White musical mythologies: sonic presence in modernism
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Stanford, California
Stanford University Press
[2023]
|
Schriftenreihe: | Sensing Media: Aesthetics, Philosophy, and Cultures of Media
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | Prelude: A Silence Filled with Speech; 1. The Ontology of the Ineffable: Satie and Bergson; 2. Ontological Machines: Varese and Bataille; 3. Ontological Appropriation: Boulez and Artaud; 4. The Written Being of Sound: Cage and Derrida; Postlude: A Simulacrum of a Presence |
Beschreibung: | xiii, 287 Seiten Illustrationen, Notenbeispiele |
ISBN: | 9781503636637 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV049350384 | ||
003 | DE-604 | ||
005 | 20231201 | ||
007 | t | ||
008 | 231004s2023 agl| |||| 00||| eng d | ||
020 | |a 9781503636637 |c paperback : 25.99 GBP |9 978-1-5036-3663-7 | ||
035 | |a (OCoLC)1410705957 | ||
035 | |a (DE-599)BVBBV049350384 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-29 |a DE-12 | ||
084 | |a MUS |q DE-12 |2 fid | ||
100 | 1 | |a Mendelssohn, Edmund |e Verfasser |0 (DE-588)1310835489 |4 aut | |
245 | 1 | 0 | |a White musical mythologies |b sonic presence in modernism |c Edmund Mendelssohn |
264 | 1 | |a Stanford, California |b Stanford University Press |c [2023] | |
264 | 4 | |c © 2023 | |
300 | |a xiii, 287 Seiten |b Illustrationen, Notenbeispiele | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 0 | |a Sensing Media: Aesthetics, Philosophy, and Cultures of Media | |
500 | |a Prelude: A Silence Filled with Speech; 1. The Ontology of the Ineffable: Satie and Bergson; 2. Ontological Machines: Varese and Bataille; 3. Ontological Appropriation: Boulez and Artaud; 4. The Written Being of Sound: Cage and Derrida; Postlude: A Simulacrum of a Presence | ||
648 | 7 | |a Geschichte 1890-1960 |2 gnd |9 rswk-swf | |
650 | 4 | |a bicssc / History of ideas | |
650 | 4 | |a bicssc / Media studies | |
650 | 4 | |a bisacsh / MUSIC / Philosophy & Social Aspects | |
650 | 4 | |a bisacsh / SOCIAL SCIENCE / Media Studies | |
650 | 4 | |a Modernism Music - History - 20th century | |
650 | 4 | |a Avant-garde Music - History - 20th century - France | |
650 | 4 | |a Modernism Aesthetics - History - 20th century - France | |
650 | 4 | |a Music - Foreign influences - Western countries | |
650 | 4 | |a Music - Philosophy and aesthetics | |
650 | 4 | |a Philosophy, French - 20th century | |
650 | 4 | |a Postcolonialism and music | |
650 | 0 | 7 | |a Neue Musik |0 (DE-588)4428235-7 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Postkolonialismus |0 (DE-588)4566658-1 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Experimentelle Musik |0 (DE-588)4153365-3 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Musikästhetik |0 (DE-588)4040808-5 |2 gnd |9 rswk-swf |
651 | 7 | |a Frankreich |0 (DE-588)4018145-5 |2 gnd |9 rswk-swf | |
689 | 0 | 0 | |a Frankreich |0 (DE-588)4018145-5 |D g |
689 | 0 | 1 | |a Neue Musik |0 (DE-588)4428235-7 |D s |
689 | 0 | 2 | |a Experimentelle Musik |0 (DE-588)4153365-3 |D s |
689 | 0 | 3 | |a Postkolonialismus |0 (DE-588)4566658-1 |D s |
689 | 0 | 4 | |a Musikästhetik |0 (DE-588)4040808-5 |D s |
689 | 0 | 5 | |a Geschichte 1890-1960 |A z |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-5036-3664-4 |
856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034610782&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
940 | 1 | |q BSB_NED_20231201 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-034610782 | ||
942 | 1 | 1 | |c 780.2 |e 22/bsb |f 0905 |g 44 |
942 | 1 | 1 | |c 780.1 |e 22/bsb |f 0905 |g 44 |
942 | 1 | 1 | |c 781.5 |e 22/bsb |f 0905 |g 44 |
942 | 1 | 1 | |c 780.9 |e 22/bsb |f 0904 |g 44 |
942 | 1 | 1 | |c 781.5 |e 22/bsb |f 0904 |g 44 |
942 | 1 | 1 | |c 780.2 |e 22/bsb |f 0904 |g 44 |
942 | 1 | 1 | |c 780.9 |e 22/bsb |f 0905 |g 44 |
942 | 1 | 1 | |c 780.1 |e 22/bsb |f 0904 |g 44 |
Datensatz im Suchindex
_version_ | 1804185882598572032 |
---|---|
adam_text | CONTENTS Acknowledgments ix Prelude A Silence Filled with Speech 1 1 The Ontology of the Ineffable: Satie and Bergson 41 2 Ontological Machines: Varèse and Bataille 98 3 Ontological Appropriation: Boulez and Artaud 138 4 The Written Being of Sound: Cage and Derrida 175 Postlude A Simulacrum of a Presence 225 Notes 231 Index 285
|
adam_txt |
CONTENTS Acknowledgments ix Prelude A Silence Filled with Speech 1 1 The Ontology of the Ineffable: Satie and Bergson 41 2 Ontological Machines: Varèse and Bataille 98 3 Ontological Appropriation: Boulez and Artaud 138 4 The Written Being of Sound: Cage and Derrida 175 Postlude A Simulacrum of a Presence 225 Notes 231 Index 285 |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author | Mendelssohn, Edmund |
author_GND | (DE-588)1310835489 |
author_facet | Mendelssohn, Edmund |
author_role | aut |
author_sort | Mendelssohn, Edmund |
author_variant | e m em |
building | Verbundindex |
bvnumber | BV049350384 |
ctrlnum | (OCoLC)1410705957 (DE-599)BVBBV049350384 |
era | Geschichte 1890-1960 gnd |
era_facet | Geschichte 1890-1960 |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03272nam a2200721 c 4500</leader><controlfield tag="001">BV049350384</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20231201 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">231004s2023 agl| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781503636637</subfield><subfield code="c">paperback : 25.99 GBP</subfield><subfield code="9">978-1-5036-3663-7</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1410705957</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049350384</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-29</subfield><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Mendelssohn, Edmund</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1310835489</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">White musical mythologies</subfield><subfield code="b">sonic presence in modernism</subfield><subfield code="c">Edmund Mendelssohn</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Stanford, California</subfield><subfield code="b">Stanford University Press</subfield><subfield code="c">[2023]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xiii, 287 Seiten</subfield><subfield code="b">Illustrationen, Notenbeispiele</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Sensing Media: Aesthetics, Philosophy, and Cultures of Media</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Prelude: A Silence Filled with Speech; 1. The Ontology of the Ineffable: Satie and Bergson; 2. Ontological Machines: Varese and Bataille; 3. Ontological Appropriation: Boulez and Artaud; 4. The Written Being of Sound: Cage and Derrida; Postlude: A Simulacrum of a Presence</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1890-1960</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">bicssc / History of ideas</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">bicssc / Media studies</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">bisacsh / MUSIC / Philosophy & Social Aspects</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">bisacsh / SOCIAL SCIENCE / Media Studies</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Modernism Music - History - 20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Avant-garde Music - History - 20th century - France</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Modernism Aesthetics - History - 20th century - France</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music - Foreign influences - Western countries</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music - Philosophy and aesthetics</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Philosophy, French - 20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Postcolonialism and music</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Neue Musik</subfield><subfield code="0">(DE-588)4428235-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Postkolonialismus</subfield><subfield code="0">(DE-588)4566658-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Experimentelle Musik</subfield><subfield code="0">(DE-588)4153365-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikästhetik</subfield><subfield code="0">(DE-588)4040808-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Frankreich</subfield><subfield code="0">(DE-588)4018145-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Frankreich</subfield><subfield code="0">(DE-588)4018145-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Neue Musik</subfield><subfield code="0">(DE-588)4428235-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Experimentelle Musik</subfield><subfield code="0">(DE-588)4153365-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Postkolonialismus</subfield><subfield code="0">(DE-588)4566658-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Musikästhetik</subfield><subfield code="0">(DE-588)4040808-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Geschichte 1890-1960</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-5036-3664-4</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034610782&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20231201</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034610782</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield><subfield code="g">44</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.1</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield><subfield code="g">44</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield><subfield code="g">44</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">44</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">44</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">44</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield><subfield code="g">44</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.1</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">44</subfield></datafield></record></collection> |
geographic | Frankreich (DE-588)4018145-5 gnd |
geographic_facet | Frankreich |
id | DE-604.BV049350384 |
illustrated | Illustrated |
index_date | 2024-07-03T22:49:31Z |
indexdate | 2024-07-10T10:02:18Z |
institution | BVB |
isbn | 9781503636637 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034610782 |
oclc_num | 1410705957 |
open_access_boolean | |
owner | DE-29 DE-12 |
owner_facet | DE-29 DE-12 |
physical | xiii, 287 Seiten Illustrationen, Notenbeispiele |
psigel | BSB_NED_20231201 |
publishDate | 2023 |
publishDateSearch | 2023 |
publishDateSort | 2023 |
publisher | Stanford University Press |
record_format | marc |
series2 | Sensing Media: Aesthetics, Philosophy, and Cultures of Media |
spelling | Mendelssohn, Edmund Verfasser (DE-588)1310835489 aut White musical mythologies sonic presence in modernism Edmund Mendelssohn Stanford, California Stanford University Press [2023] © 2023 xiii, 287 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Sensing Media: Aesthetics, Philosophy, and Cultures of Media Prelude: A Silence Filled with Speech; 1. The Ontology of the Ineffable: Satie and Bergson; 2. Ontological Machines: Varese and Bataille; 3. Ontological Appropriation: Boulez and Artaud; 4. The Written Being of Sound: Cage and Derrida; Postlude: A Simulacrum of a Presence Geschichte 1890-1960 gnd rswk-swf bicssc / History of ideas bicssc / Media studies bisacsh / MUSIC / Philosophy & Social Aspects bisacsh / SOCIAL SCIENCE / Media Studies Modernism Music - History - 20th century Avant-garde Music - History - 20th century - France Modernism Aesthetics - History - 20th century - France Music - Foreign influences - Western countries Music - Philosophy and aesthetics Philosophy, French - 20th century Postcolonialism and music Neue Musik (DE-588)4428235-7 gnd rswk-swf Postkolonialismus (DE-588)4566658-1 gnd rswk-swf Experimentelle Musik (DE-588)4153365-3 gnd rswk-swf Musikästhetik (DE-588)4040808-5 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf Frankreich (DE-588)4018145-5 g Neue Musik (DE-588)4428235-7 s Experimentelle Musik (DE-588)4153365-3 s Postkolonialismus (DE-588)4566658-1 s Musikästhetik (DE-588)4040808-5 s Geschichte 1890-1960 z DE-604 Erscheint auch als Online-Ausgabe 978-1-5036-3664-4 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034610782&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Mendelssohn, Edmund White musical mythologies sonic presence in modernism bicssc / History of ideas bicssc / Media studies bisacsh / MUSIC / Philosophy & Social Aspects bisacsh / SOCIAL SCIENCE / Media Studies Modernism Music - History - 20th century Avant-garde Music - History - 20th century - France Modernism Aesthetics - History - 20th century - France Music - Foreign influences - Western countries Music - Philosophy and aesthetics Philosophy, French - 20th century Postcolonialism and music Neue Musik (DE-588)4428235-7 gnd Postkolonialismus (DE-588)4566658-1 gnd Experimentelle Musik (DE-588)4153365-3 gnd Musikästhetik (DE-588)4040808-5 gnd |
subject_GND | (DE-588)4428235-7 (DE-588)4566658-1 (DE-588)4153365-3 (DE-588)4040808-5 (DE-588)4018145-5 |
title | White musical mythologies sonic presence in modernism |
title_auth | White musical mythologies sonic presence in modernism |
title_exact_search | White musical mythologies sonic presence in modernism |
title_exact_search_txtP | White musical mythologies sonic presence in modernism |
title_full | White musical mythologies sonic presence in modernism Edmund Mendelssohn |
title_fullStr | White musical mythologies sonic presence in modernism Edmund Mendelssohn |
title_full_unstemmed | White musical mythologies sonic presence in modernism Edmund Mendelssohn |
title_short | White musical mythologies |
title_sort | white musical mythologies sonic presence in modernism |
title_sub | sonic presence in modernism |
topic | bicssc / History of ideas bicssc / Media studies bisacsh / MUSIC / Philosophy & Social Aspects bisacsh / SOCIAL SCIENCE / Media Studies Modernism Music - History - 20th century Avant-garde Music - History - 20th century - France Modernism Aesthetics - History - 20th century - France Music - Foreign influences - Western countries Music - Philosophy and aesthetics Philosophy, French - 20th century Postcolonialism and music Neue Musik (DE-588)4428235-7 gnd Postkolonialismus (DE-588)4566658-1 gnd Experimentelle Musik (DE-588)4153365-3 gnd Musikästhetik (DE-588)4040808-5 gnd |
topic_facet | bicssc / History of ideas bicssc / Media studies bisacsh / MUSIC / Philosophy & Social Aspects bisacsh / SOCIAL SCIENCE / Media Studies Modernism Music - History - 20th century Avant-garde Music - History - 20th century - France Modernism Aesthetics - History - 20th century - France Music - Foreign influences - Western countries Music - Philosophy and aesthetics Philosophy, French - 20th century Postcolonialism and music Neue Musik Postkolonialismus Experimentelle Musik Musikästhetik Frankreich |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034610782&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT mendelssohnedmund whitemusicalmythologiessonicpresenceinmodernism |