Motiv (DE-588)1118415361 gnd Schriftsteller Motiv (DE-588)4121622-2 gnd |
| topic_facet | Roman Englisch Autorschaft Motiv Schriftsteller Motiv |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034612578&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034612578&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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